Ghassulian ossuary, ca. 3500 BC, Palestine (at the British Museum)

Ghassulian refers to a culture and an archaeological stage dating to the Middle and Late Chalcolithic Period in the Southern Levant (c. 4400 – c. 3500 BC).^[1] Its type-site, Teleilat Ghassul (Teleilat el-Ghassul, Tulaylat al-Ghassul), is located in the eastern Jordan Valley near the northern edge of the Dead Sea, in modern Jordan. It was excavated in 1929-1938 and in 1959-1960, by the Jesuits. ^[2]^[3]^[4] Basil Hennessy dug at the site in 1967 and in 1975-1977, and Stephen Bourke in 1994-1999.^[1]^[5]

The Ghassulian stage was characterized by small hamlet settlements of mixed farming peoples, who had immigrated from the north and settled in the southern Levant - today's Jordan, Israel and Palestine. ^[3] People of the Beersheba Culture (a Ghassulian subculture) lived in underground dwellings - a unique phenomenon in the archaeological history of the region - or in houses that were trapezoid-shaped and built of mud-brick. Those were often built partially underground (on top of collapsed underground dwellings) and were covered with remarkable polychrome wall paintings. ^[3]^[6] Their pottery was highly elaborate, including footed bowls and horn-shaped drinking goblets, ^[3] indicating the cultivation of wine.^{[citation needed]} Several samples display the use of sculptural decoration or of a reserved slip (a clay and water coating partially wiped away while still wet). ^[3] The Ghassulians were a Chalcolithic culture as they used stone tools but also smelted copper. ^[3]^[6] Funerary customs show evidence that they buried their dead in stone dolmens ^[7] and also practiced Secondary burial ^[6].

Settlements belonging to the Ghassulian culture have been identified at numerous other sites in what is today southern Israel, especially in the region of Beersheba, where elaborate underground dwellings have been excavated. The Ghassulian culture correlates closely with the Amratian of Egypt and also seems to have affinities (e.g., the distinctive churns, or “bird vases”) with early Minoan culture in Crete.^[3]^[6]

Definition[edit]

Ghassulian, a name applied to a Chalcolithic culture of the southern Levant, is derived from the eponymic site of Teleilat (el) Ghassul, northeast of the Dead Sea in the Great Rift Valley. The name has been used as a synonym for Chalcolithic in general and sometimes for late phases, associated with late strata at that site and other sites considered to be contemporary. More recently it has come to be associated with a regional cultural phenomenon (defined by sets of artifacts) in what is today central and southern Israel, the Palestinian territories in the West Bank, and the central area of western Jordan; all either well-watered or semi-arid zones.^{[dubious – discuss]} Other phases of the Chalcolithic, associated with different regions of the Levant, are Qatifian and Timnian (arid zones) and Golanian. The use of the name varies from scholar to scholar.^{[citation needed]}

Origins[edit]

The main culture of the Chalcolithic era in Israel is the Ghassulian culture, thus named after the name of its type-site, Teleilat el-Ghassul, located in the eastern part of the Jordan Rift Valley, opposite Jericho. Afterwards, many additional settlements, located in other archaeological sites, were identified as Ghassulian settlements. All these settlements had been built in areas that had not been previously inhabited, mainly on the outskirts of populated areas. Thus, Chalcolithic settlements have been discovered in the Jordan Rift Valley, in the Israeli coastal plain and on its fringes, in the Judaean Desert and in the northern and western Negev. On the other hand, it seems that people of the Chalcolithic period did not settle in the mountainous regions of Israel or in northern Israel. Several facts allow us to assume that the carriers of this culture were immigrants who had brought their own culture with them: all excavated sites represent an advanced stage of this culture, whereas no evidence of its nascent stages has been discovered, so far, anywhere in the region. This culture's characteristics indicate they had connections with neighboring regions and that their culture had not evolved in the southern Levant. Their origins are not known.^[6]^[8]

