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khaake watan ka mujhko har zarra devata hai -- Urdu poet Allama Iqbal. Every particle of the country's sand is a deity to me.

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Some Muslims say no harm in ‘Bharat Mata ki jai’ chant

TNN | Mar 18, 2016, 05.27 AM IST
Some Muslims say no harm in ‘Bharat Mata ki jai’ chant
MUMBAI: Many Muslim community leaders assert that there's nothing wrong with saying 'Bharat Mata ki Jai', because it's a slogan hailing one's country and Islam doesn't prohibit its followers from expressing love for one's motherland.

Many prominent community members also allege there might be a tacit understanding between the BJP and the MIM to keep bringing up contentious issues. 

"There was no reason for Asaduddin Owaisi to respond to RSS chief Mohan Bhagwat's comments on 'Bharat Mata ki jai'. Again, MIM MLA Waris Pathan should not have said he would not utter the slogan, which, in other words, means salutation to the country, something Islam sanctions," says Ghulam Peshimam, a local Muslim leader. 

Many also say the BJP and MIM are feeding off of each other. 

"The BJP needs a Muslim party like MIM to polarise votes in the states which will soon go to polls. India is our motherland and there is nothing wrong in praising the motherland or saluting it even if our Constitution doesn't make it binding on the citizens," says Parvez Lakdawala, head of the Indian Union Muslim League Mumbai.


All India Milli Council (Maharashtra) general secretary M A Khalid says he would like to remind all Indians of Urdu poet Allama Iqbal's couplet in the poem, 'Naya Shivala (New Temple)'.

"Pathar ki mooraton mein samjha hai tu khuda hai/ khaake watan ka mujhko har zarra devata hai (for you, an idol of stone is a god/every particle of the country's sand is a deity to me.)" 


"Can Owaisi and Pathan call Iqbal a 'kafir' for penning such a patriotic line? Love to madre watan or motherland is a popular expression and Muslims' patriotism cannot be doubted," Khalid says.

Nationalism and politics. Brilliant articulation by Amit Shah in India Today Conclave. See full video (1:01:22)

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Amit Shah: Celebrating Afzal Guru's death anniversary is anti-national

Amit Shah: Celebrating Afzal Guru's death anniversary is anti-national

India Today Television | March 17, 2016

India Today Conclave 2016 - Amit Shah Published on Mar 17, 2016
Amit Shah's Strong & Clear message for TRAITOR (Anti-National)
& highlighting media's double standards

Speaking in India Today Conclave 2016, BJP President Amit Shah says that the celebration of Afzal Guru's death anniversary by JNU students is anti-national.

Bamboo Mamata's Narada XI. NaMo, bring back kaalaadhan.

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Saturday , March 19 , 2016 |

Before the real game begins at the Eden, here's the score of
DIDI'S NARADA XI

The names linked to the Narada News sting controversy total 14, sufficient to field a cricket team with a twelfth man and two reserves. THE PLAYING XI: (From left) Sovan Chatterjee, Subrata Mukherjee, Mukul Roy, Firhad Hakim, Sultan Ahmad, Saugata Roy, Kakoli Ghosh Dastidar, Subhendu Adhikari, Prasun Banerjee, Iqbal Ahmad and S.M.H Meerza. THE TWELFTH MAN: Madan Mitra, who cannot play right now because he is in jail and shown here in outline THE RESERVES: Two TMC youth leaders not shown here.
Graphic: Sanjay
The following are some of the results of an opinion poll conducted by Nielsen for ABP Ananda on the Narada News sting operation. The door-to-door survey wasconducted among 1019 respondents aged above 18 in Calcutta on Thursday, three days after the footage was made public. DKCS means don’t know/can’t say

http://www.telegraphindia.com/1160319/jsp/frontpage/story_75368.jsp#.Vuyrv_t97IU

Commie Sheldon Pollock twists the import and significance of Shastra and Vedic enquiry. Dr. Swamy provides the correct framework.

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The sheer modernity of ancient Hindu logic being amenable to allowing to reformulate Smriti text concepts on immutable Sruti axioms dazzles

Contrast this fact to the way Commie Sheldon Pollock twists the subject, motivated by anti-Hindu phobia:


The Commie's view is that Vedas engender authorianism and inspire social repression  Pollock’s paper on shastra

His thesis: The relationship between shastra and prayoga (theory and practical activity) is one which is diametrically opposed to what it is in the West. In the West there is progress because new experience and practical considerations inform the thinkers who can change and develop new thought based on such empirical evidence. On the other hand, the Veda-s are deemed as shastra par excellence, and as already containing all the knowledge. The Veda-s are thus opposed to all progress. Shastra-s are frozen in time; hence they hinder creativity, and are inherently regressive. Added to this, shastra-s engender authoritarianism and inspire social oppression. In contrast, Western civilisation is based on freedom. As a result, shastra-s are to be seen as a major cause - of Indian lack of creativity and freedom, and for the existence of oppression.

First point. The arguments of the Commie are NOT based on facts. They are merely opinions. 

As Dr. Subramanian Swamy tweets succinctly, there was absolute freedom over the ages to change/adapt Smriti texts to the realities and needs of the hour. Nowhere in Hindu history is there a mention that Shastra-s (adaptations of Sruti texts) are frozen in time. In reality, the Shastra-s have NOT impeded creativity and freedom. Nor have they been oppressive. On the contrary, they have been instrumental in ensuring social cohesion and the flowering of Samskrti (Go figure, Commie, on the import of this term, Samskrti). The closest explanation in Western though I find for this term is Weltanschauung, a German word. Veda is an enquiry par excellence enshrined in many Upanishads which have guided many Western thinkers too.

Here, for example, is what Schroedinger wrote in his book, Meine Weltansicht “This life of yours which you are living is not merely a piece of this entire existence, but in a certain sense the whole; only this whole is not so constituted that it can be surveyed in one single glance. This, as we know, is what the Brahmins [wise men or priests in the Vedic tradition] express in that sacred, mystic formula which is yet really so simple and so clear; tat tvam asi, this is you. Or, again, in such words as “I am in the east and the west, I am above and below, I am this entire world.”
ब्रह्मैवेदममृतंपुरस्तात्ब्रह्मपश्चात्ब्रह्मउत्तरतोदक्षिणतश्चोत्तरेण
अधश्चोर्ध्वंप्रसृतंब्रह्मैवेदंविश्वमिदंवरिष्ठम् 2.2.11
This is a reference to the Mundaka Upanishad mantra (above) in which the Vedic understanding of the connectivity of living entities is put forward to help the Bhakta (practitioner of yoga) to understand the difference between the body and the living entity. How the real nature of the living entity is realized only in union with the source, the supreme being (Brahman/Krishna) through a platform of transcendent

It may be beyond the competence of Commie Sheldon to realize the profundity of this example of Upanishadic/Vedic precept, but he has to realise that as a responsible teacher in a western school, he should NOT twist facts to poison the young, impressionable minds of students.

Yes, Rajiv Malhotra is right. The Battle for Samskrtam has to be joined and won by re-enshrining in Hindu thought, in every grain of the Bharatiya Rashtram, the profundity of Vedic wisdom which is the world's treasure, nidhi and not a politicking tool to be toyed with using bogus Hegelian dialectics of class struggle only to divide the people as the British colonials attempted.

I believe in prayasc'ittam; one day, even Commie Sheldon will repent for his irresponsible analyses and seek solace in the peace and tranquility of the wisdom imparted by many Shastras of Bharatam Janam over millennia..

S. Kalyanaraman
Sarasvati Research Center
March 19, 2016



Sevan pagodas of Mamallapuram.NIO scientists find sunken structures.

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Scientists find sunken structure off Mamallapuram, could be a pagoda
March 19, 2016


10m-Long Wall, Short Flight Of Stairs & Chiselled Blocks Found Scattered On Seabed
When the shoreline receded during the 2004 tsunami, tourists in Mamallapuram swore they saw a long row of granite boulders emerge from the sea, before it was swal lowed again as the water hurtled forward.More than a decade later, a team of scientists and divers have uncovered what eyewitnesses saw on that fateful day -vestiges of an ancient port town.In a discovery that could lead to more underwater explorations off the historic town of Mamallapuram, a group from the National Institute of Oceanography (NIO) has found the remains of what could be the port or ruins of one of the six shore temples, which according to legend, went under water.The ten-member team -comprising divers, geologists and archaeologists -found a 10m-long wall, a short flight of stairs and chiselled stone blocks scattered on the seabed. They were found 800m from the shoreline at a depth of nearly 27ft.
Rajiv Nigam, head of the marine archaeology unit of NIO, said the divers found it difficult to identify many of the structures as they were covered with thick aquatic growth. “Some of them are badly damaged due to strong underwater currents and swells. However, we could make out that they were part of a building complex,“ said Nigam, who led the exploration from March 10-18.
Archaeologists on board the vessel that bobbed around a 12sqkm area, where the remains were INDIA found, believe the structures could be around 1,100 to 1,500 years old. “We found some brick structures, sighted more during the Sangam Ma period (300 BC 200 AD),“ said Nigam.
Nigam, a geologist, embarked on the project B in Mamallapuram after studying the history of B sea-level pattern. “From the Gulf of Cambay experience, we know the sea level around 3,500 years ago was lower. But 6,000 years ago it was higher. We wanted to see if the pattern is the same in other coasts.“
Three years ago, NIO undertook a survey in Mamallapuram where their sonographs detected the presence of structures underwater. “But we didn't have enough divers to confirm this or take photos,“ said Nigam.
T Sathyamurthy , former superintending archaeologist, Archaeological Survey of India, Chennai Circle, said such explorations are turning myths to facts. In April 2005, ASI and the Indian Navy began searching the waters off the coast of Mahabalipuram by boat, using sonar technology . “We discovered that row of large stones people had seen immediately before the tsunami were part of a 6ft-high, 70mlong wall. We also found remains of two other submerged temples and one cave temple within 500m of the shore,“ he said. However, the team wasn't equipped to take underwater images. Historians say many of these structures could have gone under water because of a tsunami-like event in 952AD.
P D Balaji, head of department of ancient history at Madras University , said he isn't surprised by the discovery . “From early '60s we have known of the presence of these structures.These studies are vital for reconstructing history ,“ he said.

http://epaperbeta.timesofindia.com/index.aspx?eid=31807&dt=20160319
The secret of the Seven Pagodas
T.S. SUBRAMANIAN
Photographs: R. Ragu
The mighty tsunami shifts the sands of history to reveal the remains of a hitherto undiscovered temple at Mamallapuram, reviving the debate on whether the Seven Pagodas really existed.
THESE are exciting times for the Archaeological Survey of India (ASI). Around the majestic Shore Temple on the edge of the sea at Mamallapuram in Tamil Nadu, the ASI has made valuable discoveries that have renewed interest in the debate on whether the Seven Pagodas, or Seven Temples, existed on the shore.


The newly discovered ruins of a temple in Mamallapuram.
A few hundred metres to the south of the Shore Temple, the ASI has excavated on the beach the remains of a massive temple which, when it existed, would have rivalled the Shore Temple in size and grandeur. The collapsed temple had been built entirely of granite blocks.
The parts of the collapsed temple that have surfaced include a square garbha griha (sanctum sanctorum), a wide courtyard, a thick prakara or wall made of granite boulders around the temple, an elegant terracotta ring well, akalasha; a carved capstone; a stupika and a sitting lion sculpted out of sandstone. There is also a sandstone sculpture depicting perhaps the Pallava king Narasimhavarman I.
K. PICHUMANI

Archaeologists believe this sandstone sculpture depicts Narasimhavarman I.
The centrepiece of these discoveries is a fragmented stone inscription in Tamil, which reads: cika malla eti... ma. It provides evidence that the collapsed temple was built by the Pallava kings, said T. Satyamurthy, Superintending Archaeologist of ASI, Chennai Circle. Besides, the script shows Pallava palaeography. "What is interesting is that there are no inscriptions in Tamil belonging to the eighth century in the Shore Temple," he said. The inscriptions on the floor of the Shore Temple date to the 11th century.
S. Rajavelu, Epigraphist with the ASI, said "Malla" was a title often used by Pallava kings. Narasimhavarman I was called "Mamallan", that is, a great wrestler. "Eti" was also a title used by the Pallava kings.
On the beach to the north of the Shore Temple, the ASI has discovered blocks of a wall that run to 70 metres. The wall extends into the sea towards the east. Found submerged in the sea behind the Shore Temple are carved granite blocks, boulders hewn with steps, and rocks with signs of human activity.


A close view of the sanctum sanctorum of the temple.
These discoveries onshore and offshore have fuelled a fresh debate on whether the Seven Pagodas existed on the shore at Mamallapuram. Satyamurthy is sure that the Seven Pagodas existed. He said: "Earlier, the theory that the Seven Pagodas did exist was not accepted by art historians for lack of archaeological evidence. Now we have unearthed some evidence on the existence of the Seven Pagodas and this will pave the way for further investigation."
Mamallapuram, about 50 km from Chennai, was popularly known as "Seven Pagodas" to European travellers of the 16th century. N.S. Ramaswami, in his book Seven Pagodas, The Art and History of Mahabalipuram, published by Uma Books in Chennai, has written elaborately on European travellers' references to the Seven Pagodas. He writes about the Italian traveller Gasparo Balbi, who sailed to Madras (now Chennai), landing at Santhome in May 1582. Balbi says in his book: "About three of the clocke the next morning (May 30), wee came to a place which is called the Seven Pagods, upon which are eight pleasant hillockes not very high... "
Elihu Yale, who later became Governor of Madras, and after whom a university in the United States is named, wrote in a journal of his 1682 journey that on December 15 that he sent a present to "Mahabalipur". Evidently, Ramaswami notes, some person of consequence lived there.
K. PICHUMANI

The centrepiece of the new discoveries is this Tamil inscription on a stone, cited as evidence that the Pallavas built the temple.
Ramaswami writes: "Mamallapuram, under its European name of Seven Pagodas, enters the records of Fort St. George, Madras, in 1708. An entry mentions a letter sent to the `Super Gargoe or Commander of the English Ship riding near the Seven Pagodas." Another entry, dated November 17, 1721, records a letter from the "Chief of the Flemings at Covelong, advising that an English ship was stranded at Mauvalipuram... " A Frenchman called Sonnerat, who travelled in the East Indies and China "by order" of Louis XIV between 1774 and 1781, visited Mamallapuram. He talks about "the temple named the Seven Pagodas, which one sees between Sadras and Pondicherry".
In 1778, William Chambers wrote an article on the monuments at Mamallapuram in the first volume of Asiatic Researches published from Calcutta (now Kolkata). He visited the site in 1772 and 1776. Ramaswami writes: "He raises two questions, the origin and significance of the European name of Seven Pagodas and the existence of a city or at least of buildings submerged in the sea off Mamallapuram."


A bird etched on stone, the mason's signature.
Chambers linked the two questions: "The rock, or rather hill of stone, on which a great part of these works are executed... is known by the name of Seven Pagodas, possibly because the summits of the rock have presented them with that idea as they (mariners) passed; but it must be confessed that no aspect which the hill assumes, as viewed on the shore, seems at all to authorise this notion; and there are circumstances that would lead one to suspect that this name has arisen from such number of Pagodas that formerly stood here and in time have been buried in the waves."
Ramaswami, however, concludes, "But early writers accepted the submerged city. It was such a colourful notion... The notion died hard."


A terracota ring well found among the ruins, thought to belong to an earlier period, for no other ring well has been found among what remains of Pallava architecture.
In 1813, Maria Graham recorded: "There is a tradition that five magnificent pagodas have been swallowed up at this place by the sea, the ruined temple (the Shore Temple) and one still entire in the village making the seven pagodas where the place had its name."
MAMALLAPURAM was variously called Mallai, Kadal Mallai and Mamallai. Its breathtaking monuments were built by the Pallava kings, who ruled from the 3rd century A.D. to the 8th century A.D. from their capital at Kanchipuram. The monuments at Mamallapuram were built by Narasimhavarman I, Paramesvarman and Narasimhavarman II, who ruled during the 7th and 8th centuries. The monuments can be categorised thus: the rock-cut cave temples; the monolithic free-standing rathas; open air-bas-relief; and the structural temples.


The shikara of the collapsed temple. The Shore Temple is seen in the background.
The cave temples include Konerimandapam, the Adi-Varaha cave temple and the Mahishamardhi cave. The free-standing monolithic rathas, such as the Draupadi, Dharmaraja and Arjuna rathas, were built by Narasimhavarman I (A.D. 630-668). There are four bas-reliefs. The most arresting is Arjuna's Penance, sculpted out of the rock face of a hillock, and Goverdhanari. The structural temples include the Shore Temple and the Olikanneesvara temple. Narasimhavarman II (A.D. 690 to A.D. 728), also called Rajasimha, built the spectacular Shore Temple which stands tall at the edge of the sea. The Pallava reign came to an end in the 9th century A.D.
When the waves first receded about 500 m into the sea before the tsunami struck the Mamallapuram coast, including the Shore Temple, on December 26, 2004, tourists saw a row of rocks on the north side of the Shore Temple. Behind the Shore Temple in the east were revealed architectural remains of a temple. When the waves subsided, these were submerged in the sea again.
When the waves that engulfed the Mamallapuram beach receded, they washed away from the beach a vast quantity of sand into the sea. The ASI staff were surprised to see what lay on the beach a few hundred metres to the south of the Shore temple: dressed rocks in a square area. When G. Saravanan, Senior Conservation Assistant, ASI, Mamallapuram, saw them, he had no doubt that they were the remains of a temple.
Alok Tripathi, Deputy Superintending Archaeologist, ASI, who heads its Underwater Archaeology wing, and his team lost no time in excavating the place. The excavation unearthed the massive remains of a temple, just a few hundred metres to the south of the Shore Temple. Tripathi said: "We did not expect there would be such a huge temple."


kalasha (pot) found among the ruins.
Before the excavation of this temple on land got under way, the Underwater Archaeology wing began underwater exploration in the sea immediately behind the Shore Temple from February 11. The Indian Navy deployed its vesselGhorpad for the task and naval divers took part in the exploration. Sonar devices were used too. The Underwater Archaeological wing had earlier conducted offshore explorations here in 2001, 2002 and 2004. During their earlier missions, the divers saw submerged structures. Tripathi, who is a diver and an underwater photographer himself, said: "We had earlier found submerged rocks with certain indications of human activity... We wanted to confirm them now [February 2005]. We want to retrace the seaward and landward formations of these structures."
The divers saw submerged rocks to the north of the Shore Temple, with evidence of human activity on them. In between these rocks, a wall had been built. The ASI concluded that this wall in the sea would have naturally begun on land. So it began excavating on the beach to the north of the Shore Temple. It found a wall, made of stone blocks, running to about 70 m. Since the water table was very high on the beach, these stone blocks were submerged in water, sometimes even at a depth of 1.5 m. Tripathi said: "We wanted to correlate the seaward and landward structures and find out what happened - whether there was a change in the sea level or shoreline. There was definitely a change because you find the same structures under the sea. Either the land has gone under water or the sea has come in."
The undersea exploration lasted from February 11 to 25. But the muddy waters in the wake of the tsunami thwarted the ASI's efforts to study the submerged structures fully.


A sandstone lion found among the ruins.
From February 17, ASI men and women turned their attention to excavating the temple on the beach to the south of the Shore Temple, whose remains on the surface were exposed by the tsunami-triggered waves. The excavations unearthed the remains of a temple that was 25 m long and 20 m wide, larger than the Shore Temple. The garbha grihameasured 2.6 m by 2.6 m.
Why did this temple collapse, whereas the Shore Temple has survived 1,300 years, withstanding even the latest tsunami?
Satyamurthy offered this explanation: "The Shore Temple is built on bed-rock. So it survived all these years. But this temple was constructed on sand and it collapsed." Tripathi was of the same view: "When such a huge temple is built on sand, it collapsed... There was subsidence because it was not hard ground. The temple [the vimana above the sanctum sanctorum] tilted towards the south and fell. That is where you find all the architectural members, particularly belonging to the superstructure and the shikara lying on the southern side." Besides, there was no special arrangement such as a bed or a floor to distribute the weight of the superstructure.
The experts are more or less agreed that the Pallavas built the newly discovered temple. "Whatever architectural members we have found in this temple have a similarity to those in the existing Mamallapuram temples. So it must have been built by the Pallava kings," Tripathi said.
According to G. Thirumoorthy, there is other tell-tale evidence that the temple belonged to the Pallava period: the sculpture of a sitting lion and the "hara" with the carving of a human face, both of which are so typical of the period of Narasimhavarman I. The lion is coated with lime and painted in the manner of lions in other Pallava temples.
Interestingly, the ring well found in the temple complex belongs to an earlier period. Rajavelu said: "It belongs to a pre-Pallava period. So far, no ring well made of terracotta has been found in any temple [in Tamil Nadu]. Normally, wells are made of bricks or stone. This is the first occurrence of a terracotta well in a temple complex."
Another interesting aspect of the remains are the mason's marks on the granite blocks that have gone into the making of the sanctum sanctorum. These marks, which constitute sort of a signature by the masons, show a bird a bow and an arrow; there are two interconnected triangles which look like a butterfly; lamps and so forth. Tripathi said a study of the masons' marks in other Pallava temples would reveal whether the same group of masons built them.

