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Searching for the roots of Hinduism -- Asko Parpola's new book

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From the blurb:

Hinduism has two major roots. The more familiar is the religion brought to South Asia in the second millennium BCE by speakers of Aryan or Indo-Iranian languages, a branch of the Indo-European language family. Another, more enigmatic, root is the Indus civilization of the third millennium BCE, which left behind exquisitely carved seals and thousands of short inscriptions in a long-forgotten pictographic script. Discovered in the valley of the Indus River in the early 1920s, the Indus civilization had a population estimated at one million people, in more than 1000 settlements, several of which were cities of some 50,000 inhabitants. With an area of nearly a million square kilometers, the Indus civilization was more extensive than the contemporaneous urban cultures of Mesopotamia and Egypt. Yet, after almost a century of excavation and research the Indus civilization remains little understood. How might we decipher the Indus inscriptions? What language did the Indus people speak? What deities did they worship?

Asko Parpola has spent fifty years researching the roots of Hinduism to answer these fundamental questions, which have been debated with increasing animosity since the rise of Hindu nationalist politics in the 1980s. In this pioneering book, he traces the archaeological route of the Indo-Iranian languages from the Aryan homeland north of the Black Sea to Central, West, and South Asia. His new ideas on the formation of the Vedic literature and rites and the great Hindu epics hinge on the profound impact that the invention of the horse-drawn chariot had on Indo-Aryan religion. Parpola's comprehensive assessment of the Indus language and religion is based on all available textual, linguistic and archaeological evidence, including West Asian sources and the Indus script. The results affirm cultural and religious continuity to the present day and, among many other things, shed new light on the prehistory of the key Hindu goddess Durga and her Tantric cult.




Ancient Near East water-buffalo hieroglyph deciphered as Indus Script rāṅgā zinc alloy in metalwork repertoire

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Zinc alloys include: spelter, solder, pewter, tin, copper-foil, latten, French bronze. The Meluhha Prakritam gloss rāṅgāsignified these zinc alloys with varying proportions of mineral constituents deploying rã̄go 'water-buffalo' hieroglyph.

On many hierolyph multiplexes, water-buffalo (rã̄go) is associated with kANDa 'overflowing water'. The rebus renderings are: rāṅgā khaNDA 'zinc alloy implements'. The semantics of khaNDa 'implements' is attested in Santali: me~r.he~t khaNDa 'iron implements'. 

Santali glosses

A lexicon suggests the semantics of Panini's compound अयस्--काण्ड [p= 85,1]  m. n. " a quantity of iron " or " excellent iron " , (g. कस्का*दि q.v.)( Pa1n2. 8-3 , 48)(Monier-Williams).

From the example of a compound gloss in Santali, I suggest that the suffix -kANDa in Samskritam should have referred to 'implements'. Indus Script hieroglyphs as hypertext components to signify kANDa 'implements' are: kANTa, 'overflowing water' kANDa, 'arrow' gaNDa, 'four short circumscript strokes'.

Hieroglyph multiplexes of the hypertext of the cylinder seal from a Near Eastern Source can be identified: aquatic bird, rhinoceros, buffalo, buffalo horn, crucible, markhor, antelope, hoofed stool, fish, tree, tree branch, twig, roundish stone, tiger, rice plant.

Hieroglyph components on the head-gear of the person on cylinder seal impression are: twig, crucible, buffalo horns: kuThI 'badari ziziphus jojoba' twig Rebus: kuThi 'smelter'; koThAri 'crucible' Rebus: koThAri 'treasurer'; tattAru 'buffalo horn' Rebus: ṭhã̄ṭhāro 'brassworker'.

 This hieroglyph multiplex ligatures head of an antelope to a snake: nAga 'snake' Rebus: nAga 'lead' ranku 'antelope' Rebus: ranku 'tin'.  tuttināgamu is a Prakritam gloss meaning 'pewter, zinc'. A comparable alloy may be indicated by the hieroglyph-multiplex of antelope-snake: rankunAga, perhaps a type of zinc or lead alloy.

Two fish hieroglyphs flank the hoofed legs of the stool or platform signify: warehouse of cast metal alloy metal implements: 

Hieroglyph: kaṇḍō a stool Rebus: kanda 'implements'
Hieroglyph: maṇḍā 'raised platform, stool' Rebus: maṇḍā 'warehouse'.

dula 'pair' Rebus: dul 'cast metal'
ayo 'fish' Rebus: aya 'iron' (Gujarati) ayas 'metal' (Rigveda)
barad, barat 'ox' Rebus: भरत (p. 603) [ bharata ] n A factitious metal compounded of copper, pewter, tin &c.(Marathi). 

This mkultiplx is flanked by 1. kolom 'rice plant' Rebus: kolimi 'smithy, forge'; 2. kuTi 'tree' Rebus: kuThi 'smeter'. Thus the message is that the warehouse of cast metal alloy metal implements is complemented by a smelter and a smithy/forge -- part of the metalwork repertoire.

The hieroglyph-multiplex of a woman thwarting two rearing tigers is also signified on other seals and tablets to signify:

Hieroglyph: kola 'woman' Rebus: kol 'working in iron'
dula 'pair' Rebus: dul 'cast metal' PLUS kola 'tiger' Rebus: kolle 'blacksmith'; kolhe 'smeter'; kole.l 'smithy, forge'. The kolmo 'rice-plant' Rebus kolimi 'smithy, forge' is a semantic determinant of the cipher: smithy with smelter.

The bottom register of the cylinder seal impression lists the products: smithy/forge forged iron, alloy castings (laterite PLUS spelter), hard alloy implements.

goTa 'roundish stone' Rebus: gota 'laterite'
dula 'pair' Rebus: dul 'cast metal' PLUS rã̄go 'buffalo' Rebus: rāṅgā 'zinc alloy, spelter, pewter'. Thus, cast spelter PLUS laterite.

markhor PLUS tail

miṇḍāl 'markhor' (Tōrwālī) meḍho a ram, a sheep (Gujarati)(CDIAL 10120) Rebus: mẽṛhẽt, meḍ 'iron' (Munda.Ho.) koṭe meṛed = forged iron, in contrast to dul meṛed, cast iron (Mundari) PLUS Kur. xolā tailMalt. qoli id. (DEDR 2135) Rebus: kol 'working in iron' Ta. kol working in iron, blacksmith; kollaṉ blacksmith. Ma. kollan blacksmith, artificer. Ko. kole·l smithy, temple in Kota village. 

Rhinoceros PLUS aquatic bird


Hieroglyhph: kāṇṭā 'rhinoceros. gaṇḍá m. ʻ rhinoceros ʼ Rebus: kāṇḍa 'tools, pots and pans and metal-ware' (Gujarati)

karaṛa 'large aquatic bird' (Sindhi) Rebus: karaḍā 'hardalloy of metals' (Marathi) 

Impression of an Indus-style cylinder seal of unknown Near Eastern origin in the Musee du Louvre, Paris. One of the two anthropomorphic figures carved on this seal wears the horns of water buffalo while sitting on a throne with hoofed legs, surrounded by snakes, fishes and water buffaloes. Copyrighted photo by M. Chuzeville for the Departement des antiquites orientales, Musee du Louvre.
Impression. Unknown Near Eastern origin. 'One of the two anthropomorphic figures carved on this seal wears the horns of water buffalo while sitting on a throne with hoofed legs, surrounded by snakes, fishes and water buffaloes. Photo by M Chuzeville for Departement des antiquities orientales, Musee du Louvre.' (Parpola, 1998, 2001) http://www.harappa.com/script/parpola0.html (Note 11)

Two water-buffalos flanks a hieroglyph: something round, like a seed. Hieroglyph: rã̄go 'buffalo' Rebus: rāṅgā 'zinc alloy, spelter, pewter'. What does the hieroglyph 'something round' signify? I suggest that it signifies goTa 'laterite (ferrous ore)'.

All these hieroglyhphs/hieroglyph-multiplexes are read as metalwork catalogue items in Prakritam which had tadbhava, tatsama identified in Samskritam in Indian sprachbund (speech union).
Tree shown on a tablet from Harappa. kuTi 'tree' Rebus: kuThi 'smelter'
Pl. 39, Tree symbol (often on a platform) on punch-marked coins; a ...[Pl. 39, Tree symbol (often on a platform) on punch-marked coins; a symbol recurring on many Indus script tablets and seals. 


Clay sealing from private collection with water buffalo, crescent-star, apparently Akkadian period
Buffalo bull. meTTu 'hill' Rebus: meD 'iron' kolmo 'three' Rebus: kolimi 'smithy, forge' karava 'narrow pot' Rebus: kharva 'nidhi, wealth' karba 'iron' karNIka 'rim of jar' Rebus: karNI 'supercargo' karNIka 'scribe'.

Hieroglyph: rã̄go 'buffalo' Rebus: rāṅgā 'zinc alloy, spelter, pewter'. 

Hieroglyph: gavala m. ʻ wild buffalo ʼ lex. [gṓ -- ]Pk. gavala -- m., N. gauri gāi (← a Bi. dial. < *gavalikā -- ).(CDIAL 4096) Rebus: Ka. kāvali, kāvale a plate or pan for frying or baking; (Hav.) kāvalige frying pan. Tu. kāvali, kāvoli id. (DEDR 1488)

Hieroglyhph: buffalo: Ku. N. rã̄go ʻ buffalo bull ʼ (or < raṅku -- ?).(CDIAL 10538, 10559) Rebus: raṅga3 n. ʻ tin ʼ lex. [Cf. nāga -- 2, vaṅga -- 1Pk. raṁga -- n. ʻ tin ʼ; P. rã̄g f., rã̄gā m. ʻ pewter, tin ʼ (← H.); Ku. rāṅ ʻ tin, solder ʼ, gng. rã̄k; N. rāṅrāṅo ʻ tin, solder ʼ, A. B. rāṅ; Or. rāṅga ʻ tin ʼ, rāṅgā ʻ solder, spelter ʼ, Bi. Mth. rã̄gā, OAw. rāṁga; H. rã̄g f., rã̄gā m. ʻ tin, pewter ʼ; Si. ran̆ga ʻ tin ʼ.(CDIAL 10562) B. rāṅ(g) ʻ tinsel, copper -- foil ʼ.(CDIAL 10567) తుత్తము [ tuttamu ] or తుత్తరము tuttamu. [Tel.] n. sulphate of zinc. మైలతుత్తము sulphate of copper, blue-stone.తుత్తినాగము [ tuttināgamu ] tutti-nāgamu. [Chinese.] n. Pewter. Zinc. లోహవిశేషము (Telugu)

Note on spelter: "Spelter, while sometimes used merely as a synonym for zinc, is often used to identify a zinc alloy. In this sense it might be an alloy of equal parts copper and zinc, i.e. a brass, used for hard soldering and brazing, or as an alloy, containinglead, that is used instead of bronze. In this usage it was common for many 19th-century cheap, cast articles such as candlesticks and clock cases...The word "pewter" is thought to be derived from the word "spelter". Zinc ingots formed by smelting might also be termed spelter.Skeat, Walter William (1893), An etymological dictionary of the English language (2nd ed.), Clarendon Press, pp. 438–439. https://en.wikipedia.org/wiki/Spelter French Bronze is a form of bronze typically consisting of 91% copper, 2% tin, 6% zinc, and 1% lead.(Ripley, George; Dana, Charles Anderson (1861). The New American Cyclopaedia: A Popular Dictionary of General Knowledge 3. D. Appleton and Co. p. 729.) "The term French bronze was also used in connection with cheap zinc statuettes and other articles, which were finished to resemble real bronze, and some older texts call the faux-bronze finish itself "French bronze". Its composition was typically 5 parts hematite powder to 8 parts lead oxide, formed into a paste with spirits of wine. Variations in tint could be obtained by varying the proportions. The preparation was applied to the article to be bronzed with a soft brush, then polished with a hard brush after it had dried." https://en.wikipedia.org/wiki/French_Bronze ( Watt, Alexander (1887). Electro-Metallurgy Practically Treated. D. Van Nostrand. pp. 211–212.) "The term latten referred loosely to the copper alloys such as brass or bronze that appeared in the Middle Ages and through to the late 18th and early 19th centuries. It was used for monumental brasses, in decorative effects on borders, rivets or other details of metalwork (particularly armour), in livery and pilgrim badges or funerary effigies. Metalworkers commonly formed latten in thin sheets and used it to make church utensils. Brass of this period is made through the calamine brass process, from copper and zinc ore. Later brass was made with zinc metal from Champion's smelting process and is not generally referred to as latten. This calamine brass was generally manufactured as hammered sheet or "battery brass" (hammered by a "battery" of water-powered trip hammers) and cast brass was rare. "Latten" also refers to a type of tin plating on iron (or possibly some other base metal), which is known as white latten; and black latten refers to laten-brass, which is brass milled into thin plates or sheets. The term "latten" has also been used, rarely, to refer to lead alloys. In general, metal in thin sheets is said to be latten such as gold latten; and lattens (plural) refers to metal sheets between 1/64" and 1/32" in thickness." ( Funerary crozier of the Bishops of St Davids, on display at St David's Cathedral, West Wales) https://en.wikipedia.org/wiki/Latten

Hieroglyph: కారండవము [kāraṇḍavamu] n. A sort of duck. కారండవము [ kāraṇḍavamu ] kāraṇḍavamu. [Skt.] n. A sort of duck. कारंडव [kāraṇḍava ] m S A drake or sort of duck. कारंडवी f S The female. karandava [ kârandava ] m. kind of duck. कारण्ड a sort of duck R. vii , 31 , 21 கரண்டம் karaṇṭam, n. Rebus: Rebus: karaḍā ‘hard alloy’ (Marathi)

Hieroglyhph: kāṇṭā'rhinocerosgaṇḍá4 m. ʻ rhinoceros ʼ lex., °aka -- m. lex. 2. *ga- yaṇḍa -- . [Prob. of same non -- Aryan origin as khaḍgá -- 1: cf. gaṇōtsāha -- m. lex. as a Sanskritized form ← Mu. PMWS 138]1. Pa. gaṇḍaka -- m., Pk. gaṁḍaya -- m., A. gãr, Or. gaṇḍā.
2. K. gö̃ḍ m., S. geṇḍo m. (lw. with g -- ), P. gaĩḍā m., °ḍī f., N. gaĩṛo, H. gaĩṛā m., G. gẽḍɔ m., °ḍī f., M. gẽḍā m.Addenda: gaṇḍa -- 4. 2. *gayaṇḍa -- : WPah.kṭg. geṇḍɔ mirg m. ʻ rhinoceros ʼ, Md. genḍā ← H.(CDIAL 4000) Rebus: kāṇḍa'tools, pots and pans and metal-ware' (Gujarati)

Hieroglyhph: miṇḍāl 'markhor' (Tōrwālī) meḍho a ram, a sheep (Gujarati)(CDIAL 10120) Rebus: mẽṛhẽt, meḍ 'iron' (Munda.Ho.) koṭe meṛed = forged iron, in contrast to dul meṛed, cast iron (Mundari) PLUS Kur. xolā tailMalt. qoli id. (DEDR 2135) Rebus: kol 'working in iron' Ta. kol working in iron, blacksmith; kollaṉ blacksmith. Ma. kollan blacksmith, artificer. Ko. kole·l smithy, temple in Kota village. To. kwala·lKota smithy. Ka. kolime, kolume, kulame, kulime, kulume, kulme fire-pit, furnace; (Bell.; U.P.U.) konimi blacksmith; (Gowda) kolla id. Koḍ. kollëblacksmith. Te. kolimi furnace. Go. (SR.) kollusānā to mend implements; (Ph.) kolstānā, kulsānā to forge; (Tr.) kōlstānā to repair (of ploughshares); (SR.) kolmi smithy (Voc. 948). Kuwi (F.) kolhali to forge. (DEDR 2133).


Hieroglyph: OP. koṭhārī f. ʻ crucible ʼ, (CDIAL 3546)

Rebus: treasury: kṓṣṭha2 n. ʻ pot ʼ Kauś., ʻ granary, storeroom ʼ MBh., ʻ inner apartment ʼ lex., °aka -- n. ʻ treasury ʼ, °ikā f. ʻ pan ʼ Bhpr. [Cf. *kōttha -- , *kōtthala -- : same as prec.?]Pa. koṭṭha -- n. ʻ monk's cell, storeroom ʼ, °aka<-> n. ʻ storeroom ʼ; Pk. koṭṭha -- , kuṭ°koṭṭhaya -- m. ʻ granary, storeroom ʼ; Sv. dāntar -- kuṭha ʻ fire -- place ʼ; Sh. (Lor.) kōti (ṭh?) ʻ wooden vessel for mixing yeast ʼ; K. kōṭha m. ʻ granary ʼ, kuṭhu m. ʻ room ʼ, kuṭhü f. ʻ granary, storehouse ʼ; S. koṭhom. ʻ large room ʼ, °ṭhī f. ʻ storeroom ʼ; L. koṭhā m. ʻ hut, room, house ʼ, °ṭhī f. ʻ shop, brothel ʼ, awāṇ. koṭhā ʻ house ʼ; P. koṭṭhākoṭhā m. ʻ house with mud roof and walls, granary ʼ, koṭṭhīkoṭhī f. ʻ big well -- built house, house for married women to prostitute themselves in ʼ; WPah. pāḍ. kuṭhī ʻ house ʼ; Ku. koṭho ʻ large square house ʼ, gng. kōṭhi ʻ room, building ʼ; N. koṭho ʻ chamber ʼ, °ṭhi ʻ shop ʼ; A. koṭhākõṭhā ʻ room ʼ, kuṭhī ʻ factory ʼ; B. koṭhāʻ brick -- built house ʼ, kuṭhī ʻ bank, granary ʼ; Or. koṭhā ʻ brick -- built house ʼ, °ṭhī ʻ factory, granary ʼ; Bi. koṭhī ʻ granary of straw or brushwood in the open ʼ; Mth. koṭhī ʻ grain -- chest ʼ; OAw. koṭha ʻ storeroom ʼ; H. koṭhā m. ʻ granary ʼ, °ṭhī f. ʻ granary, large house ʼ, Marw. koṭho m. ʻ room ʼ; G.koṭhɔ m. ʻ jar in which indigo is stored, warehouse ʼ, °ṭhī f. ʻ large earthen jar, factory ʼ; M. koṭhā m. ʻ large granary ʼ, °ṭhī f. ʻ granary, factory ʼ; Si.koṭa ʻ storehouse ʼ. -- Ext. with -- ḍa -- : K. kūṭhürü f. ʻ small room ʼ; L. koṭhṛī f. ʻ small side room ʼ; P. koṭhṛī f. ʻ room, house ʼ; Ku. koṭheṛī ʻ small room ʼ; H. koṭhrī f. ʻ room, granary ʼ; M. koṭhḍī f. ʻ room ʼ; -- with -- ra -- : A. kuṭharī ʻ chamber ʼ, B. kuṭhrī, Or. koṭhari; -- with -- lla -- : Sh. (Lor.)kotul (ṭh?) ʻ wattle and mud erection for storing grain ʼ; H. koṭhlā m., °lī f. ʻ room, granary ʼ; G. koṭhlɔ m. ʻ wooden box ʼ.Addenda: kṓṣṭha -- 2: WPah.kṭg. kóṭṭhi f. ʻ house, quarters, temple treasury, name of a partic. temple ʼ, J. koṭhā m. ʻ granary ʼ, koṭhī f. ʻ granary, bungalow ʼ; Garh. koṭhu ʻ house surrounded by a wall ʼ; Md. koḍi ʻ frame ʼ, <-> koři ʻ cage ʼ (X kōṭṭa -- ). -- with ext.: OP. koṭhārī f. ʻ crucible ʼ, P.kuṭhālī f., H. kuṭhārī f.; -- Md. koṭari ʻ room ʼ.kōṣṭhapāla m. ʻ storekeeper ʼ W. [kṓṣṭha -- 2, pāla -- ]
M. koṭhvaḷā m.(CDIAL 3546, 3547)

tAttAru 'buffalo horn'(Mu.) Rebus: ThaThero ‘brass worker’(Ku.) (L) {N} ``^buffalo horn''. #64001.(S) {N} ``long ^horn, kind of ^conch''. #64010. So(L){N} ``^buffalo horn''.Ta.tu tt&ab revmacr;ri a kind of bugle-horn.Ma. tuttārihorn, trumpet.Ka. tutūri, tuttāri, tuttūri a long trumpet.T u. tuttāri, tuttūri trumpet,horn, pipe.Te.tu tār ā a kind of trumpet. / Cf. Mar.tu tār ī a wind instrument, a sort of horn. (DEDR 3316)

Rebus: N. ṭhaṭāunu ʻ to strike, beat ʼ, ṭhaṭāi ʻ striking ʼ, ṭhaṭāk -- ṭhuṭuk ʻ noise of beating ʼ; H. ṭhaṭhānā ʻ to beat ʼ, ṭhaṭhāī f. ʻ noise of beating ʼ.(CDIAL 5490). *ṭhaṭṭhakāra ʻ brass worker ʼ. 2. *ṭhaṭṭhakara -- . [*ṭhaṭṭha -- 1, kāra -- 1]1. Pk. ṭhaṭṭhāra -- m., K. ṭhö̃ṭhur m., S. ṭhã̄ṭhāro m., P. ṭhaṭhiār, °rā m.2. P. ludh. ṭhaṭherā m., Ku. ṭhaṭhero m., N. ṭhaṭero, Bi. ṭhaṭherā, Mth. ṭhaṭheri, H. ṭhaṭherā m.(CDIAL 5493).Ta. taṭṭu (taṭṭi-) to knock, tap, pat, strike against, dash against, strike, beat, hammer, thresh; n. knocking, patting, breaking, striking against, collision; taṭṭam clapping of the hands; taṭṭal knocking, striking, clapping, tapping, beating time; taṭṭāṉ gold or silver smith; fem. taṭṭātti. Ma. taṭṭu a blow, knock; taṭṭuka to tap, dash, hit, strike against, knock; taṭṭān goldsmith; fem. taṭṭātti; taṭṭāran washerman; taṭṭikka to cause to hit; taṭṭippu beating. Ko. taṭ- (tac-) to pat, strike, kill, (curse) affects, sharpen, disregard (words); taṭ a·ṛ- (a·c) to stagger from fatigue. To. toṭ a slap; toṭ- (toṭy-) to strike (with hammer), pat, (sin) strikes; toṛ- (toṭ-) to bump foot; toṭxn, toṭxïn goldsmith; fem. toṭty, toṭxity; toṭk ïn- (ïḏ-) to be tired, exhausted. Ka. taṭṭu to tap, touch, come close, pat, strike, beat, clap, slap, knock, clap on a thing (as cowdung on a wall), drive, beat off or back, remove; n. slap or pat, blow, blow or knock of disease, danger, death, fatigue, exhaustion. Koḍ. taṭṭ- (taṭṭi-) to touch, pat, ward off, strike off, (curse) effects; taṭṭë goldsmith; fem. taṭṭati (Shanmugam). Tu. taṭṭāvuni to cause to hit, strike. Te. taṭṭu to strike, beat, knock, pat, clap, slap; n. stripe, welt; taṭravã̄ḍu goldsmith or silversmith. Kur. taṛnā (taṛcas) to flog, lash, whip. Malt. taṛce to slap.(DEDR 3039).

miṇḍā́l 'markhor' (CDIAL 10310) Rebus: meḍ (Ho.); mẽṛhet 'iron' (Munda.Ho.) 

maṇḍā 'raised platform, stool' Rebus: maṇḍā 'warehouse'.

Hieroglyph: Kur. kaṇḍō a stool. Malt. kanḍo stool, seat. (DEDR 1179)  Rebus: kanda 'implements' (Santali) PLUS Hieroglyph: barad, barat 'ox' Rebus: भरत (p. 603) [ bharata ] n A factitious metal compounded of copper, pewter, tin &c.(Marathi). Thus,  bharata khanda, 'metal alloy implements.'

kolmo 'paddy plant' (Santali) Rebus: kolami 'furnace, smithy' (Telugu)

aḍaru twig; (Bark.) aḍïrï small and thin branch of a tree; (Gowda) aḍəri small branches. Tu. aḍaru twig.(DEDR 67) 

Rebus: aduru gan.iyinda tegadu karagade iruva aduru = ore taken from the mine and not subjected to melting in a furnace (Ka. Siddhānti Subrahmaṇya' Śastri's new interpretation of the AmarakoŚa, Bangalore, Vicaradarpana Press, 1872, p.330).