It is hard to determine the time of the Ghassulian settlement in the region, and whether or not they had evolved out of local, pre-Ghassulian, populations (such as the Bsorian culture).^[9] It could generally be said that most of these settlements date to the 2nd half of the 5th millennium BC, and that they usually existed for only a short period of time, with the exception of Teleilat el-Ghassul, where 8 successive layers of occupation from the Chalcolithic have been excavated, of which 6 are considered Ghassulian and the earlier, pre-Ghassulian, layers are thought to belong to the Besorian culture. The total depth of these layers is 4.5 meters.^[6]^[8]

Ghassulian Copper Industry

The earliest evidence to the existence of a copper-industry in Israel was discovered in Bir abu Matar, Near Be'er Sheba, which specialized in copper production and the casting of copper tools and artifacts. No copper ore is naturally available in the area of Beersheba, so it appears that the ore was brought here from Wadi Feynan, in southern Jordan, and possibly also from Timna, where an ancient copper mine was discovered. It was attributed by Beno Rothenberg to the Chalcolithic era.^[6]

Dates and transition phases

The Ghassulian, if used as a synonym for the entire Chalcolithic period and not, as more appropriately, just to the Late Chalcolithic, followed a Late Neolithic period and was succeeded by an Early Bronze I (EB I) period. Little is understood of the transition from the latest Chalcolithic to the earliest EB I, but there was apparently some transition of ceramic, flint-knapping and metallurgical traditions, especially in the southern regions of the southern Levant. The dates for Ghassulian are dependent upon 14C (radiocarbon) determinations, which suggest that the typical later Ghassulian began sometime around the mid-5th millennium and ended ca. 3800 BC. The transition from Late Ghassulian to EB I seems to have been ca. 3800-3500 BC.^{[citation needed]}^{[dubious – discuss]}

The Issue of the nature of the transition from the Late Neolithic to the Early Chalcolithic is re-examined in this article [...] The Late Neolithic assemblages are closely to be identified with earlier Neolithic norms, whereas the Early Chalcolithic assemblages display all the hallmarks of the later Classic Ghassulian culture. -- S.J. Bourke ^[5]

References

^ Jump up to:^a ^b "The Chronology of the Ghassulian Chalcolithic Period in the Southern Levant: New 14C Determinations from Teleilat Ghassul, Jordan (PDF Download Available)". ResearchGate. Retrieved 2017-10-15.
^ Hitti, 2004, p. 26.
^ Jump up to:^a ^b ^c ^d ^e ^f ^g "Ghassulian culture". Encyclopedia Britannica. Retrieved 2017-10-04.
^ "Chalcolithic Materials From Teleilat Ghassul in the Semitics Icor Library - University Libraries". libraries.cua.edu. Retrieved 2017-10-10.
^ Jump up to:^a ^b Bourke, S.J. "The Late Neolithic/Early Chalcolithic Transition at Teleilat Ghassul: Context, Chronology and Culture". Paléorient (in French). 33 (1): 15–32. doi:10.3406/paleo.2007.5205.
^ Jump up to:^a ^b ^c ^d ^e ^f ^g Rappel, Joel (1980). History of the Land - Israel, Volume I, edited by Joel Rappel. Israel: The Israeli Ministry of Defense. pp. 47–60. ISBN 978-9650500504.
^ A. Gorzalczany, "Centre and Periphery in Ancient Israel: New Approximations to Chalcolithic Funerary Practices in the Coastal Plain", Antiguo Oriente 5 (2007): 205-230.
^ Jump up to:^a ^b "Palestine | History, People, & Religion". Encyclopedia Britannica. Retrieved 2017-10-05.
^ "Israel Antiquities Authority". www.antiquities.org.il (in Hebrew). Retrieved 2017-10-23.