Vol:22 Iss:10 Frontline
http://www.frontline.in/static/html/fl2210/stories/20050520005812900.htm

See: https://en.wikipedia.org/wiki/Seven_Pagodas_of_Mahabalipuram
Is this the seventh pagoda?
BARELY NOTICED locally — but getting a big spread abroad — has been the discovery of acres of man-made structures beneath the sea off Mahabalipuram. The earlier discovery of another submerged construction off the Gujarat coast has been paid only a little more attention. Whether all these are 9000 years old or 5000 years or only 2000 years still has to be determined, but surely the discovery of some of the ancient cities of the subcontinent deserve at least as much attention as the unsavoury political goings-on in the country. But let's not go into all that; let me stick to my brief.
An in this case that is to wonder about the finds made by a joint team of scientists and divers from the National Institute of Oceanography and a British scientific institution. Together they've found what could be the six lost pagodas which, together with the Shore Temple, once gave Mahabalipuram a name born of a legend: Seven Pagodas. One day, we'll find out whether these are the remains of an ancient city or, indeed of six temples. And whether the Shore Temple was the seventh pagoda. We'll also find out when they date to. But for the nonce, let me join the speculation game.
I'd plump for around 2000 years and a tidal wave burying whatever existed of an earlier Mahabalipuram, before the Pallavas in the 4th-7th Centuries raised their open air museum of living stone. The unwritten ancient history of India has always been a fertile field for speculation. And one thing I've always speculated about is the great maritime traditions of the Coromandel Coast.
The early Cholas, from Manu Aruran Chola, in the 2nd Century B.C. — the Elara of the Sri Lankan chronicles — to the great Karikalan in the 2nd Century A.D., were frequent and victorious invaders of Sri Lanka. Their overlordship stretched to Tondaimandalam, the hinterland of modern Madras and Mahabalipuram. To conquer overseas — and stay there for long stretches at a time — the early Cholas must have had large fleets. Could they have sailed from Mahabalipuram? The Thomas legend of the 1st Century A.D. also speaks of a great port in Mylai. So, could the major ports of the early Cholas have been Poompuhar (Kaveripoompattinam), Mahabalipuram and Mylapore — all mentioned in South Indian maritime tradition, but none of them resembling any kind of port today?
The ancient port of Mylapore is said to have been just north of the present Adyar estuary, presumably off Foreshore Estate. The NIO is exploring beneath the seas off Poompuhar and are said to have found significant indicators. And now there's the news from Mahabalipuram. Could these great ports of around the time when B.C. became A.D. be the submerged cities, traces of which are being found off the Coromandel?
This speculation gives me the opportunity to raise another question that has always intrigued me. Given the great maritime traditions of the Kalingas, the Cholas and the Pallavas who took the culture of India to the lands of the East, how is it there is not a single representation in sculpture or fresco, or description in inscribed word, of what their ships looked like. I'm told there is a bas-relief in Borobudur, Java, that depicts a Chola ship. But that's it! Leaving as intriguing a mystery as these cities under the seas off India's coasts.

http://www.thehindu.com/thehindu/mp/2002/04/22/stories/2002042200230300.htm

Commie Sheldon Pollock goes berserk, insults the abiding memory of Sri Rama & Ramayana, while celebrating Hitler

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Mirror: http://tinyurl.com/jv73p6z

I suspect that Commie SheldonP tries to create an outrage in the Hindu communities worldwide by his disdainful references to Sri Rama and the sacred text of Ramayana.

Commie Sheldon Pollock's twisting of facts on Samskrtam language and on Shastras/Vedic texts have been noted. 

Now, two more provocative statements of Sheldon Pollock can be combined together since they are 'political economy' classifications in Marxist jargon. P's arguments have been summarised by Prof. Kannan. P's argumets are:

1. Kumarila, Mimamsa scholar should be characterised as a deep Nazi, the way Hitler is characterised as a Mimamsaka.

2. Ramayana is a literature of atrocity and is used as violence against Muslims.

Pollock’s paper that Sanskrit influenced Nazi ideology leading to the holocaust

His thesis: Early India had a pre-form of racism evidenced in the tension it provided between the aryan and the non-aryan. This became adopted by Europeans and was projected in the West as White v/s non-White. Nazi Indologists took recourse to Sanskrit texts to model their racist agenda. The Purva-Mimamsa school championed a high brahminism, and this contributed to the legitimisation of genocide, which found its culmination in the holocaust of Jews by Nazis. Kumarila may hence be styled as a deep Nazi, and by the same token, Hitler may be labelled a deep Mimamsaka.

I would at the outset dismiss the rubbish characterising Hitler as a Mimamsaka as the brainchild of a fevered mind. I see it as Commie SheldonP celebrating Hitler. I dismiss with absolute contempe, this reference to Kumarila as rubbish and will not deal with it any further.

Pollock’s thesis on the Ramayana as a political device

His thesis: The sacredness of the Ramayana is only a smokescreen to cover its essential role as a political instrument of rulers. To a large extent inspired by a Buddhist Jataka tale, it has  principally been a tool of safeguarding the exploitative means of social stratification. The major characters of the epic utterly lack free will, and the epic thus inspires fatalism, so detrimental to the future of the nation. Patently oppressing women and marginalising the lower classes, the Ramayana theme is little different from a literature of atrocity. The performance of yajna-s was a way of divinising the kings, who returned the favour to the brahmins who conducted this, by ensuring full and high security to them. The Raja Dharma section of the Mahabharata, twin epic of the Ramayana, issues a stern warning that whosoever turns against the king would soon meet his ruin. The rules of dharma-shastra were wantonly violated by kings, while at the same time were imposed on the citizens. In recent centuries, it has turned out to be the means of inflicting violence against Muslims who have been demonised.

See: The previous blogposts on Commie Sheldon Pollock as a twister of facts, not a serious academic scholar motivated by the search/enquiry for satyam (truth):

First, Ramayana is a sacred text venerated by Bharatiyas. Crores of Bharatiyas venerate Sri Rama and Sitadevi as divine avatara and many households read Tulsidas Ramayana in daily recitations as part of puja vidhanam.
Sheldon P's provocative derogatory statements of Ramayana are not different from Wendy Doniger's views which have been rebutted in an academic forum by Bharat Gupt, Madan Goel, Kalyanaraman and TRN Rao. See: http://www.esamskriti.com/essay-chapters/Interrogating-Wendy-Doniger-1.aspx

Sheldon Pollock should do his homework and study the facts presented by the traditions of Ramnami samaj in Bharatam.

Since SheldonP waxes eloquent on freedom of thought in Western academia (as opposed to the authoritarian (according to SheldonP) Vedic pardigm), I present Prof. Ramdas Lamb who has studied Ramnami traditions in Bharatam.  Read Bhagwati Charan Bhatpare's note (appended) with an introduction by Ramdas Lamb.

I find that Sheldon Pollock, the Commie is insulting these people who are devotees in Ramnami tradition, apart from insulting crores of people who revere Sri Rama as a divine avatara who reinforced dharma by the monumental Ramasetu or Setubandha (a kavya in Prakrtam traditions). This Setubandha also finds expression on sculptural friezes in Hinduised States of the Far East.
Prambanan (Brahmavana, Indonesia). Sculptures of 9th-10th centuries venerating Rama Setu.


Here is an excerpt from the tattooed people of God:





Over the last century members of the Hindu sect Ramnami Samaj have tattooed the name of their god, Ram, onto their bodies!











The Ramnami Samaj are a low-caste Hindu sect/community in the eastern Indian state of Chhattisgarh and for over 100 years they have been carrying the name of their god on their skin. Translating as“society in the name of Ram” the Ramnami Samaj began tattooing their bodies in the face of discrimination by higher castes as a symbol of both defiance and religious devotion.
A century ago the caste laws of India prohibited the Ramnamis from entering temples and isolated them as a community. To show that castes were meaningless and that god was everywhere the Ramnami Samaj tattooed his name onto their bodies. A permanent reminder that god is omnipresent and always with them. News website Reutersrecently featured a story on the Ramnami Samaj and explored the traditions of the full-body tattooing!
"It was my new birth the day I started having the tattoos. The old me had died."
The tattooing of the Ramnami Samaj begins at an early age with every child having to be tattooed at least once before turning two years-old. The tattoo ink is usually made by mixing soot with water!! Every family must also own a copy of the classic Hindu text Ramayana, as well as reciting the name of Ram everyday.
Spread across dozens of villages and four districts of Chhattisgarh the Ramnami Samaj number around 100,000 people but today the younger generations are less tattooed than their elders. Since 1955 the lives of the lower-castes have improved and younger Ramnami Samaj generations commonly travel from the communities to other regions for education and work. As a result they are less inclined to wear the full body tattoos, however some still carry smaller more discreet designs.
"The young generation just don't feel good about having tattoos on their whole body...That doesn't mean they don't follow the faith."
Although the full-body tattoos are not as prominent among the Ramnami Samaj as they once were it is still important and most infants are tattooed, usually on their chest, before the age of two. The change of caste discrimination however has greatly affected the traditions of the Ramnami Samaj but their beliefs of equality have stayed the same...
“The world is changing, the times are changing...We have all realised that we are all same.”
Whether the full-body tattooing of the Ramnami Samaj has a future is an uncertainty but the tradition and history of the practice will surely continue long after the last tattooed elders are gone!

Why I am a Hindu - by Bhagwati Charan Bhatpare

View the full report online | Purchase the report | Executive Summary | 10 Key Points | FAQs |Endorsements of the report | Statements against caste-based discrimination from Hindu leaders and organizations | Press Release | Hopes for future

Bhagwati Charan Bhatpare is a school principal, a leader of the SC Ramnami community and a civilrights activist in the Indian state of Chattisgarh. He is also a Board Member of the SahayogFoundation, a U.S. based non-profit, charitable organization established to provide support for theeducational and health needs of rural poor and SC community in Chhattisgarh. Below is a short introduction to Bhagwati (in italics) written by Prof. Ramdas Lamb, followed by Bhagwati Charan’s article. Prof. Ramdas Lamb is Associate Professor of Religion at the University of Hawaii, has studiedthe traditions and practices of the Ramnami community for over three decades and is a personalfriend of Bhagwati. Dr. Lamb is also the President and co-founder of the Sahayog Foundation.
When I first began to visit Matiya, Bhagwati’s village, in the mid -1970s, he was about 12 years old and used to come to see me regularly. He had been raised to be interested in the world and in spirituality and saw me as someone from whom he could learn something. His father, Ram Lal, was one of the only educated residents,and the only one who was Harijan. His father was also the principal of the school and the village postman. In addition, he was the person in the village with the most knowledge of medicine and served as its “doctor.” Whenever any of the caste Hindus were ill, he would be called upon, would go to their homes and treat them. When they were well, he would not be allowed into their homes for any reason. Ram Lal was also a scholar of the Ramcharitmanas and would give talks on it several times a year when his caste group would hold nine-day Manas readings and discourses called “katha”. Caste Hindus would go to listen to him, but he would not be allowed to participate in any of their religious rituals. It was in thisenvironment that Bhagwati and his four brothers were raised.
While his oldest brother works in the coal mines, Bhagwati and his next brother followed in the footsteps of their father and became school teachers. The fourth brother died of leukemia as a teenager, and the youngest brother works the family land as a farmer. Bhagwati earned a Bachelor’s and a Master’s degree at a university about 100 kilometers from their village and has been teaching since the late 1980s. Currently, he is the principal at a village school in which half the students are tribal youth. He is also on the board of Sahayog Foundation in the U.S. and serves as the primary overseer of Sahayog’s work in Matiya and the area. He has two sons, both of whom attend college. Bhagwati is highly respected in his village,both by his own caste group as well as by many caste Hindus. In fact, many caste Hindus will secretly share food with him at his own home but will not do so publicly for fear of being ostracized by the rest of their respective caste group. Others might see this as hypocrisy and be upset with it. Bhagwati understands the complexity of the situation and accepts the difficult situation of his caste Hindu friends. For him,his relationship with Lord Ram allows him to have patience with others without judging them. -- Prof. Ramdas Lamb
Today I want to write something that has been in my thoughts for a very long time, but that I have been previously unable to accurately express. I have pondered the reality of the physical world, religion, the various devis 149 and devatas (various forms of God that Hindus worship). I also thought about many of the religions that exist in my country, such as Hinduism, Islam, Christianity, Sikhism,Buddhism and Zorastrianism. Because my own Guru knows about all these belief systems, I have learned about them as well from spending time with him. He looks for the essence in all of them and reflects it in his own life and religious experience. What I have gained in this regard is due only to him, and I bow my head to his feet for this. All my religious knowledge comes from the blessings of my Guru.
When I was in a deep reflection, one question would arise in my mind, and that is “Why I am Hindu?” To answer this question I sought deep within. In the process, I reflected on my life when I was a student. I had learned that the Persians used to pronounce the River “Sindhu” as “Hindu,” and they called our land (Bharat) as “Hindustan.” Also, they called the people of Hindustan as “Hindu.” It means all Indian people were called Hindu by them. Later on, the word “Hindu” came to refer to the religious beliefs that originated in the country.
I was born in a Hindu family and when my understanding of life grew, I began to take part in religious and social activities. My father was both a school teacher and a very religious person. He had a great influence on me. Later on, I began to study the myths and beliefs of other religions as well and would try to compare one religion to another. I did not find what I was looking for in any of the other religions that are present in my area. The more I searched inside for what was right, I came to realize why I am Hindu. It was an answer that came from my heart and from my experiences.
Today, the recognition and understanding of life that I have is due to my Hindu religion, and I feel myself very grateful and happy for many reasons. I am free to undertake my religious practices as I wish and there are several ways of worshipping God. This is a unique feature of Hinduism. This freedom is there from the time of birth. Respect is given to everybody - even the animals and other creatures of this world are given respect, because we believe there is godliness in every living thing and in nature.
The ‘Vedas’ tell us the reason for creation, but they give only one particular view. There are so many other holy books of literature, poetry and stories in the Hindu religion as well. In them, each and every topic is mentioned about life and its requirements. In one of our most sacred books,“Ramcharitmanas,” it is clearly explained how we should live our lives. In the “Mahabharata” we get moral teachings that war should be fought only when necessary to save dharma and not for any other reason. The Puranas teach us that we should adore God every day, and this will lead us toward immortality in life. One of the more special things about my religion is that it has the capacity to respect all other religions. We don’t always find this attitude in other religions. There is no narrow mindedness in the foundation of Hinduism, although there are some Hindus who are narrow minded.
Today, I feel great inner peace being a part of Hindu society, and I also feel very happy. In it, I feel freedom in body, mind, and actions on the path towards finding God in my life. The Hindu emphasis on truth and non-violence are very important to me. Hindu Dharma also teaches various types of yoga for gaining health of body and strength of mind, both of which are very essential. Concentration of the mind creates a foundation to help one gain spiritual strength in our lives.
There are so many religious persons born within Hinduism who have dedicated their lives for the welfare of all humanity and of Hindustan. Their lives were devoted to ridding the world of spiritual ignorance and promoting world peace. This shows the greatness of the Hindu religion.
Dharma and righteousness are the highest values in one’s life, influencing the past, present, and future. They affect our lifestyle and thoughts and guide us. I have no problem following the paths and customs of Hinduism. I can take part in each and every religious activity. Most people have to struggle and have to face many difficulties to live up to their religious beliefs and doctrines. I do not see such problems in Hinduism. My religion gives me the freedom to choose my path and my doctrine to knowing God. I can see what is the right path for myself and what is not. To be a complete person, one has to adhere to some belief system. For me, Hinduism is the only religion that clearly teaches the path to knowing myself and knowing God. So I have accepted the path of Hinduism. It has influenced my life very much. I believe in its spiritual practices and I follow the path of Hinduism.
The Hindu American Foundation asked me to write this article for this report specifically because my family belongs to a scheduled caste. My community and other scheduled castes have suffered great discrimination for centuries. The Hindu community is divided into many castes, creeds, and other types of groups. Some high caste religious persons have spread the feeling of partiality and superiority of their caste, but this only destroys the reputation of the Hindu community.
Casteism is not good for the Hindu community. Its appearance has been deformed and defamed by those upper caste persons who are taking advantage of their caste status by belittling others. Many religious texts were manipulated and changed by upper castes to justify their acts. All religions have faults in them, so I do not say that Hinduism is at fault, only that casteism is a problem that needs to be removed.
I belong to the Ramnami Samaj, and our main purpose in life is to practice devotion to Lord Ram by chanting Ramnam. We are not concerned too much about casteism. The Hindu religion has cared for and nurtured our existence, so we have much to be thankful for.
The Hindu religion is our protector, and it has taught us the lesson of equality and ideal life. Some people think that the Hindu religion is not good for us Harijans (SC), but I disagree. This is only the hypocrisy created by some people to spread enmity among people of my caste. They don’t understand the real Hindu Dharma. It seems that they only want to weaken the Hindu religion. It is only the conspiracy of those who want us not to be Hindu. In the Hindu religion that I know, there is only fraternity, peace and humanist ideology. That is why I am Hindu.
--Bhagwati Charan Bhatpare
Matayi, Chattisgarh, India, May 19, 2010

Unravelling the Divine with Ramdas Lamb Published on Aug 2, 2012
Ramdas Lamb's Rapt in the Name provides an intriguing account of the Ram bhakti tradition in India. Less well-known in the West than the tradition of devotion to Krishna, the Ram tradition is an important component of Hinduism. Ram is the most-worshipped form of the divine in North India today and has long been particularly important to those of the lower castes throughout India. Lamb explores both the evolution of the tradition and the rise of lower caste religious movements devoted to Ram, specifically the Ramnami Samaj, an Untouchable religious movement in Central India. Lamb's study of the Ramnamis has spanned nearly three decades, first on a personal level as a Hindu monk and later as both a friend and a researcher. He discusses the historical origins, as well as present-day forms and structure of the Samaj, including a description of its distinctive ritual dress and practices. Among the more innovative aspects of the sect is its adaptation of the story of Lord Ram that is uniquely woven into its devotional repetition of his name (Ramnam). In addition, Lamb shares biographical sketches of six Ramnamis, each of which reveals the freedom of individual exploration and expression that is integral to the sect. This is a fascinating account of religious life and adaptation on the periphery of society.

Ramdas teaches introductory religion courses as well as courses dealing with contemporary religion and society, fieldwork, and mysticism. The focus of his current research is on monastic traditions and religion among the low castes in central and northern India. He was a Hindu sadhu (monk) in north India from 1969 until 1978

Front CoverRapt in the Name: The Ramnamis, Ramnam, and Untouchable Religion in Central India In Rapt in the Name, Ramdas Lamb provides an intriguing account of the Ram bhakti tradition in India. Less well-known in the West than the tradition of devotion to Krishna, the Ram tradition is an important component of Hinduism. Ram is the most-worshipped form of the divine in North India today and has long been particularly important to those of the lower castes throughout India. Lamb explores both the evolution of the tradition and the rise of lower caste religious movements devoted to Ram, specifically the Ramnami Samaj, an Untouchable religious movement in Central India. Lamb’s study of the Ramnamis has spanned nearly three decades, first on a personal level as a Hindu monk and later as both a friend and a researcher. He discusses the historical origins, as well as present-day forms and structure of the Samaj, including a description of its distinctive ritual dress and practices. Among the more innovative aspects of the sect is its adaptation of the story of Lord Ram that is uniquely woven into its devotional repetition of his name (Ramnam). In addition, Lamb shares biographical sketches of six Ramnamis, each of which reveals the freedom of individual exploration and expression that is integral to the sect. This is a fascinating account of religious life and adaptation on the periphery of society.
See: https://works.bepress.com/alfred_benney/26/

To sum up, Commie Sheldon P has gone berserk with these two views on Kumarila, Hitler and Ramayana and intends only to provoke rage within the Hindu comity. 

Should we take this Commie seriously? Maybe, we should because he is in an academic position to poison the young impressionable minds of students in the academia. In my view, he does not deserve a scholarly rebuttal, since by the diatribes he has revealed his true colours as a Marxian ideologuee out to construct imaginary classes within Bharatam and to provoke tensions within the samajam. 

One good answer to the Commie's  rubbish is to seek the anugraham of Sri Rama and follow the Bauddham Bhikshus who venerate Sitadevi in a mandiram in a Buddha vihara in Sri Lanka.

It is for NaMo government to reconsider the PadmaShri awarded to the Commie SheldonP during the previous UPA regime. It will be a good gesture to rip him of this medal of nation's honour.

S. Kalyanaraman
Sarasvati Research Center
March 19, 2016

Petiitioning CBE: Don't replace "India'; with 'South Asia'. Please sign and fwd.

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change.org/p/academia-don-t-replace-india-with-south-asia-in-california-history-textbooks 1,953 supporters

Please sign and fwd.