Image result for jujube twigZiziphur Jojoba, badari twig

kūdī ‘twig’ Rebus: kuṭhi ‘smelter’. The two ibexes + twig hieroglyhs, thus, connote a metal merchant/artisan with a smelter. The bunch of twigs = kūdi_, kūṭī  (Skt.lex.) kūdī (also written as kūṭī in manuscripts) occurs in the Atharvaveda (AV 5.19.12) and Kauśika Sūtra (Bloomsfield's ed.n, xliv. cf. Bloomsfield, American Journal of Philology, 11, 355; 12,416; Roth, Festgruss an Bohtlingk, 98) denotes it as a twig. This is identified as that of Badarī, the jujube tied to the body of the dead to efface their traces. (See Vedic Index, I, p. 177). Rebus: kuṭhi ‘smelter furnace’ (Santali)

koṭe ‘forged metal’ (Santali)

tagara 'antelope'; rebus 1: tagara 'tin'

There are leaf-less branches of tree in the background of the entire pictorial composition of the Kalibangan cylinder seal.  

Pk. ḍhaṁkhara -- m.n. ʻ branch without leaves or fruit ʼ (CDIAL 5524) Rebus: tamkāru, damgar 'merchant' (Akkadian) ḍān:ro = a term of contempt for a blacksmith (N.)(CDIAL 5524). ṭhākur = blacksmith (Mth.) (CDIAL 5488). 

Sign61 kolmo ‘rice plant' (Mu.) kolom = cutting, graft; to graft, engraft, prune;kolma hoṛo = a variety of the paddy plant (Desi)(Santali.) 

kolime, kolume, kulame, kulime, kulume, kulme fire-pit, furnace (Ka.); kolimi furnace (Te.); pit (Te.); kolame a very deep pit (Tu.); kulume kanda_ya a tax on blacksmiths (Ka.); kol, kolla a furnace (Ta.)kole.l smithy, temple in Kota village (Ko.); kwala.l Kota smithy (To.);konimi blacksmith; kola id. (Ka.); kolle blacksmith (Kod.); kollusa_na_ to mend implements; kolsta_na, kulsa_na_ to forge; ko_lsta_na_ to repair (of plough-shares); kolmi smithy (Go.); kolhali to forge (Go.)(DEDR 2133).] kolimi-titti = bellows used for a furnace (Te.lex.) kollu- to neutralize metallic properties by oxidation (Ta.lex.) kol brass or iron bar nailed across a door or gate; kollu-t-tat.i-y-a_n.i large nail for studding doors or gates to add to their strength (Ta.lex.) kollan--kamma_lai < + karmas'a_la_, kollan--pat.t.arai, kollan-ulai-k-ku_t.am blacksmith's workshop, smithy (Ta.lex.) cf. ulai smith's forge or furnace (Na_lat.i, 298); ulai-k-kal.am smith's forge; ulai-k-kur-at.u smith's tongs; ulai-t-turutti smith's bellows; ulai-y-a_n.i-k-ko_l smith's poker, beak-iron (Ta.lex.) [kollulaive_r-kan.alla_r: nait.ata. na_t.t.up.); mitiyulaikkollan- mur-iot.ir.r.an-n-a: perumpa_)(Ta.lex.) Temple; smithy: kol-l-ulai blacksmith's forge (kollulaik ku_t.attin-a_l : Kumara. Pira. Ni_tiner-i. 14)(Ta.lex.) cf. kolhua_r sugarcane milkl and boiling house (Bi.); kolha_r oil factory (P.)(CDIAL 3537). kulhu ‘a hindu caste, mostly oilmen’ (Santali) kolsa_r = sugarcane mill and boiling house (Bi.)(CDIAL 3538).
Together with kol 'tiger, woman'; the ligatured glyph composition with twig as head-dress connotes: metal alloy furnace-smelter/workshop.

kōlupuli = Bengal tiger (Te.); kol = tiger (Santali) kōla = woman (Nahali)
Rebus: kol metal (Ta.) kol = pan~calōkam (five metals) (Ta.lex.)  

Indian mackerel Ta. ayirai, acarai, acalai loach, sandy colour, Cobitis thermalis; ayilai a kind of fish. Ma. ayala a fish, mackerel, scomber; aila, ayila a fish; ayira a kind of small fish, loach (DEDR 191) Munda: So. Ayo `fish'. Go. ayu `fish'. Go <ayu> (Z), <ayu?u> (Z),, <ayu?> (A) {N} ``^fish''. Kh. kaDOG `fish'. Sa. Hako `fish'. Mu. hai(H) ~ haku(N) ~ haikO(M) `fish'. Ho haku `fish'. Bj. hai `fish'. Bh.haku `fish'. KW haiku ~ hakO |Analyzed hai-kO, ha-kO (RDM). Ku. Kaku`fish'.@(V064,M106) Mu. ha-i, haku `fish' (HJP). @(V341) ayu>(Z), <ayu?u> (Z)  <ayu?>(A) {N} ``^fish''. #1370. <yO>\\<AyO>(L) {N} ``^fish''. #3612. <kukkulEyO>,,<kukkuli-yO>(LMD) {N} ``prawn''. !Serango dialect. #32612. <sArjAjyO>,,<sArjAj>(D) {N} ``prawn''. #32622. <magur-yO>(ZL) {N} ``a kind of ^fish''. *Or.<>. #32632. <ur+GOl-Da-yO>(LL) {N} ``a kind of ^fish''. #32642.<bal.bal-yO>(DL) {N} ``smoked fish''. #15163. Vikalpa: Munda: <aDara>(L) {N} ``^scales of a fish, sharp bark of a tree''.#10171. So<aDara>(L) {N} ``^scales of a fish, sharp bark of a tree''.

aya = iron (G.); ayah, ayas = metal (Skt.) aduru native metal (Ka.); ayil iron (Ta.) ayir, ayiram any ore (Ma.); ajirda karba very hard iron (Tu.)(DEDR 192). Ta. ayil javelin, lance, surgical knife, lancet.Ma. ayil javelin, lance; ayiri surgical knife, lancet. (DEDR 193). aduru = gan.iyinda tegadu karagade iruva aduru = ore taken from the mine and not subjected to melting in a furnace (Ka. Siddhānti Subrahmaṇya’ Śastri’s new interpretation of the AmarakoŚa, Bangalore, Vicaradarpana Press, 1872, p.330); adar = fine sand (Ta.); ayir – iron dust, any ore (Ma.) Kur. adar the waste of pounded rice, broken grains, etc. Malt. adru broken grain (DEDR 134).  Ma. aśu thin, slender;ayir, ayiram iron dust.Ta. ayir subtlety, fineness, fine sand, candied sugar; ? atar fine sand, dust. அய.³ ayir, n. 1. Subtlety, fineness; நணசம. (__.) 2. [M. ayir.] Fine sand; நணமணல. (மலசலப. 92.) ayiram, n.  Candied sugar; ayil, n. cf. ayas. 1. Iron; 2. Surgical knife, lancet; Javelin, lance; ayilavaṉ, Skanda, as bearing a javelin (DEDR 341).Tu. gadarů a lump (DEDR 1196)  kadara— m. ‘iron goad for guiding an elephant’ lex. (CDIAL 2711). অয়সঠন [ aẏaskaṭhina ] a as hard as iron; extremely hard (Bengali) अयोगूः A blacksmith; Vāj.3.5. अयस् a. [-गतौ-असुन्] Going, moving; nimble. n. (-यः) 1 Iron (एति चलति अयस्कान्तसंनिकर्षं इति तथात्वम्नायसोल्लिख्यते रत्नम् Śukra 4.169.अभितप्तमयो$पि मार्दवं भजते कैव कथा शरीरिषु R.8.43. -2 Steel. -3 Gold. -4 A metal in general. ayaskāṇḍa 1 an iron-arrow. -2 excellent iron. -3 a large quantity of iron. -_नत_(अयसक_नत_) 1 'beloved of iron', a magnet, load-stone; 2 a precious stone; ˚मजण_ a loadstone; ayaskāra 1 an iron-smith, blacksmith (Skt.Apte) ayas-kāntamu. [Skt.] n. The load-stone, a magnet. ayaskāruḍu. n. A black smith, one who works in iron. ayassu. n. ayō-mayamu. [Skt.] adj. made of iron (Te.) áyas— n. ‘metal, iron’ RV. Pa. ayō nom. sg. n. and m., aya— n. ‘iron’, Pk. aya— n., Si. ya. AYAŚCŪRṆA—, AYASKĀṆḌA—, *AYASKŪṬA—. Addenda: áyas—: Md. da ‘iron’, dafat ‘piece of iron’. ayaskāṇḍa— m.n. ‘a quantity of iron, excellent iron’ Pāṇ. gaṇ. viii.3.48 [ÁYAS—, KAA ́ṆḌA—]Si.yakaḍa ‘iron’.*ayaskūṭa— ‘iron hammer’. [ÁYAS—, KUU ́ṬA—1] Pa. ayōkūṭa—, ayak m.; Si. yakuḷa‘sledge —hammer’, yavuḷa (< ayōkūṭa) (CDIAL 590, 591, 592). cf. Lat. aes , aer-is for as-is ; Goth. ais , Thema aisa; Old Germ. e7r , iron ;Goth. eisarn ; Mod. Germ. Eisen.
A man is cutting laterite into brickstones in Angadipuram, India.Laterite, Angadipuram, India.
Hieroglyphs: Ka. gōṭu state of being full-grown, but hard; (also gōṭ-aḍike) a hard, inferior kind of areca-nut. Koḍ. go·ṭ-aḍake full grown, tough areca-nut. Tu. gōṇṭu dried (as the kernel of a coconut), (BRR, also gōṭu) state of being full-grown, dried and hard. Te. goṇṭu-pō̃ka, (B. also) gōṭu-pōka an inferior kind of areca-nut.(DEDR 2202)

(a) Ta. kōṭṭai fort, castle; kōṭu stronghold. Ma. kōṭṭa fort, residence; kōṭu fort. Ko. ko·ṭ castle, palatial mansion. To. kwa·ṭ bungalow. Ka. kōṭe fort, rampart; (PBh.) kōṇṭe fort. Koḍ. ko·ṭe palace. Tu. kōṭè fort. Te. kōṭa, (Inscr.) koṭṭamu id. Kuwi (S.) kōṭa palace, fort. / Cf. Skt. koṭṭa-, koṭa- fort, stronghold. (b) Ko. go·ṛ (obl. go·ṭ-) wall. Ka. gōḍe id. Tu. gōḍè id. Te. gōḍa id. Kol. (SR.) goḍā id. Kuwi (S.) kōḍa wall, prison; (Isr.) kōḍa wall.(DEDR 2207)


*gōṭṭa ʻ something round ʼ. [Cf. guḍá -- 1. -- In sense ʻ fruit, kernel ʼ cert. ← Drav., cf. Tam. koṭṭai ʻ nut, kernel ʼ, Kan. goṟaṭe &c. listed DED 1722]

K. goṭh f., dat. °ṭi f. ʻ chequer or chess or dice board ʼ; S. g̠oṭu m. ʻ large ball of tobacco ready for hookah ʼ, °ṭī f. ʻ small do. ʼ; P. goṭ f. ʻ spool on which gold or silver wire is wound, piece on a chequer board ʼ; N. goṭo ʻ piece ʼ, goṭi ʻ chess piece ʼ; A. goṭ ʻ a fruit, whole piece ʼ, °ṭā ʻ globular, solid ʼ, guṭi ʻ small ball, seed, kernel ʼ; B. goṭā ʻ seed, bean, whole ʼ; Or. goṭā ʻ whole, undivided ʼ, goṭi ʻ small ball, cocoon ʼ, goṭāli ʻ small round piece of chalk ʼ; Bi. goṭā ʻ seed ʼ; Mth. goṭa ʻ numerative particle ʼ; H. goṭ f. ʻ piece (at chess &c.) ʼ; G. goṭ m. ʻ cloud of smoke ʼ, °ṭɔ m. ʻ kernel of coconut, nosegay ʼ, °ṭī f. ʻ lump of silver, clot of blood ʼ, °ṭilɔ m. ʻ hard ball of cloth ʼ; M. goṭā m. ʻ roundish stone ʼ, °ṭī f. ʻ a marble ʼ, goṭuḷā ʻ spherical ʼ; Si. guṭiya ʻ lump, ball ʼ; -- prob. also P. goṭṭā ʻ gold or silver lace ʼ, H. goṭā m. ʻ edging of such ʼ (→ K. goṭa m. ʻ edging of gold braid ʼ, S. goṭo m. ʻ gold or silver lace ʼ); M. goṭ ʻ hem of a garment, metal wristlet ʼ. Ko. gōṭu ʻ silver or gold braid ʼ.(CDIAL 4271)
The gloss used by Meluhha speakers for laterite iron ores is gota.
P. goṭṭā ʻ gold or silver lace ʼ, H. goṭā m. ʻ edging of such ʼ (→ K. goṭa m. ʻ edging of gold braid ʼ, S. goṭo m. ʻ gold or silver lace ʼ); M. goṭ ʻ hem of a garment, metal wristlet ʼ(CDIAL 4271)

Kur. goṭā any seed which forms inside a fruit or shell. Malt. goṭa a seed or berry(DEDR 069) N. goṭo ʻ piece ʼ, goṭi ʻ chess piece ʼ; A. goṭ ʻ a fruit, whole piece ʼ, °ṭā ʻ globular, solid ʼ, guṭi ʻ small ball, seed, kernel ʼ; B. goṭā ʻ seed, bean, whole ʼ; Or. goṭā ʻ whole, undivided ʼ, M. goṭā m. ʻ roundish stone ʼ (CDIAL 4271) <gOTa>(P)  {ADJ} ``^whole''.  {SX} ``^numeral ^intensive suffix''.  *Kh., Sa., Mu., Ho<goTA>,B.<goTa> `undivided'; Kh.<goThaG>(P), Sa.<goTAG>,~<gOTe'j>, Mu.<goTo>; Sad.<goT>, O., Bh.<goTa>; cf.Ju.<goTo> `piece', O.<goTa> `one'. %11811.  #11721. <goTa>(BD)  {NI} ``the ^whole''.  *@. #10971. (Munda etyma)

Rebus: <gota>  {N} ``^stone''.  @3014. #10171. Note: The stone may be gota, laterite mineral ore stone. khoṭ m. ʻbase, alloyʼ (Punjabi) Rebus: koṭe ‘forging (metal)(Mu.) Rebus: goṭī f. ʻlump of silver' (G.) goṭi = silver (G.) koḍ ‘workshop’ (Gujarati).

Water-buffalo on artefacts of Ancient Near East

The following three examples from Mehrgarh, Mohenjo-daro and Banawali show acrobats in bull-jumping or buffalo-leaping.



Mehrgarh. Terracotta circular button seal. (Shah, SGM & Parpola, A., 1991, Corpus of Indus Seals and Inscriptions 2: Collections in Pakistan, Helsinki: Suomalainen Tiedeakatemia, MR-17. A humped bull (water buffalo?) and abstract forms (one of which is like a human body) around the bull. The human body is tossed from the horns of the bovine. 


m0312 Persons vaulting over a water buffalo. The water buffalo tosses a person on its horns. Four or five bodies surround the animal. Rounded edges indicate frequent use to create clay seal impressions.








Impression of a steatite stamp seal (2300-1700 BCE) with a water-buffalo and acrobats. Buffalo attack or bull-leaping scene, Banawali (after UMESAO 2000:88, cat. no. 335). A figure is impaled on the horns of the buffalo; a woman acrobat wearing bangles on both arms and a long braid flowing from the head, leaps over the buffalo bull. The action narrative is presented in five frames of the acrobat getting tossed by the horns, jumping and falling down.Two Indus script glyphs are written in front of the buffalo. (ASI BNL 5683).

Rebus readings of hieroglyphs: ‘1. arrow, 2. jag/notch, 3. buffalo, 4.acrobatics’:

1.     kaṇḍa ‘arrow’ (Skt.) H. kãḍerā m. ʻ a caste of bow -- and arrow -- makers (CDIAL 3024). Or. kāṇḍa, kã̄ṛ ʻstalk, arrow ʼ(CDIAL 3023). ayaskāṇḍa ‘a quantity of iron, excellent  iron’ (Pāṇ.gaṇ)
2.     खांडा [ khāṇḍā ] m  A jag, notch, or indentation (as upon the edge of a tool or weapon). (Marathi) Rebus: khāṇḍā ‘tools, pots and pans, metal-ware’.

3. rāngo ‘water buffalo bull’ (Ku.N.)(CDIAL 10559) Rebus: rango ‘pewter’. ranga, rang pewter is an alloy of tin, lead, and antimony (anjana) (Santali).  

4. ḍullu to fall off; ḍollu to roll over (DEDR 2698) Te. ḍul(u)cu, ḍulupu to cause to fall; ḍollu to fall; ḍolligillu to fall or tumble over (DEDR 2988) డొలుచు [ḍolucu] or  ḍoluṭsu. [Tel.] v. n. To tumble head over heels as dancing girls do (Telugu) Rebus 1: dul ‘to cast in a mould’; dul mṛht, dul mee, 'cast iron'; koe mee ‘forged iron’ (Santali) Bshk. ḍōl ʻ brass pot (CDIAL 6583). Rebus 2: WPah. ḍhōˋḷ m. ʻstoneʼ, ḍhòḷṭɔ m. ʻbig stone or boulderʼ, ḍhòḷṭu ʻsmall id.ʼ Him.I 87(CDIAL 5536). Rebus: K. ḍula m. ʻ rolling stoneʼ(CDIAL 6582). 

கண்டி kaṇṭi buffalo bull (Tamil) kaṇḍ ‘buffalo’; rebus: kaṇḍ ‘stone (ore)’. kiḍāvu. He-buffalo; எருமைக்கடா(Malayalam) Colloq.கடவு³ kaṭavu , n.  < கடா. 1. Male buffalo; எருமைக்கடா. முதுகடவு கடவி (அழகர்கல. 33). kaawan ho ‘a man who has buffaloes’. (George L. Campbell, Compendium of the World’s Languages, Routledge, London, 1991, p. 1199).Rebus: khāḍ ‘trench, firepit’ (G.) khāṛo ‘pit, bog’ (Nepali)
Rebus: kāḍ ‘stone’. Ga. (Oll.) kanḍ, (S.) kanḍu (pl. kanḍkil) stone (DEDR 1298). mayponḍi kanḍ whetstone;  (Ga.)(DEDR 4628). (खडा) Pebbles or small stones: also stones broken up (as for a road), metal. खडा [ khaḍā ] m A small stone, a pebble. 2 A nodule (of lime &c.): a lump or bit (as of gum, assafœtida, catechu, sugar-candy): the gem or stone of a ring or trinket: a lump of hardened fæces or scybala: a nodule or lump gen. CDIAL 3018 kāṭha m. ʻ rock ʼ lex. [Cf. kānta -- 2 m. ʻ stone ʼ lex.] 

baṭi trs. To overturn, to overset or ovethrow; to turn or throw from a foundation or foothold (Santali) baṭi to turn on the ground to any extent, or roll; uaurbaṭi, to upset or overthrow by shoving or pushing; mabaṭi to overturn by cutting, to fell trees; baṭi-n rflx. v., to lay oneself down; ba-p-aṭi repr. V., to throw each other; baṭi-o to be overturned, overthrown; ba-n-at.i vrb.n., the extent of the overturning, falling down or rolling; baṭi-n rlfx.v., to lie down; baṭi-aṛagu to bring or send down a slope by rolling; baṭi bar.a to roll again and again or here and there; baṭi-bur to turn over by rolling (Mundari) Rebus: baṭi, bhaṭi ‘furnace’ (H.) Rebus: baṭa = a kind of iron (G.) bhaṭa ‘furnace’ (G.) baṭa = kiln (Santali). bhaṭa = an oven, kiln, furnace (Santali) baṭhi furnace for smelting ore (the same as kuṭhi) (Santali)

m1406

m1406B
karaḍa -- m. ʻsafflowerʼ, °ḍā -- f. ʻ a tree like the karañja ʼ (Prakrit); M. karḍī, °ḍaī f. ʻ safflower, carthamus tinctorius and its seed ʼ. (CDIAL 2788). Rebus: करडा [karaḍā] Hard from alloy--iron, silver &c. (Marathi)  kharādī ' turner, a person who fashions or shapes objects on a lathe' (Gujarati)

मेढा  [ mēḍhā ] m A stake, esp. as forked. 2 A dense arrangement of stakes, a palisade, a paling. 3 A twist or tangle arising in thread or cord, a curl or snarl.(Marathi) Rebus: meḍ 'iron, copper' (Munda. Slavic)
dhollu ‘drummer’ (Western Pahari) Rebus: dul ‘cast metal’

The Meluhha gloss for 'five' is: taṭṭal Homonym is: ṭhaṭṭha brass (i.e. alloy of copper + zinc). Glosses for zinc are: sattu (Tamil), satta, sattva (Kannada) jasth जसथ् ।रपु m. (sg. dat. jastas ज्तस), zinc, spelter; pewter; zasath ् ज़स््थ् ्or zasuth ज़सुथ ्। रप m. (sg. dat. zastas ु ज़्तस),् zinc, spelter, pewter (cf. Hindī jast). jastuvu; । रपू्भवः adj. (f. jastüvü), made of zinc or pewter.(Kashmiri). Hence the hieroglyph: svastika repeated five times. Five svastika are thus read: taṭṭal sattva Rebus: zinc (for) brass (or pewter).


*ṭhaṭṭha1 ʻbrassʼ. [Onom. from noise of hammering brass?]N. ṭhaṭṭar ʻ an alloy of copper and bell metal ʼ. *ṭhaṭṭhakāra ʻ brass worker ʼ. 1.Pk. ṭhaṭṭhāra -- m., K. ṭhö̃ṭhur m., S. ṭhã̄ṭhāro m., P. ṭhaṭhiār°rā m.2. P. ludh. ṭhaṭherā m., Ku. ṭhaṭhero m., N. ṭhaṭero, Bi. ṭhaṭherā, Mth. ṭhaṭheri, H.ṭhaṭherā m.(CDIAL 5491, 5493).

h182A, h182B
The drummer hieroglyph is associated with svastika glyph on this tablet (har609) and also on h182A tablet of Harappa with an identical text.

dhollu ‘drummer’ (Western Pahari) Rebus: dul ‘cast metal’. The 'drummer' hieroglyph thus announces a cast metal. The technical specifications of the cast metal are further described by other hieroglyphs on side B and on the text of inscription (the text is repeated on both sides of Harappa tablet 182).

kola 'tiger' Rebus: kol 'alloy of five metals, pancaloha' (Tamil). ḍhol ‘drum’ (Gujarati.Marathi)(CDIAL 5608) Rebus: large stone; dul ‘to cast in a mould’. Kanac ‘corner’ Rebus: kancu ‘bronze’. dula 'pair' Rebus: dul 'cast metal'. kanka ‘Rim of jar’ (Santali); karṇaka  rim of jar’(Skt.) Rebus:karṇaka ‘scribe’ (Telugu); gaṇaka id. (Skt.) (Santali) Thus, the tablets denote blacksmith's alloy cast metal accounting including the use of alloying mineral zinc -- satthiya 'svastika' glyph.