Bibliography

Bourke, S. J. (1997): The “Pre-Ghassulian” Sequence at Teleilat Ghassul: Sydney University Excavations 1975-1995. pp. 395–417 in H. G. K. Gebel, Z. Kafafi and G. O. Rollefson, eds. The Prehistory of Jordan, II: Perspectives from 1997 (Studies in Early Near Eastern Production, Subsistence, and Environment 4). Berlin: Ex Oriente.
Bourke, S. Zoppi, U., Meadows, J., Hua, Q., and Gibbins, S. (2004): The end of the Chalcolithic Period in the south Jordan Valley: New 14C Determinations from Teleilat Ghassul, Jordan. Radiocarbon 46/1: 315-323.
Epstein, C. (1998): The Chalcolithic Culture of the Golan. Jerusalem: The Israel Antiquities Authority (IAA Reports 4).
Gilead, I. (1988): The Chalcolithic Period in the Levant. Journal of World Prehistory 2:397-443.
1994 The History of the Chalcolithic Settlement in the Nahal Beer Sheva Area: The Radiocarbon Aspect. Bulletin of the American Schools of Oriental Research 296: 1-14.
2011 Chapter 2: Chalcolithic Culture History: Ghassulian and Other Entities in the Southern Levant. pp. 12–24 in (eds.) J. L. Lovell and Y. M. Rowan. Culture, Chronology and the Chalcolithic: Theory and Transition (CBRL Levant Supplementary monograph series Vol. 9). Oxford and Oakville: Oxbow Books.
Joffe, A. H. and Dessel, J. P. (1995): Redefining Chronology and Terminology for the Chalcolithic of the Southern Levant. Current Anthropology 36: 507-518.
Klimscha, F. (2009): Radiocarbon Dates from Prehistoric cAqaba and Other Related sites from the Chalcolithic Period. pp. 363–419 in eds. Khalil, Prehistoric ‘Aqaba I (Orient-Archäologie Band 23). Verlag Marie Leidorf GmbH: Rahden, Westfalia, German Democratic Republic.
Levy, T. E. (1986): The Chalcolithic Period. Biblical Archaeologist 49: 82-108.
Lovell, J. L. (2001): The Late Neolithic and Chalcolithic Periods in the Southern Levant. New Data from the Site of Teleilat Ghassul, Jordan (Monographs of the Sydney University Teleilat Ghassul Project 1; BAR International Series 974). Oxford: British Archaeological Reports.
Hitti, Philip Khuri (2004), History of Syria including Lebanon and Palestine, Gorgias Press LLC, ISBN 978-1-59333-119-1
History of the Land - Israel, Volume I, edited by Joel Rappel, 1980, ISBN 978-9650500504. Pp 47-60 in the Hebrew 1980 edition: The Land Of Israel in the Chalcolithic Era, by David Ussishkin.

Teleilat el-Ghassul

Teleilat el-Ghassul on the map of Jordan

Replica of bronze sceptre from the Nahal Mishmar Hoard (at Hecht Museum, Haifa)

https://en.wikipedia.org/wiki/Ghassulian

Earliest Form of Writing, a Secret Visual Code, May Have Been Found in Israel

The images in the 6,000-year-old copper hoard from Nahal Mishmar are a code used by Chalcolithic metal workers, one scholar claims. Many colleagues are skeptical

By

Ariel David

Aug 06, 2019A cache of copper artifacts made some 6,300 years ago may contain a secret code used by ancient Levantine metal workers, which would make this one of the earliest forms of primitive writing in the world. That’s the new and controversial theory of an Israeli researcher who believes he has deciphered the meaning of the exquisite but as-yet-enigmatic artifacts that were uncovered decades ago in a remote desert cave in Israel.

More than 400 copper objects were found in 1961, wrapped in a tattered mat in a cavern on the nearly inaccessible slopes of Nahal Mishmar, a seasonal stream that flows into the Dead Sea.

The so-called Nahal Mishmar hoard was one of the greatest prehistoric finds in Israel and in the world. It revealed a previously unsuspected sophistication and advanced knowledge of metallurgy among the people who inhabited the Levant during the Chalcolithic, or Copper Age.

The treasure belonged to a culture that modern archaeologists have named Ghassulian – not because we have any idea what these people called themselves, but because it was first identified at a site in Jordan called Teleilat Ghassul.

Carbon 14 dating of the mat that held the Nahal Mishmar artifacts has shown that the hoard goes back to around 4300 B.C.E. and many of the myriad objects, shaped as bowls, maces, crowns and scepters, display a level of craftsmanship that was thought unthinkable for that period.

Most of the artifacts were produced using the lost-wax technique, a complex and time-consuming process. Even more surprisingly, analyses have shown they were made of then-unique alloys of copper with arsenic, antimony and other metals, which would have had to be sourced as far as Anatolia or the Caucasus.