Petitioning California Board of Education

Don't Replace "India" with "South Asia" in California History Social Science Frameworks

School students in California will be forced to learn that there was never an "India" unless you act! A small group of South Asia studies faculty recently asked the California Board of Education to change the History Social Science Frameworks (Syllabus) so that the word "India" will be removed and replaced with "South Asia." They believe that India did not exist before 1947 and want a stereotypical and concocted generalization like "South Asia" to be used for almost all discussions of Indian history before 1947. 
If you thought the California textbooks were problematic, they are going to get far worse now, and they won't be any change for another ten years if you don't act fast! Please sign in support of the open letter to the board initiated by several scholars below. If you are a student, teacher or parent, please do mention that when you sign. Finally, please remember this concerns the future of India and all its people, and please do not be abusive in your comments!
DEAR CALIFORNIA BOARD OF EDUCATION,
You seem to have been taken for a ride! You cannot seriously expect California’s educational system to be respected anywhere in the world if you go ahead with your recent decision to delete all references to “India” in middle school history lessons and replace this word with the geo-politically motivated  Cold War era relic of a phrase “South Asia." Would you presume to deny the reality of India’s existence and history, and its deep significance to Indian American students in California, simply because a few misinformed professors of “South Asia Studies” wrote you a letter recommending you re-educate California’s children in this bizarre manner?
We have examined the “South Asia studies” professors’ claim. They want the History-Social Science Frameworks that determine what children are taught in California for the next ten years to remove most references to “India” before 1947 because, they believe, India gained independence from Britain only in 1947, and there was no India before 1947! That, at least, is the conceit of their claim.
If this is indeed correct that “India” is not an accurate term for “India” before 1947, how is it possible that the word "India" has been in usage in some form or another from the time of the ancient Greeks and Romans? Did Columbus go searching for “South Asia”? Are the islands of the Caribbean Sea called the “West South Asian-es” instead of the "West Indies"? Were the indigenous peoples of the continents that came to be called the Americas misnamed as “American South Asians”? Was it the British East “South Asia” Company that led colonial trade and exploitation? Was it the "South Asian Ocean" which constituted the center of the world's largest trade network before the rise of modern Europe? Do you write, perhaps, with “South Asian” ink? When you have to choose between Chinese, Japanese, Mexican and Indian food do you tell your family and friends, let’s have “East Asian,” “East-East-Asian,” “Middle North American,” and ... “South Asian”?
We hope you recognize that the California Board of Education and the South Asia studies faculty who have misguided you into this bizarre direction are on the threshold of becoming an object of ridicule and pity! The rock solid truth is that has India existed, in some administrative and territorial form or the other, and as a civilizational presence noted by observers and travelers from all around the world, for well over two thousand years of recorded history. The Europeans who ruled over it for the past four hundred years called it, very clearly, “India,” and so did its people. Before they came, there were terms like “Hindustan” and “Bharat,” which hundreds of millions of ordinary people in India use widely to this day (as opposed to "South Asian" which is used by a tiny, elite cult-like complex of academics and activists). We must, therefore, ask: what gives a few professors  unable to distinguish between high-theory speculations in the university classroom and the reality lived and fought for by over a billion people, nearly one-sixth of the human race, the right to try and decimate one’s right to one’s own name? Is it not intellectual arrogance?
What is even more absurd and self-contradictory in their recommendations is their suggestion (which is one of the changes you seem to have accepted) that “India” be removed in all references to the past, but then used again in phrases like “ancient Indian religion” – the new phrase being used to replace the term “Hinduism." Is this the kind of logic and rigor that students of California, the high-tech capital of the world, are going to be taught? Are teachers going to be expected to tell their students, "Ok, class, in ancient South Asia (not ancient India), the people practiced the religion of ancient India (not Hinduism)"?
How are the hundreds of Hindu American children who came to Sacramento these last few months to speak of the pain and hurt caused by decades of racism and ignorance in your schoolbooks going to feel now? Can members of your board, or these professors of South Asian studies, stand face to face with these bright young students and debate them? Can any of you explain why you think it is a good idea to erase a whole people’s sense of their own past?
It is time to end the discriminatory treatment that Indian origin and Hindu students have faced in American classrooms. If you accept the logic of the South Asia faculty who want all references to India before 1947 changed to the vague “South Asia” because it was technically “not India” till it declared independence, then you should be prepared to apply the same logic rigorously to all nations mentioned in California’s history textbooks. Do go right ahead and replace all lessons about all nations before they declared independence to some sterile geographical category. So all references to “America” before 1776 could be changed to “Northern Western Hemispherical Landmass” perhaps!
We hope you recognize the complete absurdity, irony and indeed cruelty of what you are about to do. Education and civil rights ought to march hand in hand. Please do not go down in history as the board that stole the right of a billion people to their own name, not in the 21st century, and not in California. We urge you to reject all the changes pushed by the South Asia faculty group that attempt to erase India and Hinduism from California’s schools. Let “India” remain “India” and “Hinduism” remain “Hinduism,” and respect reality at least that much.

Vamsee Juluri
Professor of Media Studies, University of San Francisco
Yvette Rosser, Ph. D.
Independent Researcher & Expert on History Textbooks
Ramesh Rao
Professor of Communication, Columbus State University
Vishal Misra
Professor of Computer Science, Columbia University

Ganweriwala tablet, catalogue of kammata mintwork, bhaTa 'furnace' baTa 'iron'

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Mirror: http://tinyurl.com/jfbeo7j

http://tinyurl.com/jfbeo7j
Glyphs on a broken molded tablet, Ganweriwala. The reverse includes the 'rim-of-jar' glyph in a 3-glyph text. Observe shows a  person seated on a stool and a kneeling adorant below.

Ganweriwala tablet. Ganeriwala or Ganweriwala (Urduگنےریوالا‎ Punjabi: گنیریوالا) is a Sarasvati-Sindhu civilization site in Cholistan, Punjab, Pakistan.

Canopy: Ku. pāl ʻ canopy ʼ; N. pāl ʻ tent ʼ; A. pāl ʻ sail, large sheet of cloth, palanquin ʼ; B. pāl ʻ sail ʼ, pāil ʻ sail, awning ʼ-- P. H. pallā m. ʻ cloth spread out for grain ʼ poss. < palya -- . Addenda: *palla -- 3: S.kcch. pāl m. ʻ big jute cloth ʼ.(CDIAL 7967).

phala2 n. ʻ point of arrow ʼ Kauś., ʻ blade of knife ʼ MBh. 2. *phara -- 1. [i.e. ʻ splitting ʼ ~ phala -- 3 ʻ what is split ʼ. -- √phal]1. Pa. phala -- n. ʻ point of arrow or sword ʼ, Pk. phala<-> n. ʻ point of arrow ʼ; K. phal ʻ tip of arrow, blade of mattock ʼ; S. pharu m. ʻ blade, arrowhead ʼ; L.awāṇ. P. N. phal ʻ blade ʼ, B. phal°lā; Or. phaḷā ʻ blade ʼ, phaḷī ʻ arrowhead ʼ; H. phal m. ʻ blade ʼ, G. M. phaḷ n.; M. phaḷẽ n. ʻ spear -- head ʼ.2. P. pharhā m. ʻ blade, nib ʼ.Addenda: phala -- 2. 1. Md. fali ʻ oar ʼ or < *phāla -- 2?(CDIAL 9052)

Hieroglyph: kamadha 'penance' Rebus: kammata 'coiner, mint'.
Prakritam gloss: kamad.hakamat.hakamad.hakakamad.hagakamad.haya= a type of penance.

The venerated, person seated in a type of penance has been rendered in Indus Script cipher as kamaDha 'penance' (Prakritam) Rebus: kammaTTa 'coiner, mint'. What did the kneeling adorant as Signs 45 and 46 signifY? I have suggested the cipher: bhaTa 'worshipper' rebus: bhaTa 'furnace'.
Prakritam lexis.

Reading rebus three glyphs of text on Ganweriwala tablet: brass-worker, scribe, turner:

1. kuṭila ‘bent’; rebus: kuṭila, katthīl = bronze (8 parts copper and 2 parts tin) [cf. āra-kūṭa, ‘brass’ (Skt.) (CDIAL 3230) 

2. Glyph of ‘rim of jar’: kárṇaka m. ʻ projection on the side of a vessel, handle ʼ ŚBr. [kárṇa -- ]Pa. kaṇṇaka -- ʻ having ears or corners ʼ; (CDIAL 2831) kaṇḍa kanka; Rebus: furnace account (scribe). kaṇḍ = fire-altar (Santali); kan = copper (Tamil) khanaka m. one who digs , digger , excavator Rebus: karanikamu. Clerkship: the office of a Karanam or clerk. (Telugu) káraṇa n. ʻ act, deed ʼ RV. [√kr̥1] Pa. karaṇa -- n. ʻdoingʼ; NiDoc. karana,  kaṁraṁna ʻworkʼ; Pk. karaṇa -- n. ʻinstrumentʼ(CDIAL 2790)

3. khareḍo = a currycomb (G.) Rebus: kharādī ‘ turner’ (G.) 

bhaTa 'worshipper' Rebus: bhaTa 'furnace' baTa 'iron' (Gujarati)

Hieroglyph: Ta. kump-iṭu (iṭuv-, iṭṭ-) to join hands in worship, make obeisance with the hands joined and raised, beg, entreat; n. worship. Ma. kump-iṭuka, kumm-iṭuka to bow down, prostrate oneself, worship. Ko. kub-iṛ- (iṭ-) to bow down, pray; kumiṭe· salutation used by Kota to Badaga or Kurumba. To. kub-ïḍ- (ïṭ-) to salute (not used of religious salutation); ? ku·ḍ- (ku·ḍQ-) to bow, bend down. Ka. kumbu bending, bowing down, obeisance; kumbiḍu to bow down, do obeisance (DEDR 1750)

Rebus: Ta. kumpiṭu-caṭṭi chafing-dish, portable furnace, potsherd in which fire is kept by goldsmiths; kumutam oven, stove; kummaṭṭi chafing-dish. Ka. kuppaḍige, kuppaṭe, kumpaṭe, kummaṭa, kummaṭe id. Te. kumpaṭi id. Cf. 1752 Ta. kumpu. Ta. kumpu (kumpi-) to become charred (as food when boiled with insufficient water); kumpal smell of charred rice; kumpi hot ashes; kumuṟu (kumuṟi-) to burst with distress; kumai (-v-, -nt-) to be hot, sultry. Ma. kumpi, kumpiri mirage; kumpal inward heat; kummu expr. descriptive of heat; kummal sultriness, mustiness; kumuṟuka, kumiṟuka to be hot, close; kumuṟal oppressive heat; ? kukkuka to be hot; ? kuppu heat. Ka. kome to begin to burn, as fire or anger. Tu.kumbi mirage; gumulu fire burning in embers; gumuluni to be hot, feel hot as in a fit of fever. Te. kummu smouldering ashes; kumulu to smoulder, burn slowly underneath without flame, be consumed inwardly, grieve, pine. Go. (Hislop) kum smoke (Voc. 763); (Tr.) gubrī fine ashes of burnt-out fire (Voc. 1141); (Koya Su.) kumpōḍ smoke. Cf. 1751 Ta. kumpiṭu-caṭṭi. / Cf. Pkt. (DNM) kumulī- fireplace. (DEDR 1751, 1752)

Hieroglyph of 'kneeling adorant' or 'worshipper' is such an abiding message that Mahadevan concordance treates the hieroglyph as a text 'sign'.
  Signs 45, 46 Mahadevan Concordance. In Sign 46, Sign 45 is ligatured with a pot held by the adoring hands of the kneeling adorant wearing a scarf-type pigtail. I suggest that the rimless pot held on Sign 46 is a phonetic determinant: baTa 'rimless pot' Rebus: bhaTa 'furnace'. So, is the kneeling adorant, a worshippper of a person seated in penance,  a bhaTa 'worshipper in a temple' Rebus: bhaTa 'furnace'. For him the kole.l 'temple' is kole.l 'smithy, forge' (Kota language).

http://bharatkalyan97.blogspot.in/2016/01/je-tiens-mon-affaire-orthography-of.html 

"Je tiens mon affaire!" Orthography of penance signifies kammaṭa 'mint, coiner' on 10 Indus Script inscriptions

m478a tablet
கோலம்¹ kōlamn. [T. kōlamu, K. kōla, M. kōlam.] 1. Beauty, gracefulness, hand- someness; அழகு. கோலத் தனிக்கொம்பர் (திருக் கோ. 45). 2. Colour; நிறம். கார்க்கோல மேனி யானை (கம்பரா. கும்பக. 154). 3. Form, shape, external or general appearance; உருவம். மானுடக் கோலம். 4. Nature; தன்மை. 5. Costume; appropriate dress; attire, as worn by actors; trappings; equipment; habiliment; வேடம். உள்வரிக் கோலத்து (சிலப். 5, 216). 6. Ornament, as jewelry; ஆபரணம். குறங்கிணை திரண்டன கோலம் பொறாஅ (சிலப். 30, 18). 7. Adornment, decoration, embellishment; அலங்காரம். புறஞ்சுவர் கோலஞ்செய்து (திவ். திருமாலை, 6). 8. Ornamental figures drawn on floor, wall or sacrificial pots with rice-flour, white stone-powder, etc.; மா, கற்பொடி முதலியவற்றாலிடுங் கோலம். தரை மெழுகிக் கோலமிட்டு (குமர. மீனாட். குறம். 25). 

The hieroglyphs on m478a tablet are read rebus:

kuTi 'tree'Rebus: kuThi 'smelter'

bhaTa 'worshipper' Rebus: bhaTa 'furnace' baTa 'iron' (Gujarati) This hieroglyph is a phonetic deterinant of the 'rimless pot': baṭa = rimless pot (Kannada) Rebus: baṭa = a kind of iron (Gujarati) bhaṭa 'a furnace'.  Hence, the hieroglyph-multiplex of an adorant with rimless pot signifies: 'iron furnace' bhaTa. 

bAraNe ' an offering of food to a demon' (Tulu) Rebus: baran, bharat (5 copper, 4 zinc and 1 tin) (Punjabi. Bengali) The narrative of a worshipper offering to a tree is thus interpretable as a smelting of three minerals: copper, zinc and tin.

Numeral four: gaNDa 'four' Rebus: kand 'fire-altar'; Four 'ones': koḍa ‘one’ (Santali) Rebus: koḍ ‘artisan’s workshop'. Thus, the pair of 'four linear strokes PLUS rimless pot' signifies: 'fire-altar (in) artisan's wrkshop'. 

Circumscript of two linear strokes for 'body' hieroglyph: dula 'pair' Rebus: dul 'cast metal' koḍa ‘one’(Santali) Rebus: koḍ ‘artisan’s workshop'. Thus, the circumscript signifies 'cast metal workshop'. meD 'body' Rebus: meD 'iron'.


khareo = a currycomb (G.) Rebus: kharādī turner (Gujarati)


m1186

Offering and adorant glyphs of Indus script




There are two seals of Indus script (m1186 and m0488) depicting a kneeling person with some offerings on a stool/tray. In a vivid orthographic analysis, John C. Huntington identifies the nature of the offering on m1186: it is a bowl with ladles. The offering kept on a stool on m0488 is likely to be a similar glyph, though analysis of a higher resolution image is not possible because the tablet with this glyph is worn-out.


m1186 seal. kaula— m. ‘worshipper of Śakti according to left—hand ritual’, khōla—3 ‘lame’; Khot. kūra— ‘crooked’ BSOS ix 72 and poss. Sk. kōra— m. ‘movable joint’ Suśr.] Ash. kṓlƏ ‘curved, crooked’; Dm. kōla ‘crooked’, Tir. kṓolƏ; Paš. kōlā́ ‘curved, crooked’, Shum. kolā́ṇṭa; Kho. koli ‘crooked’, (Lor.) also ‘lefthand, left’; Bshk. kōl ‘crooked’; Phal. kūulo; Sh. kōlu̯ ‘curved, crooked’ (CDIAL 3533). 
Rebus: kol ‘pancaloha’ (Tamil)

bhaTa 'worshipper' Rebus: bhaTa 'furnace' baTa 'iron' (Gujarati)
saman 'make an offering (Santali) samanon 'gold' (Santali)
minDAl 'markhor' (Torwali) meDho 'ram' (Gujarati)(CDIAL 10120) Rebus: me~Rhet, meD 'iron' (Mu.Ho.Santali)
heraka 'spy' (Samskritam) Rebus:eraka 'molten metal, copper'
maNDa 'branch, twig' (Telugu) Rebus: maNDA 'warehouse, workshop' (Konkani)\karibha, jata kola Rebus: karba, ib, jasta, 'iron, zinc, metal (alloy of five metals)
maNDi 'kneeling position' Rebus: mADa 'shrine; mandil 'temple' (Santali)

dhatu 'scarf' Rebus: dhatu 'mineral ore' (Santali)

The rice plant adorning the curved horn of the person (woman?) with the pig-tail is kolmo; read rebus, kolme ‘smithy’. Smithy of what? Kol ‘pancaloha’. The curving horn is: kod.u = horn; rebus: kod. artisan’s workshop (Kuwi)

The long curving horns may also connote a ram on h177B tablet:
clip_image061h177Bclip_image062[4]4316 Pict-115: From R.—a person standing under an ornamental arch; a kneeling adorant; a ram with long curving horns.
The ram read rebus: me~d. ‘iron’; glyph: me_n.d.ha ram; min.d.a_l markhor (Tor.); meh ram (H.); mei wild goat (WPah.) me~r.hwa_ a bullock with curved horns like a ram’s (Bi.) me~r.a_, me~d.a_ ram with curling horns (H.)

 miṇḍ 'ram' rebus: mẽṛhet iron (metal), meD 'iron' (Ho.) med 'copper' (Slavic)


See: 
http://www.rafiquemughal.com/mughal_1990_twin-capitals_jo-of-central-asia.pdf Rafique Mughal argues about major 'cities' of the civilization (including Ganweriwala).

S. Kalyanaraman
Sarasvati Research Center
March 19, 2016

Congi reduced to a miniority in Uttarakhand. BJP meets Gov. NaMo, bring back kaalaadhan to ensure Congi-mukt Bharat

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New Delhi, Mar. 19 (PTI): The Bharatiya Janata Party on Saturday said it has a majority in the Uttarakhand Assembly and should be invited to form the government as the incumbent Congress dispensation has been reduced to a minority.

”The Harish Rawat government has lost majority. Today BJP has the numbers with the support of rebel Congress MLAs to form a new government in Uttarakhand,” Shyam Jaju, the state in-charge of BJP, told PTI.

Jaju said the party is willing to present the members of the legislative assembly whose support it enjoys before President Pranab Mukherjee and insisted that Rawat should immediately resign given the loss of majority.

Nine rebel Congress legislators have arrived in Delhi and are in touch with BJP leaders, he said.

The four-year-old Rawat government is under threat with nine rebel Congress legislators raising the banner of revolt and joining the BJP, which has staked claim to forming the government in the state.

The Congress has 36 members in the 70-member Assembly, including the nine rebels. The Congress also has the support of six members of the Progressive Democratic Front. The BJP has 28 legislators.

A three-member BJP delegation of Lok Sabha member Bhagat Singh Koshiyari, who is a former chief minister, Jaju and BJP general secretary Kailash Vijayvargiya met Governor K.K. Paul Friday night after the simmering discontent within a section of Congress legislature came to the fore on a day of fast-paced developments in the hill state.

Amidst chaos in the Assembly, nine Congress rebels joined BJP in demanding a division of votes on the state's annual budget, which could have led to the government's fall.

Congress MLA from Rudraprayag, Harak Singh Rawat claimed the finance bill in connection with the budget had fallen, thus giving clear indication that the ruling party has been reduced to a minority with 35 votes against the budget and 32 in its favour.

Rebel Congress MLAs seen raising anti-government slogans along with the BJP were mostly those owing allegiance to former chief minister and MLA Vijay Bahuguna. The other eight are Harak Singh Rawat, Amrita Rawat, Kunwar Pranav Singh Champion, Shaila Rani Rawat, Pradip Batra, Subodh Uniyal, a confirmed Bahuguna loyalist, Shailendra Mohan Singhal and Umesh Sharma.