Tammuz, alabaster (Gypsum?) relief from Ashur, c. 1500 BCE; in the Staatliche Museen zu Berlin, Germany Foto Marburg/Art Resource, New York. Two goats flank the person feeding them with leafy twigs. In the lower register, two women carry jars with overflowing streams of water. This is a Meluhha hieroglyph, as is the pair of twigs emanating from the waist of the standing person.  Tham·muz (tä'mʊzn. The tenth month of the year in the Jewish calendar. [Hebrew tammūz, akin to Iraqi Arabic tabbūz, July, both ultimately from Sumerian dumu-zi, Dumuzi, a dying and rising shepherd divinity (Inanna's husband): dumu, son, offspring + zi, true, effective.]
Meluhha hieroglyphs read rebus:
meka, melh 'goat' Rebus: milakkhu 'copper'.
  • kūdī, kūṭī ‘bunch of twigs’ (Sanskrit) Rebus: kuṭhi ‘smelter furnace’ (Santali)  kūdī (also written as kūṭī in manuscripts) occurs in the Atharvaveda (AV 5.19.12) and Kauśika Sūtra (Bloomsfield’s ed.n, xliv. Cf. Bloomsfield, American Journal of Philology, 11, 355; 12,416; Roth, Festgruss an Bohtlingk, 98) denotes it as a twig. This is identified as that of Badarī, the jujube tied to the body of the dead to efface their traces. (See Vedic Index, I, p. 177). 
  • dula 'pair' Rebus: dul 'cast (metal)'.

lo ‘pot to overflow’; kāṇḍa ‘water’. Rebus: लोखंड lokhaṇḍ Iron tools, vessels, or articles in general.
kola ‘woman’ Rebus: kol‘ 'smithy, working in iron’.

Bhirrana. Gaur.
21 Buffalo? Six signs. Dholavira.

Seal #1: AddaEnheduana’s major- domo

2s- seal belonging to Enheduanna's major domo
This seal belonged to Enheduana’s major domo, estate supervisor– perhaps her “right-hand man”. It depicts a bull attacked by a lion and a typical Kish hero armed with dagger. Enkidu, dagger in hand, and a bison. A second bison rampant. This is a mythological animal with the human face, splendid beard, and triple belt of Enkidu. The cartouche two small crossed lions. The Kish hero is a landmark in art. His flat cap, long hair and beard, and embroidered loin- cloth are here connected with the Sargonid period, but he is found before the time of Sargon, and is more properly traced back to the Pre-Akkadian school of Kish. The composition is simple and strong. Each figure is drawn separately on an open field.
——————–Legrain, Archaic Seals Impressions, UET vol III, p.358
The inscription reads as follows:
1) ad-da………………………… Adda,
2) ugula-é/sábra…………… estate supervisor/majordomo
3) en-hé-du-an-na………….of En-hedu-ana
The seal is made of black and white diorite and bears the excavation no.U 9178. It measures 3.7cm in length with its copper caps. It was found loose in the soil of the Royal Cemetary at Ur at a depth of about 3.4m. [Frayne,1993]

Seal #2: X-kitus-du, Enheduana’s scribe :

The seal depicts buffalo under a cartouche, and two crossed bulls. The water- buffalo with slanting lines on his horns is another landmark in art of the Sargonid period. The seal was rolled on sides and back and the complete scene (not shown here) showed the bulls attacked by the lion and the Kish hero. [Legrain, Archaic Seals Impressions, UET vol III, p.358]
The seal impression was found on a sealing, not the cylinder seal itself. It has the excavation no U 11684. The piece, which measures 4.2×2.5×2 cm, was found loose in the upper soil of the Royal Cemetary at Ur. [Frayne, 1993]
The inscription reads:
1)[en]-hé-[du]-[an]-na…………………[En]-he[du]-ana
2)[dumu-´sa]r-ru-GI……………….. child of Sargon
3)[x]-ki-tus-du……………………………..[x]-kitus-du,
4)[dub-s]ar……………………………………[scri]be, (is) [h]er [servant].
5)[ir-da-n]i

Seal #3: Enheduana’s coiffeur


This seal is made of lapis lazuli seal and was found broken and incomplete, only 2 fragments being found in the grave PG/503, lying apart, and the gold caps belonging to it also apart. It bears the excavation no. U 8988.
The scene depicts a Kish hero, lion rampant, bison, and other animals.
The half-preserved inscription reads:
1) en-hé-du-an-na……………. En-hedu-ana
2) dumu-´sar-ru-GI……………..child of Sargon:
3) DINGIR-IGI.D[U]…………….. Ilum-pal[il]is her coiffeur
4) kinda-[ni] [(x)]
Seal. Mohenjo-daro.

Hieroglyph: rāngo ‘water buffalo bull’ (Ku.N.)(CDIAL 10559) Rebus: rango ‘pewter’. ranga, rang pewter is an alloy of tin, lead, and antimony (anjana) (Santali)
Hieroglyphs: dul 'two'; ayo 'fish'; kANDa 'arrow': dula 'cast' ayo 'iron, metal' (Gujarati. Rigveda); kANDa 'metalware, pots and pans, tools' (Marathi) Hieroglyph: Rings on neck: koDiyum (Gujarati) koṭiyum = a wooden circle put round the neck of an animal; koṭ = neck (Gujarati)Rebus: koD  'artisan's workshop'(Kuwi) koD  = place where artisans work (Gujarati) koṭe 'forge' (Mu.) koṭe meṛed = forged iron, in contrast to dul meṛed, cast iron (Mundari) 
Image:  Harappan - Buffalo, from Mohenjo-Daro, Indus Valley, PakistanBuffalo. Mohenjo-daro.

Buffalo. Daimabad bronze. Prince of Wales Museum, Mumbai.
ran:gā ‘buffalo’; ran:ga ‘pewter or alloy of tin (ran:ku), lead (nāga) and antimony (añjana)’(Santali) 

kaṭái ʻ buffalo calf ʼ(Gaw.) kāṭo ʻ young buffalo bull ʼ (Kumaoni) (CDIAL 2645).

kāṛā ‘buffalo’ bull (Tamil) khaḍā ‘nodule (ore), stone’ (Marathi)Alternative: கண்டி kaṇṭi buffalo. Rebus: kāḍ ‘stone oregaḍa ‘large stone mould’. Glyph: kuṇḍī ‘crooked buffalo horns’ (Lahnda.) Rebus: kuṇḍī = chief of village (Prakrit).The artisan is kundakara— m. ‘turner’ (Skt.); H. kũderā m. ‘one who works a lathe, one who scrapes’ (CDIAL 3297).ḍabe, ḍabea ‘large horns, with a sweeping upward curve, applied to buffaloes’ (Santali) Rebus: ḍab, ḍhimba, ḍhompo ‘lump (ingot?)’, clot, make a lump or clot, coagulate, fuse, melt together (Santali)
clip_image025[4]Trough in front of wild-buffalo, B007.

clip_image054[4]m0492Atclip_image055[4]m0492Bt Pict-14: Two bisons standing face to face.
clip_image056m0492Ct clip_image057[4]2835 Pict-99: Person throwing a spear at a bison and placing one foot on the head of the bison; a hooded serpent at left.
Plano convex molded tablet showing an individual spearing a water buffalo with one foot pressing the head down and one arm holding the tip of a horn. A gharial is depicted above the sacrifice scene and a figure seated in yogic position, wearing a horned headdress, looks on. The horned headdress has a branch with three prongs or leaves emerging from the center.

Cylinder seal and modern impression:  bull-man combatting lion; nude hero combatting water buffalo; inscription

Cylinder seal and modern impression: bull-man combatting lion; nude hero combatting water buffalo; inscription

Period: Akkadian
Date: ca. 2250–2150 B.C.
Geography: Mesopotamia
Culture: Akkadian
Medium: Albite
Dimensions: H. 15/16 in. ( 3.4 cm ); Diam. 7/8 in. ( 2.3 cm)
Classification: Stone-Cylinder Seals-Inscribed
Credit Line: Gift of Nanette B. Kelekian, in memory of Charles Dikran and Beatrice Kelekian, 1999
Accession Number: 1999.325.4 Metmuseum

Signs of a house. Drawing after Huntington.http://huntingtonarchive.osu.edu/resources/downloads/webPresentations/harappanSeals.pdf
Gaur. H176A

Kotdiji burial vessel. Human face, stars, buffalo horn. Drawing after Huntington. http://huntingtonarchive.osu.edu/resources/downloads/webPresentations/harappanSeals.pdf



Cylinder Seal of Ibni-Sharrum Agade period, reign of Sharkali-Sharri (c. 2217-2193 BCE)Mesopotamia Serpentine H. 3.9 cm; Diam. 2.6 cm Formerly in the De Clercq collection; gift of H. de Boisgelin, 1967 AO 22303 "A scene testifying to relations with distant lands Buffaloes are emblematic animals in glyptic art in the Agade period. They first appear in the reign of Sargon, indicating sustained relations between the Akkadian Empire and the distant country of Meluhha, that is, the present Indus Valley, where these animals come from. These exotic creatures were probably kept in zoos and do not seem to have been acclimatized in Iraq at the end of the 3rd millennium BC. Indeed, it was not until the Sassanid Empire that they reappeared. The engraver has carefully accentuated the animals' powerful muscles and spectacular horns, which are shown as if seen from above, as they appear on the seals of the Indus."


AN AKKADIAN BLACK STONE CYLINDER SEAL CIRCA 2300-2200 B.C. With contest scene, the nude hero Lahmu, with long beard and three large curls either side of head, wearing triple-stranded belt, holding a sword in his raised hand, and holding a bull inverted by its tail in the other, resting his foot on its neck, and a human-headed bull holding a sword in one hand and a lion inverted by its tail in his other hand, stylised plant between the pairs 1 3/8 in. (3.5 cm.) high http://www.pinterest.com/pin/403353710347940947/ 


(Ward, p. 9, p.20)


khaṇṭi ‘buffalo bull’ (Tamil) kaṭā, kaṭamā ‘bison’ (Tamil)(DEDR 1114) (glyph). Rebus: khaṇḍ ‘tools, pots and pans, metal-ware’; kaḍiyo [Hem. Des. kaḍa-i-o = (Skt.Sthapati, a mason) a bricklayer, mason (G.)] <lo->(B)  {V} ``(pot, etc.) to ^overflow''.  See <lo-> `to be left over'.  @B24310.  #20851. Re<lo->(B)  {V} ``(pot, etc.) to ^overflow''.  See <lo-> `to be left over'. (Munda ) Rebus: loh ‘copper’ (Hindi) Glyph of flowing water in the second register: காண்டம் kāṇṭam , n. < kāṇḍa. 1. Water; sacred water; நீர்; kāṇṭam ‘ewer, pot’ கமண்டலம்.  (Tamil) Thus the combined rebus reading: Ku. lokhaṛ ʻiron tools ʼ; H. lokhaṇḍ  m. ʻ iron tools, pots and pans ʼ; G. lokhãḍ n. ʻtools, iron, ironwareʼ; M. lokhãḍ n. ʻ iron ʼ(CDIAL 11171). The kneeling person’s hairstyle has six curls. bhaṭa ‘six’; rebus: bhaṭa ‘furnace’. मेढा mēḍhā A twist or tangle arising in thread or cord, a curl or snarl. (Marathi) Rebus: meḍ ‘iron’ (Ho.) Thus, the orthography denotes meḍ bhaṭa ‘iron furnace’.


cylinder seal
Cylinder seal impression from the Akkadian period with a combat scene between a bearded hero and a bull-man and various beasts; in the Oriental Institute, University of Chicago. (Additional hieroglyphs elaborate the metonymy: SIx locks on hairstyle of the anthropomorph hero, A pair of markhor flanking the narrative), a forked stake on the register showing the bull-man wrestle with lion.) मेढा  [ mēḍhā ] m A stake, esp. as forked. 2 A dense arrangement of stakes, a palisade, a paling. 3 A twist or tangle arising in thread or cord, a curl or snarl.(Marathi) Rebus: meḍ 'iron, copper' (Munda. Slavic) मेढकी [ mēḍhakī ] f मेढकें n (Dim. of मेढ) A small stake or post, esp. as bifurcated.(Marathi) मेंढरूं [ mēṇḍharūṃ ] n (मेंढा) A sheep Pr. मेलें में0 आगीला भिईल काय?(Marathi) मेंढा [ mēṇḍhā ] m (मेष S through
H) A male sheep, a ram or tup. 2 A crook or curved end (of a stick, horn &c.) and attrib. such a stick, horn, bullock.
मेढ [ mēḍha ] f A forked stake. Used as a post. Hence a short post generally whether forked or not. Pr. हातीं लागली चेड आणि धर मांडवाची मेढ. 
मेढ [ mēḍha ]The polar star. (Marathi) Rebus: mẽṛhẽt, meḍ ‘iron’ (Munda.Ho.) मेंढसर [mēṇḍhasara] m A bracelet of gold thread. (Marathi) 

Hieroglyph: mr̤ēka 'goat' Rebus: Meluhha 'copperworker' (mleccha 'copper' (Samskritam); milakkhu rajanam 'copper colored' (Pali)




Cylinder seal: Ht. 3.6 cm. 2,220 - 2,159 BCE, Mesopotamia (Photo from pg. 216 of J. Aruz and R. Wallenfels (eds.) 2003  Art of the First Cities).
This Akkadian example of a seal impression shows a hero wrestling with a water buffalo (left) and a bull-man struggling with a lion (right). The figures are separated by a tree on a mountain.  The hero faces the viewer and dominates the scene. Akkadian seals tend to be arranged into clusters of figures that display physical tension in scenes of active combat.


High relief metope, from Temple C. Selinus, Sicily, limestone, c. 58" h,
c. 550-540 B.C.E (National Museum, Palermo): http://www.sandrashaw.com/AH1L14.htm

 A vivid Meluhha hieroglyph 'overflowing pot' has rebus-metonymy reading: metal tools, pots and pans

m1656 Mohenjodro Pectoral.

Hieroglyph: sãghāṛɔ 'lathe'.(Gujarati).Rebus:  Vajra Sanghāta 'binding together' (Varahamihira) *saṁgaḍha ʻ collection of forts ʼ. [*gaḍha -- ]L. sãgaṛh m. ʻ line of entrenchments, stone walls for defence ʼ.(CDIAL 12845).

Hieroglyph: खोंड (p. 216) [khōṇḍam A young bull, a bullcalf; खोंडा [ khōṇḍā ] m A कांबळा of which one end is formed into a cowl or hood. खोंडरूं [ khōṇḍarūṃ ] n A contemptuous form of खोंडा in the sense of कांबळा-cowl (Marathi. Molesworth); kōḍe dūḍa bull calf (Telugu); kōṛe 'young bullock' (Konda)Rebus: kõdā ‘to turn in a lathe’ (Bengali)
kāṇḍam காண்டம்² kāṇṭam, n. < kāṇḍa. 1. Water; sacred water; நீர். துருத்திவா யதுக்கிய குங்குமக் காண் டமும் (கல்லா. 49, 16). Rebus: khāṇḍā ‘metal tools, pots and pans’ (Marathi) (B) {V} ``(pot, etc.) to ^overflow''. See `to be left over'. @B24310. #20851. Re(B) {V} ``(pot, etc.) to ^overflow''. See `to be left over'. (Munda ) Rebus: loh ‘copper’ (Hindi) The hieroglyph clearly refers to the metal tools, pots and pans of copper. 

Some examples of 'overflowing pot' metaphors on Ancient Near East artifacts, cylinder seals:

Enki walks out of the water to the land attended by his messenger, Isimud

who is readily identifiable by his two faces looking in opposite directions (duality). 


Bull men contesting with lions. Cylinder seal and impression. Akkadian period. ca. 2334-2154 BCE. Marble. 28X26 mm. Seal No. 167 Morgan Library and Museum. A variant narrative adds hieroglyphs of an aquatic bird in flight. Hieroglyph: aquatic bird: karaṭa1 m. ʻ crow ʼ BhP., °aka -- m. lex. [Cf. karaṭu -- , karkaṭu -- m. ʻ Numidian crane ʼ, karēṭu -- , °ēṭavya -- , °ēḍuka -- m. lex., karaṇḍa2 -- m. ʻ duck ʼ lex: seekāraṇḍava -- ]Pk. karaḍa -- m. ʻ crow ʼ, °ḍā -- f. ʻ a partic. kind of bird ʼ; S. karaṛa -- ḍhī˜gu m. ʻ a very large aquatic bird ʼ; L. karṛā m., °ṛī f. ʻ the common teal ʼ.(CDIAL 2787). Allograph: karaṭa m. ʻ Carthamus tinctorius ʼ lex.Pk. karaḍa -- m. ʻ safflower ʼ, °ḍā -- f. ʻ a tree like the karañja ʼ; M. karḍī°ḍaī f. ʻ safflower, Carthamus tinctorius and its seed ʼ.(CDIAL 2788). Rebus:  karaḍā 'hardalloy of metals' (Marathi

ca. 2254-2220 BC (mature); ceramic; cat. 79; two groups in combat. A naked, bearded hero wrestles with a water buffalo, and a bull-man wrestles with a lion. In the centre: inscription (unread). Appears to be recut.
Girdled nude hero attacking water buffalo; bullman attacking lion; inscription. Kafaje, 
 Akkadian (ca. 2300 - 2200 BC)


 Frankfort, Henri: Stratified Cylinder Seals from the Diyala Region. Oriental Institute Publications 72. Chicago: University of Chicago Press, no. 396.
  • Akkadian Cylinder Seal of Adda (c. 2250 B.C.) with, left to right, Ninurta, Ishtar, Shamash, and Ea. From Dury, Art of the Ancient Near and Middle East, Abrams, NY.
Akkadian Cylinder Seal of Adda (c. 2250 B.C.) with, left to right, Ninurta, Ishtar, Shamash, and Ea. From Dury, Art of the Ancient Near and Middle East, Abrams, NY
Akkadian Cylinder Seal (c. 2200 B.C. showing Gilgamesh slaying the bull of heaven, with Enkidu? Also from Dury; both in British Museum.
Akkadian Cylinder Seal (c. 2200 B.C. showing Gilgamesh slaying the bull of heaven, with Enkidu? Also from Dury; both in British Museum)


Gilgamesh and Enkidu struggle of the celestial bull and the lion (cylinder seal-print Approx. 2,400 BC, Walters Art Gallery, Baltimore)
http://www.metmuseum.org/toah/works-of-art/1999.325.4 (Bos gaurus shown with greater clarity) http://art.thewalters.org/viewwoa.aspx?id=33263 In the two scenes on this cylinder seal, a heroic figure with heavy beard and long curls holds off two roaring lions, and another hero struggles with a water buffalo. The inscription in the panel identifies the owner of this seal as "Ur-Inanna, the farmer."


The three animals: buffalo, rhinoceros, elephant occur together with a leaping tiger on a seal. cf. Decoding of animal glyphs and other glyphs on the seal as related to lapidaries/metalsmith/metalwork artisan guild/mint Indus script cipher: Hieroglyphs of Indian linguistic area (2010)

Mleccha rebus decoding:

ibha 'elephant' (Skt.) Rebus: ib 'iron'; ibbho 'merchant' (cf.Hemacandra, Desinamamala, vaṇika); badhia 'rhino'; Rebus: baḍhoe ‘a carpenter, worker in wood’; badhoria ‘expert in working in wood’(Santali); kol 'tiger'; kolla 'smith'; sal 'bos gaurus'; rebus: sal 'workshop'.]kamaḍha ‘penance’ (Pkt.); Rebus: kammaṭa = mint, gold furnace (Te.) tāttāru 'buffalo horns' (Munda); Rebus: ṭhaṭhero 'brassworker'(Ku.)cūḍā, cūlā, cūliyā tiger’s mane (Pkt.)(CDIAL 4883)sodo bodo, sodro bodro adj. adv. rough, hairy, shoggy, hirsute, uneven; Rebus: sodo [Persian. sodā, dealing] trade; traffic; merchandise; marketing; a bargain; the purchase or sale of goods; buying and selling; mercantile dealings (G.lex.) sodagor = a merchant, trader; sodāgor (P.B.) (Santali) A jackal (Marathi) Rebus: Ta. kol working in iron, blacksmith; kollaṉ blacksmith. Ma. kollan blacksmith, artificer. Ko. kole·l smithy, temple in Kota village; kolhali to forge (DEDR 2133)(Kuwi). 

kūrda m. ʻ jump ʼ, gūrda -- m. ʻ jump ʼ Kāṭh. [√kūrd] S. kuḍ̠u m. ʻ leap ʼ, N. kud, Or. kuda, °dā, kudā -- kudi ʻ jumping about ʼ.kūˊrdati ʻ leaps, jumps ʼ MBh. [gūˊrdati, khūˊrdatē Dhātup.: prob. ← Drav. (Tam. kuti, Kan. gudi ʻ to spring ʼ) T. Burrow BSOAS xii 375]S. kuḍ̠aṇu ʻ to leap ʼ; L. kuḍ̠aṇ ʻ to leap, frisk, play ʼ; P. kuddṇā ʻ to leap ʼ, Ku. kudṇo, N. kudnu, B. kũdā, kõdā; Or. kudibā ʻ to jump, dance ʼ; Mth. kūdab ʻ to jump ʼ, Aw. lakh. kūdab, H. kūdnā, OMarw. kūdaï, G. (CDIAL 3411, 3412) Rebus: kunda ‘turner’ kundār turner (A.) Vikalpa: ஏறு ēṟu Pouncing upon, as an eagle; பருந்தின் கவர்ச்சி. பரிந்தி னேறுகுறித் தொரீஇ (புறநா. 43, 5). Rebus: eruvai ‘copper’ (Ta.); ere dark red (Ka.)(DEDR 446). कोल्हा [ kōlhā ] कोल्हें [ kōlhēṃ ]



Pouncing tiger glyph is read rebus: kũdā kol 'turner smith'.



The four animal glyphs surrounding the seated person thus connote: merchant (ibbho), carpenter (baḍhoe), turner-smith (kũdā kol), workshop (sal).



Addendum with glyphs and inscriptions consistent with the themes depicting repertoire of artisan-smiths of the civilization: A lexeme which may explain the 'mountain' or 'haystack' glyphs; Rebus: Rebus: mẽṛhẽt, meḍ ‘iron’ (Mu.Ho.): kunda 'hayrick'; rebus: kundār turner (A.)

Harappan Faience tablet or standard
This unique mold-made faience tablet or standard (H2000-4483/2342-01) was found in the eroded levels west of the tablet workshop in Trench 54. On one side is a short inscription under a rectangular box filled with 24 dots. The reverse has a narrative scene with two bulls fighting under a thorny tree.

m0308 Mohenjodaro seal. Person grappling with two flanking tigers standing and rearing on their hindlegs. Comparable to the Mesopotamian cylinder seal (BM 89538), this Indus seal depicts a person with six hair-knots. kaṇṇahāra -- m. ʻhelmsman, sailor’. ( काणkāṇa ‘one-eyed’, āra ‘six’, ‘rings of hair’ symbolic forms). kannār 'coppersmiths'; kan 'copper'. arye 'lion' Rebus: āra 'brass'.



