https://tinyurl.com/y24g4rqm
This is an addendum to:
This is an addendum to:
-- -- मक्षिका mākṣikā 'pyrites' metaphor in R̥gveda, 3-D hieroglyphs on Nahal Mishmar arsenical bronze hoards of
e pl.); K. wuṭh, dat. ˚ṭhas m. ʻ lip ʼ; L. hoṭh m., P. hoṭh, hõṭh m., WPah. bhal. oṭh m., jaun. hōṭh, Ku. ū̃ṭh, gng. ōṭh, N. oṭh, A. ō̃ṭh, MB. Or. oṭha, Mth. Bhoj. oṭh, Aw. lakh. ō̃ṭh, hō̃ṭh, H. oṭh, õṭh, hoṭh, hõṭh m., G. oṭh, hoṭh m., M. oṭh, õṭh, hoṭ m., Si. oṭa.Addenda: ṓṣṭha -- : WPah.poet. oṭhḷu m. ʻ lip ʼ, hoṭṛu, kṭg. hóṭṭh, kc. ōṭh, Garh. hoṭh, hō̃ṭ.(CDIAL 2563). Thus, 'blacksmith liip' is semantically the writing system called kharoṣṭhī.
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I suggest that the Nahal Mishmar smiths and merchants, paṇi are the founders of Indus Script Cipher who later invented a syllabic script called kharoṣṭhī to add names and create a full-fledged writing system.
kharoṣṭhī = khara + oṣṭhī rebus: khār 'blacksmith' PLUS ṓṣṭha m. ʻ lip ʼ RV.
Pa. oṭṭha -- m., Pk. oṭṭha -- , uṭ˚, hoṭṭha -- , huṭ˚ m., Gy. pal. ōšt, eur. vušt m.; Ash. ọ̈̄ṣṭ, Wg. ṳ̄ṣṭ, wūṣṭ, Kt. yūṣṭ (prob. ← Ind. NTS xiii 232); Paš. lauṛ. ūṭh f. ← Ind. (?), gul. ūṣṭ ʻ lip ʼ, dar. weg. uṣṭ ʻ bank of a river ʼ (IIFL iii 3, 22); Kal. rumb. ūṣṭ, uṣṭ ʻ lip ʼ; Sh. ō̃ṭṷ m. ʻ upper lip ʼ, ō̃ṭi̯ f. ʻ lower lip ʼ (→ Ḍ ōṭThe sememe -goya in Hagoyim is semantics of 'clan' goyā in Nepali; together, harosheth hagoyim means 'smithy of nations': gōtrá n. ʻ cowpen, enclosure ʼ RV., ʻ family, clan ʼ ChUp., gōtrā -- f. ʻ herd of cows ʼ Pāṇ. 2. gōtraka -- n. ʻ family ʼ Yājñ. [gṓ -- ]1. Pa. gotta -- n. ʻ clan ʼ, Pk. gotta -- , gutta -- , amg. gōya -- n.; Gau. gū ʻ house ʼ (in Kaf. and Dard. several other words for ʻ cowpen ʼ > ʻ house ʼ: *gōśrayaṇa -- , gōṣṭhá -- , *gōstha -- (?), ghōṣa -- ); Pr. gūˊṭu ʻ cow ʼ; S. g̠oṭru m. ʻ parentage ʼ, L. got f. ʻ clan ʼ, P. gotar, got f.; Ku. N. got ʻ family ʼ; A. got -- nāti ʻ relatives ʼ; B. got ʻ clan ʼ; Or. gota ʻ family, relative ʼ; Bhoj. H. got m. ʻ family, clan ʼ, G. got n.; M. got ʻ clan, relatives ʼ; -- Si. gota ʻ clan, family ʼ ← Pa.
2. B. H. gotā m. ʻ relative ʼ.gōtrin -- ; sagōtra -- , *sāgōtriya -- ; *gōtragharaka -- ; mātr̥gōtra -- , *mātr̥ṣvasr̥gōtra -- .Addenda: gōtrá -- : Garh. got ʻ clan ʼ; -- A. goṭāiba ʻ to collect ʼ AFD 336.*gōtragharaka ʻ cowshed ʼ. [gōtrá -- , ghara -- ]OG. gotiharauṁ n. ʻ cowpen ʼ. gōtrin m. ʻ relative ʼ Vet., gōtrika -- ʻ relating to a family ʼ Jain. [gōtrá -- ]Pk. gotti -- , ˚ia -- , guttiya -- m. ʻ kinsman ʼ; S. g̠oṭrī ʻ related ʼ, P. gotī; N. goti, gotiyā bhai ʻ kinsman ʼ, Or. goti; H. gotī ʻ belonging to the same clan ʼ, G. gotrī, M. gotī; -- N. goyā, guĩyā bhai ʻ very close friend ʼ, H. goiyã̄, guiyā m.f. ʻ companion ʼ (cf. Pk. amg. gōya -- < gōtrá -- )?(CDIAL 4279 to 4281)
These kharoṣṭhī goya ' blackmith lip clan' are called Harosheth Hagoyim.