Replica of Gir Lion Sanctuary of Gujarat opens at London Zoo in England

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Replica of Gir Lion Sanctuary of Gujarat opens at London Zoo in England

London
ZSL London Zoo’s most majestic residents were given a Royal welcome on Thursday 17 March – when the brand new Asiatic lion exhibit was officially opened by HM The Queen and HRH The Duke of Edinburgh.
The Royals toured the Zoo’s new Land of the Lions and spent time talking to staff about the incredible interactive experiences the exhibit will have on offer to visitors.
Lionesses Indi, Rubi and Heidi even showed their respect for the Royal guests – coming to within a whisker of Her Majesty and His Royal Highness in the exhibit’s stunning 360⁰ Temple Clearing.
Director General Ralph Armond said: “We were delighted to welcome Her Majesty and His Royal Highness to ZSL London Zoo this morning to open our new Land of the Lions exhibit. Her Majesty actually opened our previous lion enclosure 40 years ago and it was an honour to have her return with HRH The Duke in the year of her 90th birthday.”
Land of the Lions, a £5.2m development, has been created to transport visitors from the heart of London to the vibrant setting of Sasan Gir in Gujarat, India – the last remaining stronghold of Asiatic lions – and bring visitors closer than ever to the big cats.
Covering an expanse of 2,500sqm (27,000sqft), visitors will enter Land of the Lions through a grand stone archway, pick up a ‘park pass’ at the Gir Tourist Information centre and explore Sasan Gir Train Station – where the odd lion might be spotted snoozing on the tracks – before being awed by the exhibit’s incredible centrepiece, a 360° Temple Clearing where the big cats will roam just metres away, separated only by fine wires.
ZSL London Zoo’s biggest project-to-date and incorporating ZSL’s decades of animal expertise, the flagship exhibit provides the ideal home for the Asiatic lions, who will play a vital role in the European breeding programme for the endangered species, of which only 500 remain in the wild.
To truly capture the essence of the lions’ forest home, the Zoo’s designers visited Gujarat in India for inspiration, and rickshaws, bicycles, sacks of spices, rangers’ huts, and even a life-size truck – much of which was sourced and shipped from India – are dotted both inside and out of the lions’ domain.
The result of ZSL’s Asiatic lions fundraising campaign which supports ZSL’s international conservation efforts to help protect this endangered species in India, Land of the Lions promises to be an enthralling new experience for visitors when it opens to the public on Friday 25 March 2016.
Land of the Lions is almost here! ZSL London Zoo’s newest and most breath-taking exhibit transports visitors from the heart of London to India’s vibrant Sasan Gir, where they can get closer than ever before to mighty Asiatic lions.
Three walkways cover the 2,500sqm exhibit with thrilling, immersive Indian-themed areas to explore – including a train station, crumbling temple clearing, high street and guard hut.
For the first time, big cat lovers can embark on an interactive Indian adventure as they help ZSL’s forest rangers deal with a ‘lion-emergency’ in the Gir Forest, and lend a hand to the veterinary team who come to the rescue.
Land of the Lions will inform, inspire and excite wildlife lovers of all ages and promises to be an experience unlike any other!
ZSL London Zoo’s most majestic residents were given a Royal welcome on Thursday 17 March – when the brand new Asiatic lion exhibit was officially opened by HM The Queen and HRH The Duke of Edinburgh.
Lionesses Indi, Rubi and Heidi even showed their respect for the Royal guests – coming to within a whisker of Her Majesty and His Royal Highness in the exhibit’s stunning 360⁰ Temple Clearing.
Land of the Lions opens to the public on Friday 25th March.
http://deshgujarat.com/2016/03/18/replica-of-gir-lion-sanctuary-of-gujarat-opens-at-london-zoo-in-england/

Queen Elizabeth opens Land of the Gir Lions exhibit at London Zoo


London
Queen Elizabeth II has inaugurated a brand new Asiatic lion exhibit at the iconic London Zoo, a 5.2 million-pound project aiming at transporting visitors to Gujarat to bring them closer than ever to the endangered big cats from the Gir forest.
Covering an expanse of 2,500 square metres, visitors will enter ‘Land of the Lions’ through a grand stone archway and explore Sasan Gir Train Station – where an odd lion might be spotted snoozing on the tracks or roaming just metres away, separated only by wires.
The new exhibit at the world’s oldest scientific zoo will be home to four Asiatic lions and has been set up to transport visitors from the heart of London to the vibrant setting of Sasan Gir in Gujarat in India – the last remaining stronghold of Asiatic lions.
A village located in Gir forest in Gujarat has been recreated so that visitors can get a first-hand look at the endangered Asiatic lions in their natural habitat.
The four Asiatic lions housed at the exhibit are named Heidi, Rubi, Indi – all females, and Bhanu – a male.
The 89-year-old Queen unveiled a large plaque to commemorate the opening yesterday. The Duke of Edinburgh, Prince Philip, who accompanied her was presented with a painting by Edward Lear circa 1835 of an Asian lion along with the publication ‘The Maneless Lion of Gujarat’.
The Queen also received as a gift a photograph of her visit to the zoo 40 years ago when she opened the New Lion Terraces at almost the same spot.
Leading NRI industrialist Lord Swraj Paul, who helped rescue the London Zoo from closure with a one million-pound donation in 1993, told PTI: “I am proud of its Indian effect.”
The Asiatic Lion exhibit project, which is located next to the Ambika Paul garden, is “based on the lions of Gujarat”, said Paul.
“The Land of the Lions is a wonderful way for people to see Asian lions in an authentic setting. It is next to the Ambika’s statue (set up in memory of Lord Paul’s daughter).
“We are really grateful to the Queen and the Duke for inaugurating the exhibit. It will be open to visitors from March 25,” the 85-year-old industrialist said.
Nine private cabins, each having space for up to two adults and two children, have been built at the exhibit where visitors can spend a night and view the lions from close range.
“ZSL London Zoo is a magical place at night – we want the people of all ages to have a chance to enjoy that magic, and immerse themselves in a fantastic experience unlike any other, sleeping near to our magnificent Asiatic lions,” said Emma Taylor, head of product development at London Zoo.
Gitanjali Bhattacharya, head of the zoo’s conservation programmes for South and Central Asia, said: “It’s about being in the heart of London but being immersed in the Indian forest.
“I have been to Gir and it’s absolutely stunning but to stand in the centre of the Land of the Lions, you feel like you’ve been transported to India. Every time you turn a corner you see something from Gir.”
More than a thousand props have been shipped to London from the national park, including rickshaws, bicycles, posters and even a mocked up tourist information centre.
Bhattacharya said: “In Gir, you have this species living in harmony with humans.
“For children to be able to stand in the middle of the exhibit and be so close to the lions, it almost seems like there will be no barriers between the people and the species. It’s hugely exciting.”
The Asiatic lion tends to be slightly smaller than its African cousin. It is listed as endangered and last year there was a population of only 523, all in Gir national park. But numbers have increased since they were almost wiped out by hunters at the start of the 20th century, when only 20 remained. Lions hunts are now outlawed.
The Zoo has worked on the project with the Wildlife Institute of India and Indian Forestry Department.
PTI
http://deshgujarat.com/2016/03/18/queen-elizabeth-opens-land-of-the-gir-lions-exhibit-at-london-zoo/

On Sheldon Pollock, who thinks pedantry is scholarship -- Nicholas Kazanas

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On Sheldon Pollock, who thinks pedantry is scholarship -- Nicholas Kazanas

I have only seen one reference in a Bibliography to an article by Sh. Pollock on medieval aesthetics. Otherwise, I don't know the man. Nor shall I seek him out in the Internet etc.

1. It is obvious that his mind is thoroughly confused. He may be a Professor of philosophy or religion or whatever, but he, like thousands of his kind, thinks pedantry is scholarship. It is moreover a very shallow pedantry which is produced by tons in the USA.

Progress in the West is confined to technology alone while in all other areas there is progress of barbarism and criminality. Moreover, technological progress has produced the ever-increasing deadly pollution of earth, water and air − an indication of pollution in the mentality of progress-fanatics like Mr Pollock.

The Vedic Shastras sought to contain and stop such pollution, both psychological and environmental. But primarily they guided man towards spiritual advancement − although people misread and misapply them so as to pursue selfish ends.

2. Racism and Nazism is in SP’s mind not in the Vedic Tradition. It should be obvious in the most superficial history of India and Hinduism, that it alone of all nations and religions never, NEVER sought to proselytise or oppress others. It was Westerners first that brought Vedic ideas to Europe (and the West generally) and later invited Indians like Vivekananda to lecture etc. But here I do detect that in the past few decades, since the diaspora increased, Hindus have become somewhat fundamentalist and have tried to proselytise (me, for example!) with some unnecessary pressure. This notwithstanding, SP obviously does not understand Mīmāṃsā or Nazism and Stalinism, which he leaves out! Mīmāṃsā is, to my mind, defective and imperfect, compared with Vedānta but, nonetheless provides very useful guidance for righteous living.

3. SP’s view of Sanskrit is even more shallow. A language does not die since it is not an organic creature − except metaphorically. It has suffered much less attrition than any other ancient language thanks to the unparalleled aural tradition of the devout Brahmins. He should bear in mind the sampradaya or paramparā line and Daṇḍin’s maxim: iha śiṣtṭānuśiṣṭānāṃ śiṣṭānām- api sarvatra| vācām-eva prasādena lokayātrā pravartate (Kv 1.30): ‘by grace of the words, indeed, of the (first) learned and the learned following them and their residue (successors) do the affairs of men advance’!

Sanskrit enshrines Linguistics, Literature, Logic, Mathematics, Philosophy and others, far ahead of any other ancient civilisation. It is the increasing stupidity of people in the Kali Yuga (Hesiod's dreadful Iron Age) that makes us ignore it more and more.

4. There is, indeed, a social stratification in India and unfortunately few Brahmins care to promote the dissolution of this stupid, unjust institution of castes. But it is found also, though not institutionalised, in the West with the gap widening between the ever lessening top rich and the ever-increasing poor.

Societies have always been happier when their people know that they belong to a certain varṇa (function, profession, status) and have well-defined duties. Today's confusion of functions and classes is simply causing great anguish, uncertainty and unhappiness. The counterfeit freedom (= libertarianism) that  seeps into all nations seems to me to augment arrogance, boorishness and criminality − not compassion, fellowship and solidarity.

It is absurd to claim that a fine poem like Rāmāyaṇa (and many another text) "is only a smokescreen" for promoting exploitation, fatalism and atrocities against the masses. This is done by arrogance, greed and ignorance and these demonic qualities exist in ancient India but much more today in the West. The Shastras and the epics and the philosophical systems sought to check these tendencies − something that Pollock and his likes never do!

The flow of life in the Kali-yuga of necessity impels people to the more vulgar, demonic and barbarous tendencies (like Bush's invasion in Iraq on a pack of lies).

5. There are many O'Flaherty's and Pollock's in this world who, instead of promoting goodness and unity, promote division and hatred.

Just as nobody talks of O'Flaherty's aberrations now, so in a year or two nobody will give a thought to Mr. Pollock. There will appear others, of course. Human ignorance and vanity will not cease. 
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A brief bibliographical note on Nicholas Kazanas:

Nicholas Kazanas was born in the greek island Chios in 1939. He studied English Literature at University College, Economics and Philosophy at the School of Economic Science and Sanskrit at the School of Oriental and African studies - all in London; also post-graduate at SOAS and at Deccan College in Pune. (India)

He taught in London and Athens and since 1980 has been Director of Omilos Meleton Cultural Institute. In Greece he has published treatises of social, economic and philosophical interest. He has many publications in Western and Indian Journals and some books. He is on the Editorial Board of Adyar Library Bulettin (Chennai). He has also produced a three-year course of learning Sanskrit for Greeks.
From 1997 he has turned towards the Vedic Tradition of India and its place in the wider Indo-European culture. This research comprises thorough examination of Indo-European cultures, comparing their philosophical ideas and values, their languages, mythological issues and religions. He has translated in Greek many Gnostic texts (Gospel of Thomas, etc) and has composed an extensive study on Christ's original teaching (one in Greek and one in English). He has also translated the ten principal Upanishads (ISA, KENA, KATHA, MANDUKYA, BrHADARANYAKA, etc) from the original Sanskrit text into Greek.