One-Eyed Hero with Lions Flanked by Enclosures Iran (?) (ca. 3100 B.C.E) 50 x 40 mm Seal No. 4"Seal 4 presents as its central figure a cyclopic hero holding lions. The rest of the scene includes animals, pots, and other types of containers, as well as a human figure and two lion-headed eagles, all apparently meant to be within an enclosure indicated by two stockade-like frames. A related theme is found in a fragment of a vase from Khafajah.... The nude bearded hero seen in 4 remained a stock figure of the Mesopotamian repertory, aapearing for the most part in contst scenes. The cyclopic version of this figure in 4 is paralleled in only one other instance, an Early Dynastic seal impression from Fara (ancient Shuruppak). A plaque from Khafajah of some thousand years later shows a cyclopic demon whose head has the form of a sun. Because of the wide gap in time, however, there is no assurance that the hero in 4 is to be associated in any manner with this figure."--Porada, CANES, p. 3Center: nude one-eyed hero holding two reversed lions, two more lions forming pyramid above him -- Left: section of inclosure containing sheep, latter between two pots, with lion-headed eagle perched on head of sheep; basket, pouch(?), fish, and bird in upper field -- Right: sheep-headed demon grasping pole of second section of inclosure; within latter, human figure(?) with upturned curls holding in outstretched hands indefinable curved object marked by vertical incisions; lion-headed eagle above horns of sheep-demon; crib(?) in upper field. 
Cylinder unperforated; in both top and bottom shallow central cavity and outer circle of small depressions."Seal 4 presents as its central figure a cyclopic hero holding lions. The rest of the scene includes animals, pots, and other types of containers, as well as a human figure and two lion-headed eagles, all apparently meant to be within an inclosure indicated by two stockade-like frames. A related theme is found in a fragment of a vase from Khafajah.... The nude bearded hero seen in 4 remained a stock figure of the Mesopotamian repertory, aapearing for the most part in contst scenes. The cyclopic version of this figure in 4 is paralleled in only one other instance, an Early Dynastic seal impression from Fara (ancient Shuruppak). A plaque from Khafajah of some thousand years later shows a cyclopic demon whose head has the form of a sun. Because of the wide gap in time, however, there is no assurance that the hero in 4 is to be associated in any manner with this figure."--Porada, CANES, p. 3http://www.themorgan.org/collections/collections.asp?id=789

Some hieroglyphs which recur on Ancient Near seals and their Meluhha rebus readings are:

bull-man, bull ḍangar 'bull' read rebus ḍhangar 'blacksmith'; ṭagara 'ram' Rebus: damgar 'merchant' (Akkadian) ṭhakkura, ‘idol’, ṭhākur ʻ blacksmith ʼ, ṭhākur m. ʻmaster’.ḍhangar ‘blacksmith’.
tiger kol 'tiger' Rebus: kol 'working in iron'
lion arye 'lion'āra 'brass'
aquatic bird karaḍa ‘aquatic bird, duck’ Rebus: karaḍa 'hard alloy' 
eagle eraka 'eagle' Rebus: erako 'moltencast copper
buffalo கண்டி kaṇṭi , n. 1. Buffalo bull Rebus: Pk. gaḍa -- n. ʻlarge stoneʼ? (CDIAL 3969)
six hair-curls āra 'six curls' Rebus: āra 'brass'
face mũh ‘face’ Rebus: mũh ‘ingot’.
stag karuman 'stag' karmara 'artisan'
antelope melh 'goat' Rebus: milakkhu 'copper'
calf khoṇḍ 'young bull-calf' Rebus khuṇḍ '(metal) turner'. 
scorpion bica ‘scorpion’ (Assamese) Rebus: bica ‘stone ore’
stalk daṭhi, daṭi  'stalks of certain plants' Rebus: dhatu ‘mineral.kāṇḍa काण्डः m. the stalk or stem of a reed. Rebus: kāṇḍa ‘tools, pots and pans and metal-ware’. 
twig kūdī ‘twig’ Rebus: kuṭhi ‘smelter’
fish ayo 'fish' Rebus: ayo, ayas  'metal'.  
overflowing pot lo ‘pot to overflow’ kāṇḍa ‘water’. Rebus: लोखंड lokhaṇḍ Iron tools, vessels, or articles in general.
spear  మేడెము [ mēḍemu ] or మేడియము mēḍemu. [Tel.] n. A spear or dagger. Rebus: meḍ  ‘iron’. 
ring, bracelet kaḍum a bracelet, a ring (G.) Rebus: kaḍiyo [Hem. Des. kaḍaio = Skt. sthapati a mason] a bricklayer; a mason; 
star मेढ [ mēḍha ]  The polar star (Marathi). [cf.The eight-pointed star Rebus: meḍ 'iron' (Mundari. Remo.)
safflower karaḍa -- m. ʻsafflowerʼ Rebus:  करडा [karaḍā] Hard from alloy--iron, silver &c. (Marathi)  
twig kūdī ‘twig’ Rebus: kuṭhi ‘smelter’ 
frond (of palm), palm tamar, ‘palm tree, date palm’ Rebus: tam(b)ra, ‘copper’ (Prakrit) 
tree kuṭhāru 'tree' Rebus:  kuṭhāru ‘armourer or weapons maker’(metal-worker)
ram, ibex, markhor 1.ram मेंढा [ mēṇḍhā ] m (मेष S through H) A male sheep, a ram or tup.(Marathi) meḍ 'iron' (Mundari. Remo.)
goat melh 'goat' Rebus: milakkhu 'copper'
knot (twist) meḍ, ‘knot, Rebus: 'iron’
reed, scarf dhaṭu  m.  (also dhaṭhu)  m. ‘scarf’  (WPah.) (CDIAL 6707) Rebus: dhatu ‘minerals’ (Santali); dhātu ‘mineral’ (Pali) kāṇḍa काण्डः m. stem of a reed. Rebus: kāṇḍa ‘tools, pots and pans and metal-ware’
mountain डोंगर [ ōgara ] m A hill. डोंगरकणगर or डोंगरकंगर [ ōgarakaagara or ōgarakagara ] m (डोंगर & कणगर form of redup.) Hill and mountain; hills comprehensively or indefinitely. डोंगरकोळी [ ōgarakōī ] m A caste of hill people or an individual of it. (Marathi) ḍāngā = hill, dry upland (B.); ḍã̄g mountain-ridge (H.)(CDIAL 5476). Rebus: dhangar ‘blacksmith’ (Maithili) dhokra 'cire perdue metallurgist'
wing eraka 'wing' eṟaka, ṟekka, rekka, neṟaka, neṟi ‘wing’ (Telugu)(DEDR 2591). Rebus: erako 'moltencast copper'.
snake nāga 'snake' nāga 'lead'
frame of building sã̄gāḍā m. ʻ frame of a building ʼ (M.)(CDIAL 12859) Rebus: sangāṭh संगाठ् । सामग्री m. (sg. dat. sangāṭas संगाटस्), a collection (of implements, tools, materials, for any object), apparatus, furniture, a collection of the things wanted on a journey, luggage (Kashmiri) jangaḍ 'entrustment note' (Gujarati) 
monkey kuṭhāru = a monkey (Sanskrit) Rebus: kuṭhāru ‘armourer or weapons maker’(metal-worker), also an inscriber or writer.  
kick kolsa 'to kick' Rebus: kol working in iron, blacksmith
foot . khuṭo ʻ leg, foot ʼ Rebus: khũṭ  ‘community, guild’ (Santali)
copulation (mating) kamḍa, khamḍa 'copulation' (Santali) Rebus: kampaṭṭa ‘mint, coiner’
adultery ṛanku, ranku = fornication, adultery (Telugu)  ranku 'tin'


William Hayes Ward Seal No. 26.



Rakhigarhi seals
Hieroglyph: one-horned young bull
kõdā  खोंड [ khōṇḍa ] m A young bull, a bullcalf. (Marathi) Rebus 1: kọ̆nḍu or  konḍu ।  कुण्डम् m. a hole dug in the ground for receiving consecrated fire (Kashmiri) Rebus 2: A. kundār, B. kũdār, °ri, Or. kundāru; H. kũderā m. ʻ one who works a lathe, one who scrapes ʼ, °rī f., kũdernā ʻ to scrape, plane, round on a lathe ʼ.(CDIAL 3297).

Hieroglyph: 'rim-of-jar': Phonetic forms: kan-ka (Santali) karṇika (Sanskrit) Rebus: karī, supercargo for a boat shipment. karīka ‘account (scribe)’.

Hieroglyph: sprout ligatured to rimless pot: baṭa = rimless pot (Kannada) Rebus: baṭa = a kind of iron; bhaṭa 'furnace; dul 'pair' Rebus: dula 'cast (metal) kolmo 'sprout' Rebus: kolami 'smithy/forge' Thus the composite hieroglyph: furnace, metalcaster smithy-forge

Hieroglyph:मेंढा [ mēṇḍhā ] A crook or curved end (of a stick) Rebus: meḍ 'iron'. 




(After Fig. 68. Steatite seal and terracotta seal impression from Structure No. 1)


clip_image032
m305clip_image033[4] A person with a plaited pigtail, bangles/armlets on both hands from wrist to shoulder, seated in penance, with three faces, two stars on either side of the curved buffalo-horn and twig.
ad.ari small branches (Kannada); ad.aru twig (Tulu)(DEDR 67); ad.aruni = to crack (Malayalam) adar = splinter (Santali) 8657 pradará— m. ‘cleft in earth’ VS., ‘rout (of an army)’ MBh. [√dr̥̄] Pa. padara— n. ‘cleft, fissure, board, plank’ (patara- with t as Si. spelling for d as frequently in Si. inscr.: otherwise Trenckner Notes 6216, Geiger PLS 39); Pk. payara— m. ‘splitting, breaking’; K. pairapör°ra m. ‘fear, agitation’
rebus: adaru =native metal (Kannada)


Molded tablets from Trench 11 sometimes have impressions on one, two, three or four sides. This group of molded tablets shows the complete set of motifs. One side is comprised entirely of script and has six characters, the first of which (on the very top) appears to be some sort of animal. A second side shows a human figure grappling with a short horned bull. A small plant with at least six branches is discernible behind the individual. The third panel portrays a figure seated on a charpoy or throne in a yogic position, with arms resting on the knees. Both arms are covered with bangles, and traces of a horned headdress and long hair are visible on some of the impressions. A second individual, also with long hair and wearing bangles, is seated on a short stool to the proper left of the individual on the "throne." The fourth panel shows a deity standing with both feet on the ground and wearing a horned headdress. A branch with three pipal leaves projects from the center of the headdress. Bangles on seen on both arms.

Animals in procession: Two gazelles (antelopes?), stalks, two tigers
Two eagles, sprout between

 

 Base for a ritual offering, carved with animals Elamite period, mid-3rd millennium BC Tell of the Acropolis, Susa, Iran Bituminous rock H. 19 cm; Diam. 11 cm Jacques de Morgan excavations, 1908 Lions and gazelles passant; eagles protecting their young Sb 2725

This base for a ritual offering is made of bitumen. This material was plentiful throughout the Middle East, but only in Susa was it used in sculpture. The object is carved with big cats, gazelles, and eagles. The theme of the eagle spreading its wings to protect its young was found only in Iran and also features on painted ceramics of the same period. 

Bitumen: a plentiful material used in an unusual manner

This object in the form of a truncated cone is a base for a ritual offering. It is carved from bituminous rock, found throughout the region but used in sculpture only in Susa. It was used to make vases similar to this object (Louvre, Sb2726), and later, in the early years of the 2nd millennium BC, vases carved with bas-relief decorations and an animal's head in high relief (Louvre, Sb2740). The shape of this object - a truncated cone - is similar to other pieces made of chlorite and dating from the same period. The mortise at the top of the cone and the unfinished lip suggest that the object originally had a second part that fitted on top of the cone. However, the precise purpose of the object remains a mystery.

The animal carvings

The cone is carved with two registers separated by a narrow strip. The upper register is decorated with two gazelles calmly grazing on vegetation, represented by stalks between each animal. Alongside the two gazelles are two big cats, almost certainly lions, with their backs to each other. Their stylized manes are shown as vertical strips, reminiscent of those of the woolen Mesopotamian garments known as kaunakes. Their tails are raised horizontally over their backs, similar to depictions of lions on cylinders from Uruk or Susa. Their heads are depicted in geometrical form. All four animals are shown in profile. The artistic desire to create a scene and a landscape imbued with life is also evident in two cylinders from Uruk and Khafaje. 
The lower register shows two highly stylized eagles, upright, as if resting on their tail feathers. Their wings and talons are spread to protect the chicks beneath them. These eagles differ somewhat from the usual representation of eagles as the attribute of the Sumerian god Ningirsu, where the birds are depicted with a lion's head, holding two lion cubs, which are shown face on.

Mythological creatures or carvings of local wildlife?

Eagles were a major theme in Susian and Mesopotamian art. This depiction of an eagle resting on its tail feathers is also found in ceramics, glyptics, and perforated plaques dating from the 3rd millennium BC. However, unlike Mesopotamian eagles, Susian eagles never resembled composite animals. Likewise, Mesopotamian eagles had a mythological dimension, which was absent from Susian portrayals of the bird. In Susa, eagles were simply considered ordinary birds of prey.

Bibliography

Amiet Pierre, Élam, Auvers-sur-Oise, Archée, 1966, p. 166, fig. 119.
Les quatre grandes civilisations mondiales. La Mésopotamie entre le Tigre 
et l'Euphrate, cat. exp., Setagaya, musée d'Art, 5 août-3 décembre 2000, Fukuoka, musée d'Art asiatique, 16 décembre 2000-4 mars 2001, Tokyo, NHK, 2000, pp. 214-215. Author: Herbin Nancie http://www.louvre.fr/en/oeuvre-notices/base-ritual-offering-carved-animals
Image result for water-buffalo indus sealm417 Does the hierolyph-multiplex also deploy a buffalo hieroglyph? baTa 'warrior' Rebus: baTha 'furnace'. barad 'ox' Rebus: bharat 'alloy of copper, pewter, tin';kondh 'young bull' Rebus: kondh 'turner'; koD 'horn' Rebus: koTa 'fortified settlement''workshop' s'rESTi 'ladder' Rebus: s'rESTi 'merchant'.
Does this seal include hieroglyph of a zebu? kuThAru 'monkey' Rebus: kuThAru 'armourer' bicha 'scorpion' Rebus: bica 'hematite, sandstone ore' dula 'pair' Rebus: dul 'cast metal' barad 'ox' Rebus: bharat 'alloy of copper, pewter, tin'. meD 'body' Rebus: meD 'iron' (Ho.Munda) karabha 'trunk of elephant' ibha 'elephant' Rebus: karba 'iron' ib 'iron'
Marble/limestone seal.



After Fig. 4.3 One of three Dholavira reservoirs. 73.4 m l, 29.3m wide, 10.6 m deep with flights of thirty steps in three corners.

S. Kalyanaraman
Sarasvati Research Center
August 12, 2015


Rigveda evidence and archaeological attestation for bhāratam janam as metalcaster folk, decipherment of Indus Script Corpora documents competence of ancient Meluhha artisans

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Who were bhāratam janam for whom Viśvāmitra prayed for protection in a brahma (mantra) of Rigveda?

Let us look at the text of the Rca:

य इमे रोदसी उभे अहं इन्दं अतुष्टवं 
विश्वामित्रस्य रक्षति ब्रह्मेदं भारतं जनम्  

ya ime rodasī ubhe aham indram atuṣṭavam |
viśvāmitrasya rakṣati brahmedam bhārataṃ janam || (RV 3.53.12)

Translation (Sayana, Wilson): I have made Indra glorified by these two, heaven and earth, and this prayer of Viśvāmitra protects the race of Bharata. [Made Indra glorified: indram atus.t.avam-- the verb is the third preterite of the casual, I have caused to be praised; it may mean: I praise Indra, abiding between heaven and earth, i.e. in the firmament]. 

I suggest that this phrase of self-designation, clear identity of the people as bhāratam janam is a reference to the artisans who had invented the new techniques of alloying metals and metal casting. 

'bhāratam janam', of the Chandas in Rigveda can be interpreted in lingua franca as 'bhārata metalcaster folk'. 

This is based on the evidence of etyma in Indian sprachbund (speech union) for the gloss: bharata.

Bharath, alloy, metalcasters, philosophers of fire. bharatiyo 'metal casters' (Gujarati)  भरत [ bharata ] n A factitious metal compounded of copper, pewter, tin &c. भरताचें भांडें [ bharatācē mbhāṇḍēṃ ] n A vessel made of the metal भरतभरती [ bharatī ] a Composed of the metal भरत.(Marathi) G. bharaṇ n. ʻ a filling, stuffing, application of sulphate of zinc to eyelashes ʼ(CDIAL 9395)  भरत name of Agni (kept alive by the care of men)(RV);  of a partic. अग्नि (father of भरत and भरती); a priest (= ऋत्विज्Naigh. iii , 18; N. of रुद्र (the मरुत्s are called his sons) RV. ii , 36 , 8; भरत-मल्लीक  pl. " the descendants of भरत "(Monier-Williams, p.747).

Archaeological evidence from Nahal Mishmar is stunning datable to 4th millennium BCE. The artifacts found in a cave there were metal castings of exquisite artistry made using cire perdue (lost-wax casting) technique using principally arsenical bronze.

Yes, the same technique of metal casting evident from Mohenjo-daro and a tradition which continues with the exquisite artifacts produced by dhokra kamar of Chattisgarh, Jharkhand, Bastar and with Vis'vakarma metal casters of Swamimalai on the banks of River Kaveri who create utsava-bera of cosmic dancer Nataraja or other murti-s of divinities in Hindu agama tradition.

Based on this semantic framework, mleccha, copper workers move to the status of bharat, metal alloy casters, a technological advance from cupro-lithic to bronze-age alloy phase in the history of science and technology of ancient Bharatam Janam.  

Select excerpts from Rigveda related to metalcaster artisanal competence are given below:
jarati_bhih os.adhi_bhih parn.ebhih s'akuna_na_m
ka_rma_ro as'mabhih dyubhih hiran.yavantam icchati_ (RV. 9.112.2)

This is a description of a smithy, perhaps an allusion to the making of copper reducing the ores. The metalsmiths sold the products (a copper implement or copper-tipped arrow or golden ornament) to moneyed-people.
a_la_kta_ ayomukham is.u (RV. 6.75.15): reference to poison and metal-tipped arrow.
r.s.t.ia_sr.ukmaira_ yudha_ nara r.s.va_ r.s.t.i_h assr.aks.ata (RV. 5.52.6): javelin thunder spear
brahman.aspatireta_ sam. karma_ra iva_dhamat
deva_na_m. pu_rvye yuge asatah sadaja_yata (RV. 10.72.2): reference to metalsmith who blows in a furnace and makes metal objects.

kr.tihas.tes.u kha_dis'ca kr.tis'ca (a guard and a sword)(RV. 1.168.3)
ks.urayada_ te va_to anuva_ti s'oirvapteva s'mas'ru vapasi prabhu_ma (RV. 10.142.4): With the wind at its back, fire wipes out the trees and forests and 'shaves' the land just as the barber shaves (with a razor).
khanitrakhanama_nah khanitraih (RV. 1.179.6): by the digging spade
kha_diam.ses.u kha_dayo (RV. 7.56.13): shoulder decoration, sword?
paras'us'is'ite paras'um. sva_yasam. (RV. 10.53.): sharpened metallic axe.
pra_ca_ gavyantah pr.thupars'avo yayuh da_s.a_ ca vr.tra_ hatama_rya_ni ca (RV. 7.83.1): with big axes came to the east came the cow-plunderers -- the da_sas as well as some a_ryas.
va_s'i_va_s'i_ a_yasi_ (RV. 8.29.3): bronze tool-chisel, axe or adze. The neolithic one was as'manmayi_ va_s'i_ (RV. 10.101.10) made of stone.
svadhitiks.n.otren.eva svadhitim sam. s'is'i_tam (RV. 2.39.7): sharpen the swords/axes on the whetstone. means a sword?
It may be appropriate to contract these notes with anecdotes of trade and some etyma during the later periods.
Ca. 1015 B.C., King Solomon and King Hiram of Tyre sent ships sailing directly from the Arabian port to India, touching 'Ophir', Sophir or Sauvira in the Gulf of Khambat (near Lothal) and brought back gold, silver, ivory and peacocks.
Homeric times refer to tin along with ivory coming from India (V. Ball, 1880, A geologist's contribution to the History of Ancient India, in: Journal of Royal Geological Society of Ireland, Vol. 5, Part 3, 1879-89, Edinburgh, pp. 215-63). Ball reiterates Lassen's comment that the Greek word kassiteros was derived from kastira whereas Bevan feels (E.J. Rapson ed., 1921, The Cambridge History of India, Vol. I, Delhi, Indian Edn., S. Chand and Co., p. 351) that kastira was derived from kassiteros. Such a controversy also existed about a_raku_t.a in Sanskrit and oreichalkos in Greek  ('mountain copper') which refer to brass. Pliny called this aurichalcum or golden copper (since brass is yellow) )(Pliny, Naturalis Historia, 34.2 and 37.44).
Monier-Williams' lexicon suggests that the root for kastira was ka_ns (to shine). There is a possibility that the root might have yielded kan:sa_ which means bronze or copper-tin alloy. (AV, 10.10.5: s'atam. kan:sa_h indicating the possible use of the metal as an exchange unit).

Minerals and Metals: Sarasvati-Sindhu (Hindu) Civilization

Transition for the Neolithic culture to Bronze-age in select sites

Mehrgarh (Jarrige, 1984, Chronology of the Earlier Periods of the Greater Indus as seen from Mehrgarh, Pakistan, in South Asian Archaeology, ed. by B. Allchin, Cambridge, pp. 21-28) in the northern region of Kachhi plains, at the foot of Bolan pass in Baluchistan, has recorded a continuous cultural sequence from neolithic thru chalcolithic (turquoise workshop, 1st half 4th millennium B.C.) to bronze-age cultures, dated from 7th-6th millennium B.C. (a copper bead, sea-shell belt) to 2500 B.C. (spiral-headed copper/bronze pin, one flat axe, one chisel, pipal leaves painted on red ware). Crucibles used for melting copper were found in the first half of the 4th millennium. The dates of Mehrgarh are earlier than the Iranian sites of Tepe Yahya and Tal-i-Iblis, thus recording a paradigm change and 'a collapse of the earlier Irano-centric view' of diffusion of chalcolithic cultures from Iran to the Sindhu-Sarasvati valleys (Asthana, 1985, Pre-Harappan cultures of India and the Borderlands, Delhi, Books and Books: 16-82).
Mundigak, near Kandahar in southern Afghanistan has yielded a flat blade, a bronze point or punch with a circular cross-section (6th millennium B.C.); a lance-head, a knife, sickles and chisels, mirrors, double-spiral-headed pins and a buckle (ca. mid-4th millennium B.C.)
Damb Sada_t, west of Quetta yielded clay seals, copper dagger and knife (3630-2630 B.C.)
Balakot, 88 kms. NW of Karachi yielded copper-bronze objects, native lead and a shell-bangle workshop (mature Harappan phase).
Kot Diji, 25 km. south of Khairpur on the left bank of Indus. Fine axe, chisels of copper, some bronze bangles, knife blades, arrowheads, beads and shell-bangles.
These and other Pre-Harappan sites right and left banks of the Indus river seem to predicate a Sindhu-centric view of the evolution, for nearly 5 millennia, of cultural sequences from ca. 8th millennium B.C.
There are indications of a pre-Harappan culture in Rajasthan. Bagor located on the left-bank of Kothari river and 25 km. west of Bilwara in eastern Rajasthan had a microlith industry (5000-2800 B.C.)(Sankalia, 1974, The Pre-history and Proto-history of India and Pakistan, Pune, Deccan College, 260-64); the chalcolithic phase at this side yielded bits of copper/bronze, one spearhead, one thin rod and three arrowheads (ca. 2800 B.C.) Jodhpura located on the right bank of river Sabi, near Jaipur and Ganeshwar, 15 km. from Neem-ka-Thana (37.40N and 75.51E) yielded over 1000 copper objects (ca. 2500 B.C.): arrowheads, spearheads, fish-hooks, spiral-headed pins, celts, thin blades, bangles, chisels. Axes were cast in mould and edges bevelled by hot and cold forging. There is a place near Ganeshwar called Kulha_d.e-ka_-Johad. (pond of axes). Round indentations made with pointed copper drills, in combinations of 1-6 dots, totalling between 4-16 were noticed on the butt of the celts, indicating some ancient system of numeration. Similar indentations wre noted in later-day celts found at Kayatha and Navdatoli. Kantali river was close to these sites and this river linked up with the Sarasvati near Kalibangan. A copper hoard was found at Kurada (Nagaur district): 55 rings, 21 curved thin blade or choppers, 11 chisels, 9 bowls, 7 celts. (Agrawala, R.C.,1984, Aravalli, the major source of copper for the Indus and Indus-related cultures, inFrontiers of the Indus Civilization, eds. B.B.Lal, S.P. Gupta and Shashi Asthana, Delhi, Books and Books, pp. 157-62).
Sothi (Bikaner), on the banks of Sarasvati and Jalilpur, 78 km. SW of Harappa has yielded copper or bronze rods. Kalibangan (ca. 2900 B.C.), on the left bank of the Sarasvati river also recorded Sothi ware and copper bangles, an axe, a paras'u and over 100 copper artefacts. Pre-Harappan levels of Kalibangan have recorded only three copper objects: a curved blade (chopper), a celt and a bangle (Lal, B.B.,1979, Kalibangan and the Indus Civilization, in: Essays in Indian protohistory, ed. D.P. Agrawal and Dilip Chakravorty, Delhi, BR Publishing Corpn, pp. 65-97) Agrawala (1984), however, reports 56 copper objects: antimony rods, rings, wire pieces, lumps, bangles, pins, arrowheads, beads, rods, celts. The Harappan period extended this repertoire to include: hooks, chisels, spearheads, knives, awls, nails, blades, ear-rings, drills, daggers, needles, razors, mirrors, figures of bulls.
Banawali, 15 km. NW of Fatehabad on the Sarasvati River had a house with several hearths, ovens and fire-pits. There were bangles of copper, shell and faience. Products: arrowhead, bangle, spearhead, sickle blade, razor, chisel, ring, double-spiralled and simple pin, ear/nose ring/fish-hook (R.S. Bisht, 1982, Excavations at Banawali, in: Harappan Civilization, ed. G.L. Possehl, Delhi, Oxford and IBH Publishing Co., pp. 113-24).
Kalibangan products: celt, hammer, bangle, arrow, fish-hook, axe, paras'u, mirror, pin (B.B. Lal, 1979, Kalibangan and the Indus Civilization, in: Essays in Indian Proto-History, eds. D.P. Agarwal and D.K. Chakrabarti, Delhi, B.R. Publishing Corpn., pp. 65-97).
Gamanwala had an extent of 27.3 ha. and Ganweriwala of 81.5 ha. (almost as large as Mohenjodaro) and were industrial sites on the banks of the Sarasvati River close to the Cholistan desert. Some sites were specifically for melting and fabrication of copper objects. At Siddhuwala Ther, located near Derawar, Sir Aurel Stein had discovered a number of kilns and a copper ingot. (Mughal, M.R., 1982, Karachi, Archaeological Surveys in Bahawalpur, Dept. of Archaeology and Museums, Govt. of Pakistan).