Though most researchers agree the objects had some kind of ritualistic purpose, the hoard has remained somewhat of a mystery for archaeologists, who are hard pressed to explain what was the exact use of the artifacts, or what meaning can be ascribed to the motifs that decorate them.

Part of the enigma stems from the fact that the Ghassulians lived before recorded history and have left us no writings to tell us about themselves.

Or did they?

The depictions of horned animals, birds, human noses and other motifs found on the artifacts are not just random decorations or symbolic images, claims Nissim Amzallag, a researcher from the Department of Bible studies, Archeology and the Ancient Near East at Ben Gurion University.

Amzallag, who focuses on the cultural origins of ancient metallurgy, theorizes that these representations form a rudimentary three-dimensional code, in which each image symbolizes a word or phrase and communicates a certain concept.

In other terms, the Nahal Mishmar hoard should be seen as a precursor to the early writing systems that would emerge centuries later in Egypt and Mesopotamia, Amzallag says.

The researcher recently published his study of the hoard in Antiguo Oriente, a peer-reviewed publication of the Center of Studies of Ancient Near Eastern History at the Pontifical Catholic University of Argentina.

Not as easy as A-B-C

In his work, Amzallag analyzes several key pieces in the hoard and speculates on the possible semantics of the iconography. Many of the depictions can be interpreted as logograms, that is, graphic symbols that represent a particular word or phrase, he says.

Logograms formed the basis of the earliest writing systems, such as Sumerian cuneiform and Egyptian hieroglyphics. In their simplest form, logograms could signify a word by resembling the physical object they were meant to represent, such as an ox or a stalk of wheat.

But when they had to convey more abstract concepts, ancient writing systems would turn to what linguists call the “rebus principle:” using a character, or phonogram, whose corresponding word sounds very similar to the complex idea that the writer is trying to communicate.

This trick is still commonly employed in rebus puzzles created using modern languages. For example, in English, the pronoun “I” can also be written by drawing the image of an eye.

The same logic was at work in the code of Nahal Mishmar, Amzallag says. For example, one of the most recurring decorative motifs in the artifacts is that of a two-headed or four-headed horned animal, possibly a juvenile ibex.

While there is no particular connection between ibexes and metallurgy, the West Semitic word used for young ungulates does sound very similar to the designation of “dust” and “ore” (in Hebrew 'ofer is a young deer and afar is dust). It is therefore possible that the young ibexes were a phonogram for the mineral ore that made up these very artifacts, and the fused bodies of the animals represented the need to mix two or more ores to create the alloys used in the Nahal Mishmar hoard, Amzallag suggests.

To give another example, the frequent representation of a human nose, “anp” in early Semitic languages, could be connected to its use as a verbal root to express the boosting of a fire by blowing air on it – an action that was a key part of the smelting process, the researcher says in the article. And further, Amzallag sees a semantic link between the representations of nesting birds and the craft of metal working itself because the term for nesting in early Semitic languages is similar to qayin – an archaic designation of metallurgy.

Not all the symbols that the scholar claims to have deciphered follow the rebus principle, and some are more mundane representations of physical phenomena. So, for example, he interprets the frequent depictions of round globular masses to represent the form that raw copper takes when it is heated.

If you haven’t guessed it already, all the 16 signifiers that Amzallag says he has decoded have a meaning connected to copper smelting and metal working. Ultimately, his paper ventures to “translate” the iconography of several of the artifacts, into what turns out to be something resembling a series of simple recipes on how to make the objects that compose the Nahal Mishmar hoard: take a certain number of different ores, crush them, place them on a very hot fire, cast tools from the molten metal.

But why would the super-skilled Ghassulian metal workers need to – ehm – “write down” such basic instructions?

At the time, the process of heating rocks and extracting metal from them was seen as a magical, almost divine activity, Amzallag explains, and those who engaged in it would have felt close to unlocking the secrets of the universe.

“The sun, for example, looks very much like a sphere of molten metal, so they would have felt that they understood what the sun is, and they could make a small sun of their own,” Amzallag tells Haaretz. “They thought they understood what the universe is made of, and would have felt like gods themselves.”