"Τad Εkam: not female, not male" by N. Kazanas
Contrary to the widely held beliefs that in its origin religion had many gods (polytheism) or a supreme male god or the worship of a female (Mother) Goddess, this paper argues with much evidence that the original state probably was one in which all deities are expressions of a Primal Power, itself unmanifest and being neither male nor female.
Published in 2015 in Vedic and Indo-Europeans Studies, by N Kazanas, N. Delhi, Aditya Prakashan.
 (Download the PDF file - 1,2MB)
"Language the Cyclicity Theory and the Sanskrit Dhatus" by N. Kazanas (revised in 2014)
Sanskrit alone has dhatus or roots in an absolute sense. This fact and the accompanying complex morphology of Sanskrit show that language (human speech in general) started as a highly synthetic phenomenon. With the passage of millennia it gradually devolved into a simpler morphology and many descendants. Within this larger movement of decay several tongues moved from a rather fixed syntactic isolating status back to a fusional condition with new complex morphology (e.g. Coptic from Old Egyptian, Modern from Old Hungarian, etc.). These are smaller segments of cycles within the larger descending spiral. An examination of several nominal and verbal endings in Sanskrit and Proto-Indo-European shows that these endings do not come from original pronouns, pre- or post-positions and similar morphemes.
How did language begin? How and why does it change?
Published in 2015 in Vedic and Indo-European Studies, by N. Kazanas, N. Delhi, Aditya Prakashan.
 (Download the PDF file - 388KB)
"Economic Principles in the Vedic Tradition" by N. Kazanas has been published in 1992 by Aditya Prakashan, www.adityaprakashan.com.
The paper deals with economic principles as found in the more ancient sources of the Vedic period in so far as this is possible. Unlike a particular application of a law which may well be affected by circumstances and thus appear to be different from place to place and time to time, a principle has an unchanging, universal quality. Despite few economic terms used throughout the text like Land Value Taxation (which means simply taxing the value of land alone) there is nothing complex or complicated in this study and reading it does not require any training in Economics. By showing the relation of the Indic principles to certain modern concepts and particularly to Land Value Taxation the paper goes a long way in bringing into light many valuable economic concepts and practices supported by an institutional framework.
Thus we meet the same concern about the distribution of wealth that occupies the mind of modern economists. How much does a man or a family need to earn and how much should be given to the royal treasury (i.e. the State) and how should these be determined? Or to put it in other terms, how should taxation be levied? Then, how should the State dispose of its revenue? Also, how should lending operate and what would be fair rates of interest? The lawgivers in ancient India were fully aware of all these issues. One aspect of modern economies that is not treated by the ancients is unemployment because this problem appeared as such, on a large scale, only with the increase of population, the land enclosures (=privatization) and the industrial revolution in Europe at the end of the 18th century. But the texts take it for granted that people should feel secure in their different employments. A most surprising feature is the principles of free access to land for all and the Land Value Tax which should be the source of Government revenue (and expenditure). It is surprising because Land Value Taxation is supposed to be a fairly modern concept.
 (Download the PDF file - 264KB)
'Archaic Greece and the Veda' by N. Kazanas
This paper examines many parallels in the archaic Greek culture and the Vedic one. These are themes, poetic techniques, motifs and ideas in literature, mythology, philosophy, religion and ritual. For example, it is obvious that the names Zeus (Gr) and Dyaus (Vedic) are closely related. As in Greek mythology there is dog Kerberos guarding the entrance to Hades, so in the Vedic myths there are two dogs watching the path to Yama's netherworld. Many of these parallels have affinities with similar motifs in other Indo-european cultures like Celtic, Germanic and so on. Most classicists ignore these affinities or similarities and claim ( as W. Burkert does extensively) that many such elements in the Greek culture derive from Near-eastern sources. Thus Burkert thinks that the practice in Greece of having a young man or a seer sprinkling with a branch of laurel or tamarisk a polluted person or place came from Mesopotamia. However, the same practice is found in early Vedic texts where an apamarga branch is used. Consequently this paper argues with many examples that where such motifs and practices in Greece are found in the Vedic and other Indo-european cultures, they are most probably inherited forms from the Proto-Indo-European period before the dispersal of the various branches.
 (Download the PDF file - 180KB)
'The Collapse of the AIT and the prevalence of Indigenism' by N. Kazanas
This essay The Collapse of the AIT and the prevalence of Indigenism: archaeological, genetic, linguistic and literary evidences by N. Kazanas refutes the theory of the Aryan invasion or immigration into India which was current for nearly 200 years.
 (Download the PDF file - 14,3MB)
'Vedic and Avestan' by N. Kazanas
In this essay the author examines independent linguistic evidence, often provided by iranianists like R. Beekes, and arrives at the conclusion that the Avesta, even its older parts (the gaθas), is much later than the Rigveda. Also, of course, that Vedic is more archaic than Avestan and that it was not the Indoaryans who moved away from the common Indo-Iranian habitat into the Region of the Seven Rivers, but the Iranians broke off and eventually settled and spread in ancient Iran.
Vedic and Avestan was first published in Vedic Venues: Journal of the Continuity of Vedic Culture 2012, vol 1, published by Aditya Prakashan for the Kothari Charity Trust.
 (Download the PDF file - 3,3MB)
'Rigvedic all-inclusiveness' by N. Kazanas
The Rigveda contains and seems to preserve more common elements from the Proto-Indo-European Culture than any other branch of the family. This essay examines various points of language, poetry and philosophy but it focuses mainly on grammatical elements, lexical and syntactical, and on aspects of (fine) poetry. This is one aspect showing that Vedic and its culture is much closer to the PIE language and culture than any other branch in that family. Moreover, it shows that it is most unlikely that Vedic moved across thousands of miles over difficult terrains to come to rest in what is today N-W India and Pakistan, in Saptasindhu or the Land of the Seven Rivers. Certain other aspects show that Iranian moved away from Vedic and Saptasindhu and most probably the other branches did the same at a very distant but undetermined period. Finally, monotheism is also a notable feature in the RV despite its pronounced polytheism.
The article has already been presented in two Conferences in India and will be published in the book Perspectives on Origin of Indian Civilization edited by Angela Marcantonio & Girish Nath Jha in association with the Center for Indic Studies, Dartmouth (USA).
 (Download the PDF file - 4,51MB)
Vedic Venues: Journal of the Continuity of Vedic Culture
The Vedic Venues: Journal of the Continuity of Vedic Culture is a new peer-reviewed Journal in english language that will be launched in December 2011. In the pdf file 'Vedic Venues General Notification' one can read: a) The list of the Editors and members of the Editorial Board; b) Instuctions for the presentation of articles for publication; c) The various subjects and themes suggested for research.
 (Download the PDF file - 106kB)
On Sarasvati
Here is Prof K.S. Valdiya's response to the comments made in 'In Indus Times, the River didn't Run Through It' by Lawler, Science 1 April 2011
 (Download the PDF file - 84kB)
An International Seminar on "How deep are the Roots of Indian Civilization: an Archaeological and Historical Perspective" was held in New Delhi during 25-27 November 2010. Eminent archaeologists and other scholars attended the Seminar.
Dr M. Witzel misrepresents this event in his usual insulting way with the comments he posts in the group: Indo-Eurasian_Research. Here Dr Kazanas replies to him.
 (Download the PDF file - 26kB)
This paper was written earlier this year by Dr N Kazanas to correct some violations (or errors) of scholarship by Mrs. Karen Thomson in an article published in The Journal of IndoEuropean Studies 2009; Dr Kazanas paper has just been published in the same Journal, the issue of Dec 2010. With it is published Mrs. Thomson's reply, 'The plight of the Rigveda in the twenty-first century'. At the end of the original paper Dr Kazanas now adds some comments which were not included in the published paper so as not to make it too bulky - §§8-10.
 (Download the PDF file - 242kB)
The pdf N. Kazanas-S. Talageri Correspondence has been written by N. Kazanas, in May 2010, after S. Talageri had made (in his book The Rigveda and the Avesta: Final Evidence, Delhi, ed. Aditya) several non-factual remarks about him.
N. Kazanas writes: "I thought I should make available all our exchanges which began in late February 2005 and ended in early May 2005. Thus, interested parties can, if they have the stamina to read through these turgid pages, decide for themselves whether or not I made "unreasonable remarks", used "Witzellian thrusts", "pounced" upon some point of his, "parodied" his reasoning, or I am "awake but pretend to be asleep" and so remain impervious to T's efforts to wake me up. These are his own statements in the Preface (pp XX-XXII, XXXI) to his 2008 book, The Rigveda and the Avesta: Final Evidence (Delhi, Aditya). I have only just (May 2010) read these pages, not the book, having obtained a copy in April."
In the pdf Correspondence Archive one can read all the correspondence which took place between S. Talageri and N. Kazanas during the period February-May 2005.
 (Download the PDF file - 91,8kB)
 (Download the PDF file - 450kB)
'Indo-European Linguistics and Indo-Aryan Indigenism' by N. Kazanas
The essay Indo-European Linguistics and Indo-Aryan Indigenism is included in the bookIndo-Aryan Origins and other Vedic Issues written by N. Kazanas, ed. Aditya Prakashan, Dec 2009, N. Delhi. It examines the general IE issue and argues in favour of Indoaryan indigenism against the AIT (Aryan Invasion/Immigration Theory) which has been mainstream doctrine for more than a century. The extreme positions that there was no PIE(=Proto-Indo-European) language or that this language is as currently reconstructed are refuted: the evidence suggests there was a PIE language but this cannot be reconstructed and all efforts in this reconstruction are misplaced. Since they are in no way verifiable, they should not be used as evidence for historical events. It is admitted even by rabid Indian nationalists that humans came to India from Africa sometime in the Pleistocene, and now there is evidence of change in the skeletal record of the region indicating that a new people may have entered c 6000-4500; even so, if these people were the IAs(=Indoaryans), they must, surely, be regarded as indigenous by 1700. Recent genetic studies do not suggest any entry of IAs within the last 10 000 years but state that the European peoples came out of South Asia after 50 000 B(efore)P(resent). Apart from such studies, other kinds of evidence and arguments will be used in full to demonstrate indigenism.
 (Download the PDF file - 411kB)
'An Explanation' by N. Kazanas
An additional piece by way of explanation for some points raised by readers of the 'Open Letter to Prof. Witzel'. (Updated on 7 March 2010 due to a minor correction.)
 (Download the PDF file - 130kB)
'Open Letter to Prof M. Witzel' by N. Kazanas
Α new book by N. Kazanas has been published in December 2009 by Aditya Prakashan, N. Delhi with the title: Indo Aryan Origins and other Vedic Issues. Prof. Michael Witzel made some comments on this book in Yahoo Groups - Indo-Eurasian_research. Dr Kazanas replies with the Open Letter to Prof M. Witzel.
 (Download the PDF file - 131kB)
The 'Mainstream Model' by N. Kazanas
The Mainstream Model, written by N.Kazanas, is a thoroughly revised and recast version of a paper, 'The Establishing of a View', published in ABORI, 2003. It analyses the forces that go into the establishment of the mainstream view and examines some examples in the sciences where the Establishment strongly resists changes in the received dogmas. This was revised and expanded considerably and published in the Research Bulletin of the Vishverananda Vedic Research Institute (Hoshiarpur), 2008.
 (Download the PDF file - 112kB)
Conference at Loyolla Marymount University
In February 2009 there was a Conference at Los Angeles at Loyolla Marymount University
on the subject of Sindhu Sarasvati Valley Civilization and its relation to the RigVeda. Several scholars from different countries and academic Institutions participated and gave talks on different aspects of this subject. When it was finished Dr Steve Farmer a collaborator of Prof Witzel at Harvard published the following scurrilous letter on the Indo-Eurasian list. Prof Ashok Aklujkar replied to this. Here are both letters.
 (Download the PDF file - 75,7kB)
 (Download the PDF file - 44kB)
'The RV predates the Sindhu-Sarasvati Culture' by N. Kazanas
This paper was presented synoptically by Dr N. Kazanas at the Conference THE SINDHU-SARASVATI VALLEY CIVILIZATION: A REAPPRAISAL, in Los Angeles (Feb 2009).
Argument: There are misconceptions about rigvedic purratha and samudra based on the Aryan Invasion/Immigration myth. Then, there are some 10 characteristic features of the Sarasvati-Sindhu Culture which are not found in the Rig Veda. Moreover palaeoastronomical evidence (mainly N. Achar's work) places some BrAhmaNa texts c 3000 and the oldest layers of the MahAbhArata 3067. All this (and more) suggests that the (bulk of the) Rig Veda should be assigned to well before 3200 BCE - however unpalatable to mainstream thought this may be.
 (Download the PDF file - 2.229kB)
'Genetics and the Aryan Debate' by Michel Danino
This paper examines the latest genetic evidence which shows that there was no invasion or immigration into N-W India in significant numbers before 600 BCE. It was published in Puratattva, Bulletin of the Indian Archaeological Society, New Delhi, No. 36, 2005-06, pp. 146-154.
 (Download the PDF file - 122kB)
'The Horse and the Aryan Debate' by Michel Danino
This paper examines the latest evidence and shows that the horse was known and present in the Indus-Saraswati Culture in the mid-third millennium BCE and therefore was not brought by the hypothetical invasion/immigration of the Indoaryans into India c 1500 BCE.
 (Download the PDF file - 385kB)
A Dravido-Harappan Connection? The Issue of Methodology by Michel Danino
This paper examines in detail the various aspects of the theory that the Dravidian speakers were once inhabitants of N.W. India and were ousted by incoming Indoaryans; it shows that this theory is mere fantasy belonging to the legacy of distorting colonial (British) thinking, since no linguistic, archaeological, anthropological and genetic types of evidence support it. (Paper presented at the International symposium on Indus Civilization and Tamil Language 2007.)
 (Download the PDF file - 238kB)
'Vedic Roots of Early Tamil Culture' by Michel Danino
This paper presents ample evidence from archaeology, numismatics and, chiefly, literary sciences (the Sangam literature) in the South, that the Tamil culture is infused through & through by Vedic, Sanskrit epic and puranic elements; the term Dravidian should be understood as geographic, indicating South India and linguistic, indicating the non-Sanskritic languages. (Written in 2001, due to be pubilshed (2008) in Saundaryashrih: Archaeological Studies in the New Millenium: Festschrift to Prof. Anantha Adiga Sundara.)
 (Download the PDF file - 189kB)
'Homer, Hesiod and the Mahabharata', by N. Kazanas
In this paper I examine some legends of archaic Greek literature (texts ascribed to Homer and Hesiod) and their relationship to the Indian epic Mahaabhaarata (MB, hereafter). One is the parallel of Penelope's archery contest, set for her suitors (Odyssey 19, 171ff) and Draupadi's svayam-vara 'choice of husband', which also entails an archery contest (MB I, 175-180); the parallels of Damayanti's svayam-varas in the story of Nala (MB III, 50-55 and 68) will also be discussed. A second parallel will be the Peleus-Thetis marriage in theIliad and subsequent sources and that of Santanu-Gangaa (MB I, 91-3). A third parallel is the Five Races in Hesiod' s Works and Days 109-201 and the Four Ages or Yugas in MB III, 148 and 186-9. Another parallel is that of Dionysus being born out of Zeus's thigh (GM 1: 56) and of Aurva springing out of his mother's thigh (MB I, 169-71).
These parallels have been noted and discussed in the past from different viewpoints. I believe they deserve another close look which reveals two things. First, a consideration of the probable dates of composition of the Greek poems and of the Indian epic shows that these tales are independent, involving no borrowing by one culture from the other; they are therefore of common IE origin. Second, such considerations highlight the need for revision of the chronology of ancient Indian texts and the fact that the MB contains considerable early material; this material consists of myths current in the Vedic period but only briefly or sporadically referred to by the Vedic texts. Much, if not most, of the MBseems to be much older than is generally thought, even though, in its present form it was written down perhaps in the third or second century BCE - and some sections even later.
 (Download the PDF file - 141kB)
'Indo-European Deities and the Rigveda', by N. Kazanas
This paper was published in the Journal of IndoEuropean Studies 2001. In this paper are examined the names of various deities that appear in two or more branches of the Indo-European family. The examination shows that the Rigveda contains more of these deities than any other branch of mythology. The elements examined are the names of certain deities which appear in two or more branches and are demonstrably not borrowings of one from another at some later period. We concentrate on names of deities because these indicate immediate correlation and provide a firm criterion for the common origin. Interpretation and speculation are kept to the barest minimum. The IE branches to be examined are Vedic, Avestan, Hittite, Greek, Roman, Slavonic, Baltic, Germanic and Celtic; also some additional evidence from the Mitanni and the Kassites in the Near East. The Germanic branch comprises some early Germanic material (reported by Roman authors), some Anglo-Saxon and the later, richer Scandinavian lore. The Celtic branch consists of early Gallic (again reported mainly by Romans), Britannic, Welsh and Irish. (Other IE branches like Armenian, Tocharian, etc, provide negligible relevant material.)
 (Download the PDF file - 277kB)
'Indo-Aryan indigenism and the Aryan Invasion Theory arguments' (refuted)
by N. Kazanas
This paper examines the general IndoEuropean issue and argues in favour of Indoaryan indigenism against the AIT (Aryan Invasion/Immigration Theory) which has been mainstream doctrine for more than a century. The extreme positions that there was no ProtoIndoEuropean (PIE) language or that this language is as currently reconstructed are refuted: the evidence suggests there was a PIE language but this cannot be reconstructed and all efforts and confidence in this reconstruction are misplaced. Indeed, all reconstructions of Proto-languages seem futile and, since they are in no way verifiable, should not be used as evidence for historical events. Indeed all the data used as evidence by the AIT are wholly conjectural and arbitrary and often consist of misrepresentations and distortions, as will be clearly demonstrated in detail. All the arguments used for the AIT have been analytically presented by E. Bryant (2001) and summed up in his concluding chapter. These will be examined one by one and shown to be fallacious. We shall also refer to some material not in Bryant - e.g. genetic studies after 2001CE and mythological motifs never examined in this connection.
 (Download the PDF file - 291kB)
'Indigenous Indoaryans and the Rigveda', by N. Kazanas
In this paper I argue that the IndoAryans (IA hereafter) are indigenous from at least 4500 (all dates are BCE except when otherwise stated) and possibly 7000. In this effort are utilized the latest archaeological finds and data from Archaeoastronomy, Anthropology and Palaeontology. I use in addition neglected cultural and linguistic evidence. I find no evidence at all for an invasion. The new term "migration" is a misnomer since a migration could not have produced the results found in that area. The Rigveda (=RV) is neither post-Harappan nor contemporaneous with the ISC but much earlier, ie from the 4th millennium (with minor exceptions) and perhaps before.
The bibliography of this study is available as a separate pdf file.
This paper was published in the Journal of IndoEuropean Studies 2002.
 (Download the PDF file - 300kB)
 (Bibliography - Download the PDF file - 118kB)
'Philosophy and Selfrealization in the Rgveda', by N. Kazanas
This paper presents evidence that man's highest good, the shreyas, as taught by theBhagavad Gitaa and the Upanishads, the aatmajNaana 'Self-knowledge', brahmajNaana'knowledge of the Absolute', moksha 'liberation' of the Vedaanta and related themes, are already present in the RV (=Rigveda), not just as spermatic ideas but very fully. Only the terminology differs.
This paper was published in 2005 in D.P. Chattopadhyaya (ed) Self, Society and Science...PHISPC, Centre for Studies in Civilizations, N. Delhi.
 (Download the PDF file - 165kB)
'Samudra and Sarasvati in the Rgveda', by N. Kazanas
The Hindu printed in several issues (18th, 25th June, etc, 2002) letters from Dr D. Frawley and Prof M.Witzel amounting to a controversy whether the rigvedic people had towns/forts and knew the ocean; also whether the river SarasvatI flowed down to the ocean. I sent a letter to that newspaper in mid-September 2002 giving my own views, but for unknown reasons my letter was not published. I have since revised the whole piece. Here I show that samudra does denote the ocean/sea and that SarasvatI did flow to the ocean prior to 3200 BC.
This paper was published in Man and Environment (Poona, India), 2001(1).
 (Download the PDF file - 146kB)
'Advaita & Gnosticism', by N. Kazanas
A study on the possible connection between the ancient Indian philosophical system Advaita (an aspect of Vedanta) and certain ideas that circulated in the first two centuries of the Christian Era in the Easter Mediterranean and particularly in Egypt. Also, an attempt to trace great philosophical ideas e.g. The Unity of Being, The identity of Man's self with the Godhead, etc in Hermetic texts, Vedanta, Christianity, Gnostic writings, Judaism, Greek Thought and Egyptian culture.
Published in VVRI Research Bulletin (Hoshiarpur) vol 2 (43-112), 2003.
 (Download the PDF file - 230kB)
'A new date for the Rgveda', by N. Kazanas.
This was published in Philosophy and Chronology, 2000, ed G C Pande & D Krishna, special issue of Journal of Indian Coucil of Philosophical Research (June, 2001). A shorter, slightly different version with the title 'The Rgveda and Indo-Europeans' by N Kazanas was published in the Annals of the Bhandarkar Oriental Research Institute (ABORI), vol 80, 1999 (Pune, India, 2000). It presents the thesis that the RV is far older than mainstream indologists maintain and ascribes the composition of the bulk of it to the fourth millennium BC (some hymns even earlier). It argues that the IndoAryans were natives of Saptasindhu (ie the land of the Seven Rivers in what is today north-west India and Pakistan) examining archaeological, literary, linguistic and comparative-mythological material. Some of the arguments would need reformulation in view of new and firmer (mainly archaeoastronomical) evidence, which in fact reinforce the conlusions on the early date of the RV.
 (Download the PDF file - 136kB)
'Edmund Leach on Racism & Indology', by S Kak
Sept 1999, with Prof. Kak's permission (kak@ee.lsu.edu).
 (Download the PDF file - 92kB)
'What is the Aryan Migration Theory?', by V. Agarwal
May 2001, with author's permission (vishalagarwal@hotmail.com)
 (Download the PDF file - 428kB)
'The RV Date - a Postscript', by N. Kazanas
This examines some of Prof M Witzel's (erroneous) notions which perpetuate the AIT (=Aryan Invasion Theory) and which had not been discussed in 'The RV and IndoEuropeans'. It presents some new evidence and new ideas for a pre-3100 BC date of the RV and the indigenous origin of the IndoAryans and criticizes Prof Witzel's vicious attacks on some Indian and non-Indian scholars, who promote the indigenist point of view.
 (Download the PDF file - 78kB)
'AIT and Scholarship', by N. Kazanas
N Kazanas wrote 'AIT and Scholarship' in May-June 2001. This was first posted here. It deals with some additional (erroneous) notions of Prof M Witzel and the major (but not all) aspects of his 'Autochthonous Aryans? The Evidence from Old Indian and Iranian Texts' (EJVS 7-3, pp 1-93, 2001). Apart from the AIT, this study examines other cases of corruption in academic disciplines like Egyptology, Anthropology etc, where evidence against maistream views is discarded, as well as the etymology of the terms 'academia' and 'academic' and the development from Plato's Academy in Athens to modern notions.
 (Download the PDF file - 233kB)
'Reply to prof. Witzel', by N. Kazanas
Prof Witzel wrote a very superficial critique of 'AIT and Scholarship' ignoring the title, lampooning the presentation of the development of modern academia and making all kinds of irrelevant remarks (5/7/01). So N Kazanas wrote a reply selecting some of the mosts salient points in 'Addendum to "AIT and Scholarship"': reply to Prof Witzel and incorporating some (lengthy) remarks of V Agarwal. All this was completed and posted in sept 2001 here. The most significant point, apart from Prof Witzel's irrelevances, is N Achar's firm discovery that some astronomical dates in the Mahabharata indicate the date of 3067 BC for the Great War.
 (Download the PDF file - 138kB)
'Final Reply', by N. Kazanas.
Reply to nine critics in the debate on Indoaryan Οrigins initiated by and published in theJournal of Indo-european Studies, 2002-2003.
 (Download the PDF file - 170kB)
'A Reply to Michael Witzel's 'Ein Fremdling im Rgveda'' by Vishal Agarwal,
11 August 2003.
(Journal of Indo-European Studies, Vol. 31, No.1-2: pp.107-185, 2003).
The " A Reply to Michael Witzel's 'Ein Fremdling im Rgveda'" was sent to us by V.Agarwal (Minesotta, USA). It was written in July 2003 as a reply to Prof M. Witzel's 'Ein Fremdling im Rgveda', 2003, Journal of Indo-European Studies, and was posted on the Journal's website. It provides supplementary material to N. Kazanas''Final Reply' covering various aspects not dealt with by, or unknown to the latter. One should note that when Kazanas mentions "black copper" (kRshNa-/karshaNa-ayas or Syama- 'swarthy metal') he nowhere means bronze as Witzel takes it (p 175) and Agarwal need not have elaborated the bronze-aspect.
 (Download the PDF file - 596kB)
'Rigvedic Town and Ocean: Witzel vs Frawley', by N. Kazanas, March 2003.
In this paper is examined the controversy between D. Frawley and M. Witzel in the newspaper The Hindu (June and July 2003). Frawley claimed that the Rigveda knew of both towns and ocean citing pur 'fort, town' and samudra 'ocean, sea'. Witzel attacked both claims writing that pur means only some mud-palisade or simple fortification whilesamudra means confluence or heavenly ocean. N Kazanas shows that pur means not a material structure at all but a magical, occult protective shield and that samudra does in many cases mean 'ocean'.
 (Download the PDF file - 169kB)
Rigvedic pur', by N. Kazanas, October 2004.
This paper was published first by Adyar Library Bulletin in 2002. It was revised subsequently several times but found no acceptance (in the West). In 2006 Man and Environment published a revised version.
The paper examines the use of pur and shows that in the RV it never denotes 'city, fort' as is usually taken to mean but a magical, occult defence in the non-material world.
 (Download the PDF file - 75kB)
'Sanskrit and Proto-Indo-European' by N. Kazanas
This essay is published in 2004 Indian Linguistics. It challenges many generally accepted notions in IndoEuropean linguistics like the 5-grade ablaut, labio-velar sounds, roots etc. At the same time it discloses the great antiquity of Sanskrit (or Vedic) and argues that the Sanskrit retroflex sounds are ProtoIndoEuropean, but lost in the other IE stocks.
 (Download the PDF file - 159kB)
'Planetarium Software and the Date of the Mahabharata War', by B. N. Narahari Achar
The University of Memphis, Memphis TN 38152
The importance of determining the date of the Mahabharata war for ancient Indian chronology can hardly be overstated. A plethora of dates, derived on the basis of a number of diverse methodologies have been proposed and a consensus has yet to be reached. A number of authors have concentrated on the references to astronomical events such as eclipses found in the epic as a basis for determining the date of the war. However, it has not been possible to arrive at a definite date on the basis of astronomical references either. A new tool in the form of Planetarium Software has become available for examining the astronomical references. It is the purpose of this paper to report some preliminary results that have been obtained in applying this tool for the purpose of determining the date of the Mahabharata war.
Preliminary results indicate that Planetarium software can be used with advantage by simulating views of the ancient skies to determine the date of the Mahabharata war .
The work is supported in part by a Faculty Research Grant of the University of Memphis. The author also wishes to thank Dr. Kalyanaraman for suggesting this problem and for bringing Raghavan's work to his notice.
 (Download the PDF file - 108kB)
'Is There Evidence for the Indo-Aryan Immigration to India? ', by Vishal Agarwal
The complete lack of mention of an Aryan immigration into India in the vast Vedic literature has been considered a moot point by historians for several decades. Recently however, some scholars have claimed that a Vedic text finally provides evidence for the migration of Indo-Aryan speakers from Afghanistan into India.
 (Download the PDF file - 75kB)
'Vedic Religio-philosophical Thought', Sept. 2003
Part A of the study Vedic, Mesopotamian and Egyptian Religiophilosophical Thought (in print by PHISPC in the volume Chain of Golden Civilizations). 
This paper is a study of Vedic thought tracing the theme of One and Many and Man's Self-realization from the RV to the Upanishads. In this the writer examines some ideas about the nature of 'civilization' and traces a unifying thread running through the RV, AV,Brahmanas and Upanishads, i.e. man's return to his source which is the Supreme Godhead, Itself unmanifest but the Primal Cause of all manifestations.
 (Download the PDF file - 185kB)
'Vedic and Mesopotamian Cross-influences'.
Published in Migration & Diffusion (Vienna) 2005 and after some minor revisions it was subsequently published by the Adyar Library Bulletin (2006: Olcott commemorative issue). This was incorporated in the study Vedic, Mesopotamian and Egyptian Religiophilosophical Thought (in print by PHISPC in the volume Chain of Golden Civilizations)
 (Download the PDF file - 192kB)
'Vedic and Egyptian Affinities'
This paper was written independently in 2002 and has been published in 2006 inPuratattvaThis piece was incorporated in the study Vedic, Mesopotamian and Egyptian Religiophilosophical Thought (in print by PHISPC in the volume Chain of Golden Civilizations)
There are more than 20 motifs/themes exhibiting close affinities in the religious texts of the Vedic and Egyptian peoples. Some like the Sungod's boat, the Water as a primal cosmogonic element, the Cow of plenty and the sacred Bull are common to the Mesopotamian culture too. Some are quite extraordinary and occur only here with some weak echoes in other Indoeuropean branches: the lotus-born one, the eye running off, etc, including many elements in the famous Isis-Osiris tale. These affinities are close and suggest either a common origin for both cultures or cross influences. However, most of the motifs, including the Isis-Osiris and Yama tales, have correspondences in other IE traditions: this fact suggests that the motifs are inherited in the Vedic texts and not borrowed from Egypt. Thus we must conclude either that Saptasindhu, the land of the Vedic people, influenced Egypt or that both cultures derive or borrow from a third unknown one. The former case is difficult to determine as there is no firm evidence for an early contact between Egypt and Saptasindhu. Consequently, without entirely ruling out the possibility of Vedic influences on Egyptian culture we must assume a devolution from an older unknown civilization.
 (Download the PDF file - 121kB)
'Anatolian Bull and Vedic Horse'
'Anatolian Bull and Vedic Horse' was first published in the Adyar Library Bulletin (2003) but this version is revised and expanded.
In this paper the writer examines the presence of bull and horse in the various IE branches. It is noteworthy that the IE stem for 'horse' is absent in Hittite while all other major branches have it. The horse has no place at all in the religion, ritual or mythology; the horse's function is taken over by the bull. This alone suffices to show that the Hittites are not indigenous in Anatolia as some scholars claim and that therefore, Anatolia is not the original PIE homeland. Other types of evidence are used from mythology and linguistics to support this conclusion. The myth of the Weather god killing the dragon, which is a common IE theme (India, Greece, Scandinavia etc), is quite swamped by Near-eastern material. The Hittite language itself has some IE relics but is otherwise flooded with Mesopotamian, Hurrian and Assyrian elements.
 (Download the PDF file - 113kB)
'Diffusion of Indo-European Theonyms: what they show us'
This paper was published in the Quarterly Journal of the Mythic Society (Bangalore) Vol 97, No 1 (Jan-March 2006).
In presenting this collection of 20 Vedic and Indo-European theonyms the writer discusses the derivation of some and argue that, since the Rigveda alone contains all these names, itmust be older than other IndoEuropean texts and more clearly indicative of the Proto-Indo-European culture, while Vedic is both older and closer to Proto-Indo-European than any other branch. Moreover, since the RV is richer in cultural and linguistic elements than other early IE traditions we can conclude that the Vedic speakers moved very little or not at all from the PIE homeland. These ideas have been published elsewhere and attracted some criticism mainly from J. P. Mallory; this is now being refuted.
 (Download the PDF file - 164kB)
'Coherence and Preservation in Sanskrit'
Published in VVRI 2006 (Updated Feb 2012)
This paper examines more than 400 lexical items that have cognations in 3 or more IE branches (Vedic, Greek, Italic etc) and denote as far as possible invariable things, qualities and activities (bodily parts, relations and actions like breathing, dressing, rising etc). Sanskrit appears to have lost far fewer items and preserves much greater inner organic coherence than the other branches. This supports the general idea that Sanskrit is much closer to Proto-Indo-European and that, since this could happen only in sedentary conditions, the Indoaryan speakers of Sanskrit did not move (much) from the original homeland. Moreover, the criticism that this conclusion does not take into account the large literature in Sanskrit is shown to be fallacious. This collection of words is a good treasury for any comparisons.
 (Download the PDF file - 488kB)
'The RV is pre-Harappan'
This paper was presented as a talk in June 2006 at the Center for Indic Studies in theUniversity of Massachusetts.
This paper presents the evidences and arguments for a Rigveda composed in its bulk in the 4th millennium BCE. A basic consideration (but not the only one) is that the RV has no knowledge at all of many features that characterise the Harappan culture which began to emerge solidly c3000. Since the bulk of the RV must be assigned to a period before 3000 and since this is by general consensus stated to have been composed in Saptasindhu, then the Indoaryans or Vedic people were present in that location before 3000 and must therefore be regarded as indigenous by 1500, when, they are alleged to move in by the Aryan Invasion/Immigration Theory.
 (Download the PDF file - 1,05MB)

Uttarakhand Congi regime swansong: How can Gov accept recommendations of a minority govt.?