BhirranaAccording to a December 2014 report by the Archaeological Survey of India, Bhirrana is the oldest Indus Valley Civilization site, dating back to 7570-6200 BCE. A remarkable evidence of Indus Script writing on a potsherd was discovered at this site. The potsherd depicts the hieroglyph of 'dancing girl' using the Mohenjo-daro cire perdue bronze statuette as the model. This hieroglyph is read rebus-metonymy layered Meluhha: meTTu 'dance step' Rebus: meD 'iron' (Ho.Munda).



Bronze-age
MIC: John Marshall, 1931London, Mohenjodaro and the Indus Civilizations, Vols. I and II
FEM: EJH Mackay, 1938, Delhi, Further Excavations in Mohenjodaro
EH: Madho Sarup Vats, 1940, Calcutta, Excavations at Harappa
CE: EJH Mackay, Chanhudaro Excavation

Tin has always been found as an alloy with copper in almost all the sites of the civilization during the mature-Harappan phase. The percentage of tin in bronze averages from 6 to 13 percent (MIC, I, 30).

Mohenjodaro was an island between the Indus and the Western Nara loop (27.19N 68.8E). Bronze was used for weapons requiring sharp edges and for figurines or ornaments with fine finish. Another alloy of copper was found: arsenic averaging 3 to 4.5 percent in content. The arsenic component might have come from the copper ore itself or using another arsenic-containing mineral such as lollingite (MIC, I, 31). Weapons of war were: axes, spears, daggers, bows and arrows, maces, slings. No evidence of shields, helmets, or swords were found. Two types of blade-axes were: lay and narrow, shor and broad.

Objects of copper: hook, axe, sword, knife, spearhead, pan, dish, chisel, vase, scale pan, bangle, canister, awl, saw, lance-head, razor, cones, dagger, ring, spoon, reamer, kohl-stick, sickle, casting, broken ingot, scale beam, fish-hook, copper lump, needle. Copper vessels were made in two parts and joined together by running on and rivetting techniques. (Soldering was used for gold and silver).

Objects of bronze: spearhead, mirror, vase, axe, pan, saw, chisel, dagger, axe-adze, fish-hook, scale pans, ornament, spacer, hook, knife, kohl-pot (FEM, 441-94). Short broad axes of copper and bronze, copper leather cuter, bronze razor and saw, bronze fish-hook were also found by Marshall (MIC, II, 488-508). Both bronze and copper were used as spacers and terminals for bead-necklaces. Gold and electrum were in use, in a significant measure with the possibility that cupellation was used to extract silver from its ores (perhaps argentiferous galena). Edwin Pascoe suggests that in ancient times, lead was extensively mined in various parts of India, chiefly to extract the silver associated with it. Hamid's analysis of samples of silver proved the presence of lead, thus enhancing the possibility that silver used in Mohenjodaro was an extract from an ore, perhaps galena rich in silver. (MIC, II, 524). Lead (with silver) was also available in the Fa_ranja_l mine in the Ghorband Valley of Afghanistan.
Marshall found in HR area, House VII an oval-shaped, 7 ft. long pottery kiln with a narrow mouth, surrounded by a thin wall of a single course of burnt bricks. A few betel-leaf-shaped clay plaques were found near the mouth of the furnace. A kiln in VS area, House VII had a circular shape and dia 6 ft. srrounded by a wall of a single course of bricks. This was possibly a pottery kiln (MIC, II, 226). DK mound, G section had six kilns, this mound was perhaps the artisans' quarter (perhaps potters). A number of copper melts found near House VI of Block 2 point to metallurgists at work. House VI, Room 51 yielded copper ore and a small piece of lead in a brick-kilned pit. Lead was perhaps used to assist smelt copper (FEM, 41). SW wing, room 33 produced two kilns, both 4ft. 3 in. deep and paved with brick, with a 4 in. ledge. The kilns were used to fire at high temperatures using wood or charcoal. (FEM, 49-50). At courts 21 and 26 two kilns had floor at a level of 3.5 ft, perforated with a number of holes for the heat of the fire to penetrate to the pottery. These holes were arranged in a ring round the edge of the floor with one hold in the centre. (FEM, 102). Mackay believed that G section DK kilns were to bake pottery but those in the 'palace' might have been used by an armourer in the making and repair of weapons and tools, which recall the armourer's shop in the palace ta Kish. Copper ore came from Jaipur state in Rajputana, the Shah Maqsud in Southern Afghanistan and Robat in the extreme west of Baluchistan (MIC, II, 676). Lead was available from Afghanistan, Baluchistan, Rajputana and Hazaribagh. Tin content of 4.5-13.2 percent indicate the use of high grade bronze. Another proof is the completely oxidized state of a substantial core of white stannic oxide enveloped in a layer of red cuprous oxide in many objects. Bronze was used for tools, razors, jewellery (MIC, II, 481-83). It is likely that the discovery of bronze occured in North Persia. It is noted that daggers and knives discovered in the Mohenjodaro civilization resemble some weapons found at Susa, Anau and in SW Caspian areas (MIC, II, 483-84). Bronze statues (e.g. the dancing girl statue, animal figurines) were cast bronze perhaps using cire perdue process and also direct casting in a mould (FEM, 283-84, MIC, I, 345).

Metallurgy of Copper axe. "In terms of Brinell hardness, the axe of Mohenjodaro was 85 close to the cutting edge (the figure is much above that of mild steel), decreasing to 63 towards the middle of the blade. HCH Carpenter of the Royal School of Mines suggested that it is possible that the ancient axes do not retain their original hardness; it is also possible that such an axe was once harder. Mackay concludes from the examination of the rejected castings that the axes of Mohenjodaro were cast very much in the same shape as the finished specimen that we have found, even to the curved cutting edge; these would therefore have required not only hammering to shape them, but also possibly a great deal of hardening." (FEM, 594-95; A.K.Biswas, Minerals and Metals in Ancient India, Delhi, DK Printworld, 1994).

Ston seals or steatite seals and bosses on them were first cut into shape by a saw, whose thickness was 0.025 in. (Faience was used for amulets, animal figurines, balls and marbles, beads, button, finger rings, bracelets, head ornaments, seals, studs, vessels and weights.) The rounding off of the boss was perhaps done with a knife and finished off with an abrasive. A hole was bored through the boss from opposite sides. (MIC, II, 377). The Harappan seals found at Kish, Mesopotamia had traes of oroginal blue or green colouring, indicating the use of glazing techniques. Herbert Beck concluded that the surface of the seal was painted with some alkali and then subjected to heat (FEM, 346). Marshall felt that the vitreous paste on faience objects was an Indian invention and was applied to faience. Glaze as mixed with a siliceous powder   and manganiferous haematite or red ochre as pigments, and fired at high temperature; the paste resembled glass in some respects.

Harappa had a number of furnaces. Harappa is loated at the confluence of two sukhra_va_s (dry beds of the Ravi river), 15 miles WSW of Montgomery town. Copper objects found: a two-wheeled copper chariot, copper antimony rod stopper, copper mace-head, copper beads, ornaments. A large hoard of copper and bronze implements was found in a copper jar No. 277, Mound F: one hundred weapons, implements, utensils both finished and unfinished, cast bars, lance-head, bangles, thick sheet of copper with hammer marks (EH, 470-73). In 48 samples examined, the percentage of arsenic (harita_l) ranged from .3 to 7 percent); the percentage of tin ranged from 1 to 14 percent. Rajputana mines contain As (Arsenic) and Ni (Nickel) . Sources of tin were Hazaribagh, Bihar and Mesopotamia. A simple tin solder of its alloy with lead and soldering of silver and gold were used. In Mound F, 16 furnaces have been discovered: (a) part of round pottery jar; (b) cylindrical pits dug in the ground with or without brick lining; (c) pear-shaped pits dug in the ground with or without brick lining. Jar-furnace filed with charcoal fuel is still in use by goldsmiths in the region. Some furnaces were found with ashes and quantities of vitrified slag. In many furnaces, there is a small rectangular pillar or sometimes a wall set at the back and an air passage for the circulation of heat between itself and the back wall.
Lothal had an exclusive commersmiths' quarter (2300-2000 B.C.)(Sr Rao, Lothal, Vols. I and II, Delhi, ASI, 1979 and 1985).  Lothal is between the Rann of Cambay (khambat) and Little Rann of Kutch, close to the Nal lake, about 52 miles from Ahmedabad and 4 miles from Bhurki. The ancient mound is between Bhogava and Sabarmati rivers. Bronze (low-tin) was used for pins, mirrors, rods, chisels, flat axes, daggers and arrowheads; bronze (high-tin) was used for bangles and pins. Lead was used to harden tools with sharp edges. Tin became a rarity in Sumer by 2700 B.C. until it could be obtained again by 1500 B.C.Sayce cites that tablets from Kara Huyuk refer to tin which was a rare and precious metal in Babylon ca. 2500-2200 B.C. Of the 71 objects from Lothal examined by Lal, only 8 objects contained tin: the tin content of two bangles were 11.2 to 11.82 percent. A grooved rod had 9.02 percent, a mirror 5.47 percent, a pin 13.80 percent, two chisels 9.02 to 9.62 percent, an engraver 3.96 percent, a spear 2.27 percent. Lothal metal-workers knew the art of forging bronze. The manufactured objects found: axes with long narrow blade or broad blade; spearhead, arrowhead, razor, chisels, dagger head, mirror awls and needles, nails and rods, fish-hooks and saw. Personal ornaments of copper and bronze: bangle, ring, ear-ornament, beads. Figurines: bull, hare, dog, bird, fowl. Jar, mirror, spoon, chair were also fabricated. Copper ingots of plano-convex shape (99.81 percent purity) were also found. The ingots from Susa also have a concave under-surface and short projections. Perhaps some copper was imported and remelted in clay crucibles (Rao, 520-21). A coppersmith's workshop was discovered. One furnace was circular with a rectangular projection to supply fuel. A second furnace (House 154) had a muffle. A kiln yielded ash and fragments of terracotta crucibles and a stone mould used for casting pins and awls. A copper pin, a broken copper chisel and a hammer stone with a socket for hafting are finds from the vicinity of this workshop. A sample of cementation brass (1500 B.C.) from Dwaraka has also been reported. Electrum was used for making gold pendants (Rao, 664-65). Kolar gold-fields yield electrum. At the smiths' workshops were found clay tablets containing impressions from the Harappan seals. (These are further analyzed in this website).

The presence of zinc in a Lothal arteact (2200-1500 B.C.) (No. 4189) assayed: 70.7 percent copper; 6.04 zinc; 0.9 Fe, 6.04 acid-soluble component (probably carbonate, a product of atmospheric corrosion). The zinc and other components could have come from the Ahar-Zawar area, Rajasthan. The next dated brass artefacts are: from the Gordian tomb in Phrygia of the eigth and seventury B.C. and Etruscan bronze of the fifth century B.C. containing 11 percent zinc.
Chanhudaro produced seals, beads and weights.  Chanhudaro is 12 miles away from the left bank of the Indus, near Jamal-Kirio (Nawabshah District, Sind). Mound II yielded in four hoards, a large quantity of tools and implements, of copper and bronze. Unfinished castings and ingots were discovered in some of the hoards, indicating a metal-workers' quarter. Objects: copper jar cover, scale-pans and beams, bronze blade axes, saw, spearhead, daggers, small knives, rajors, arrow-heads, bronze fish-hook, copper and bronze awls, rods, bronze stave-heads and plumb-bob. Ornaments were: bracelets, pendants, rings and pins in coper and bronze only (CE, 190). One ingot was bronze formed by pouring the molten metal into a vertical hole in the ground. A second ingot has a flat top and a rounded base. Small blocks of lead were also found (CE, 187-88). In room 215 a concreted mass of minute steatite beads was found. There were also three copper or bronze knives, a copper pin, a steatite seal, a flake drill, a faience gamesman, a shell object and some carnelian nodules. Courtyard 297 produced a large pan with copper and bronze tools, an ingot of bronze, a copper chisel, bangles and razors (CE, 43).

The Bronze-age triangle: Sarasvati-Sindhu, Persia and Mesopotamia
The jury is still out on the issues related to dating the bronze-age artefacts in the three contiguous areas: India, Iran and Mesopotamia/Anatolia.
D.K. Chakrabari (1979, The problem of tin in early India--a preliminary survey, in: Man and Environment, Vol. 3, pp. 61-74) opines that during the pre-Harappan and Harappan periods, the main supply of tin was from the western regions: Khorasan and the area between Bukhara and Samarkand. The ancient tin mines in the Kara Dagh District in NW Iran and in the modern Afghan-Iranian Seistan could have been possible sources. Harappan metal-smiths used to conserve tin by storing and re-using scrap pieces of bronze, making low-tin alloys and substituting tin by arsenic. It is possible that some of the imported tin (like lapis lazuli) was exported to Mesopotamia. A cylinder seal of Gudea of Lagash (2143-2124 B.C.) read: "copper, tin, blocks of lapis lazuli-- bright carnelian from the land of Meluhha." (Muhly, J.D., 1976, Copper and Tin, Hamden, Archon Books, pp. 306-7).  Trapu is tin in the Atharva Veda (11, 8.7-8: s'ya_mamayah asya ma_m.sa_ni lohitamasya lohitam; trapu bhasma haritam varn.ah pus.karamasya gandhah) and van:ga is also tin with the possible association of chalcolithic cultures in Bengal (2nd millennium B.C.) with possible links with the culture of Thailand of the same period (Solheim, W.C., Sciene, Vol. 157, p. 896).   Hegde suggests the possibility that water-concentrated placer deposits referred to as 'stream tin' in the proximity of Aravalli and Chota Nagpur Hills might have also been the sources of tin.
S. R. Rao (1979, 1985: Lothal report) noted that Mohenjodaro copper and Rajasthan ore contained arsenic while the copper artefacts of Lothal were remarkably arsenic-free. The possible inferences are: Mohenjodaro artisans used copper obtained from sources other than Rajasthan to add arsenic; Lothal artisans might have used copper imported from Oman; Lothal artisans knew the techniques (evident in later-day Ahar) of roasting copper ore to remove arsenic.
Arsenic alloying preceded tin alloying in West Asia. Tin alloys started in Iran only during the third millennium B.C. Lollingite (FeAs2) samples were found in Nal (Southern Baluchistan). It is likely that arsenic might have been used both as hardener of copper and as a deoxidiser. Lead was used as a flux.

S.R. Rao further notes: "The fact that bar-celts and chisels and flat rectangular axes (celts) were as popular in the Copper Hoard and the Indus Valley Cultures should not be overlooked. By 1900 B.C. the Harappans had already evolved at Lothal the crescentic sleeved axe which is associated with the Copper Hoard people and resembles the Bisauli anthropomorphic figure (S.R.Rao, 1973, Lothal and the Indus Civilization, Bombay, Asia Publishing House, 183-84). Copper Hoard Culture (1100-800 B.C.) is characterized by antennae sword, anthropomorph and the harpon, celts, axe-blades, socked axes and knowledge of closed casting method (similar to the methods of the Harappans).
KTM Hegde and Ericson, J.E., 1985, Ancient Indian Copper Smelting Furnaces, in: Furnaces and Smelting Technology in Antiquity, ed. P.T. Craddock, Occasional Paper No. 48, British Museum, London, pp. 59-67: The survey covered six ancient copper ore mining and smelting sites in the Aravalli (Arbuda) hills extending over a thousand kms.: Khetri and Kho Dariba in NE, Kankaria and Piplawas in the Central part and Ambaji in SW.. A large majority of mine-pits measure 7-8 metres in dia. and 3-4 metres deep showing evidence of fire-treating of the host rocks on the mine walls to widen rock joints. The evidene indicated probable mining in the chalcolithic period. Timber supports recovered from a gallery at a depth of 120 metres at Rajpura-Dariba mines in Udaipur District were radio-carbon dated to 3120+_ 160 years before the present (1987). This correlates with the zinc-containing copper artefacts of Atran~jikhera. Finely crushed ore was concentrated by gravity separation at the smelting sites which were invariably close to the banks of hill streams. This helped separate gangue from the ore. Smelting charge was by crushed quartz equal to the weight of the ore, crushed charcoal twice the weight of the ore. Furnace walls showed evidence of residues of small, hand-made, fistfuls of spherical lumps. The smelter furnace was a small, crucible-shaped, clay-walled, slag-tapping deice worked on forced draught from bellows; 'this simple furnace appears to have been continuously used in India over the millennia without little innovation.' It would appear that the facilities in the metropolis of the civilization on the banks of Sarasvati and Sindhu were only purification and fabrication facilities with limited or no smelting operations. Bun-shaped copper ingots from Ganeshwar taken through the riverine routes were perhaps carried by itinerant metal-smiths of the copper-hoard culture and fabricated in cities like Mohenjodaro and Harappa to meet the specifications of the consumers of this doab or the Tigris-Euphrates doab.

A reference to itinerant metal-smiths who make arrows of metal, in the Rigveda (9.112.2) will have to be re-evaluated in the context of this evidence and a hypothesis that about 2 millennia preceding the Silk Road, there was a Tin Maritime Road linking the Tin belt of the globe on Mekong river delta exemplified by the exquisite cire perdue cast bronze drums of Dong Son culture of Hanoi with Haifa, Israel. The delineation of this Tin Maritime Road is an archaeometallurgical challenge which will date back the Bronze Age to the 5th millennium BCE.

S. Kalyanaraman
Sarasvati Research Center
August 12, 2015

Intervention: Discussion on Adjournment Motion: Smt. Sushma Swaraj in Lok Sabha: 12.08.2015. NaMo, restitute kaalaadhan.

Gandhi family has learned art of living without working -- Arun Jaitley. NaMo, resitute kaalaadhan, the nation trusts you.

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Sharp and pointed speech by Shri in the Lok Sabha today.


Gandhi family has learned art of living without working, Arun Jaitley says



Gandhi family has learned art of living without working, Arun Jaitley says
Jaitley challenged the leader to establish that UPA had pursued Lalit Modi with any diligence.

NEW DELHI: Looking to turn Congress leader Rahul Gandhi's charge of money-making against foreign minister Sushma Swaraj on its head, finance minister Arun Jaitley took a hard dig at Congress's first family saying it was perhaps not aware that children of most families had to work for a living.

Responding to the suggestion that employment of Swaraj's daughter in a law firm hired by controversial ex-IPL chief Lalit Modi represented a conflict of interest, Jaitley said, "There are still many honest people in this country whose children have to work for a living. The generations of a family which has dominated this country's politics have not worked for a living. They have learnt the art of living comfortably without working, some of us have not."

READ ALSO: Govt does not want to see, hear or speak the truth, Rahul says

BJP turns defence into attack as House finally debates Lalitgate

The finance minister also argued that Congress's intent was to block economic legislation at all costs under the pretext of the IPL controversy. Responding to Rahul's reference to the message of Mahatma Gandhi's three monkeys being subverted by the Narendra Modi government, Jaitley said, "You are fond of (the story) three monkeys, but don't make a monkey of the country."


TOI illustration by Ajit Ninan.

"In order to sabotage the Indian growth story, their (Congress) best chance was: let me go back on what I had promised - the Goods and Services Tax. So, what was announced by them in 2006 and introduced in 2011, all the proposals which their finance ministers had accepted, are not acceptable to them," the finance minister said.

READ ALSO: 'Aghast' LS Speaker says frequent disruptions 'damaging' for democracy

Combative govt tears into Congress attack in House, rejects all allegations against Sushma Swaraj

Wrapping up the government's response to the adjournment motion, Jaitley said real and meaningful action against controversial ex-IPL chief Lalit Modi had only begun after NDA assumed office with a request for a red corner notice against him sent to Interpol.

Seeking to punch holes in the Congress arguments, the finance minister said, "The truth is to the contrary that you took steps where you could never succeed. The correct steps that is registration of case under PMLA, activation of that case, summoning him in that case for the first time, getting a non-bailable warrant against him, moving for a red corner alert against him - these are all steps which will be taken now."

READ ALSO: In a first, Speaker's chair barricaded in Lok Sabha

I haven't seen so much bitterness in the House, Sharad Pawar says

Before the NDA came to power in May 2014, all that was pending against Lalit Modi was a "make-believe light blue coloured notice" which, given to domestic airports for a man living in London, made no sense. Jaitley said the action initiated during the UPA regime did not amount to making Lalit Modi eligible for extradition.

Jaitley said the former IPL chief was being investigated for bank transfers without requisite RBI permission when the IPL tournament was moved from India to South Africa in 2009 due to the national election. "At best, he would have had to pay some fines, he was not a fugitive," said the minister, saying that the so-called action during the UPA regime was mere eyewash.



Focusing on Rahul's reference to IPL as the centre of black money, Jaitley challenged the leader to establish that UPA had pursued Lalit Modi with any diligence. "You can simply use words 'the centre of black money' or 'the symbol of black money' but what steps did your government take to bring black money lying abroad into India? We have taken some hard steps."

Reminding the Congress of a long list of scams during its tenure, Jaitley said the truth of Coalgate was established by the revenues the government had earned by auctions.
http://timesofindia.indiatimes.com/india/Gandhi-family-has-learned-art-of-living-without-working-Arun-Jaitley-says/articleshow/48459896.cms

Intervention: Discussion on Adjournment Motion : Shri Arun Jaitley in Lok Sabha: 12.08.2015

Ingots of ārakūṭa, orichalcum, brass alloy found in Jan. 2015 in a 7th cent. BCE shipwreck in Gela, Sicily

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Mirror: http://tinyurl.com/pxk2jvg

Professor Sebastiano Tusa, an archaeologist at the office of the Superintendent of the Sea in Sicily has suggested that the unusual ingots found in Gela shipwreck (News reports annexed) may relate to orichalcum alloy mentioned by Plato. 

Ancient Indian tradition records the use of pañcaloha, 'five-metal alloy' for utsava-bera -- temple bronze images carried on rathas or on festival processions.

Homeric times refer to tin along with ivory coming from India (V. Ball, 1880, A geologist's contribution to the History of Ancient India, in: Journal of Royal Geological Society of Ireland, Vol. 5, Part 3, 1879-89, Edinburgh, pp. 215-63). Ball reiterates Lassen's comment that the Greek word kassiteros was derived from kastira whereas Bevan feels (E.J. Rapson ed., 1921, The Cambridge History of India, Vol. I, Delhi, Indian Edn., S. Chand and Co., p. 351) that kastira was derived from kassiteros. Such a controversy also existed about ārakūṭa in Sanskrit and oreichalkos in Greek ('mountain copper') which refer to brass. Pliny called this aurichalcum or golden copper (since brass is yellow) )(Pliny, Naturalis Historia, 34.2 and 37.44). 