The knowledge of this divine craft would have been kept within a close circle of people, and shared only with a select few, he notes.

“It is a mysterious occupation whose secrets you don’t learn easily – it requires initiation and several rites of passage, and having a visual code is part of that,” Amzallag says. “They didn’t aim to create writing – they aimed to understand and represent what they were doing.”

Maybe it’s just a goat

Amzallag is not exactly a mainstream researcher and is known for his somewhat unorthodox theories. As reported in Haaretz last year, he has made waves by publishing studies that claim to show that YHWH, the God of the Israelites in the Bible, originated as a deity in the Canaanite pantheon worshipped initially by metal workers in the late Bronze and early Iron ages.

His new study on the Nahal Mishmar hoard is “highly speculative” and based on assumptions that are difficult to prove or disprove, says Dina Shalem, an archaeologist for Kinneret College and the Israel Antiquities Authority.

The first problem, one which Amzallag recognizes himself in the paper, is that the analysis only works if we agree that the Ghassulians spoke a Semitic language, and that we can decipher the supposed symbolism of Chalcolithic iconography using words that are similar to those appearing hundreds or thousands of years later in Semitic texts from the Bronze and Iron ages.

“We don’t know enough to say what language they spoke,” says Shalem, who has dug multiple Chalcolithic sites across Israel. Archaeologically speaking, major cultural changes occurred in the Levant during the transition between the Copper and the Bronze Age, she notes.

“The burial customs, the architecture are completely different,” Shalem says. “Some things do display some continuity, but it’s hard to tell whether this applies to the language.”

Going deeper into the study, Shalem notes there could be other, equally valid interpretations of the Ghassulian iconography. For example, the figures that Amzallag sees as representations of young ibexes could well be goats. And the frequent doubling or quadrupling of bodies may not be connected to alloys and smelting at all, as it is a figurative motif that appears also in contexts not linked to metallurgy, such as in ossuaries.

“In earlier periods we find two-headed anthropomorphic figurines,” she says. “The doubling of something can simply be a way to emphasize its importance.”

Other colleagues are more inclined to give the study the benefit of the doubt. While he disagrees with some of the specific interpretations, the theory as a whole is solid, says Daniel Sivan, an emeritus professor of Semitic languages at Ben-Gurion University.

“He makes some very bold, controversial claims, but there is something to this theory that the origins of writing are connected to metallurgy,” Sivan tells Haaretz. “It’s a new and interesting concept and it deserved to be published.”

The earliest proto-writing?

But assuming the secret visual code did exist, is it right to identify it as the earliest form of proto-writing, as Amzallag suggests in his paper? And is it connected to the writing systems that developed later in the Middle East?

There are several, highly disputed finds that are even older that the Nahal Mishmar hoard and which carry symbols that some scholars have claimed could be the earliest known examples of writing. These include the Dispilio tablet, an engraved wooden tablet found in a lake in Greece and dated to around 5200 B.C.E., and the Tartaria tablets, engraved artifacts found in a Neolithic village in Romania.

But the interpretation and dating of these and other finds is highly controversial. Most scholars agree that the first scripts were developed in Mesopotamia and Egypt at the dawn of the Bronze Age, around 3,200 B.C.E., more than a millennium after the Nahal Mishmar hoard was squirreled away for reasons unknown.

There are no obvious similarities between the two-dimensional ideograms of cuneiform or hieroglyphic and the purported three-dimensional visual code of Nahal Mishamar. This is true both in form and in function. While the code developed by the metal workers of the Levant would have been an elaborate equivalent of a secret handshake, the first ascertained writing systems of antiquity were likely created for financial reasons, such as the need to record amounts of goods and transactions.

Still, given that the unique alloys in the Nahal Mishar artifacts show that already in the Chalcolithic there was a trade network that allowed for the transfer of goods and knowledge over vast distances, it is possible that ideas like the rebus principle were first developed by the Ghassulian metal workers and later adopted by other civilizations in the region, Amzallag speculates.

“The eventuality of a relationship between the visual code developed first among the Ghassulians and later in Egypt and in Mesopotamia should not be ruled out,” he concludes in his paper.