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Uttarakhand crisis LIVE: CM Harish Rawat to meet Congress leadership in Delhi tomorrow

harish rawat, uttarakhand, uttarakhand cabinet, uttarakhand government, uttarakhand bjp, uttarakhand floor test, uttarakhand news, india news, latest newsMedia reports on Thursday quoted Rawat as having said at an event in Haridwar that those who slaughter cows are the country’s “biggest enemies” and that they had “no right to live in the country”.
In almost a repeat of what happened in Arunachal Pradesh a few months ago when the Nabam Tuki government was overthrown, nine Congress rebel MLAs Friday joined hands with the opposition BJP to stake claim to form the government in Uttarakhand.
While Chief Minister Harish Rawat maintained he had majority in the House, a three-member BJP delegation met Governor K K Paul late at night, seeking dismissal of the Rawat government.
Dissent against the leadership of Rawat had been simmering for several months, with a section of the Congress MLAs questioning his style of functioning.
LIVE UPDATES: 
6.05 pm:  Governor Dr. Krishnakant Pal writes to CM Harish Rawat, asks him to prove majority in the house by March 28.
6.00 pm: Uttarakhand CM Harish Rawat to meet Congress top leadership in Delhi on Sunday, to apprise them about current political crisis.
5.15 pm:  Uttarakhand Cabinet sends proposal to remove state advocate general Umakant Uniyal to Governor. He is brother of rebel MLA Subodh Uniyal. The Cabinet also recommended removal of rebel minister Harak Singh Rawat
3.25 pm: Uttarakhand Cabinet meeting called by CM Harish Rawat begins.
3.05 pm: Whole night yesterday top brass of RSS & sharpshooters of BJP like Vijayvargiya were making rounds of Dehradun: Uttarakhand Rawat
12.20 pm: If I lose majority on the floor of the House, I shall resign: Uttarakhand CM Harish Rawat
12.20 pm: 4-5 rebel MLAs are in touch with us now; I am giving a chance to the rebel MLAs to accept to their mistakes: Uttarakhand CM Harish Rawat
12.10 pm: We are giving time to the rebel MLAs to accept their mistake and apologise for their actions: Uttarakhand CM Harish Rawat
12.05 pm: They (rebel MLAs) should have spoken to the Speaker or the Governor separately: Uttarakhand CM Harish Rawat
12.00 pm: Assembly Speaker GS Kunjwal issues notice under anti-defection law to 9 rebel Congress MLAs.
11.25 am: Either Uttarakhand CM should himself step down & resign or should be removed: Former Uttarakhand CM Ramesh Pokhriyal.
11.00 am: Meeting underway between Uttarakhand CM Harish Rawat, Uttarakhand Parliamentary Affairs Mininister Indira Hridayesh and Assembly Speaker GS Kunjwal. Post the meeting they will meet Uttarakhand Governor K K Paul.
10.50 am: We met Governor yesterday, informed him that we have ‘no confidence’ in the speaker:Kunwar Pranav Singh Champion, Cong rebel MLA.
10.45 am: First elected Govts are destabilised by a sinister conspiracy & then they are sought to be unseated without will of people: RS Surjewala, Congress.
10.40 am: Congress Govt in Uttarakhand must be dismissed immediately. Majority is not with Harish Rawat ji: Srikant Sharma, BJP.
10.35 am: MLAs are here in Delhi, we will go the President and talk about it (Uttarakhand political Crisis): Satpal Maharaj, BJP.
10.20 am: 35 MLAs have come to Delhi who will meet BJP President Amir shah today. Also, they will go to President if need arises: Kailash Vijayvargiya, BJP.
10.17 am: Hum chunaav ke liye bhi tayaar hain, aur sarkaar banane ke liye bhi-Kailash Vijayvargiya, BJP.
10.15 am: Harish Rawat Government in Uttarakhand does not have majority, they have no right to remain in power: BJP’s general Secy Kailash Vijayvargiya.
10.00 am: Now when their Govt (Cong U’khand) is falling, they are making accusations of horse trading. We don’t believe in such things: Shyam Jaju, BJP

भारत माता की जै Martyrs like Bhagat Singh and Sukhdev went to the gallows with the slogan on their lips.

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'Bharat mata ki jai' not open to debate: Amit Shah

TNN | Mar 20, 2016, 02.12 AM IST
'Bharat mata ki jai' not open to debate: Amit Shah
NEW DELHI: Amid a heated political debate on nationalism across the country, BJP ramped up its patriotic plank, saying denigration of the nation will not be acceptable under any circumstance and there should be no dispute over slogans like 'Bharat Mata ki jai'.

Addressing the BJP national executive, party president Amit Shah asked why a slogan like 'Bharat Mata ki jai', associated with the freedom struggle and which predates BJP and RSS should be the subject of a debate. "Yeh behas hi beimani hai (this is debate is a betrayal)", he said and argued that martyrs like Bhagat Singh and Sukhdev went to the gallows with the slogan on their lips.

He said waving the Tricolour and voicing such slogans were natural expressions of nationalism.

READ ALSO:
Some Muslims say no harm in 'Bharat Mata ki jai' chant

Shah sharply targeted Rahul Gandhi over the JNU controversy, saying the Congress vice-president had equated action against anti-national sloganeering with supression of student dissent and supported those who allegedly eulogised Parliament attack convict Afzal Guru. "BJP welcomes any criticism of the party, person or government, but it will not tolerate criticism of the country," he said.

While BJP respects freedom of expression, patently anti-national activity cannot be tolerated on the plea of freedom of expression. It is plainly not acceptable," he said.

The address set the tone for the BJP meet, indicating the saffron outfit's intent to play the "national versus anti-national" card against Congress and Left who it faces in polls in Assam, Kerala and Bengal. Besides election considerations, the party believes the "nationalism" debate is turning in its favour in the context of the JNU and Bharat Mata controversies over which AIMIM MLA Waris Pathan was suspended from the Maharashtra assembly.

READ ALSO:
MIM MLA suspended for not saying 'Bharat Mata ki Jai'

Shah said Congress attacked PM Narendra Modi relentlessly for 14 years when he was CM of Gujarat and continues to burn his effigies. This did not appear to be suppression of dissent, he said, while also taking on the Left for its belief in the political philosophies of Mao and Stalin.


The BJP chief also took on Rahul for questioning the Modi government's record, saying that while the Congress vice-president's father Rajiv Gandhi said only 10 paise out of every rupee of government spending reached the people, NDA was trying to ensure the entire rupee did. "Even in this Congress is playing an obstructionist role," he said.

The meeting was addressed briefly by Prime Minister Narendra Modi, who said social media should be used effectively to convey the government's message to people.

Metallurgy, alloying competence: Chain hieroglyph on seal m0296 śã̄gaḍ ʻchainʼ rebus: sanghāta 'vajra, metallic adamantine glue'

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Mirror: http://tinyurl.com/hyl57us

śã̄gal, śã̄gaḍ ʻchainʼ (WPah.) śr̥ṅkhala m.n. ʻ chain ʼ MārkP., °lā -- f. VarBr̥S., śr̥ṅkhalaka -- m. ʻ chain ʼ MW., ʻ chained camel ʼ Pāṇ. [Similar ending in mḗkhalā -- ]Pa. saṅkhalā -- , °likā -- f. ʻ chain ʼ; Pk. saṁkala -- m.n., °lā -- , °lī -- , °liā -- , saṁkhalā -- , siṁkh°siṁkalā -- f. ʻ chain ʼ, siṁkhala -- n. ʻ anklet ʼ; Sh. šăṅāli̯ f., (Lor.)š*lṅālišiṅ° ʻ chain ʼ (lw .with š -- < śr̥ -- ), K. hö̃kal f.; S. saṅgharu m. ʻ bell round animal's neck ʼ, °ra f. ʻ chain, necklace ʼ, saṅghāra f. ʻ chain, string of beads ʼ,saṅghirī f. ʻ necklace with double row of beads ʼ; L. saṅglī f. ʻ flock of bustard ʼ, awāṇ. saṅgul ʻ chain ʼ; P. saṅgal m. ʻ chain ʼ, ludh. suṅgal m.; WPah.bhal. śaṅgul m. ʻ chain with which a soothsayer strikes himself ʼ, śaṅgli f. ʻ chain ʼ, śiṅkhal f. ʻ railing round a cow -- stall ʼ, (Joshi) śã̄gaḷ ʻ door -- chain ʼ, jaun. śã̄galśã̄gaḍ ʻ chain ʼ; Ku. sã̄glo ʻ doorchain ʼ, gng. śāṅaw ʻ chain ʼ; N. sāṅlo ʻ chain ʼ, °li ʻ small do. ʼ, A. xikali, OB. siṅkala, B. sikalsiklichikalchikli, (Chittagong) hĩol ODBL 454, Or.sāṅk(h)uḷā°ḷi
sāṅkoḷisikaḷā̆°ḷisikuḷā°ḷi; Bi. sīkaṛ ʻ chains for pulling harrow ʼ, Mth. sī˜kaṛ; Bhoj. sī˜karsĩkarī ʻ chain ʼ, OH. sāṁkaḍasīkaḍa m., H. sã̄kalsã̄kar,°krīsaṅkal°klīsikalsīkar°krī f.; OG. sāṁkalu n., G. sã̄kaḷ°kḷī f. ʻ chain ʼ, sã̄kḷũ n. ʻ wristlet ʼ; M. sã̄k(h)aḷsāk(h)aḷsã̄k(h)ḷī f. ʻ chain ʼ, Ko. sāṁkaḷ; Si. säkillahä°ä° (st. °ili -- ) ʻ elephant chain ʼ.śr̥ṅkhalayati.Addenda: śr̥ṅkhala -- : WPah.kṭg. (kc.) śáṅgəḷ f. (obl. -- i) ʻ chain ʼ, J. śã̄gaḷ f., Garh. sã̄gaḷ.śr̥ṅkhalayati ʻ enchains ʼ Daś. [śr̥ṅkhala -- ]
Ku.gng. śāṅaī ʻ intertwining of legs in wrestling ʼ (< śr̥ṅkhalita -- ); Or. sāṅkuḷibā ʻ to enchain ʼ.(CDIAL 12580, 12581)சங்கிலி¹ caṅkilin. < šṛṅkhalaā. [M. caṅ- kala.] 1. Chain, link; தொடர். சங்கிலிபோ லீர்ப்புண்டு (சேதுபு. அகத். 12). 2. Land-measuring chain, Gunter's chain 22 yards long; அளவுச் சங்கிலி. (C. G.) 3. A superficial measure of dry land=3.64 acres; ஓர் நிலவளவு. (G. Tn. D. I, 239). 4. A chain-ornament of gold, inset with diamonds; வயிரச்சங்கிலி என்னும் அணி. சங்கிலி நுண்டொடர் (சிலப். 6, 99). 5. Hand-cuffs, fetters; விலங்கு.

Rebus: Vajra Sanghāta 'binding together': Mixture of 8 lead, 2 bell-metal, 1 iron rust constitute adamantine glue. (Allograph) Hieroglyph: sãghāṛɔ 'lathe'.(Gujarati)

Seal m0296 Two heads of young bulls, nine ficus leaves)


m0296 Two heads of one-horned bulls with neck-rings, joined end to end (to a standard device with two rings coming out of the top part?), under a stylized pipal tree with nine leaves. Text 1387 
 dula 'pair' rebus: dul 'cast metal' dhAv 'string/strand' rebus: dhAv, dhAtu 'element, ore'.


Mohenjo-daro Seal impression. m0296 Two heads of one-horned bulls with neck-rings, joined end to end (to a standard device with two rings coming out of the top part?), under a stylized tree-branch with nine leaves.

खोंद [ khōnda ] n A hump (on the back): also a protuberance or an incurvation (of a wall, a hedge, a road). Rebus: खोदणें [ khōdaṇēṃ ] v c & i ( H) To dig. 2 To engrave. खोद खोदून विचारणें or -पुसणें To question minutely and searchingly, to probe.गोट [ gōṭa ] m (H) A metal wristlet. An ornament of women. 2 Encircling or investing. v घाल, दे. 3 An encampment or camp: also a division of a camp. 4 The hem or an appended border (of a garment).गोटा [ gōṭā ] m A roundish stone or pebble. 2 A marble (of stone, lac, wood &c.) 3 fig. A grain of rice in the ear. Ex. पावसानें भाताचे गोटे झडले. An overripe and rattling cocoanut: also such dry kernel detached from the shell. 5 A narrow fillet of brocade.गोटाळ [ gōṭāḷa ] a (गोटा) Abounding in pebbles--ground.गोटी [ gōṭī ] f (Dim. of गोटा) A roundish stone or pebble. 2 A marble. 3 A large lifting stone. Used in trials of strength among the Athletæ. 4 A stone in temples described at length under उचला 5 fig. A term for a round, fleshy, well-filled body.
Rebus: गोटी [ gōṭī ] f (Dim. of गोटा A lump of silver: as obtained by melting down lace or fringe. 
Hieroglyph: lo = nine (Santali); no = nine (B.)  on-patu = nine (Ta.)

[Note the count of nine fig leaves on m0296] Rebus: loa = a species of fig tree, ficus glomerata,
the fruit of ficus glomerata (Santali.lex.)
    Epigraph: 1387 
kana, kanac =
corner (Santali); Rebus: kan~cu
= bronze (Te.)  Ligatured glyph. ara 'spoke' rebus: ara 'brass'. era, er-a = eraka =?nave; erako_lu = the iron axle of a carriage (Ka.M.); cf. irasu (Ka.lex.)[Note Sign 391 and its ligatures Signs 392 and 393 may connote a spoked-wheel,nave of the wheel through which the axle passes; cf. ara_, spoke]erka = ekke (Tbh.of arka) aka (Tbh. of arkacopper (metal);crystal (Ka.lex.) cf. eruvai = copper (Ta.lex.) eraka, er-aka = anymetal infusion (Ka.Tu.); erako molten cast (Tu.lex.) Rebus: eraka= copper (Ka.)eruvai =copper (Ta.); ere - a dark-red colour (Ka.)(DEDR 817). eraka, era, er-a= syn. erka, copper, weapons (Ka.)Vikalpa: ara, arā (RV.) = spokeof wheel  ஆரம்² āram , n. < āra. 1. Spokeof a wheel.See ஆரக்கால்ஆரஞ்சூழ்ந்தவயில்வாய்
நேமியொடு (சிறுபாண்253). Rebus: ஆரம் brass; பித்தளை.(அகநி.) pittal is cognate with 'pewter'.
kui = a slice, a bit, a small piece (Santali.lex.Bodding) Rebus: kuṭhi
‘iron smelter furnace’ (Santali) kuhī factory (A.)(CDIAL 3546)
Thus, the sign sequence
connotes a copper, bronze, brass smelter furnace
Ayo ‘fish’; kaṇḍa‘arrow’; rebus: ayaskāṇḍa. The sign sequence is ayaskāṇḍa ‘a quantity of iron,excellent iron’ (Pāṇ.gaṇ) ayo, hako 'fish'; a~s = scales of fish (Santali); rebus:aya = iron (G.); ayah, ayas = metal (Skt.) kaṇḍa‘fire-altar’ (Santali) DEDR 191 Ta. ayirai,acarai, acalai loach, sandy colour, Cobitisthermalis; ayilai a kind of fish. Ma. ayala a fish,mackerel, scomber; aila, ayila a fish; ayira a kind ofsmall fish, loach.
kole.l 'temple, smithy'(Ko.); kolme ‘smithy' (Ka.) kol ‘working in iron, blacksmith (Ta.); kollan-blacksmith (Ta.); kollan blacksmith, artificer (Ma.)(DEDR 2133)  kolme =furnace (Ka.)  kol = pan~calo_ha (five
metals); kol metal (Ta.lex.) pan~caloha =  a metallic alloy containing five metals: copper, brass, tin, lead and iron (Skt.); an alternative list of five metals: gold, silver, copper, tin (lead), and iron (dhātu; Nānārtharatnākara. 82; Man:garāja’s Nighaṇṭu. 498)(Ka.) kol, kolhe, ‘the koles, an aboriginal tribe if iron smelters speaking a language akin to that of Santals’ (Santali)
Zebu and leaves. In
front of the standard device and the stylized tree of 9 leaves, are the black
buck antelopes. Black paint on red ware of Kulli style. Mehi. Second-half of
3rd millennium BCE. [After G.L. Possehl, 1986, Kulli: an exploration of an
ancient civilization in South Asia
, Centers of Civilization, I, Durham, NC:
46, fig. 18 (Mehi II.4.5), based on Stein 1931: pl. 30. 
poLa 'zebu' rebus; poLa 'magnetite'

ayir = iron dust, any ore (Ma.) aduru = gan.iyindategadu karagade iruva aduru = ore taken from the mine and not subjected to
melting in a furnace (Ka. Siddha_nti Subrahman.ya’ S’astri’s new interpretationof the Amarakos’a, Bangalore, Vicaradarpana Press, 1872, p. 330) DEDR 192  Ta.  ayil iron. Ma. ayir,ayiram any ore. Ka. aduru native
metal.
 Tu. ajirdakarba very hard iron
V326 (Orthographic variants of Sign 326) V327 (Orthographic variants of Sign 327)
loa = a species of fig tree, ficus glomerata, the fruit of ficus
glomerata
 (Santali.lex.) Vikalpa: kamaṛkom ‘ficus’ (Santali);
rebus: kampaṭṭam ‘mint’ (Ta.) patra ‘leaf’ (Skt.); rebus: paṭṭarai
‘workshop’ (Ta.) Rebus: lo ‘iron’ (Assamese, Bengali); loa ‘iron’ (Gypsy) lauha = made of
copper
 or iron (Gr.S'r.); metal, iron (Skt.); lo_haka_ra = coppersmith, ironsmith (Pali);lo_ha_ra = blacksmith (Pt.); lohal.a (Or.); lo_ha = metal, esp. copper or
bronze
 (Pali); copper (VS.); loho, lo_ = metal, ore, iron (Si.) loha lut.i = iron utensils and implements (Santali.lex.) koṭiyum = a wooden circle put round the neck of an animal; koṭ = neck (G.lex.) kōṭu = horns (Ta.) kōḍiya, kōḍe = 
young bull (G.) Rebus: koḍ  = place where artisans work (G.lex.)
dol = likeness, picture, form (Santali) [e.g., two tigers, two bulls, duplicated signs] me~ṛhe~t iron; ispat m. = steel; dul m. = cast iron (Santali) [Thus, the paired glyph of one-horned heifers connotes (metal) casting (dul) workshop (koḍ)]

PLUS

śã̄gaḍ ʻchainʼ rebus: sanghāta 'vajra, metallic adamantine glue'. Thus, the metallurgist has achieved and documented the alloy of copper, as adamantine glue.

The cbain hieroglyph component is a semantic determinant of the stylized 'standard device' sã̄gaḍa, 'lathe, portable brazier' used for making, say, crucible steel. Hence the circle with dots or blobs/globules signifying ingots.

S. Kalyanaraman
Sarasvati Research Center
March 20, 2016

Goofed up JNU pedigree. Aha, red star goof-up.

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Note:

Pedigree chart, a document to record ancestry, used by genealogists in study of human family lines, and in selective breeding of animals
  • Pedigree, a human genealogy (ancestry chart)
  • Pedigree (animal), a pedigree chart pertaining to a purebred animal; may also refer to such a purebred animal itself, e.g. "a pedigree dog" or "a pedigreed dog". A collection or database of such pedigrees may be referred to as a breed registry, breed register, herdbook, or studbook. See in particular:
Published: March 20, 2016 00:22 IST | Updated: March 20, 2016 00:23 IST  

Academics with JNU pedigree find their speeches cancelled



From Patel to Ambedkar, no matter what the subject, it would appear that academics from JNU will not be allowed to speak.