ārakūṭa as an alloy is comparable to Panchaloha, an alloy of five metals used for making cire perdue utsava-bera or vigraha in Hindu temples.

Utsava-bera, pañcaloha murti in a Hindu temple. "Panchaloha (Sanskrit Devanagari: पञ्चलोह; Tamil: பஞ்சலோகம், ஐம்பொன்(aimpon); IAST: pañcaloha; Tibetan: ལྕགས་རིགས་སྣ་ལྔ, Wylie: lcags rigs sna lnga) (also called Panchaloham, Panchdhatu - literally, "five metals") is a term for traditional five-metal alloys of sacred significance used for making Hindu temple idols (Murti)...Practical compositions are Cu, Au, Ag, Pb and Zn; Cu, Ag, Pb, Fe and Sn; and Sn, Cu, Fe, Pb, and brass.The composition is laid down in the Shilpa shastras, an ancient Sanskrit text on idol making. It is traditionally described as an alloy of gold(Au), silver(Ag), copper(Cu), iron(Fe) and lead(Pb) as the major constituent. Instead of lead, some use tin (Sn) or zinc (Zn)." ). https://en.wikipedia.org/wiki/panchaloha

"Orichalcum or aurichalcum is a metal mentioned in several ancient writings, including a story of atlantis in the Critias dialogue, recorded by Plato. According to Critias (460 – 403 bc), orichalcum was considered second only to gold in value, and was found and mined in many parts of atlantis in ancient times. By the time of critias, however, orichalcum was known only by name.orichalcum may have been one type of bronze or brass, or possibly some other metal alloy.

 In 2015, metal ingots were found in an ancient shipwreck in Gela (sicily), which were made of an alloy primarily consisting of copper and zinc, i.e. a form of brass...the name derives from the greek Ὀρείχαλκοσ, oreikhalkos (from Ὄροσ, oros, mountain and χαλκόσ, chalkos, copper or bronze), meaning literally "mountain copper" or "copper mountain". The romans transliterated "orichalcum" as "aurichalcum," which was thought to literally mean "gold copper"...however, in Virgil's Aeneid it was mentioned that the breastplate of turnus was "stiff with gold and white orachalc"...in later years, "orichalcum" was used to describe the sulfide mineral chalcopyrite, and to describe brass. However, these usages are difficult to reconcile with the text of Critias, because he states that the metal was "only a name" by his time, while brass and chalcopyrite continued to be very important through the time of plato until today...orichalcum is first mentioned in the 7th century BCE by Hesiod, and in the homeric hymn dedicated to aphrodite, dated to the 630s. According to the critias by plato, the three outer walls of the temple to poseidon and cleito on atlantis were clad respectively with brass, tin, and the third outer wall, which encompassed the whole citadel, "flashed with the red light of orichalcum". The interior walls, pillars and floors of the temple were completely covered in orichalcum, and the roof was variegated with gold, silver, and orichalcum. In the center of the temple stood a pillar of orichalcum, on which the laws of Poseidon and records of the first son princes of Poseidon were inscribed. (crit. 116–119) " https://en.wikipedia.org/wiki/orichalcumrichalcum 

I suggest that the cognate of orichalcum or aurichalcum of Greek is Samskritam gloss: ārakūṭa which is explained as 'brass'. आरः ārḥ रम् ramआरः रम् [आ-ऋ-घञ्] 1 Brass; ताम्रारकोष्ठां परिखादुरा- सदाम् Bhāg.1.41.2.-2 Oxide of iron -कूटः, -टम् brass; उत्तप्तस्फुरदारकूट कपिलज्योतिर्ज्वलद्दीप्तिभिः U.5.14. किमारकूटाभरणेन श्रियः N. (Samskritam. Apte) आर--कूट [p= 149,2] m. n. a kind of brass (Monier-Williams).

The competence of Meluhha artisans in working with alloys and cire perdue metalcastings has been documented and affirmed by decipherment of Indus Script Corpora as catalogus catalogorum of metalwork.

The possibility of sourcing the 39 'orichalcum' ingots of Gela shipwreck from Meluhha (Sarasvati-Sindhu civilization) cannot be ruled out. This hypothesis is elaborated further in this note as a suggestion for detailed, multi-disciplinary archaeo-metallurgical investigations.

Ancient Near East artefacts and seals from Shahdad, Tepe Yahya and Sibri provide evidences -- from 3rd millennium BCED -- of metalwork involving alloys.

Copper-tin alloy is referred to as tin-bronze. Copper-zinc alloy is referred to as brass alloy.

kassiteros may relate to: कंस [p = 241 , 1] mn. (√ कम् Un2. iii, 62 ), a vessel made ​​of metal, drinking vessel, cup, goblet AV. x, 10, 5 AitBr. S3Br. & c A metal, tutanag or white copper, brass, bell-metal (Monier-Williams)

Cassiterite is a tin oxide mineral, SnO2. This may relate to the Greek word, kassiteros. 


Bronze flag, Shahdad Kerman, Iran dated to 3rd millennium BCE. See: http://bharatkalyan97.blogspot.in/2013/07/ancient-near-east-shahdad-bronze-age.html

 “The shaft is set on a 135 mm high pyramidal base. The thin metal plate is a square with curved sides set in a 21 mm wide frame. On the plate there is a figure of a goddess sitting on a chair and facing forward. The goddess has a long face, long hair and round eyes. Her left hand is extended as if to take a gift…a square garden divided into ten squares. In the center of each square there is a small circle. Beside this garden there is a row of two date palm trees…Under this scene the figure of a bull flanked by two lions is shown…The sun appears between the heads of the goddess and, one of the women and it is surrounded by a row of chain decorative motives.” (Hakemi, Ali, 1997, Shahdad, archaeological excavations of a bronze age center in Iran, Reports and Memoirs, Vol. XXVII, IsMEO, Rome. 766 pp, p.271, p.649). The inscriptional evidence discovered at this site which is on the crossroads of ancient bronze age civilizations attests to the possibility of Meluhha settlements in Shahdad, Tepe Yahya and other Elam/Susa region sites. The evolution of bronze age necessitated a writing system -- the answer was provided by Indus writing using hieroglyphs and rebus method of rendering Meluhha (mleccha) words of Indian sprachbund.

Shown are the glyphs of 1. zebu and 2. tigers which are also glyphs on Indus writing which I decode as related respectively to 1. blacksmithy on unsmelted metal (Adar Dhangar 'native blacksmith', poLa 'zebu' Rebus: poLa 'magnetite') 2. working with alloys (kol, tiger) The tree is a smelter furnace (kuTi). The endless-knot motif is iron (meD, knot, iron).

Some Shahdad hieroglyphs and artefacts:
Steppe eagle Aquila nipalensis


Two possible rebus readings: 1. pajhaṛ ‘kite’. Rebus: pasra ‘smithy, forge’ (Santali)
2. śyēná m. ʻhawk, falcon, eagleʼ RV.Pa. sēna -- , °aka -- m. ʻhawk ʼ, Pk. sēṇa -- m.; WPah.bhad. śeṇ ʻkiteʼ; A. xen ʻ falcon, hawk ʼ, Or. seṇā, H. sen, sẽ m., M. śen m., śenī f. (< MIA. *senna -- ); Si. sen ʻfalcon, eagle, kiteʼ. (CDIAL 12674) Rebus: Senaka a carter ThA 271 (=sākaṭika of Th 2, 443) (Pali) sēnāpati m. ʻ leader of an army ʼ AitBr. [sḗnā -- , páti -- Pa. sēnāpati -- , °ika -- m. ʻgeneralʼ, Pk. sēṇāvaï -- m.; M. śeṇvaī°vīśeṇai m. ʻa class of Brahmansʼ, Ko. śeṇvi; Si. senevi ʻgeneralʼ (CDIAL 13589).
Kur. kaṇḍō a stool. Malt. kanḍo stool, seat. (DEDR 1179) Rebus: kaṇḍ = a furnace, altar (Santali.lex.)

kola 'woman' (Nahali). Rebus: kol ‘working in iron’; pañcaloha, alloy of five metals (Tamil).

 “The shaft is set on a 135 mm high pyramidal base. The thin metal plate is a square with curved sides set in a 21 mm wide frame. On the plate there is a figure of a goddess sitting on a chair and facing forward. The goddess has a long face, long hair and round eyes. Her left hand is extended as if to take a gift…a square garden divided into ten squares. In the center of each square there is a small circle. Beside this garden there is a row of two date palm trees…Under this scene the figure of a bull flanked by two lions is shown…The sun appears between the heads of the goddess and, one of the women and it is surrounded by a row of chain decorative motives.” (p.271, p.649). The inscriptional evidence discovered at this site which is on the crossroads of ancient bronze age civilizations attests to the possibility of Meluhha settlements in Shahdad, Tepe Yahya and other Elam/Susa region sites. The evolution of bronze age necessitated a writing system -- the answer was provided by Indus writing using hieroglyphs and rebus method of rendering Meluhha (mleccha) words of Indian sprachbund.

Shown are the glyphs of 1. zebu and 2. tigers which are also glyphs on Indus writing which I decode as related respectively to 1. blacksmithy on unsmelted metal (Adar Dhangar, zebu) 2. working with alloys (kol, tiger) !!! The tree is a smelter furnace (kuTi). The endless-knot motif is iron (meD, knot, iron).

The accounting system had advanced beyond bullae-tokens to a writing system to prepare stone-, metal-ware catalogs on thousands of inscriptions using mleccha language for Indus writing.

This is the Indian example. This is cited by Richard Meadow of the HARP (Harvard) Project which found it in Harappa. Meadow calls it the earliest writing system of the world. 

This is the comparable image on Indus writing with five petals. This is dated to ca. 3500 BCE according to the HARP Harvard report.

This is a frequently ocurring glyph.

Tabernae montana is called tagaraka in Sanskrit. Rebus reading (of a similar sounding word) is tagaram which means 'tin' (Tamil). Tin is a mineral alloyed with copper to create bronze alloy. Earlier bronzes were naturally occurring arsenic bronzes, that is, copper and arsenic ore together. The addition of tin to copper to create bronze meant a revolution in metallurgy and there was intense demand for 'tin' mineral in the entire civilization region of Metopotamia, Sumer, Elam and the Persian Gulf.

Connections between glyphs and intended meanings are provided by the rebus method. If two similar sounding words have different meanings -- one, pictorial meaning and the other metallurgical meaning -- and if this happens consistently for hundreds of word-pairs, the application of the rebus method for writing is a reasonable deduction. Similar was the method used on Narmer palette in Egypt. N'r meant 'cuttle fish'; M'r meant 'awl'. Together, they gave the Emperor's name and so, N'r + M'r pictorials are shown in front of this person.

Irrespective of the dates assigned to Rigveda and other Veda texts, the fact that the words get used over an extended period of time can be extrapolated to the bronze age, even upto 5th millennium BCE in some cases. One word, aya, is an instance in point. It means 'metal (alloy)', different languages including Pre-Indo-Iranian assigned the meanings of 'copper, bronze' to this word. A word with similar sound is aya 'fish' in Munda languages.

This is a glyph showing five petals. Characteristic of tabernae montana tulip flower which is a fragrant flower used as hair-dressing is that it has five petals. So, the word tagaraka has two meanings: 'hair fragrance'; 'tabernae montana tulip' (Sanskrit). This glyph is what is reflected on Shahdad cylinder seal. 
My evidence is the glossary of words of Indian sprachbund (linguistic union) where the words are commonly used across the set of families of languages (Indo-Aryan, Indo-Iranian, Dravidian, Munda). I have compiled an Indian Lexicon with about 8000 semantic clusters to prove the sprachbund. In my Indus Writing in Ancient Near East I have provided hundreds of examples of such semantic clusters in the context of bronze age metallurgy.

Inter-Iranian trade community from Harappa settled on the crossroads at Shahdad?

Plate 1. The upper section of the Shahdad Standard, grave No. 114, Object No. 1049 (p.24)


Plates 5 & 6. Chlorite incised vessel Grave No. 001.
Object No. 0004 (p.26)
Figure 45. Proto-Elamite pictograms (“From a total of 606 different types of signs found on red ware of Shahdad, 331 are incised and 275 of them are impressed. The star is one of the most common signs, and it has been found in both incised and impressed signs. In the Sumerian and Elamite pictograms a star is an accepted figure representing gods.” p.67)

FIgure 44. Impressed pictograms on Plain Red Ware pottery (p. 66).

 Figure 50: Metal foundry kiln, Site D (p.87)




 Drawings of two cylinder seal impressions. (p.661)
 (p.577)

( Vorgelegt von David Mathias Philip Meier aus Mannheim,, 2008, Die metallnadeeln von Shahdad – eine funktionstypologische untersuchung, pp.82-199 present 121 tafels – plates -- of sets of metal pins and objects discovered at Shahdad.)







Copper plate in the Metropolitan Museum of Art
Copper lid or plate from Tepe-Hissar, Univ. Museum of Pennsylvania (After Schmidt 193, fig. 120).
Copper plate in Louvre Museum (After Amiet 1976b:no. 21)
Copper/bronze dish from Shahdad, Iran Bastan Museum.
Copper/bronze dish from Shahdad. Iran Bastan Museum.
Copper/bronze dish from Shahdad. Iran Bastan Museum.
Rounded shape copper/bronze dish from Shahdad. Iran Bastan Museum.

(p.577)


Tepe Yahya and Sibri artefacts:

The finds of Shahdad; three plates are taken from the 1972 Catalogue: Note the pictographic writing on red ceramics (Plates XXIIB and XXIIC). These includes possible bullae with ‘tokens’ representing some articles being counted.

Plate XXIIIB includes picture of two footprints. This glyph occurs on Indus writing.


Disk seal (glyptic catalogue no. 58; 15 mm in dia. X 8 mm) Excavations at Tepe Yahya, 3rd millennium, p. 154 Double-sided steatite stamp seal with opposing foot prints and six-legged creature on opposite sides. Tepe Yahya. Seal impressions of two sides of a seal. Six-legged lizard and opposing footprints shown on opposing sides of a double-sided steatite stamp seal perforated along the lateral axis. 

Lamberg- Karlovsky 1971: fig. 2C Shahr-i-Soktha Stamp seal shaped like a foot. 
Shahdad seal (Grave 78). It is significant that a footprint is used as a seal at Shahdad. The glyph is read rebus as rebus word for 'iron':

Rebus readings:

Glyph: meṭṭu  ‘foot’. Rebus: me  ‘iron’ (Ho.Mu.) dula ‘pair’ (Kashmiri); dul ‘cast (metal)(Santali). Six legs of a lizard is an enumeration of six ‘portable furnaces’ ; rebus: kakra. ‘lizard’; kan:gra ‘portable furnace’. bhaṭa ‘six’ (G.) rebus: baṭa = kiln (Santali); baṭa = a kind of iron (G.) bhaṭṭhī f. ‘kiln, distillery’, awāṇ. bhaṭh; P. bhaṭṭh m., °ṭhī f. ‘furnace’, bhaṭṭhā m. ‘kiln’; S. bhaṭṭhī keṇī ‘distil (spirits)’. Read rebus as : dul (pair) meḍ ‘cast iron’; kan:gra bhaṭa ‘portable furnace’.

Tepe Yahya. Two sides of Tepe Yahya (‘weight’?) fragment apparently reused as door socket during IVB times. One side depicts palms, and the other has a representation of a humped bull with a scorpion set above its back.

Glyph: ‘foot, hoof’: Glyph: ‘hoof’: Ku. khuṭo ʻ leg, foot ʼ, °ṭī ʻ goat's leg ʼ; N. khuṭo ʻ leg, foot ʼ(CDIAL 3894). S. khuṛī f. ʻ heel ʼ; WPah. paṅ. khūṛ ʻ foot ʼ. khura m. ʻ hoof ʼ KātyŚr̥. 2. *khuḍa -- 1 (khuḍaka -- , khula° ʻ ankle -- bone ʼ Suśr.). [← Drav. T. Burrow BSOAS xii 376: it belongs to the word -- group ʻ heel <-> ankle -- knee -- wrist ʼ, see *kuṭṭha -- ](CDIAL 3906). Ta. kuracu, kuraccai horse's hoof. Ka. gorasu, gorase, gorise, gorusu hoof.  Te. gorija, gorise, (B. also) gorije, korije id. / Cf. Skt.khura- id. (DEDR 1770). Allograph: (Kathiawar) khũṭ m. ʻ Brahmani or zebu bull ʼ (G.) Rebus: khũṭ  ‘community, guild’ (Santali)
Alternative reading: meṭ sole of foot, footstep, footprint (Ko.); meṭṭu step, stair, treading, slipper (Te.)(DEDR 1557). Rebus: मेढ ‘merchant’s helper’ (Pkt.); me  ‘iron (Munda).

Sibri:

Source: Jarrige, Catherine, Jean-François Jarrige, Richard H. Meadow, and Gonzague Quivron, editors (1995/1996) Mehrgarh: Field Reports 1974-1985 - From Neolithic Times to the Indus Civilization. The Reports of Eleven Seasons of Excavations in Kachi District, Balochistan, by the French Archaeological Mission to Pakistan. Sindh, Pakistan: The Department of Culture and Tourism, Government of Sindh, Pakistan, in Collaboration with the French Ministry of Foreign Affairs.

The text on pg. 326 says:

6.6. Terracotta
Pawns, small wheels, spindle whorls, rattles (fig. 7.32C), sling-balls, and two crucibles, all in terracotta, were collected, together with a large number of discs formed from potsherds. One of the rattles with circular impressions on its surface is very similar to a specimen from a deposit of Period VIII at Mehrgarh, and another one, so far exceptional, bears incised signs and dots that could represent numbers (fig. 7.31C, 7.32C).

6.7. Seals
The seals are of two types. The most common type is the compartmented seal in bronze or in stone. Three specimens have a triangular shape while a terracotta cake bears several imprints of a square-shaped seal with a cruciform motif (fig. 7.31A). The second type is represented by a single piece, a black steatite cylinder seal with knob (fig. 7.31D). It was engraved with the representation of a zebu facing a lion and, on the base, a scorpion. This cylinder seal was found associated with two beads in black steatite and must have been part of a necklace as indicated by its suspension hole. This seal is very similar to a few cylinder seals found in Margiana, in particular at the site of Taip, where such objects are considered to reveal
Mesopotamian influence. One seal from Taip bears the representation of a zebu.

6.8. Copper/Bronze
In the same square (2K) where the cylinder seal was found, a bronze shaft-holed axe-adze of a type also often found in the Murghabo-Bactrian area was discovered (fig. 7.32B). A famous example of such an axe-adze comes from Mohenjo-daro. Other objects in bronze or copper include a few pins.

6.9. Figurines
Terracotta figurines, all made of sherd-tempered ware, were found in large numbers (fig. 7.32B). The main type is a "violin-shaped" female figurine. Eyes and breasts are "applique" as is the coiffure in some cases. Some of the figurines also bear necklaces or ornaments represented by small incised holes. Most of the time, however, only indications of sex are represented including applique breasts and small incised points marking the pubic area and the armpits. This violin-shaped type of figurine is quite original although it does have parallel among a few specimens from sites in the lower Murghab Delta and from later contexts at Pirak and in India (Navdatoli).

A second type of figurine is represented by a seated callipyge individual while a third type is a standing, flat figurine with small applique breasts. In contrast to the large number of human figurines, very few animal figurines (three humped bulls and some others more difficult to identify) were found.

In Jarrige, Jean-François (1994) The final phase of the Indus occupation a Nausharo and its connection with the following cultural complex of Mehrgarh VIII. In: Asko Parpola and Petteri Koskikallio, eds., South Asian Archaeology 1993, Volume 1, pp. 295-313. Hesinki: Suomalainen Tiedeakatemia, Jarrige discusses relations between Central Asia, Balochistan, and the Indus Valley.




Scanned pages: pp. 360-361 (Sibri1996.pdf)


Rebus reading of + glyph with dots on four corners of the + glyph, on the bulla shown on 7.31a. The + glyph may denote a fire-altar (of temple). kaṇḍ ‘furnace, fire-altar’ (Santali) khondu id. (Kashmiri) kŏnḍ क्वंड् ‘a hole dug in the ground for receiving consecrated fire’ (Kashmiri) kunḍa ‘consecrated fire-pit’. ayaskāṇḍa is explained in Panini as ‘excellent quantity of iron’ or ‘tools, pots and pans and metal-ware’. [It is possible that there were allographs to depict the word: kāṇḍa. The allographs are: arrow-glyph; large dot; notch as a short numeral stroke (for example, ligatured on a fish-glyph or a 'rim-of-jar' glyph; dotted circle.]
Sibri cylinder seal with Indus writing hieroglyphs: notches, zebu, tiger, scorpion?. Each dot on the corner of the + glyph and the short numeral strokes on a cylinder seal of Sibri, may denote a notch: खांडा [ khāṇḍā ] m  A jag, notch, or indentation (as upon the edge of a tool or weapon). (Marathi) Rebus:khāṇḍā ‘tools, pots and pans, metal-ware’.
The + glyph of Sibri evidence is comparable to the large-sized 'dot', dotted circles and + glyph shown on this Mohenjo-daro seal m0352 with dotted circles repeated on 5 sides A to F. 
Rebus readings of m0352 glyphs:

1. Round dot like a blob -- . Glyph: raised large-sized dot -- (gōṭī ‘round pebble);
2. Dotted circle khaṇḍa ‘A piece, bit, fragment, portion’; kandi ‘bead’;
3. A + shaped structure where the glyphs  1 and 2 are infixed.  The + shaped structure is kaṇḍ  ‘a fire-altar’ (which is associated with glyphs 1 and 2)..
Rebus readings are: 1. khoṭ m. ʻalloyʼ; 2. khaṇḍā ‘tools, pots and pans and metal-ware’; 3. kaṇḍ ‘furnace, fire-altar, consecrated fire’.

Four ‘round spot’; glyphs around the ‘dotted circle’ in the center of the composition: gōṭī  ‘round pebble; Rebus 1:L. khoṭf ʻalloy, impurityʼ, °ṭā ʻalloyedʼ, awāṇ. khoṭā  ʻforgedʼ; P. khoṭ m. ʻbase, alloyʼ  M.khoṭā  ʻalloyedʼ (CDIAL 3931)Rebus 2: kōṭhī ] f (कोष्ट S) A granary, garner, storehouse, warehouse, treasury, factory, bank. khoṭā  ʻalloyedʼ metal is produced from kaṇḍ ‘furnace, fire-altar’ yielding khaṇḍā ‘tools, pots and pans and metal-ware’. This word khaṇḍā is denoted by the dotted circles.

Rebus readings of zebu and ‘tiger’? on the cylinder seal shown on 7.31d: khũṭ m. ʻ Brahmani or zebu bull ʼ (G.) Rebus:khũṭ  ‘community, guild’ (Santali) kola ‘tiger’ Rebus: kol ‘working in iron’; pañcaloha, alloy of five metals (Tamil).

aṭar ‘a splinter’ (Ma.) aṭaruka ‘to burst, crack, sli off,fly open; aṭarcca ’ splitting, a crack’; aṭarttuka ‘to split, tear off, open (an oyster) (Ma.); aḍaruni ‘to crack’ (Tu.) (DEDR 66) Rebus: aduru ‘native, unsmelted metal’ (Kannada) adurugaiyinda tegadu karagade iruva aduru’, that is, ore taken from the mine and not subjected to melting in a furnace (Kannada)

The numerical strokes on the seal may denote the number of ‘ingots?’ of iron made for the guild by the artisan who owned the cylinder seal. It may also denote that he was a worker in ‘iron’ for the smithy guild. An allograph to denote a guild is: footprint shown on some seals discussed in previous section.

Other glyphs used at Shahdad as evidenced by the drawings and artefacts unearthed by Ali Hakemi:

aya 'fish' (Munda) Rebus: aya 'metal (alloy)' (Sanskrit) (cf. Motif shown on copper/bronze plates).

On Shahdad standard there is an endless knot motif like a chain. This motif also appears on Indus writing.

If the date palm denotes tamar (Hebrew language), ‘palm tree, date palm’ the rebus reading would be: tam(b)ra, ‘copper’ (Pkt.)