While it cannot be ruled out, there is also little evidence supporting such a claim, as it is unlikely that the metal workers – the supposed keepers of this secret code – would travel so far and wide to spread it, counters Shalem.

“When you look at the trade and import of raw materials, such as metals coming from Turkey, things would move from hand to hand, from one trader to another,” she says. “It wasn’t a single person who traveled to Anatolia to procure the goods, and certainly it was not the metal workers themselves who did the travelling.”

[:3-1] Jump up to:^a ^b "The Chronology of the Ghassulian Chalcolithic Period in the Southern Levant: New 14C Determinations from Teleilat Ghassul, Jordan (PDF Download Available)". ResearchGate. Retrieved 2017-10-15.

[Hittip26-2] Hitti, 2004, p. 26.

[:0-3] Jump up to:^a ^b ^c ^d ^e ^f ^g "Ghassulian culture". Encyclopedia Britannica. Retrieved 2017-10-04.

[4] "Chalcolithic Materials From Teleilat Ghassul in the Semitics Icor Library - University Libraries". libraries.cua.edu. Retrieved 2017-10-10.

[:4-5] Jump up to:^a ^b Bourke, S.J. "The Late Neolithic/Early Chalcolithic Transition at Teleilat Ghassul: Context, Chronology and Culture". Paléorient (in French). 33 (1): 15–32. doi:10.3406/paleo.2007.5205.

[:1-6] Jump up to:^a ^b ^c ^d ^e ^f ^g Rappel, Joel (1980). History of the Land - Israel, Volume I, edited by Joel Rappel. Israel: The Israeli Ministry of Defense. pp. 47–60. ISBN 978-9650500504.

[7] A. Gorzalczany, "Centre and Periphery in Ancient Israel: New Approximations to Chalcolithic Funerary Practices in the Coastal Plain", Antiguo Oriente 5 (2007): 205-230.

[:2-8] Jump up to:^a ^b "Palestine | History, People, & Religion". Encyclopedia Britannica. Retrieved 2017-10-05.

[9] "Israel Antiquities Authority". www.antiquities.org.il (in Hebrew). Retrieved 2017-10-23.

[1]

"Good Lands and Countries" of the Vendidad
Vendidad Name	Alternative Spelling	Old Persian/ Pahlavi	Greek / Western	Present Name	Features: - Good & - Bad
1. Airyanem Vaejo	Airyana Vaeja	Airan Vej (Phl.)		Iran	- Good & lawful - River snakes, climate change to severe winters.
2. Sukhdho (also Tuirya)	Sughdha Turan	Suguda (OP)	Sogdiana	Sugd, Northwest Tajikistan, Samarkand (SE Uzbekistan)	- Good land - fly Skaitya which kills cattle
3. Mourum	Mouru	Margu (OP)	Margiana	Marv / Merv, South Turkmenistan	- Brave, holy - Plunder, bloodshed
4. Bakhdhim	Bakhdhi	Bakhtrish (OP)	Bactria	Balkh, North Afghanistan	- Uplifted banner - Stinging ants
5. Nisaim	Nisaya	Parthava (OP)	Parthia	N. Khorasan (NE Iran) & Nisa South Turkmenistan. Bordering Balkh and Marv	- Good land - Disbelief (could have refused to accept Zoroastrianism)
6. Haroyum	Haroyu	Haraiva (OP)	Aria	Hari Rud (Herat), Northwest Afghanistan	- Plentiful water - Grief, poverty
7. Vaekeretem	Khnenta Vaekerata / Vaekereta	Kalpul (Phl.)	Sattagydia	Kabul, Eastern Afghanistan	- Good land - Followers of Keresaspa, fairies and witchcraft
8. Urvam	Urva	Uvarazmiya/Uvarazmish	Khvarizem/Chorasmia	Khorezm, Uzbekistan	- Rich pastures - Pride, tyranny
9. Khnentem Vehrkano	Vehrkana	Varkana (OP)	Hyrcania	Gorgan, Golestan, North-northeast Iran	- Good land - Sodomy with children
10. Harahvaitim	Harahvaiti	Harauvatish (OP)	Arachosia	Kandahar & Oruzan South Central Afghanistan	- Beautiful - Bury the dead
11. Haetumantem	Haetumant	Zraka (OP)	Drangiana	Helmand - SE Afghanistan & Sistan - E. Iran	- Brilliant, glorious - Wizardry & Sorcery
12. Rakham	Ragha	Raga (OP)	Ragai	Rai, Tehran & S. Alburz, North Iran	- Three peoples - Utter disbelief
13. Chakhrem*	Kakhra			Uncertain: Either Ghazni, SE Afghanistan or just west of Rai, N. Iran	- Brave, righteous - Burn corpses
14. Varenem	Varena	Patashkh-vargar or Dailam (Phl.)	Western Hyrcania	W. Mazandaran, Gilan & Northern Alburz (land of Mt. Damavand) North Iran	- Home of Thraetaona (Feridoon) who slew Azi Dahaka (Zahak) - Barbarian (foreign) rule
15. Hapta Hendu**	Hapta Hindu	Hindava (OP)	Indus	Northern valley of the seven Indus rivers (Upper Indus Basin) Gandhara (Waihind)*, Punjab and Kashmir in N. Pakistan & NW India	- Wide expanses - Violence, rage and hot weather
16. Ranghaya	Rangha	later part of Arvastani Rum (Phl.) i.e. Eastern Roman empire		Lake Urmia, Upper Tigris, Kurdistan, Eastern & Central Turkey	- Good land - No chiefs i.e. no protector, open to raids, lawless, severe winters