Not just students but also professors who have taught at Jawaharlal Nehru University (JNU) are discovering a worrying trend, especially in Central universities: they are being prevented from speaking at seminars and public gatherings.
M.N. Panini, who has taught at the Centre for the Study of Social Systems in the School of Social Sciences, JNU, was on his way to deliver an address on the “Challenges of nation-building in a global age” at the Central University of Jharkhand in the context of the 140th birth anniversary of Sardar Vallabhbhai Patel.
The university had made arrangements for Professor Panini to fly from Mysore to Ranchi, via Delhi, for the lecture on Saturday. On Friday evening , however, the Vice-Chancellor of the Jharkhand university, Nand Kumar Yadav, called him to say that the trip was cancelled.
According to sources, the lecture was cancelled under pressure exerted on the university administration by a clutch of students. The campus does not have a union.
It is learnt that though the organisers tried to reason with these students, the lecture was called off at the last minute. Professor Panini finds it ironical that the university did not want to hear Patel’s vision in nation-building and that perhaps, the sudden problem cropped up because of the JNU badge that he wears with pride.
Professor Yadav, who was appointed last year, said he erred on the side of caution as he was told that certain students were planning to disrupt the lecture.
“There were also rumours that Professor Panini was Kanhaiya’s supervisor,” he said, adding that he took the decision to save his guest from being dishonoured. “Students would have disrupted the proceedings according to my information,” he said.
In a similar incident at Delhi University on Friday, Professor Chaman Lal, a retired Professor from JNU, was heckled and booed by ABVP students when he got up to speak on “The life and writings of Bhagat Singh”. The Professor stood his ground and continued with his speech. “The ABVP did at the Delhi University what even the British colonial regime could not do — disturb Bhagat Singh’s meetings,” Professor Lal said. An authority on Bhagat Singh, Professor Lal said he was told he should not speak at a meeting held to mark the revolutionary’s martyrdom day. As Professor Lal got up to speak, the ABVP students tried to disrupt the proceedings by shouting Bharat Mata Ki Jai. The Professor not only spoke but also took questions from his guests.
Last month, the ABVP activists attacked Professor Vivek Kumar in Gwalior at a symposium on Baba Saheb Ke Sapno Ka Bhartiya Samaj.
From Patel to Ambedkar, no matter what the subject, it would appear that academics from JNU will not be allowed to speak.
http://www.thehindu.com/news/national/academics-with-jnu-pedigree-find-their-speeches-cancelled/article8375155.ece?homepage=true

JNU Hits Bottom Three in Research Publishing

Published: 20th Mar 2016 05:49:30 AM
While it has won an award for innovation, Jawaharlal Nehru University (JNU) is one of the bottom three institutions when it comes to publishing research papers.
The Ministry of Science and Technology has come up with a list of research papers published by the country’s top 30 institutions. The study, done by global publishing company Elsevier, found that the top 100 institutions selected by a count of publications between 2002 and 2014, showed an average output growth rate of 14.1 per cent.
The Indian Institute of Science in Bengaluru, IIT Kharagpur and IIT Delhi have bagged the top three positions while Osmania University, University of Mysore and JNU are in the bottom three position. 
http://www.newindianexpress.com/thesundaystandard/JNU-Hits-Bottom-Three-in-Research-Publishing/2016/03/20/article3336100.ece

Saraswati meets Buddha -- Shailaja Tripathi

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Published: March 19, 2016 16:38 IST | Updated: March 19, 2016 19:35 IST  

Saraswati meets Buddha

  • A Saraswati or Benzaiten shrine in Ginkakuji, Tokyo. Photo: Benoy K. Behl
    A Saraswati or Benzaiten shrine in Ginkakuji, Tokyo. Photo: Benoy K. Behl
  • A Saraswati (or Benzaiten) shrine in Bentenshu, Osaka. Photo: Benoy K Behl
    A Saraswati (or Benzaiten) shrine in Bentenshu, Osaka. Photo: Benoy K Behl
  • An idol of Yama (Emma) in Inoji, Tokyo. Photo: Benoy K. Behl
    An idol of Yama (Emma) in Inoji, Tokyo. Photo: Benoy K. Behl
  • Matsichiyama Shoten, the Ganesha temple in Tokyo is believed to be the oldest temple to Ganesha in the world. Photo: Benoy K. Behl
    Matsichiyama Shoten, the Ganesha temple in Tokyo is believed to be the oldest temple to Ganesha in the world. Photo: Benoy K. Behl
  • Sanskrit prayers and pronunciation in Japanese at Gokokuji, Tokyo. Photo: Benoy K. Behl
    Sanskrit prayers and pronunciation in Japanese at Gokokuji, Tokyo. Photo: Benoy K. Behl
  • A Sanskrit beejakshara at Sensoji, Tokyo. Photo: Benoy K. Behl
    A Sanskrit beejakshara at Sensoji, Tokyo. Photo: Benoy K. Behl
  • Art historian and filmmaker Benoy K. Behl has documented the worshipping of Hindu deities in temples and monasteries in Japan.
    Special Arrangement
    Art historian and filmmaker Benoy K. Behl has documented the worshipping of Hindu deities in temples and monasteries in Japan.
  • Shailaja Tripathi.
    Shailaja Tripathi.

A photo exhibition in Bengaluru uncovers how Hindu deities are actively worshipped in several sects of Buddhism in Japan.

Do you know that Saraswati, the goddess of learning, has hundreds of shrines dedicated to her in Japan?
Are you aware that Siddham, the 5th century Sanskrit script which has disappeared in India, is still in use in Japan, and the Ganesha temple in Tokyo is the oldest temple to have witnessed 1,000 years of continued worship?
And we thought Japan was all about the Buddha! At ‘Hindu Deities and Indian Culture in Japan,’ an exhibition of photographs by Benoy K. Behl at National Gallery of Modern Art, Bengaluru, 82 photographs of sculptures, paintings, shrines, ritualistic practices shot across museums and temples in Japan weave a beautiful narrative around Hindu deities actively worshipped there.
Behl, an art historian and filmmaker known for his extensive engagement with heritage, took these images during the course of a Japan Foundation Fellowship last year.
While images of Saraswati (Benzaiten) dominate the collection on display, there are also pictures of Agni (fire god Katen), a temple of Indra (Shibamata Taishakuten in Japanese), Brahma (Bonten), Lakshmi (Kichijoten) and Ganesh (Shoten), revered by the believers in Japan. Between the seventh and eighth centuries, Japan adopted the eight-armed Saraswati as defender of the nation. “There is an entire sect associated with it which is called the Benzaiten sect. Also, it is interesting to note that Saraswati is depicted and venerated not only with theveena, but also remembered for her association with water. Saraswati is originally the personification of the river by that name. Therefore, she is also worshiped in pools of water in Japan,” says Behl. But what about their facial features and form? That seems to change a bit in every painting and figurine. “Deities in Japan are not real figures. They are personification of ideas. Their Lakshmi isn’t heavily ornamented and the first Lakshmi you see in Indian art (in a Buddhist Stupa) is a Gajalakshmi, which again is not heavily ornamented,” explains the art historian.
The four directional kings whom we know as dikpalas, and Apsara, Chandra or the moon (Gnatoo), also feature in the exhibition. A film on the same subject by Behl, commissioned by the Ministry of External Affairs, is also a part of the exhibition. “It features 50 most important priests of Japan who were kind enough to allow me to shoot in their temples, which are otherwise very conservative. I think my background in Buddhist art helped and all of them opened their doors for me. I shot Japanese priests doing havans… you know, they perform havans more often than us,” says Behl. Particularly interesting is an image of priests singing Sanskrit hymns and performing homa. “Today’s Himalayan Buddhism is of a later development and has lost the typical havan or homa. I was delighted to find and record the continuance of the tradition of homa in some of the most important Japanese Buddhist sects, who call it goma. Sanskrit sutras are also chanted on the occasion and it is much like the havan we are all familiar with. Also, the 5th century Siddham script, which has disappeared in India, is still in use in Japan. At Koyasan, they have a school where Sanskrit is taught with Siddham.”
Behl goes on to establish the arrival of Buddhism in Japan with the image of a Nagarjuna figurine shot in Gokokuji temple in Tokyo. Nagarjuna is deeply revered in the country as an intellectual and teacher who established Vajrayana Buddhism. Then there is a shot of a screen painting depicting Bodhisena — a Buddhist monk from India — being received in Japan by Gyoki Bodhisattva who then took him to Nara.
“There are deep meanings in Japanese practices which take us back to early developments of philosophy in India. Besides the Buddha, so many ancient Indian deities and practices are preserved in these temples. An Indian feels quite at home in Japan,” says Behl.
http://www.thehindu.com/features/magazine/shailaja-tripathi-on-a-photo-exhibition-on-hindu-deities-and-indian-culture-in-japan/article8374655.ece?homepage=true

Benzaiten (Sarasvati) images:

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Now, solar energy can power air conditioner, refrigerator

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Published: March 19, 2016 23:00 IST | Updated: March 19, 2016 17:53 IST  

Now, solar energy can power air conditioner, refrigerator


The smart grid (iGrid) is the brain of the whole system. Photo: R. Prasad
The smart grid (iGrid) is the brain of the whole system. Photo: R. Prasad
Making a marked departure from the conventional system, a Chennai-based company provides a comprehensive system that ensures that a 2 kW solar panel can power a 1.5 tonne air conditioner, one 300 litre refrigerator, five fans, five LED tube lights (4 feet in length and 16 watts each) and eight LED bulbs (6 watts each) during the day.
There are many innovative systems that make this possible. In lieu of silicon crystalline panels that are routinely used, Basil Energetics Pvt Ltd uses thin film solar panels. Though efficiency of thin film panel is the same as silicon panel at 25 degree C, the energy yield of thin film is higher than silicon panel.
“This is because power rating is done at 25 degree C. In India, the outside temperature far exceeds 25 degree C, especially during summer. And for every 1 degree C increase in temperature, the loss in power rating is 0.5 per cent in the case of silicon panels; it is only 0.25 per cent with thin films. So 5 per cent more energy output is achieved by thin film panels,” said Dr. R. Ramarathnam, Chairman of Basil Energetics. “Solar panels need light not heat. That’s why they are more efficient in higher latitudes.”
Another advantage with the thin film panel is that unlike silicon panels where power production gets completely cut off even if a small part of the panel is covered by shade, only that part of the thin film panel that is not exposed to sunlight stops producing power.
Basil Energetics also manufactures electrical appliances that run on both direct current (D/C) and alternating current (A/C). The driver circuitry designed by Basil and more efficient motors manufactured by the company are used in the air conditioner, refrigerator and fan. Also, the refrigerator and air conditioner use a motor that runs on a variable speed compressor. “Our fans consume only 20 watts [normal fans need 75 watts] and a 1.5 tonne air conditioner requires only 1,200 watts initially and then run at 250-260 watts. The average consumption is only 333 watts, while normal air conditioners always need 1,650 watts,” he said. “Our refrigerators consume only 40 watts, while conventional ones consume 150 watts.”
But the brain of the whole system is a smart grid (iGrid) that manages the load by monitoring the power availability in the panel on one hand and load demand on the other to ensure smooth functioning in four different scenarios. All appliances are run on panel-produced power when there is adequate power, but when the demand is higher than the power produced, the iGrid runs as many appliances as possible using solar power and the remaining from the grid. During the night, the iGrid draws power from the grid while excess power produced during the day (when all appliances are not used) is fed to the grid. “This management is done automatically,” Dr Ramarathnam said. “A battery can also be connected to the iGrid to run the appliances in the night.”
Since the appliances use less power than conventional ones, the area of the thin film panel required is less. A thin film panel of 160 sq. feet area can provide 2 kW power when appliances manufactured by Basil are used, a 400 sq. feet area silicon panel is required n the case of conventional appliances, he said.
In the case of 2 kW capacity the investment would work out to Rs.4,20,000 for the panel, iGrid, and appliances and installation. “The payback period will be 5-5.5 years depending on usage and tariff,” he said. It works out to Rs.1,10,000 in the case of 330 watts that can power a 180 litre refrigerator, three fans, two tube lights and two bulbs.
The company has so far completed 24 projects in a short span of 13 months.
http://www.thehindu.com/sci-tech/technology/article8374740.ece?css=print

See the distress Mallya caused, Bharat Mata Ki Jai -- Manas Chakravarty

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See the distress Mallya caused, Bharat Mata Ki Jai

  • Manas Chakravarty 
  •  |  
  • Updated: Mar 19, 2016 20:46 IST

Rajya Sabha MP Vijay Mallya (File Photo) (Sonu Mehta/HT)
1st CEO: What Vijay Mallya has done is terrible, really terrible. Has he no sense of shame? Bloody anti-national. By the way, just to be on the safe side, Bharat Mata ki jai.
Me: Absolutely.
2nd CEO: Look at all the suffering he has caused. Bharat Mata ki jai.
Me: Yes, those poor employees.
3rd CEO: What employees? Bharat Mata ki jai.
Me: I thought you guys were talking about the Kingfisher employees losing their jobs and their dues not being paid.
2nd CEO: No, no, I meant the anguish he is causing us crony capitalists. Jai Hind.
Me: But how has he hurt you folks? 
1st CEO: See, there we all were, cosying up to the powers that be. Cooking the books a bit, massaging the bottom line a little. Jai Jawan Jai Kisan.
2nd CEO: Doing a bit of insider trading, or a spot of hawala. Vande Mataram.
3rd CEO: Evading a little tax, skimming off a few crores, wangling a few concessions, all in the normal course of business and all without raising a stink. Sare jahan se achha Hindustan hamara.  
2nd CEO: These things have been going on for ages without anybody batting an eyelid. And then Mallya comes and, unlike the rest of us cronies, he doesn’t have the decency to fly under the radar. Satyameva Jayate.
1st CEO: Instead, he has to be larger than life, throwing huge parties, bidding vast amounts for cricketers, cavorting with bikini-clad girls, bragging about the racehorses and yachts he owns. Imagine the effect on the deprived masses, they’re green with envy. I’m running out of patriotic slogans, Desh ki dhadkan Hero Honda.
3rd CEO: Why didn’t he float a benami company to buy those cricket teams? Lal salaam.
Me: Eh?
3rd CEO: Oops, sorry wrong slogan, got a bit carried away there. Mallya should have talked about how badly the economy is doing with a long face, about how, despite the hard times, he was promoting Booze in India with his liquor brands. Simon, go back.
Me: Who’s Simon?
2nd CEO: Simon Commission, it’s an old nationalist slogan. Mallya could easily have enjoyed all the good things of life the way we do — discreetly. But no, he had to show off. And look where that has landed us. Chak de India.
1st CEO: The bankers are recalling their loans to us, the cops are investigating money laundering, the income tax people are on our heels. They’re baying for our blood. Desh ka namak Tata Salt.
3rd CEO: No more cheap land, no more cheap funds, no more tax sops, promoters having to pay for reviving their companies — what is the world coming to? Delhi Chalo.
1st CEO: I’m moving to London. Will meet Vijay and check if I can get his yacht cheap. Quit India.
2nd CEO: I’m pushing off to the Cayman Islands. Quit India.
3rd CEO: Liechtenstein, here I come. Quit India.
Me: Azadi
(Manas Chakravarty is consulting editor, Mint . The views expressed are personal)
http://www.hindustantimes.com/columns/see-the-distress-mallya-caused-bharat-mata-ki-jai/story-7I83BMTwt3J9zwcZwS3ItO.html

Four deciphered Indus Script inscriptions show mēṭa 'stack of hay' mēṭa 'raised place' as signifiers of mẽṛhẽt, meḍ 'iron (metal)''copper'

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Mirror: http://tinyurl.com/hy4gbq2

Ganweriwala tablet and seals m1181, m0304 m453 show persons seated on a platform, a raised place.

The significance of the platform is clear in rebus readings. On seal m0304, stacks of hay signify mēṭa 'stack of hay' which are phonetic determinants of the platform, raised place: mēṭa 'raised place'. Rebus reading is: mẽṛhẽt, meḍ 'iron (metal)''copper' (Slavic languages).
Ganweriwala ablet
m1181 m 304. Mohenjo-daro seal. DK 5175, now in the National Museum of India, New Delhi. Seated person with buffalo horns. 
m453

See: http://bharatkalyan97.blogspot.in/2016/03/ganweriwala-tablet-catalogue-of-kammata.html 


mēṭumēṭamēṭi stack of hay (Telugu) Ta. meṭṭu mound, heap of earth; mēṭu height, eminence, hillock; muṭṭu rising ground, high ground, heap. Ma. mēṭu rising ground, hillock; māṭu hillock, raised ground; miṭṭāl rising ground, an alluvial bank; (Tiyya) maṭṭa hill. Ka. mēḍu height, rising ground, hillock; miṭṭu rising or high ground, hill; miṭṭe state of being high, rising ground, hill, mass, a large number; (Hav.) muṭṭe heap (as of straw). Tu. miṭṭè prominent, protruding; muṭṭe heap. 
Te. meṭṭa raised or high ground, hill; (K.) meṭṭu mound; miṭṭa high ground, hillock, mound; high, elevated, raised, projecting; (VPKmēṭu, mēṭa, mēṭi stack of hay; (Inscr.) meṇṭa-cēnu dry field (cf. meṭṭu-nēla, meṭṭu-vari). Kol. (SR.) meṭṭā hill; (Kin.) meṭṭ (Hislop) met mountain. Nk. meṭṭ 
hill, mountain. Ga. (S.3LSB 20.3) meṭṭa high land. Go. (Tr. W. Ph.) maṭṭā, (Mu.)maṭṭa mountain; (M. L.) meṭā id., hill; (A. D. Ko.) meṭṭa, (Y. Ma. M.) meṭa hill; (SR.) meṭṭā hillock (Voc. 2949). Konḍa meṭa id. Kuwi (S.) metta hill; (Isr.) meṭa sand hill. (DEDR 5058) (b) Ta. mēṭai platform, raised floor, artificial mound, terraced house. Ma. mēṭa raised place, tower, upper story, palace. Te. mēḍa house with two or more stories, upper chamber. Pa. mēṛ ole bungalow. Go. (Ko.) mēṛā large house, bungalow (Voc. 2965). Konḍa mēṛa mide terraced building (see 5069). Pe. mēṛ storied house, mansion.Kuwi (S.) mēḍa illu storied house; (Isr.) mēṛa upstair building. / Cf. Skt. (lex.meṭa- whitewashed storied house; Pkt. meḍaya- id.  (DEDR 4796b) 


m1181. Seal. Mohenjo-daro. Three-faced, horned person (with a three-leaved pipal branch on the crown), wearing bangles and armlets and seated on a hoofed platform.
m1181 Text of inscription.

Each glyphic element on this composition and text of inscription is decoded rebus:

Two glyphs 'cross-road' glyph + 'splice' glyph -- which start from right the inscription of Text on Seal m1181.The pair of glyphs on the inscription is decoded: dhatu adaru bāṭa 'furnace (for) mineral, native metal’. dāṭu 'cross'(Telugu); bāṭa 'road' (Telugu). aḍar = splinter (Santali); rebus: aduru = native metal (Ka.) aduru = gan.iyinda tegadu karagade iruva aduru = ore taken from the mine and not subjected to melting in a furnace (Kannada. Siddha_nti Subrahman.ya’ S’astri’s new interpretation of the Amarakos’a, Bangalore, Vicaradarpana Press, 1872, p. 330)

Other glyphic elements: aḍar kuṭhi 'native metal furnace'; soḍu 'fireplace'; sekra 'bell-metal and brass worker'; aya sal 'iron (metal) workshop'.

*the person is seated on a hoofed platform (representing a bull): decoding of glyphics read rebus: ḍangar ‘bull’; ḍhangar ‘blacksmith’ (H.); koṇḍo ‘stool’; rebus: koḍ ‘workshop’. The glyphics show that the seal relates to a blacksmith's workshop.

*the seated person's hair-dress includes a horned twig. aḍaru twig; aḍiri small and thin branch of a tree; aḍari small branches (Ka.); aḍaru twig (Tu.)(DEDR 67). aḍar = splinter (Santali); rebus: aduru = native metal (Ka.) Vikalpa: kūtī = bunch of twigs (Skt.) Rebus: kuṭhi = furnace (Santali)

*tiger's mane on face: The face is depicted with bristles of hair, representing a tiger’s mane. cūḍā, cūlā, cūliyā tiger’s mane (Pkt.)(CDIAL 4883)Rebus: cuḷḷai = potter’s kiln, furnace (Ta.); cūḷai furnace, kiln, funeral pile (Ta.); cuḷḷa potter’s furnace; cūḷa brick kiln (Ma.); cullī fireplace (Skt.); cullī, ullī id. (Pkt.)(CDIAL 4879; DEDR 2709). sulgao, salgao to light a fire; sen:gel, sokol fire (Santali.lex.) hollu, holu = fireplace (Kuwi); soḍu fireplace, stones set up as a fireplace (Mand.); ule furnace (Tu.)(DEDR 2857). 

*bangles on arms cūḍā ‘bracelets’ (H.); rebus: soḍu 'fireplace'. Vikalpa: sekeseke, sekseke covered, as the arms with ornaments; sekra those who work in brass and bell metal; sekra sakom a kind of armlet of bell metal (Santali) 

*fish + splinter glyph ayo, hako 'fish'; a~s = scales of fish (Santali); rebus: aya = iron (G.); ayah, ayas = metal (Skt.)sal stake, spike, splinter, thorn, difficulty (H.); sal ‘workshop’ (Santali) Vikalpa: Glyph: ḍhāḷiyum = adj. sloping, inclining; rebus: ḍhāḷako = a large metal ingot (G.) H. dhāṛnā ‘to send out, pour out, cast (metal)’ (CDIAL 6771). Thus, the ligatured 'fish + sloping (stroke)' is read rebus: metal ingot.

•dāṭu = cross (Te.); dhatu = mineral (Santali) dhātu ‘mineral (Pali) dhātu ‘mineral’ (Vedic); a mineral, metal (Santali); dhāta id. (G.)H. dhāṛnā ‘to send out, pour out, cast (metal)’ (CDIAL 6771). aṭar a splinter; aṭaruka to burst, crack, slit off, fly open; aṭarcca splitting, a crack; aṭarttuka to split, tear off, open (an oyster)(Ma.); aḍaruni to crack (Tu.)(DEDR 66). dāravum = to tear, to break (G.) dar = a fissure, a rent, a trench; darkao = to crack,to break; bhit darkaoena = the wall is cracked (Santali) Rebus: aduru 'native (unsmelted) metl' (Kannada).

Seated person in penance: kamaḍha ‘penance’ (Pkt.); rebus: kampaṭṭa ‘mint’(Ma.) Glyphics of shoggy, brisltles of hair on the face of the person: Shoggy hair; tiger’s mane. sodo bodo, sodro bodro adj. adv. rough, hairy, shoggy, hirsute, uneven; sodo [Persian. sodā, dealing] trade; traffic; merchandise; marketing; a bargain; the purchase or sale of goods; buying and selling; mercantile dealings (G.lex.) sodagor = a merchant, trader; sodāgor (P.B.) (Santali.lex.) 