Harosheth Hagoyim: Lady on the chariot lynchpin is Meluhha, Indus Script hypertext kharoṣṭhī goya, 'blacksmith speech community'
Harosheth hagoyim < kharoṣṭhī goya = khār 'blacksmith' PLUS ओष्ठी f. (in a compound the ओ of ओष्ठ forms with a preceding अ either वृद्धि औ , or गुण ओ Ka1ty. on Pa1n2. 6-1 , 94) ; ([cf. Zd. aoshtra ; O. Pruss. austa , " mouth " ; O. Slav. usta , " mouth. "])PLUS goya 'gotra, kinsman, guild', thus, 'blacksmith speech guild'. This blacksmith speech guild are Meluhha speakers as demonstrated in the decipherment of 8000 Indus Script inscriptions.
"Harosheth-hagoyim was the home of general Sisera, who was killed by Jael during the war of Naphtali and Zebulunagainst Jabin, king of Hazor in Canaan (Judges 4:2). The lead players of this war on the side of Israel were the general Barak and the judge Deborah. The name Harosheth-hagoyim occurs three times in the fourth chapter of Judges (Judges 4:2, 4:13 and 4:16)." http://www.abarim-publications.com/Meaning/Harosheth.html#.WrR6FYhubIU The expression harosheth hagoyim is interpreted as 'smithy of nations'.
I suggest that the cognate expression kharoṣṭhī goya links the 'smithy of nations' to Meluhha metalwork artisans. I suggest that harosheth hagoyim is derived from kharoṣṭhī goya, which signifies 'blacksmith seech community'

Woman on the chariot lynchpin is Meluhha lady, the bronze act is the work of Meluhha smiths of Harosheth Hagoyim. Dr. S.Kalyanaraman See my book published on Amazon for detailed arguments and evidences of comparable images.
The woman on the lynchpin is an Indus Script hypertext: kola 'woman' rebus: kol 'working in iron' kolle 'blacksmith' kolhe 'smelter'. Thus, the product from a smelter by a Meluhha blacksmith, ironsmith.
*skabha ʻ post, peg ʼ. [√skambh ]Kal. Kho. iskow ʻ peg ʼ BelvalkarVol 86 with (?).(CDIAL 13638) Rebus: Ta. kampaṭṭam coinage, coin. Ma. kammaṭṭam, kammiṭṭam coinage, mint. Ka. kammaṭa id.; kammaṭi a coiner. Thus, the pin signifies: kolhe kammaṭa 'smelter mint' (product)
See:https://tinyurl.com/y7pkysnf Archaeology of harosheth hagoyim. सांगड sāṅgaḍa in Indus Script signifies three major wealth categories in the world's first accounting system classification
Jul 10, 2010
A 3,200-year-old round bronze tablet with a carved face of a woman, found at the El-ahwat excavation site near Katzir in central Israel, is part of a linchpin that held the wheel of a battle chariot in place. This was revealed by scientist Oren Cohen of the Zinman Institute of Archaeology at the University of Haifa. “Such an identification reinforces the claim that a high-ranking Egyptian or local ruler was based at this location, and is likely to support the theory that the site is Harosheth Haggoyim, the home town of Sisera, as mentioned in Judges 4-5,” says Prof. Zertal.
The El-ahwat site, near Nahal ‘Iron, was exposed by a cooperative delegation excavating there during 1993-2000 from the Universities of Haifa and Cagliari (Sardinia), headed by Prof. Zertal. The excavated city has been dated back to the end of the Bronze Age and early Iron Age (13th-12th centuries B.C.E.). The city’s uniqueness - its fortifications, passageways in the walls, and rounded huts - made it foreign amidst the Canaanite landscape. Prof. Zertal has proposed that based on these unusual features, the site may have been home to the Shardana tribe of the Sea-Peoples, who, according to some researchers, lived in Harosheth Haggoyim, Sisera’s capital city. The city is mentioned in the Bible’s narratives as Sisera’s capital, and it was from there that the army of chariots set out to fight the Israelites, who were being led by Deborah the prophetess and Barak, son of Avinoam. The full excavation and its conclusions have been summarized in Prof. Zertal’s book “Sisera’s Secret, A Journey following the Sea-Peoples and the Song of Deborah” (Dvir, Tel Aviv, 2010 [Hebrew]).
One of the objects uncovered at the site remained masked in mystery. The round, bronze tablet, about 2 cm. in diameter and 5 mm. thick, was found in a structure identified as the “Governor’s House”. The object features a carved face of a woman wearing a cap and earrings shaped as chariot wheels. When uncovered in 1997, it was already clear that the tablet was the broken end of an elongated object, but Mr. Cohen, who included the tablet in the final report of the excavations, did not manage to find its parallel in any other archaeological discoveries.
Now, 13 years later, the mystery has been solved. When carrying out a scrutinizing study of ancient Egyptian reliefs depicting chariot battles, Mr. Cohen discerned a unique decoration: the bronze linchpins fastening the chariot wheels were decorated with people’s faces - of captives, foreigners and enemies of Egypt. He also noticed that these decorations characterized those chariots that were used by royalty and distinguished people.
“This identification enhances the historical and archaeological value of the site and proves that chariots belonging to high-ranking individuals were found there. It provides support for the possibility, which has not yet been definitively established, that this was Sisera’s city of residence and that it was from there that the chariots set out on their way to the battle against the Israelite tribes, located between the ancient sites of Taanach and Megiddo,” Prof. Zertal concludes.
Photos:
Above (click to enlarge): Chariot linchpin (Moshe Einav)
Below (click to enlarge): Egyptian reliefs showing battle chariots and engraved linchpins