Note: The similarity of some symbols between Rongorongo and Indus Script has fascinated many enquirers including the Sherlock Holmes of Neuroscience, Prof. Viliyanur Ramachandran.

See: https://www.academia.edu/36427324/Corpus_of_Rongorongo_texts_and_a_compendium_of_views_on_links_with_Indus_Script

Toda people

The Rongorongo of Easter Island

By Anonymous

THE EASTER ISLAND SCRIPT AND THE MIDDLE-INDUS SEALS

Silicon Valley’s final frontier for mobile payments — ‘the neoliberal takeover of the human body’

Ditching credit cards for facial recognition will remove the last physical barrier between our bodies and Corporate America

QUENTINFOTTRELL

Companies are refining biometric services

Frictionless payments lead to more spending

Facial recognition is already widely used

The neoliberal takeover of the human body’

No federal law to regulate biometrics

Mobile-payment services will evolve slowly

Review of The Curse of Gandhari by Aditi Banerjee

‘Indus Valley settlers had a distinct genetic lineage’

Genome shows no Steppe pastoralist or Iranian farmer link.

Origins of farming

https://tinyurl.com/yyoydc8aThis is an addendum to: Warrior traders of r̥gveda RV 10.108 are echoed on Indus Script hypertexts as पणि metal work artisans & seafaring merchants

See: http://bharatkalyan97.blogspot.in/2013/08/monumental-architecture-as-hieroglyphs.html Architecture on Ancient Near East writing systems

Thanks to Prof. Sivaji Singh ji for giving me the links and leads.

are our treasure and I came here looking for them. The river gave way to us in fear as it knew that if it didnt we would take over it.[1]

Legend in Brhaddevata

Legend in Jaiminiya Brahmana

संवादः || Discussion

References

Sarama and Pani Conversation

Śarabha has eight legs, four are like a lion’s and rest on the ground; four long, clawed legs are turned upward; the body is half man, half lion with two wings which signify Kali and Durga. (TA Gopinatha rao, Elements of Hindu Iconography, vol. 2, part 1, pp. 172-73).

Śarabha signifies Vīrabhadra, a distinguished hero,son of Śiva.

ऋग्वेदः सूक्तं १०.१०८

[quote]Gandaberunda

RV 9.44 to 46 are Sukta rendered by Rsi ayāsya āngīrasa. अयास्य m. N. of an अङ्गिरस् (composer of the hymns RV. ix , 44-66 and x , 67 and 68) RV. x , 67 , 1 and 108 , 8 S3Br. xiv.

Wilson translation RV 10.67

Wilson translation: 9.044.01 Indu, you advance to give us abundant wealth; Aya_sya bearing your waves (go) towards the gods (to sacrifice).