Glyph: clump between the two horns: kuṇḍa n. ʻ clump ʼ e.g. darbha-- kuṇḍa-- Pāṇ.(CDIAL 3236). kundār turner (A.)(CDIAL 3295). kuṇḍa n. ʻ clump ʼ e.g. darbha-- kuṇḍa-- Pāṇ. [← Drav. (Tam. koṇṭai ʻ tuft of hair ʼ, Kan. goṇḍe ʻ cluster ʼ, &c.) T. Burrow BSOAS xii 374] Pk. kuṁḍa-- n. ʻ heap of crushed sugarcane stalks ʼ (CDIAL 3266) Ta. koṇtai tuft, dressing of hair in large coil on the head, crest of a bird, head (as of a nail), knob (as of a cane), round top. Ma. koṇṭa tuft of hair. Ko.goṇḍ knob on end of walking-stick, head of pin; koṇḍ knot of hair at back of head. To. kwïḍy Badaga woman's knot of hair at back of head (< Badaga koṇḍe). Ka. koṇḍe, goṇḍe tuft, tassel, cluster. Koḍ. koṇḍe tassels of sash, knob-like foot of cane-stem. Tu. goṇḍè topknot, tassel, cluster. Te. koṇḍe, (K. also) koṇḍi knot of hair on the crown of the head. Cf. 2049 Ta. koṭi. / Cf. Skt. kuṇḍa- clump (e.g. darbha-kuṇḍa-), Pkt. (DNM) goṇḍī- = mañjarī-; Turner, CDIAL, no. 3266; cf. also Mar. gōḍā cluster, tuft. (DEDR 2081) kuṇḍī = crooked buffalo horns (L.) rebus: kuṇḍī = chief of village. kuṇḍi-a = village headman; leader of a village (Pkt.lex.) I.e. śreṇi jet.t.ha chief of metal-worker guild. koḍ 'horns'; rebus: koḍ 'artisan's workshop' (G.) Thus the entire glyphic composition of hieroglyphs on m1181 seal is a message conveyed from a sodagor 'merchant, trader'. The bill of lading lists a variety of repertoire of the artisan guild's trade load from a mint -- the native metal and brass workshop of blacksmith (guild) with furnace: aḍar kuṭhi 'native metal furnace'; soḍu 'fireplace'; sekra 'bell-metal and brass worker'; aya sal 'iron (metal) workshop'. 
In a comparable glyphic composition showing a person seated in penance, two serpents are shown flanking the person.

 
Text on obverse of the tablet m453A: Text 1629. m453BC Seated in penance, the person is flanked on either side by a kneeling adorant, offering a pot and a hooded serpent rearing up. 

Glyph: kaṇḍo ‘stool’. Rebus; kaṇḍ ‘furnace’. Vikalpa: kaṇḍ ‘stone (ore) metal’.  Rebus: kamaḍha ‘penance’. Rebus 1: kaṇḍ ‘stone ore’. Rebus 2: kampaṭṭa ‘mint’. Glyph: ‘serpent hood’: paṭa. Rebus: pata ‘sharpness (of knife), tempered (metal). padm ‘tempered iron’ (Ko.) Glyph: rimless pot: baṭa. Rebus: bhaṭa ‘smelter, furnace’. It appears that the message of the glyphics is about a mint  or metal workshop which produces sharpened, tempered iron (stone ore) using a furnace.

Rebus readings of glyphs on text of inscription:

koṇḍa bend (Ko.); Tu. Kōḍi  corner; kōṇṭu angle, corner, crook. Nk. Kōnṭa corner (DEDR 2054b)  G. khū̃ṭṛī  f. ʻangleʼRebus: kõdā ‘to turn in a lathe’(B.) कोंद kōnda ‘engraver, lapidary setting or infixing gems’ (Marathi) koḍ ‘artisan’s workshop’ (Kuwi) koḍ  = place where artisans work (G.) ācāri koṭṭya ‘smithy’ (Tu.) कोंडण [kōṇḍaṇa] f A fold or pen. (Marathi) B. kõdā ‘to turn in a lathe’; Or.kū̆nda ‘lathe’, kũdibā, kū̃d ‘to turn’ (→ Drav. Kur. Kū̃d ’ lathe’) (CDIAL 3295)  

aṭar ‘a splinter’ (Ma.) aṭaruka ‘to burst, crack, sli off,fly open; aṭarcca ’ splitting, a crack’; aṭarttuka ‘to split, tear off, open (an oyster) (Ma.); aḍaruni ‘to crack’ (Tu.) (DEDR 66) Rebus: aduru ‘native, unsmelted metal’ (Kannada) 

ã= scales of fish (Santali); rebusaya ‘metal, iron’ (Gujarati.) cf. cognate to amśu 'soma' in Rigveda: ancu 'iron' (Tocharian)

G.karã̄ n. pl. ‘wristlets, bangles’; S. karāī f. ’wrist’ (CDIAL 2779).  Rebus: khār खार् ‘blacksmith’ (Kashmiri)

dula ‘pair’; rebus dul ‘cast (metal)’

Glyph of ‘rim of jar’: kárṇaka m. ʻ projection on the side of a vessel, handle ʼ ŚBr. [kárṇa -- ]Pa. kaṇṇaka -- ʻ having ears or corners ʼ; (CDIAL 2831) kaṇḍa kanka; Rebus: furnace account (scribe). kaṇḍ = fire-altar (Santali); kan = copper (Tamil) khanaka m. one who digs , digger , excavator Rebus: karanikamu. Clerkship: the office of a Karanam or clerk. (Telugu) káraṇa n. ʻ act, deed ʼ RV. [√kr̥1] Pa. karaṇa -- n. ʻdoingʼ; NiDoc. karana,  kaṁraṁna ʻworkʼ; Pk. karaṇa -- n. ʻinstrumentʼ(CDIAL 2790)

The suggested rebus readings indicate that the Indus writing served the purpose of artisans/traders to create metalware, stoneware, mineral catalogs -- products with which they carried on their life-activities in an evolving Bronze Age.

Mirror:http://tinyurl.com/jfbeo7j 
http://tinyurl.com/jfbeo7j
Glyphs on a broken molded tablet, Ganweriwala. The reverse includes the 'rim-of-jar' glyph in a 3-glyph text. Observe shows a  person seated on a stool and a kneeling adorant below.
Ganweriwala tablet. Ganeriwala or Ganweriwala (Urduگنےریوالا‎ Punjabi: گنیریوالا) is a Sarasvati-Sindhu civilization site in Cholistan, Punjab, Pakistan.

Canopy: Ku. pāl ʻ canopy ʼ; N. pāl ʻ tent ʼ; A. pāl ʻ sail, large sheet of cloth, palanquin ʼ; B. pāl ʻ sail ʼ, pāil ʻ sail, awning ʼ-- P. H. pallā m. ʻ cloth spread out for grain ʼ poss. < palya -- . Addenda: *palla -- 3: S.kcch. pāl m. ʻ big jute cloth ʼ.(CDIAL 7967).

phala2 n. ʻ point of arrow ʼ Kauś., ʻ blade of knife ʼ MBh. 2. *phara -- 1. [i.e. ʻ splitting ʼ ~ phala -- 3 ʻ what is split ʼ. -- √phal]1. Pa. phala -- n. ʻ point of arrow or sword ʼ, Pk. phala<-> n. ʻ point of arrow ʼ; K. phal ʻ tip of arrow, blade of mattock ʼ; S. pharu m. ʻ blade, arrowhead ʼ; L.awāṇ. P. N. phal ʻ blade ʼ, B. phal°lā; Or. phaḷā ʻ blade ʼ, phaḷī ʻ arrowhead ʼ; H. phal m. ʻ blade ʼ, G. M. phaḷ n.; M. phaḷẽ n. ʻ spear -- head ʼ.2. P. pharhā m. ʻ blade, nib ʼ.Addenda: phala -- 2. 1. Md. fali ʻ oar ʼ or < *phāla -- 2?(CDIAL 9052)

Hieroglyph: kamadha 'penance' Rebus: kammata 'coiner, mint'.
Prakritam gloss: kamad.hakamat.hakamad.hakakamad.hagakamad.haya= a type of penance.

The venerated, person seated in a type of penance has been rendered in Indus Script cipher as kamaDha 'penance' (Prakritam) Rebus: kammaTTa 'coiner, mint'. What did the kneeling adorant as Signs 45 and 46 signifY? I have suggested the cipher: bhaTa 'worshipper' rebus: bhaTa 'furnace'.
Prakritam lexis.

Reading rebus three glyphs of text on Ganweriwala tablet: brass-worker, scribe, turner:

1. kuṭila ‘bent’; rebus: kuṭila, katthīl = bronze (8 parts copper and 2 parts tin) [cf. āra-kūṭa, ‘brass’ (Skt.) (CDIAL 3230) 

2. Glyph of ‘rim of jar’: kárṇaka m. ʻ projection on the side of a vessel, handle ʼ ŚBr. [kárṇa -- ]Pa. kaṇṇaka -- ʻ having ears or corners ʼ; (CDIAL 2831) kaṇḍa kanka; Rebus: furnace account (scribe). kaṇḍ = fire-altar (Santali); kan = copper (Tamil) khanaka m. one who digs , digger , excavator Rebus: karanikamu. Clerkship: the office of a Karanam or clerk. (Telugu) káraṇa n. ʻ act, deed ʼ RV. [√kr̥1] Pa. karaṇa -- n. ʻdoingʼ; NiDoc. karana,  kaṁraṁna ʻworkʼ; Pk. karaṇa -- n. ʻinstrumentʼ(CDIAL 2790)

3. khareḍo = a currycomb (G.) Rebus: kharādī ‘ turner’ (G.) 

bhaTa 'worshipper' Rebus: bhaTa 'furnace' baTa 'iron' (Gujarati)

Hieroglyph: Ta. kump-iṭu (iṭuv-, iṭṭ-) to join hands in worship, make obeisance with the hands joined and raised, beg, entreat; n. worship. Ma. kump-iṭuka, kumm-iṭuka to bow down, prostrate oneself, worship. Ko. kub-iṛ- (iṭ-) to bow down, pray; kumiṭe· salutation used by Kota to Badaga or Kurumba. To. kub-ïḍ- (ïṭ-) to salute (not used of religious salutation); ? ku·ḍ- (ku·ḍQ-) to bow, bend down. Ka. kumbu bending, bowing down, obeisance; kumbiḍu to bow down, do obeisance (DEDR 1750)

Rebus: Ta. kumpiṭu-caṭṭi chafing-dish, portable furnace, potsherd in which fire is kept by goldsmiths; kumutam oven, stove; kummaṭṭi chafing-dish. Ka. kuppaḍige, kuppaṭe, kumpaṭe, kummaṭa, kummaṭe id. Te. kumpaṭi id. Cf. 1752 Ta. kumpu. Ta. kumpu (kumpi-) to become charred (as food when boiled with insufficient water); kumpal smell of charred rice; kumpi hot ashes; kumuṟu (kumuṟi-) to burst with distress; kumai (-v-, -nt-) to be hot, sultry. Ma. kumpi, kumpiri mirage; kumpal inward heat; kummu expr. descriptive of heat; kummal sultriness, mustiness; kumuṟuka, kumiṟuka to be hot, close; kumuṟal oppressive heat; ? kukkuka to be hot; ? kuppu heat. Ka. kome to begin to burn, as fire or anger. Tu.kumbi mirage; gumulu fire burning in embers; gumuluni to be hot, feel hot as in a fit of fever. Te. kummu smouldering ashes; kumulu to smoulder, burn slowly underneath without flame, be consumed inwardly, grieve, pine. Go. (Hislop) kum smoke (Voc. 763); (Tr.) gubrī fine ashes of burnt-out fire (Voc. 1141); (Koya Su.) kumpōḍ smoke. Cf. 1751 Ta. kumpiṭu-caṭṭi. / Cf. Pkt. (DNM) kumulī- fireplace. (DEDR 1751, 1752)

Hieroglyph of 'kneeling adorant' or 'worshipper' is such an abiding message that Mahadevan concordance treates the hieroglyph as a text 'sign'.
  Signs 45, 46 Mahadevan Concordance. In Sign 46, Sign 45 is ligatured with a pot held by the adoring hands of the kneeling adorant wearing a scarf-type pigtail. I suggest that the rimless pot held on Sign 46 is a phonetic determinant: baTa 'rimless pot' Rebus: bhaTa 'furnace'. So, is the kneeling adorant, a worshippper of a person seated in penance,  a bhaTa 'worshipper in a temple' Rebus: bhaTa 'furnace'. For him the kole.l 'temple' is kole.l 'smithy, forge' (Kota language).

http://bharatkalyan97.blogspot.in/2016/01/je-tiens-mon-affaire-orthography-of.html 

"Je tiens mon affaire!" Orthography of penance signifies kammaṭa 'mint, coiner' on 10 Indus Script inscriptions

m478a tablet
கோலம்¹ kōlamn. [T. kōlamu, K. kōla, M. kōlam.] 1. Beauty, gracefulness, hand- someness; அழகு. கோலத் தனிக்கொம்பர் (திருக் கோ. 45). 2. Colour; நிறம். கார்க்கோல மேனி யானை (கம்பரா. கும்பக. 154). 3. Form, shape, external or general appearance; உருவம். மானுடக் கோலம். 4. Nature; தன்மை. 5. Costume; appropriate dress; attire, as worn by actors; trappings; equipment; habiliment; வேடம். உள்வரிக் கோலத்து (சிலப். 5, 216). 6. Ornament, as jewelry; ஆபரணம். குறங்கிணை திரண்டன கோலம் பொறாஅ (சிலப். 30, 18). 7. Adornment, decoration, embellishment; அலங்காரம். புறஞ்சுவர் கோலஞ்செய்து (திவ். திருமாலை, 6). 8. Ornamental figures drawn on floor, wall or sacrificial pots with rice-flour, white stone-powder, etc.; மா, கற்பொடி முதலியவற்றாலிடுங் கோலம். தரை மெழுகிக் கோலமிட்டு (குமர. மீனாட். குறம். 25). 

The hieroglyphs on m478a tablet are read rebus:

kuTi 'tree'Rebus: kuThi 'smelter'

bhaTa 'worshipper' Rebus: bhaTa 'furnace' baTa 'iron' (Gujarati) This hieroglyph is a phonetic deterinant of the 'rimless pot': baṭa = rimless pot (Kannada) Rebus: baṭa = a kind of iron (Gujarati) bhaṭa 'a furnace'.  Hence, the hieroglyph-multiplex of an adorant with rimless pot signifies: 'iron furnace' bhaTa. 

bAraNe ' an offering of food to a demon' (Tulu) Rebus: baran, bharat (5 copper, 4 zinc and 1 tin) (Punjabi. Bengali) The narrative of a worshipper offering to a tree is thus interpretable as a smelting of three minerals: copper, zinc and tin.

Numeral four: gaNDa 'four' Rebus: kand 'fire-altar'; Four 'ones': koḍa ‘one’ (Santali) Rebus: koḍ ‘artisan’s workshop'. Thus, the pair of 'four linear strokes PLUS rimless pot' signifies: 'fire-altar (in) artisan's wrkshop'. 

Circumscript of two linear strokes for 'body' hieroglyph: dula 'pair' Rebus: dul 'cast metal' koḍa ‘one’(Santali) Rebus: koḍ ‘artisan’s workshop'. Thus, the circumscript signifies 'cast metal workshop'. meD 'body' Rebus: meD 'iron'.


khareo = a currycomb (G.) Rebus: kharādī turner (Gujarati)


m1186

Offering and adorant glyphs of Indus script




There are two seals of Indus script (m1186 and m0488) depicting a kneeling person with some offerings on a stool/tray. In a vivid orthographic analysis, John C. Huntington identifies the nature of the offering on m1186: it is a bowl with ladles. The offering kept on a stool on m0488 is likely to be a similar glyph, though analysis of a higher resolution image is not possible because the tablet with this glyph is worn-out.


m1186 seal. kaula— m. ‘worshipper of Śakti according to left—hand ritual’, khōla—3 ‘lame’; Khot. kūra— ‘crooked’ BSOS ix 72 and poss. Sk. kōra— m. ‘movable joint’ Suśr.] Ash. kṓlƏ ‘curved, crooked’; Dm. kōla ‘crooked’, Tir. kṓolƏ; Paš. kōlā́ ‘curved, crooked’, Shum. kolā́ṇṭa; Kho. koli ‘crooked’, (Lor.) also ‘lefthand, left’; Bshk. kōl ‘crooked’; Phal. kūulo; Sh. kōlu̯ ‘curved, crooked’ (CDIAL 3533). 
Rebus: kol ‘pancaloha’ (Tamil)

bhaTa 'worshipper' Rebus: bhaTa 'furnace' baTa 'iron' (Gujarati)
saman 'make an offering (Santali) samanon 'gold' (Santali)
minDAl 'markhor' (Torwali) meDho 'ram' (Gujarati)(CDIAL 10120) Rebus: me~Rhet, meD 'iron' (Mu.Ho.Santali)
heraka 'spy' (Samskritam) Rebus:eraka 'molten metal, copper'
maNDa 'branch, twig' (Telugu) Rebus: maNDA 'warehouse, workshop' (Konkani)\karibha, jata kola Rebus: karba, ib, jasta, 'iron, zinc, metal (alloy of five metals)
maNDi 'kneeling position' Rebus: mADa 'shrine; mandil 'temple' (Santali)

dhatu 'scarf' Rebus: dhatu 'mineral ore' (Santali)

The rice plant adorning the curved horn of the person (woman?) with the pig-tail is kolmo; read rebus, kolme ‘smithy’. Smithy of what? Kol ‘pancaloha’. The curving horn is: kod.u = horn; rebus: kod. artisan’s workshop (Kuwi)

The long curving horns may also connote a ram on h177B tablet:
clip_image061h177Bclip_image062[4]4316 Pict-115: From R.—a person standing under an ornamental arch; a kneeling adorant; a ram with long curving horns.
The ram read rebus: me~d. ‘iron’; glyph: me_n.d.ha ram; min.d.a_l markhor (Tor.); meh ram (H.); mei wild goat (WPah.) me~r.hwa_ a bullock with curved horns like a ram’s (Bi.) me~r.a_, me~d.a_ ram with curling horns (H.)

 miṇḍ 'ram' rebus: mẽṛhet iron (metal), meD 'iron' (Ho.) med 'copper' (Slavic)


See: 
http://www.rafiquemughal.com/mughal_1990_twin-capitals_jo-of-central-asia.pdf Rafique Mughal argues about major 'cities' of the civilization (including Ganweriwala).

S. Kalyanaraman
Sarasvati Research Center
March 20, 2016

Should pre-1947 India be called S Asia? US academics lock horns over name

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Should pre-1947 India be called S Asia? US academics lock horns over name

TNN | Mar 20, 2016, 04.59 AM IST
Should pre-1947 India be called S Asia? US academics lock horns over name
WASHINGTON: The battle for India, pre-independence India, is being fought in California. In a long-running wrangle that has stretched over decades, academics and historians are once again fighting a pitched verbal battle over how sub-continental history will be taught in American schools. At the heart of the latest clash, the nomenclature of pre-1947 India as "South Asia" at the instance of some left-leaning academics, because, they maintain, the geographic entities of India and Pakistan came into being only after the two countries gained independence from British India.In other words, India did not exist before 1947.

The proposal has enraged academics on the right side of the debate who say attempts to delete references to India and replace it with the "geopolitically motivated Cold War-era phrase `South Asia".... is "misinformed and bizarre."

"If this is indeed correct that `India' is not an accurate term for India before 1947, how is it possible that the word `India' has been in usage in some form or another from the time of the ancient Greeks and Romans? Did Columbus go sear ching for `South Asia'? Are the islands of the Caribbean Sea called the `West South Asianes' instead of the `West Indies'? Was it the British East `South Asia' Company that led colonial trade and exploitation?


Was it the `South Asian Ocean' which constituted the center of the world's largest trade network before the rise of modern Europe? Do you write, perhaps, with `South Asian' ink?" Vamsee Juluri, a professor of Media Studies at the University of San Francisco, sneered in a recent letter to the California Board of Education, ridiculing the leftist proposals that the board has reportedly accepted. The battle between the left-wing historians and right-wing academics and organisations in the US over Indian history has been simmering for a long time now with arguments over everything from the Aryan invasion theory to the use of expressions like Brahminism. The Instructional Quality Commission (IQC) of the California Board of Education (CBE) meets once in ten years to review the "frameworks" for how the syllabus will be taught and the current scrap is tied to the ongoing review.

The new HSS (History Social Science) framework draft was issued last Fall, and since then the two sides have been sparring over what will be taught. Juluri says the leftist historians have a stranglehold on the debate mainly on account of the Indian community and organisations working at cross-purposes and overestimating their own strength.


"Indian-Americans are a successful community , wellsettled in American life and creating companies and jobs, building bridges with new and old country through culture and business, and yet we have only recently woken up with a start to realize that we don't own our history . In California, and even in India, 68 years after independence, we were still being taught a repackaged version of scholarship that was current in, say , the 1890s!" Juluri wrote in a statement on Teaching Approaches and Experiences he submitted to the California board.
The term "South Asia" to describe the Indian subcontinent became current and began to be used widely after the US state department and some lawmakers instituted the "South Asia bureau" in 19911992, carving it out of the the Bureau of Near Eastern and South Asian Affairs. Some Indian nationalists have long argued that the etymology is aimed at diluting India's primacy in the region.
http://timesofindia.indiatimes.com/world/us/Should-pre-1947-India-be-called-S-Asia-US-academics-lock-horns-over-name/articleshow/51477268.cms
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