But in one Indian language -- Kannada --, tamara means: tagarm tin (Ko.); tagara, tamara, tavara id. (Kannada.) 

The endless knot motif on Indus writing is as shown on the copper plate of Mohenjo-daro. This is a lot different from the continuous endless chain shown on Shahdad standard.

Another comparable motif on Indus writing is a 'chain' like a beaded chain as shown on some seals.

If there is a word to describe the Shahdad glyph of endless knot motif, there are two possibilities: meDhA 'tangle in cord' rebus: meD 'iron'. 

S. Kalyanaraman

Sarasvati Research Center August 13, 2015

Mysterious Ancient Metal Found In Ancient Shipwreck. Link To Atlantis?

Stalling India -- Ravinar

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WEDNESDAY, AUGUST 12, 2015


Stalling India

Ravinar

On the night of August 10 Barkha Dutt was vociferously asking BJP member OP Sharma why he had called Alka Lamba a “drug addict”. The man replied that the behaviour of Lamba at his sweet shop made him believe she was “under influence” of some drug or alcohol. It’s a hyperbolic answer but what is interesting is that the questions were being directed at Sharma instead of to the one who committed the crime. Alka Lamba, for whatever her problems in life, had no business barging into a shop and damaging cash registers and other items. This Goondagiri first started in the media as an attack on her (with which she later played victim with frivolous fake bandages) till the CCTV exposed both Lamba and the media. Just imagine what would have happened if the CCTV footage wasn’t available:

The woman claims she was hit by a stone on her head. Though no major injuries were visible in the pics circulated on Twitter she bandaged herself and refused to undergo a medical test offered by the Delhi Police. And she also claimed her vandalism was reaction to her injury. Seriously, if one gets injured he or she would attack property inside a shop? One would have thought Arvind Kejriwal & Co. would be more sober after getting a huge majority in the Delhi assembly. On the contrary, their MLAs seem to indulge in more lawlessness than ever before. Here’s what MJ Akbar wrote sometime back and Iquoted him earlier too:

AK is less interested in delivering on promises (500 schools, colleges, more hospitals, power, water etc.) and is now talking mundane crap like getting a Film City in Delhi. The AAP hunger for more and more power to be concentrated in their hands is never-ending. The greed is insatiable. Confrontation with LG, PM and others seem to be the order of their lives. At another corner, former member of AAP, Yogendra Yadav, was on his own trip of street agitations with tractors. One doesn’t really know what his problem in life is either – other than being out of news for long.

The media also went on another trip of kicking and screaming over the hanging of Yakub Memon as if India had hanged a freedom fighter or hero. The I&B ministry has sent notices to a few channels on their coverage of the event. Although this may not amount to much it is clear that a new regulatory body is a must. Self-regulation by media is as much nonsense as Tihar prisoners wanting to have their own set of wardens from among the inmates. Rahul Kanwal of India Today even relays message on behalf of the terrorist to assemble at his funeral, with the time, while agencies are keeping a watch. If this is not inciting some kind of untoward incident or violence, what is it? This, and others, claim GOI is imposing another Emergency on media. This cannot pass under any journalistic license. I don't see why inciters like Rahul Kanwal shouldn't be arrested:

The idea is to create a climate of chaos in the country – to make the world believe that India has gone into deep disrepair under a new dispensation when the facts indicate otherwise. That was AAP which is now in power in Delhi; imagine when they’re out of power. In another corner of Delhi, the two ChineseGandhis are doing more than all these put together to ensure India doesn’t move forward, India doesn’t get reforms and are doing all they can to stall India through their rioting in the Parliament. They don’t have any genuine cause to disrupt parliament. Even as they claimSushma-Lalit Modi is an issue, it certainly doesn’t warrant such extended disruption of parliament. The only thing hanging in the balance for Congress is the bruised ego ofSoniaG and her duffer son RahulG. The major political and electoral losses the Congress has suffered in the last year or so has left this duo clueless on how to revive the party. Sample this nonsense from the little moron:

Pappu says SS must reveal her financial transactions with Lalit Modi. And the BJP or SS are supposed to answer such stupid, imaginary nonsense? If he has any information, it is for RG to table that and demand answers. There were many media reports on billions worth of assets of SoniaG. The Congress and its lawyers worked hard to have those articles deleted when there isn’t any such article published yet about SS or her financial deals with Lalit Modi. So these bogus excuses are used by Sonia and Rahul to stall the parliament. And the headless wonder even calls SS a “criminal” for no reason other than empty blabber. I have no hesitation in making this statement:

Sonia and Rahul want India to fail

They want India to fail because of their extreme contempt for Narendra Modi and their unbearable loss of power at the Centre and in many key states. Of course, the poor, the farmers and all are just there for them to exploit not to serve. They are behaving like monkeys whose bananas have been taken away. One can find many faults with the GOI but not one single issue claimed by the Congress is really worth holding up the parliament for. And the objective is simple – don’t allow any Bills to be passed. And I have stated this many times earlier SoniaG doesn’t want any Bills to be passed whatsoever. And her duffer son, who is mostly abroad, goes around and agitates with FTII students or some group while ignoring dying farmers in the Congress state of Karnataka. Beyond street-theatre these two have nothing to offer to our parliament or to our country. They offered nothing to our parliament even when Congress was in power. Here is a summary of some major Bills held up in parliament, of a total of 64:

On August 10 Arun Jaitley slammed the Chair in Rajya Sabha on the latter’s inability to conduct the House properly. It is true that both Kurien and Ansari have not shown the slightest wish to discipline the house. The LS Speaker at least took the step of suspending 25 rioting members of Congress. I use the term rioting for these members because they weren’t at their seats shouting and protesting. They had carried placards like a street rally into the Well of the house. This is nothing short of rioting on a daily basis. They did so even when a Bhutanese delegation was in parliament to witness proceedings. And the BJP has an equal amount of blame to share because they have all along treated these ChineseGandhis with kid-gloves and ignored how vicious and vindictive they really are. It is time that the PM and his party realised that these folks are only interested in their favourite “poison” called power. Without power, they have shown what gutter-levels they can stoop to. If the BJP has made a start then they must continue exposing the misdeeds of these Gandhis every week.

Now then, the question that comes up in mind is why these Gandhis are into such belligerent, lumpen behaviour. I have no doubts whatsoever that some of the Congress MPs and other members of the party would be embarrassed by their churlish behaviour. I consider SoniaG the “Congotri” of corruption which has destroyed India. Many other actions of hers which were anti-majority have also caused social ruptures in a decade. In rioting the way these two Gandhis do like spoilt kids what do they lose? NOTHING!They lose nothing but they are making sure India loses a lot.

Since the LS2014 verdict there isn’t much by the way of electoral victories to show for the Congress. And what is in store in the near future for Congress? The upcoming elections in Bihar this year, Bengal next year and even UP in 2017 have absolutely a SIBAL in store for Congress. They have no stakes in these states and they know it well. Last time in Bihar they got a high of 4 seats. So even as these Gandhis know public opinion is turning against them for destroying the parliament they know they have nothing to lose and absolutely nothing to win. That drives their motivation to agitate and disrupt and ensure no bills are passed in parliament. They probably hope the public will forget all this in 2-3 years. I estimate this nonsense will not last forever. Already the SP and some other parties have seen through the fraudulent disruptions and backed away from the Congress. As public anger grows it will be the Gandhis who will pay the most. Of course, they have no stake in India’s progress as their behaviour has shown. The only objective with which they work now is stalling India. That devious motive is destined to bring more failures to them.
  

40 comments:

  1. We have Gandhi Bhawan in Indore which is Indore Congress (Karyalay) Office and we have a local goon Devendrasingh Yadav which is chhota moron like RahulG. On every drop of a hat he & his team ready for any dharna, effigy burning, and temper rising person. I've seen Congress in this way from my childhood - 40 years now and they have systematically downgraded themselves thus. We cannot hope such people to represent even good opposition. To add fuel to such dirty fire - their pet 60 year promoted media help them. Earlier Dainik Bhaskar from Indore beated Naiduniya writing against Congress. But with money and power coming from Congress later it is this Bhaskar which now favours Congress tooth & nail. And yeah these media are also against cracker, water-ful holi and all Indian traditional festivals but cannot spell a single word against Muharram or Bakrid or like. Shame on them...
    We need many more Ravi's in every City I would say...

    Reply
  2. Congress needs a mass beating by mass on roads by public openly.People have to take law into their hands and beat congressman by lathi.that will give them lesson.without public reaction outcry they will never learn lesson,change attitude.
    Reply

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    1. Yeah actually. Even if they are close acquaintances of ours as these congis are die hard without any reason continue supporting malicious SoGa & RaGa combine. I salute Ravinar to even question BJP or even NaMo when they look nonsensical unlike moron so-called-bhakts.
    2. The day is not very far when the ppl would lynch these CONgis alive!! They don't realise that patience is running out.
    3. All right thinking people will join such a move. Unless pappu rawfullbrandy returns to his holiday camp in Pattaya/Bangok/ /Hongkong and stay in such joints permanently forever his mummy will continue to distrupt and disturb INDIA.
  3. Request readers of mediacrooks to sign this petition for Parliament to function. It's already signed by 14k people including eminent personalities https://www.change.org/p/members-of-parliament-political-parties-parliament-to-function-urge-all-political-parties-to-have-a-collaborative-and-consultative-process-in-the-parliament?recruiter=45241484&utm_source=share_petition&utm_medium=copylink
    Reply

    Replies


    1. Have registered my signature towards this campaign..
  4. Couldn't agree more but the price will be paid by the citizens of this country as well as by BJP if they don't get their floor management right ... Clearly RS is hostile given ansari & kurien ... CONgoons themselves ... So why not a joint session, why not some other pressure to attack the Chinese Gandhis?


    I find BJP tolerance for this antinational duo and the overall maino clan ... Really mystifying



    It's not always adequate to determine who's to blame ... It's often more important to make things work despite



    In the end voters won't won't against goondaism of opposition ...THEY WILL VOTE WORK OF THE GOVERNMENT ... Jaitleys whining is useless and I sometimes feel that he too has very little stake in the forward movement of the Indian economy ... What's the worst that happens to him?
    If in 2019, if BJP gets less than absolute majority or needs allies ... He may actually fancy that more?



    Or have I watched too many spy vs spy movies!

    Reply
  5. The drama played by Alka Lamba was best described by Zee News. Since Punjab election are coming so AAP party did this drama for raising the most important issue faced by the Punjab. Punjab is facing drug issue for the long, but Akali's have done noting to address it. AAP wanted to spread the message of them working on youth facing drug addiction so they did this cheap publicity. Even when see the interview given by Alka Lamba then you will clearly see her repeatedly saying I am working against drug addiction.
    Reply
  6. Ha ha, you put it so eloquently, it was hero / freedom fighter of the reched media who was going to be hanged! Congress strategy now is हम तो डूबे हैं सनम, तुमको भी ले डूबेंगे । also their agenda of destruction & balkanisation of India remained unfinished. Madam's bosses must be giving her hard time to have lost the plot. What rest of the world doesn't realise is that they are banking on corrupt, dishonest to tame India. It's for this reason they'll never ever succeed
    Reply
  7. Jussssst waiting for parliament session to get over....For the first time I have worked hard in my life....


    Then I will go for my vacation to London Rome Venice (dont ask me how i manage the finances....I hv never worked in my life and have no legitimate sources of income except my loksabha salary)



    ......Once I come back then I will lecture Indians on Farmers, Poverty, FTII, Net Neutrality etc etc......Its fun in London and Rome.....

    Reply
  8. Master piece as always.Its high time that italian mother-son duo should be kicked out from India. Just to take revenge from Modi they r hurting indian ecenomy
    Reply
  9. 1.The way many women journos behave along with woen panelists, especially on unsubstantiated crimes against women, and the presence of some stupid 'victims', I am convinced the chanels are for the bitches, by the bitches for the bitches.
    2.There are very naive journos like Rahul kanwal and ignoramus journos posing to be intelligent like Arnab Goswami, Rajdeep Slurdesai. All of them have one common hidden agendum-Improve their personal self- for which they get remuneration according to their market value.Country's welfare is not on their priority list
    3.PM Narendrabhai under probably bad advice has given unduly long rope to the anarchists-media,Congress headed by SG,RG and of course the AAPtards headed by Sri420.
    4.We the people of India are not bothered who is punished or who isn't, but we do care for the welfare of the nation and we look forward to pursuing our own chosen profession instead of endlessly discussng politics,and every topic as if we are masters in all like the way media anchors think they are.
    5.Judiciary doesn't seemingly deliver justice. They think they have a point to prove to the rest of the world and not Indian nationals. Endless adjournments,appeals,delays in filing charge-sheets,minorities given undue advantage etc. etc.
    6.PM and judiciary should bear in mind that Indian Hindus in Bharat constitute 13% of world population and they have their own aspirations. They feel choked/suffocated/suppressed. Nation's welfare depends on their welfare whether Narendrabhai accepts or not

    Reply
  10. I learn that if a bill is not passed in RS it is again sent to to RS with or with out amendments and if it is still not passed by RS then the bill is deemed to have been passed there.also. Such being the case i do not see any obstacle for the BJP enjoying majority in LS in getting bills passed .Will some knowledgeable clarify ?
    Reply

    Replies


    1. What u say is for money bills.money bills are deemed passed if RD didn't pass it in 14 days.Ordinary bills can be passed using jt.session.But,GST is constitutional amendment bill.So,even jt.session not allowed.Only way is to pass it separately in 2 houses with 2/3 majority and ratified by half the states with simple majority
  11. Ajit Joval recently said ""India has a mentality to punch below its weight. We should not punch below our weight or above our weight, but improve our weight and punch proportionately." He should have said this to his Boss Narendra Modi first. 
    Joval's words are not just applicable to India's external enemies, it applies to enemies of the country sitting in parliament as well.

    Reply
  12. From whats happening in this country, Narendra Modi/BJP government is not only not punching the bag at all , they seem to be handling the corrupt Chinease Gandhis with kids gloves.
    Reply
  13. The culprit in this entire charade is the Corrupt Media houses. They are the mic/amplifiers to which these morons play into.
    Reply

    Replies


    1. Media Houses are just the symptom of the disease. The Root cause is the Corrupt/Anti-National/Fake Gandhi Family.
    2. The Fake Gandhis and their chamchas in the Media think that Modi some how won one election. And they are dreaming of coming back in 2019. This dream is what makes the Media houses still go against NaMo.
  14. Dear Ravi, It's imperative that intellectuals like you, Sandeep Bala & Antanu Dey keep up your relentless exposes` of the Crooked Gandhis,' as we do not want a repeat of 2004, when the nation was bamboozled into bringing the Congress Crooks back to power. Pl redouble your efforts in writing at least 2 blogs a week. The crooks & their shenanigans are all out there, BUT we need a Ravi to expose them on a regular basis. 
    Reply
  15. Here are a few random thoughts:
    1. Vice President Hamid Ansari needs to be severely censured for insulting the intelligence of the visiting Bhutanese MPs, when he advised them that the Bhutanese MPs should learn from Indian parliamentary "system".


    2. Sonia Gandhi has shown how the nation will suffer when its opposition leader has no stakes in the very existence the nation. Her duffer son is the perfect foil to her own destructive self. Modi, during his election speeches, frequently spoke about Maa-Beta sarkar and the retardation in the country's economic growth.. Now he should expose how, even in opposition this Maa-Beta team is continuing the destruction of the economy and the nation's progress. 



    3. The people are at a loss to know why Modi sarkar is not exposing any of the thousands of the scams and the huge personal enrichment this fake Gandhi family engaged in during their 10 year misrule.



    4. Dear Shri Arun Jaitley ji, please get the GST act out of the way and then get cracking on the long delayed exposure of the Maa-Beta scams.

    Reply
  16. The new found aggression shown by Gandhi's on streets is childish,fake & suicidal which ordinary citizens with no political party affiliation like me can see thru their designs which may prove fetal for congress & progress/development of our country. Governments of the day in center & all states need to tame this fraudulent & corrupt people. Ravi , continue the good & brave job.
    Reply
  17. Accepted that media houses are crooked and raga soga are out to destroy nation and aaptards who are playing puppets in the hands of commies and foreign influenced NGO's want to come to power by creating mass hysteria and breakdown of govt machinery, but what is Modi and bjp doing to counter them. It is their duty and responsibility to overcome obstacles and jaitly and venkaaih Naidu cannot overcome these obstacles nor will rajnath or parikkar be able to do so. This will require cunningness boldness and street smartness . Modi or Amit shah both are preoccupied. They will have to look for some other leader
    Reply
  18. Accepted that media houses are crooked and raga soga are out to destroy nation and aaptards who are playing puppets in the hands of commies and foreign influenced NGO's want to come to power by creating mass hysteria and breakdown of govt machinery, but what is Modi and bjp doing to counter them. It is their duty and responsibility to overcome obstacles and jaitly and venkaaih Naidu cannot overcome these obstacles nor will rajnath or parikkar be able to do so. This will require cunningness boldness and street smartness . Modi or Amit shah both are preoccupied. They will have to look for some other leader
    Reply
  19. BJP should bring to fore all misdeeds of Sonia Gandhi and her family in the public. I don't know why BJP is feeling so shy or are they afraid of Italian mafia
    Reply
  20. (1) One is rapidly starting to wonder if BJP has *any* intention to solve the fake Gandhi problem. There is still hope that, rather than backtracking on the rhetoric and falling into the same hole of ignoring their crimes and hoping everyone forgets about them, Modi has engaged a strategy that sees prudence in spending the first few years of his term solidifying his developmental credentials into a firm foundation before finally fulfilling the promise of finishing the fake Gandhis for good;


    (2) Given the large number of idiots that voted for that fraud Kejriwal and his band of Kejru Coolies in Delhi despite being burned already, there is much less faith that the electorate has enough sense to ever vote for the long-term good of the country. Consequently there is always the concern that the fake Gandhis can resurrect their criminal hold over the nation. God forbid that crack-smoking whoremonger Rahul ever becomes Prime Minister. That would, by proxy, make his contemptible mother leader of the country once again, as she was during decrepit android MMS' tenure.

    Reply
  21. NDTV - Congress together in another scam. NDTVCommentsSection scam...lol.
    All of a sudden I see only anti-BJP comments under NDTV articles. And huge likes for such comments. This never happened until a month back. Lesson learnt from AAP?

    Reply
  22. It would be nice if you could actually blow up the images when one clicks on them. They're still the same resolution and size so reading smaller text sometimes is hard. Thanks and keep up the good work
    Reply

    Replies


    1. Doesn't pressing Ctrl and moving scroll wheel at same time work to enlarge the images and font size,try it, i do it and it works
  23. The owner of NDTV, Prannoy roy and his wife Radhika roy are known to be pseudo-secular, anti-hindu congress crooks, so its expected of them to moderate comments and post mostly those comments in which hinduism or bjp has been severly criticized.


    Ndtv these days has started supporting AAP as well becoz they know that AAP was created by congress to keep anti-bjp votes intact.



    Soon, even the elitist snobs, which are the target audience of Ndtv will also understand the reality of this congress joker prannoy roy and his congress crony employees like barkha dutt and ravish kumar.

    Reply
  24. In all this confusion, hulabaloo and rigmarole. Bjp must not forget that the security situation is of prime importance as our dear main stream media(msm) like Indian express and NDTV behaved very irresponsibly and tried to provoke lot of people a few days back.
    Reply
  25. Just as Mulayam Sigh showed little guts, will Congress puddles ever develop enough courage to resist These two mother-son's nefarious intent or they would go down in the ditch like lemmings?
    Reply
  26. Good article Ravinar,
    If somebody could read my earlier posts, I had predicted exactly this.
    Primarily, the problem is with Congress plants in Rajya sabha. Both ansari the chairman and vicepresident and kurien are congress stooges and will not discipline the house and are rather gleefully let the house continue to be disrupted.
    This means simply congress can wish when the bill be passed or not.
    The Gang of four in BJP foolishly acquiesced to a rule which allows a bill to be discussed and passed only when house is in order, thus ensuring that opposition has veto on passing of bills not the power of the majority.


    Secondly, BJP failed to realize that this is going to happen, perhaps Jaitley has convinced Modi that Congress will fall in line or made to fall in line in RS over the time. This didn;t happen, so BJP wasted crucial 14 months in power, where they could have used 254 (2) (clause 2 of article 254) and helped state Govts to pass exactly the bills that centre wants to pass. By convincing modi about GST bill and its importance, jaitley merely wasted time. The centre could have used the above article to reform land, labour and property markets.
    Some of the bills could have been turned into money bills which does not need mandatory RS nod.
    Modi could have forgotten about GST, and went on reforming Land, Labour, Ease of doing business bills. Even if Legislature nod was needed, he could have used Joint session to pass them.
    3.Modi foolishly ( I say this after a long thought) behaved like a statesmen when its not required to do. His image as a tough guy with his supporters would have stayed if he remained strong. His image as a mass murderer will remain no matter what he does among the liberals and minorities of this country, and would only waste time appeasing them.
    This will haunt modi till the next elections.
    As for Sonia and Rahul, even they do not have any belief they would return, their greatest hope is hung parliament which augments their power many fold due to the support of media and liberal intellectuals.

    Reply

    Replies


    1. To just add to my point, In half-baked democracies (after understanding thoroughly) like India, there is no point behaving like statesmen and those who do will lose the elections (like Vajpayee), you have to be like fox scavenging for power whereever possible, use blackmail, use CBI, use media power and get in line recalcitrant like mulayam and other political brokers. Only then you can pass bill. 
      Strangly a foreigner like Sonia Gandhi understood this better than our very own Indian Modi. You expect decently with mulayam and mamata and expect them to support is like being good to a fox to become vegetarian, it will kill you at the first opportunity. The GOI made the same mistake with media too (Support for AAP by media is indicative of this).

    2. What has caused an upset for Congress and its satellites, including some within the BJP, is the victory of Modi, an incorruptible man rooted in the unfashionable RSS notion of selfless desh seva. The system had managed to tame every opponent with the loaves of power. The decades old cosy nexus of BJP and Congress politicians stratched each others' backs while playing to their galleries and fooling them. In 60 years, the Congress had built a powerful system of patronage encompassing the bureaucracy, business, political class and media. Vajpayee, Advani, Jaitley, Sushma etc could and would not disturb the arrangement. Swamy has said Sonia holds a lot of dirt about BJP people including Vajpayee. Hence Q was allowed to go scot free. Today Sushma and Jaitley have dared to challenge Sonia. Will Sonia cool down or like a wounded tigress lash out with ferocity? Her sacred husband has been accused. Hell hath no fury like a woman scorned. I suspect some BJP walas may be in for a bout of turbulence. Curious to see if the presstitutes now go after their darling Jaitley too. Mama mia!
    3. Couldn't have said it better. Birds of a feather; you scratch my back , I scratch yours; the elite club; the political class; applies to both congress and BJP, which is being scrutinised by SM. No place to hide and definitely some of the long timers will get caught in the crossfire and the country is held hostage. You are damned if you vote, you are damned if you don't. Economy, growth, infrastructure development, manufacturing sector held hostage.
  27. After Sushma Swaraj and Arun Jailtey speeches yesterday, hope the BJP keeps up the pressure. Maa-Beta should not be allowed any escape
    Reply
  28. BJP's game plan is not upto the mark.They need to work extra time, put extra effort, and divide half of their team to counter CONgress and another half to work on development.The first five years of their governance is going to be hard for them.I think once five years are successfully completed then there would be greater freedom for them to work freely.People should not judge the government based on the first five years.The first five years are going to be like league matches.
    Reply
http://www.mediacrooks.com/2015/08/stalling-india.html#.VcyjS9Sqqko

Iravatham Mahadevan claims to have Dravidian proof of Indus Script. If faith can move research into Dravida migrants of India, why study scripts? Read on and IER, deliver the $10K prize.