The Myth of the Panis in the Rig Veda

Vendidad references to 16 regions of Airyana Vaēǰah

Yasht references to Airyana Vaēǰah

Conclusion

See: Ancient land of ratanākara 'mine of jewels, precious metals' contact area of R̥gveda people is Akkad with rásā रसा 'river'मा 'mother, water, divinity of wealth'

Meluhha Indus Script cipher or mlecchita vikalpa, śṛṅgin 'horned' rebus: śr̥ngī 'gold used for onaments' https://tinyurl.com/yyd5kqk4Unicorn read rebus in Meluhha as खोंड khōṇḍa singin 'young bull, horned'.

British Museum number103225 Baked clay plaque showing a bull-man holding a post.

See:

See:

meḷh ‘goat’ (Br.) Rebus: meḍho ‘one who helps a merchant’ vi.138 ‘vaṇiksahāyah’ (deśi. Hemachandra). Allograph: meṛgo = with horns twisted back; meṛha, m., miṛhi f.= twisted, crumpled, as a horn (Santali)

Nahal Mishmar evidence of cire perdue metal casting, R̥gveda evidence of cupellation of mākṣika 'pyrites' to gain amśu, ancu 'iron' in Ancient Pyrotechnology

Some evidences from Nahal Mishmar artifacts and R̥gveda texts are discussed in this monograph. Both categories of evidence may be relevant to identify or hypothesise on techniques of Ancient Pyrotechnology of Gobekli Tepe Pre-pottery neolithic period (ca. 10th millennium BCE).

Ghassulian

Contents

Definition[edit]

Origins[edit]

Ghassulian Copper Industry

Dates and transition phases

See also

References

Bibliography

Earliest Form of Writing, a Secret Visual Code, May Have Been Found in Israel

śr̥ṅkhalaka 'chained camels' are rebus शृङ्गि 'ornament gold' tributes on Shalamaneser III obelisk. Seal m296 signifies gold-silversmith

Starfish

Throat: Ma. vēḷa throat. Koḍ. bo·ḷe neck. Go. (Tr.) warēṛ, (G.) veṛeṛ, vereṛ, vereḍi, (Mu.) vaṛer, (Ma.) veṛer̥ neck; (Y.) verer, (S.) veḍeṛu (pl. veḍahku), (L.) veḍāgā throat; (W.) warer id., neck (DEDR 5547)

Rebus: bəḍhàri ʻman in charge of treasure and stores of a templeʼ (WPah.); veṛhā, vehṛā, beṛhī 'building with a courtyard, warehouse' (Lahnda.WPah.) Alternative: vēḍa ʻboatʼ(Prakritam)

Throat: Ma. vēḷa throat. Koḍ. bo·ḷe neck. Go. (Tr.) warēṛ, (G.) veṛeṛ, vereṛ, vereḍi, (Mu.) vaṛer, (Ma.) veṛer̥ neck; (Y.) verer, (S.) veḍeṛu (pl. veḍahku), (L.) veḍāgā throat; (W.) warer id., neck (DEDR 5547)

Rebus: bəḍhàri ʻman in charge of treasure and stores of a templeʼ (WPah.);

veṛhā, vehṛā, beṛhī 'building with a courtyard, warehouse' (Lahnda.WPah.)

Alternative: vēḍa ʻboatʼ (Prakritam)

A synonym in Gujarati is: koṭhārī m. ʻstorekeeperʼ; this is signified by the semantic signifier hieroglyph on the text of m297 inscription.

Hieroglyph in text of inscription on m297: Store. koṭṭha 'warehouse'

https://tinyurl.com/yyoydc8a

This is an addendum to: Warrior traders of r̥gveda RV 10.108 are echoed on Indus Script hypertexts as पणि metal work artisans & seafaring merchants

are our treasure and I came here looking for them. The river gave way to us in fear as it knew that if it didnt we would take over it.^[1]

Meluhha Indus Script cipher or mlecchita vikalpa, śṛṅgin 'horned' rebus: śr̥ngī 'gold used for onaments' https://tinyurl.com/yyd5kqk4

Unicorn read rebus in Meluhha as खोंड khōṇḍa singin 'young bull, horned'.