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A key excerpt from Suganthy Krishnamachari's article:

"But how did the Indus civilisation come to influence the Rg Veda and Southern Dravidian languages? When the Aryan migrants came into India, the Indus civilisation was already in decline, and so the Aryans were able to gain the upper hand. Those who were unwilling to be absorbed into the new culture moved out." 

http://www.thehindu.com/features/friday-review/history-and-culture/dravidian-proof-of-the-indus-script/article7534880.ece

This article by Suganthy Krishnamachari (13 August 2015) is based on Mahadevan’s research paper titled ‘Dravidian proof of the Indus script via the Rg Veda- A Case study’

The full paper is here:

http://203.124.120.60/wordpress/wp-content/uploads/2014/Bulletin4%20IRC-RMRL.pdf

Here is a prize offer announced on IER group:

"There isn't any suggestion whatsoever of genuine texts, besides the forged ones that have shown up since our paper was published and we offered a $10,000 prize (still open) to anyone who finds one. It will never be claimed for the simple reason that there is zero chance that Indus symbols were part of a writing system."

https://groups.yahoo.com/neo/groups/Indo-Eurasian_research/conversations/topics/17025

Since Iravatham Mahadevan (IM) has provided the Dravidian proof of Indus Script, the prize (still open) should be delivered forthwith and awarded to IM.

If faith can move research, why study scripts?

S. Kalyanaraman
Sarasvati Research Center
August 13, 2015

Copper bars of Haryana, 2nd millennium BCE compare with the orichalcum bars found in Gela shipwreck

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Mirror: http://tinyurl.com/p5nwea4

See: http://bharatkalyan97.blogspot.in/2015/08/ingots-of-arakuta-orichalcum-brass.html Ingots of ārakūṭa, orichalcum, brass alloy found in Jan. 2015 in a 7th cent. BCE shipwreck in Gela, Sicily

Is it possible the same technique used for 'copper bars' was used for creating 'brass bars' found in Gela shipwreck?

Kalyanaraman

Photo of Haryana copper hoard finds (ca. 2nd millennium BCE)
Fig. 4 Metal hoard implements from Haryana, including harpoons, so-called bars, and flat axes. Chemical analyses prove these implements are made of copper, not bronze. Recent discoveries at sites in the doab are shedding light on the people who made these objects and aspects of their culture.

Photographs of 'orichalcum bars' found in Gela shipwreck
The metal found on the sea floor off Sicily (above) was found to be an alloy of copper, zinc, lead, nickle and iron
39 ingots of mythical orichalcum found on shipwreck off the coast of Sicily39 ingots of mythical orichalcum found on shipwreck off the coast of Sicily




The Copper Hoards of Northern India

By: Paul Yule Expedition 



  • Volume 39




  • Issue 1




  • March 1997, pp. 22-32 Full paper: 





  • http://www.penn.museum/documents/publications/expedition/PDFs/39-1/Yule.pdf

  • Fig1. Previously sqampland, the Ganges-Yamuna Doah has been drained and is today used agriculturally. It is likely that settlement sites of the Copper Hoard people lie buried beneath the alluvium.


    Fig1. Previously sqampland, the Ganges-Yamuna Doah has been drained and is today used agriculturally. It is likely that settlement sites of the Copper Hoard people lie buried beneath the alluvium.
    Fig2. Map of India showing major cities, states, and sites referred to in text (Map prepared by J. Edens, after author's original)


    Fig2. Map of India showing major cities, states, and sites referred to in text (Map prepared by J. Edens, after author’s original)
    Fig3. Many hoard atifacts are found ion farmers' fields and some end up in scrap metal markets. Swami Omanand Saraswati, of the Arya Samaj cult in Jhajjar, has collected metal artifacts over the years in Haryana. He considered the finds to belong to the Indo-Arayan founders of his religion.


    Fig3. Many hoard atifacts are found ion farmers’ fields and some end up in scrap metal markets. Swami Omanand Saraswati, of the Arya Samaj cult in Jhajjar, has collected metal artifacts over the years in Haryana. He considered the finds to belong to the Indo-Arayan founders of his religion.
    In 1870, while tending cattle, two young boys in the village of Ghangaria in central India noticed a long metal object poking out of the ground. Grubbing at the spot revealed many more such pieces, and soon word of the find reached local officials. The discovery of this hoard, with over five hundred copper and silver antiquities weighing some 368 kilograms, added a new and tantalizing chapter to the little-known prehistory of India. Within a few decades the probable great antiquity of these “cherubs,” so called because local inhabitants commonly thought they fell from heaven during thun­derstorms, was confirmed. Since then, some 129 large and small hoards consisting of harpoons, flat axes, ingots, lanceheads, and swords have been reported, part­ly in the Indian Ganges-Yamuna Doab, the land between these two rivers (Figs. 1 and 2). In recent years, large numbers have also come to light a few kilometers to the west and southwest of Delhi. Additional hoards consist­ing of other kinds of metal artifacts have been found in the fringes and the eastern part of the Chota Nagpur uplands and in the northern hills of Orissa, both of which gradually extend into the plains of West Bengal.
    Although these mysterious hoard objects show some general resemblance to more readily dated metal artifacts outside of India from the 2nd millennium ac, unfortunately, none of the 1500 hoard artifacts have come from archaeological excavations that could be dated unequivocally. Over the years more copper weapons and tools have come to light in peasants’ fields, often during agricultural work, or sometimes in local scrap metal markets (Fig. 3). A lack of information on the geomorphology of the findspots hinders a determi­nation of whether these so-called gangaghati were, as their name implies, anciently deposited in the banks of streams or occurred in regular association with other particular features of the landscape.

    2-day Parliament session for GST? NaMo, kaalaadhan restitution money bill. Money is needed for Vikas.

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    Govt mulls two-day Parliament session to get GST Bill passed



    Govt mulls two-day Parliament session to get GST Bill passed
    Parliament could be called even if the Congress does not alter its decision to disrupt proceedings as it did in the monsoon session.
    NEW DELHI: The government is sounding out political parties over scheduling a two-day session of Parliament in September ahead of the Bihar elections to pass the Goods and Services Tax Bill, seen to be a crucial piece of tax reform linked to the Modi government's effort to improve ease of business and boost revenues. 

    Indicating the thinking in government, finance minister Arun Jaitley told the media that the Cabinet committee on political affairs on Thursday chose not to prorogue Parliament, keeping the door open for both Houses to meet at short notice before the winter session begins in November. 

    The Cabinet panel discussed the options before the government and it was felt that a session could be convened if there was sufficient support from non-Congress parties in Rajya Sabha where the NDA does not have a majority and needs the backing of two-thirds of members present and voting as GST is a constitutional amendment. 

    Monsoon session ends: Recap of what happened 

    If the numbers total up, Parliament could be called even if the Congress does not alter its decision to disrupt proceedings as it did in the monsoon session. "If the Congress still opposes and disrupts, it can only be further isolated and exposed as obstructionist," goes the thinking in the BJP which has now launched a full-scale campaign to accuse Congress of hindering growth by obstructing GST and other legislations. 

    The strategy has its risks as NDA will need to ensure that almost all non-Congress parties support the GST bill and a final decision is still to be taken. 

    'Determined to roll out GST from April 2016' 

    Jaitley said early consideration of the GST Bill was necessary as the law needs to be ratified by 50% of state assemblies and further passage of three enabling legislations, one by the Centre and others by states. 

    In view of the procedures, including approvals by state assemblies, delay in Parliament passing the bill will almost certainly impact the proposed rollout of the tax reform by next year. "I would clearly say we are determined and it would be our endeavour to roll out GST from April 1, 2016," Jaitley said. 

    READ ALSO: Rajya Sabha worked for only 9% of allotted time 

    The government seems to be counting on support for GST from almost all major political parties including AIADMK, Samajwadi Party, Trinamool Congress and Biju Janata Dal and even the Left to push the law. "The Left parties supported the bill in Lok Sabha," Jaitley said. 

    Senior ministers have begun speaking to leaders from these and other parties seeking to know if they are amenable to the proposal to call a session of Parliament. 

    The problem for the government lies in Rajya Sabha, where Congress commands 68 MPs. Even though the government claims it can get numerical backing with the support of non-NDA parties, the GST bill is a constitutional amendment that requires order in the House at the time of voting. 

    READ ALSO: BJP blames Congress, Left for Parliament washout 

    It remains unclear whether Congress will reconsider its obstructionist tactics if a special session for the GST bill is to be convened, given the tense and bitter note on which the monsoon session has ended. 

    Jaitley responded to criticism that the government has not been able to reach out to the main opposition by stating that Rajya Sabha was the principal roadblock. "Lok Sabha did conduct some business and could have done some more. Those who argue we did not do enough do not see the numbers in Rajya Sabha," he said. 

    He refuted the charge of the government not doing enough to resolve the logjam by recalling that Congress had declared that it would not let the two Houses run until Sushma Swaraj resigned as foreign minister. 

    Even though Jaitley said Rajya Sabha numbers wenot static, Congress's adamant stance is clearly a hurdle for the Modi government. Congress protests have ensured the upper House has barely been able to function for more than a few minutes on most days of the monsoon session.

    http://timesofindia.indiatimes.com/india/Govt-mulls-two-day-Parliament-session-to-get-GST-Bill-passed/articleshow/48475504.cms?prtpage=1

    Kaalaadhan: Maran telephone exchange robbery: political vendetta? Just misuse? What wi-fi data went on 764 highspeed exchange, Maran?

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    Maran Fraud: Political Vendetta? Just Misuse?

    Published: 14th August 2015 04:20 AM
    Last Updated: 14th August 2015 04:20 AM
    CHENNAI: SC smells “political vendetta” against Maran, stays arrest, scream media headlines on the Dayanidhi Maran bail case. According to media reports, the court asked, when the FIR was registered in 2013 and the investigation was hanging for two years, “Why did you not arrest him for all this time.” Media also reported the court telling the CBI, “Your assessment of the loss is `1.2 crore. Maran is ready to pay that money to BSNL. We are not saying that there is no misuse of power. But it is not that kind of corruption which requires arrest.”
    Saying so, the court stayed Maran’s arrest till September 14 and asked the CBI to file an affidavit detailing the investigation so far. The media did not say much about what the Attorney General argued. The full facts of the case have been in the public domain through this newspaper for four years — but not where the Supreme Court is. The critical facts that ought to be told to the court are not too many.
    Maran, who was Telecom Minister from 2004 to 2007, smuggled out a telephone exchange with 341 high speed telephone lines from BSNL to his Chennai home in Gopalapuram. This was kept out of the system and held as secret. The rent for each of these lines for a normal client of BSNL is `10 lakh per year, which alone would work out to `136 crore for four years from 2004-05 to 2007-08 [the lines ran till June 2007]. Maran added another 323 high speed lines in his newly built mansion in the posh Boat Club area in January 2007 and they functioned till June 2007.
    For the years 2006-07 and 2007-08 the rent for the 323 lines would be an additional `65 cr. In sum, rent alone tops over `200 crore for 764 lines. The `1.2 crore Maran generously agreed to pay and which seemed to have impressed the court is just the cash-cost incurred by BSNL for laying cables to Maran’s home. Will the CBI tell the court that the loss is minimum `200 crore, not counting the immeasurable user charges. Will the CBI also tell the court that a bribe of `265 — yes just `265 in 1974 — entailed imprisonment of one-and-a-half years and fine of `50,000 in 2014 when the accused was 76 years old and the case 30 years old. [See Criminal Appeal No 404 of 2014 decided by the Supreme Court in February 2014] It is judgments like this that will deter one from corruption.
    Not accepting generous offers to pay the bribes back. It is not known whether the Attorney General, who argued the case, told the court with what intent and purpose the two 764-line capacity high speed fraudulent telephone exchanges were installed. Was the court informed that Marans had surreptitiously connected the illicit high speed lines from their homes to the Sun TV network miles away and to homes of its staff all around Chennai through optic fibre cables for its business? 
    The AG should ask why the telephone exchanges were installed in the official name of the Chief General Manager, Chennai Telephones in Maran’s homes. It does not need a seer to say that Marans did it only lend the colour of genuine official use to mask the fraudulent misuse. Should the AG not ask whether it was to conceal the real, fraudulent intent? If he has not, the AG should ask the court when the case comes up on Sept 14: “Is this just misuse of power, my lord? Or is it a deeper and highly meditated conspiracy and fraud?” He ought to tell the court that the actual user fee of the 764 lines is not measurable because they were intentionally kept out of the monitoring system by deceptively designating the use as official.
    The CBI letter to the Ministry of Telecom [Sept 2007] says that in just one line and in just one month over 48 lakh units of calls have emanated, showing massive multi-media use. This was when the UPA I government was in power.
    On this basis, the charge for 764 lines for over 40 months could be several hundred crores. Should the AG not tell the court the very fact that 764 lines have been kept out of the system betrays the conspiracy to conceal the actual use and amount chargeable? Hope the CBI affidavit will contain all basic facts and the AG will ask the right questions.
    On the shocking “vendetta” word, the CBI needs to tell court that the prosecution against Maran started by the CBI was stifled by the previous government. The facts are: Maran was telecom minister from June 2004 to June 2007 and got the 764 high speed lines surreptitiously installed - 341 lines in his old home in June 2004 and 323 lines in his new home in January 2007; he resigned as telecom minister when the Maran brothers quarreled with their grand uncle Dr Kalaignar Karunanidhi in June 2007; the CBI made initial inquiries and in September 2007 asked the telecom ministry for permission to investigate; after Marans bought peace with the grand uncle in 2008 the matter was put in cold storage till 2011; in June 2011 the media - the New Indian Express - exposed the fraud; till the Supreme Court was moved in 2013 the previous government did not even register an FIR though the CBI had requested for it in 2007; only under court pressure the CBI registered the FIR; the CBI began probing the matter only after the new CBI director took office; other accused were arrested but the lower courts in Chennai where Marans exert huge power did not allow custodial interrogation; the CBI wants custodial interrogation of Maran because he alone would know how the 764 high speed lines that stood installed in his homes and connected to Sun TV were made use of in Sun TV premises. Was Maran running his ministry’s office from Sun TV premises, which was then situated in DMK’s headquarters? Or was Sun TV uplinking its programmes free of cost? Or were the thousands of DMK cadre and leaders making use of the free high speed lines? The AG should ask why should Maran lay optic fibre cables from his home to Sun TV/DMK offices and then drive and work from there as minister? Why could he not do it from his home? For that, he will need just one high speed line. If he were greedy, may be two. But why 764 high speed lines? Unless Marans were kleptomaniacs, who steal without intent of personal use or gain, why smuggle away 764 high speed lines for no purpose? The AG should also ask: if the present government investigates the case that was buried by the previous government, is that vendetta?
    The AG must also tell the court that the smuggled telephone lines breach national security. How illegal telephones were a security threat was discussed at a meeting on April 26, 2003 chaired by the Telecom Secretary himself and attended by intelligence agencies and cellular operators. This was before Maran became Telecom Minister and smuggled away from BSNL his 764-line exchanges. In its order of May 24, 2010, the Telecom Appellate Tribunal [TDSAT] ruled: “Operation of clandestine/illegal telecommunications facilities has serious implications from national security point of view. This is a matter of serious concern and all possible steps need to be taken by all concerned to curb such activities.”
    The AG should ask the court: Is it a simple case of misuse of telephone lines to be closed by Maran’s generous offer of `1.2 crore? The AG must also say that there is a real security angle to the case [see ‘Mr Attorney, You Got Your Facts, Law Right on Marans?’ NIE dated July 13, 2015] The AG should ask the court whether this did not call for a probe from the national security perspective. Unfortunately the AG cannot put these vital questions to the court because he has given an opinion in another case favouring Maran, unless he says that he was not briefed on these aspects. Will he? God alone knows. If he does not, the court will be unaware of this vital aspect of the case.
    Freewheeling observations of a judge without the other side filing its affidavit have no value in law. And yet the entire media prints it as if it were an acquittal of Maran. That is why wise judges resist the temptation to make casual observations. The real issue in corruption cases is who is the wrong doer. Higher the official stricter should be the rule.
    But the judicial trend seems to be the other way round, like in imprisonment and fine in the `265 corruption case of petty official mentioned above and being considerate to the strong. Even `1.2 crore may not be a big amount for Maran, but for the nation it is. If a minister is the wrong doer, the punishment must be stricter. In other cases, it is just offence. Not in a minister’s case. As a minister, Maran had taken the oath that he would act in “accordance with the Constitution and the law”. His setting up of a fraudulent telephone exchange in his home as the telecom minister is a fraud on his constitutional oath. Similarly, when assuming office, a judge of the SC solemnly affirms he will bear true faith and allegiance to the Constitution, perform the duties of his office without fear or favour, affection or ill-will and uphold the Constitution and the laws. A judge’s duty is to punish the offender - doubly punish those who have a constitutional duty.
    A caveat: Srimad Bhagawatam says: in Kali Yuga [Dark Age] justice will be done only on the basis of one’s power. Fortunately, Kali Yuga, whose age is 4,32,000 years, is now only 5,116 years old. It is a long way before Dark Age descends fully and people like Maran are let off just because they are powerful.
    (The author is a leading political and business commentator)
    http://www.newindianexpress.com/cities/chennai/Maran-Fraud-Political-Vendetta-Just-Misuse/2015/08/14/article2973303.ece

    What they teach at the Theological Seminary Part 2: Teaching Intolerance

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    What They Teach At The Theological Seminary. Part 2: Teaching Religious Intolerance

    Many of us are brought up learning to respect all religions – at least I was. We hesitate to believe anything bad about those neatly-dressed, soft-spoken, authoritative-looking, sometimes scraggly-bearded Men of The Cloth. We are making the same mistake that millions have made before to their disastrous cost. Hundreds of thousands of young lives have been utterly and brutally destroyed in the process.
    In Part 1, I just laid out some examples and excerpts from Methodist Emory University’s Professor Paul (“Phaullus”) Courtright, and the antics of his tribe of Emory faculty. Until their Religion Studies Department was revamped under the glare of public exposure as a bunch of p0rn-peddlers, probably even criminal child-p0rn peddlers. The “South Asia” part of Religion Studies was absorbed into the Languages department, hidden under the direction of an Indian-born English teacher and Member of the Emory President’s Panel, who, shocked by what she could no longer deny, told the administration that she could in no way support those sorts of obscene activities. Since then, Emory University has been relatively well-behaved, going on to hire Salman Rushdie and the Dalai Lama, and perhaps irritate the Islamists and the PRC’s Communists instead. We heard that a very senior dignitary visiting from India  asked the Emory administration flat-out what had happened with the obscenity-peddling enterprise, and they begged him not to raise the issue, as they were still traumatized by the experience. :LOL  Anyway, we as citizens of the Atlanta Community, have seen no reason to bother Emory University since then. Emory’s Medical School, Law School and Business School, as well as their joint BioMedical / Engineering school, are all highly respected. A few p0rn-peddling losers should not be allowed to pull down a great institution, as their President seems to have realized back in 2004.
    ***************************
    So we get back to the root of the issue: What do these Seminaries and Divinity Schools teach, to make their faculty and alumni so so so filthy bad?
    Here I am just going to direct the reader to a thoughtful article written by a good Christian: Frances Patterson. At “Rethinking Schools.org”. Perhaps this article will give us a better understanding that just using words like “causus belli” does not make anyone civilized.
    By Frances Patterson

    Christian fundamentalist textbooks display a breathtakingly arrogant attitude toward other religions.

    Just a couple of excerpts, PLEASE read the whole article: I cannot very well copy the whole thing here!  It looks at each region of the world separately. This plague is everywhere, perhaps even in Antarctica.
    “In looking at the treatment of religion, I again studied three major textbook publishers for fundamentalist Christian schools and home-schoolers: A Beka Press, Bob Jones University Press, and School of Tomorrow/Accelerated Christian Education. I drew on a wider range of the textbooks and materials than in my discussion of politics and included substantially more material from world history and geography textbooks and, in some instances, from English literature texts.
    Materials from the three publishers have a recurring theme: that the lack of material progress in various Third World countries and among indigenous peoples can be attributed to their religious beliefs. The publishers also share a tremendous emphasis on conservative Protestant missionary activity; approving passages abound about individual missionaries and Christian converts and the need for both historical and contemporary evangelism.
    In one textbook’s discussion of India, for example, students are asked how Hinduism contributed “to this country’s sad fate.” Students are then encouraged to contrast India with the United States and told, “If we refused to kill disease-carrying insects, allowed filthy animals to roam around in public places, and refused to eat meat for nourishment, do you think we would be as prosperous as we are?” 3
    … And let me post the final comments from Frances Patterson:

    COMMENTS

    The materials’ attitude toward Roman Catholicism and non-Western religionsraises serious issues that should be part of the public debate over the use of public funding for sectarian education. Two of the many questions raised:
    • How much respect for the rights of members of minority religions could ordinary citizens, elected representatives, and government employees, including judges, have if their educational background included a school curriculum based on these textbooks?
    • Is it fair to use the coercive power of the state to collect tax revenues that are then used to support educational institutions that malign the religion of the taxpayer? It is one thing to say, “This is what I believe.” It is something else to say, “Your religion is in error.”
    It is surely far removed from the spirit of religious tolerance, however imperfectly applied in our nation, to make statements that encourage American children to despise the religion of their fellow citizens.”
    https://narayanankomerath.wordpress.com/2015/08/14/what-they-teach-at-the-theological-seminary-part-2-teaching-religious-intolerance/

    What They Teach at Theological Seminaries and Divinity Schools

    Recently, a ‘renowned Princeton histerean’ has hysterically exclaimed in horror that the Komerath blamed for a recent WordPress Post on Fundamentalist Clerics, may be related to a certain Komerath who was ‘Part of The Atlanta Community”. This is a truly brilliant historical deduction, linking events across more than TEN years, for an Associate Professor at the Princeton Theological Seminary. As it happens, (to ‘plagiarize’ and ‘distort’ Presidential Candidate Benson):
    “I know both those Komeraths, they are good friends of mine and yes, you got something right for once”. Although most else in that Twit Rant #8463, was right along the Standards of Integrity of the Princeton Theological Seminary. 
    Said “Komerath” was indeed part of The Atlanta Community, in the sense that he had, as he says below, lived in Metro Atlanta for over 25 years by the time he wrote this article that I found on the ‘Net. Must have been part of that huge Community of a million people that rides every day on Interstate 285. Or I-85. Or Peachtree Street where  Scarlett O’Hara of Gone With Da Wind ran all the way from Peachtree Industrial Boulevard to Old Peachtree Street to New Peachtree Road in Peacthree Corner Circles around Peachtree Corners to Peacthree City where Tara, her Daddy’s slave-labor cotton plantation was located, until Rhett Butler came by to say: “Frankly Mah Deah, Ah Don’t Give a Dam*!” Sending tremors through the gasping lily-white throats of the assembled Protestant audience at the use of such shocking language. That was long before they read the Princeton Theological Seminary Scholarly Twit Site, or the writings of the RISA.
    It was published in ‘Swaveda’ which had a brief but illustrious career in the heyday of the RISA. Before RISA went underground. And people went away weeping at the sudden sense of loss that accompanies the Circus leaving town. Or, more accurately, at the end of a hilariously entertaining soccer match. Using RISA as the inflated leather bag.
    I am going to reproduce below, the full text of what was published at Swaveda more than a decade ago. This is excerpted from an archive at http://bharatkalyan97.blogspot.com/2014/02/alerting-naked-emperors-in-age-of.html .  I am not specifically asking the owner of that collection for permission, because I have no fear that he will stab me in the back as certain SUNY faculty might. You seem the term ‘integrity’ means something with the people who run that site.
    Here it is, from the distant past, when “Twitter” was something associated with bird-brains:
    \BEGIN{QUOTE}
    Alerting Naked Emperors in an Age of Academic Arrogance
    Author: Narayanan Komerath
    Publication: www.swaveda.com
    Date: May 20, 2004
    “Although there seem to be no myths or folktales in which Ganesa explicitly performs oral sex, his insatiable appetite for sweets may be interpreted as an effort to satisfy a hunger that seems inappropriate in an otherwise ascetic disposition, a hunger having clear erotic overtones.” [1]
    That is a sample from Emory University Professor Paul Courtright’s book [1] – used to educate undergraduates in what Emory calls “Religion Studies”. Specifically, it is about Shri Ganesha, the child deity who inspires Hindu children, icon of excellence in writing and mathematics. Most of all, it’s about a child – a “toddler” [2]. Statements such as the above are at the core of the controversy about the obscene twisting of Hinduism in the guise of Western “scholarship” [3, 4, 5] – drawing impassioned defenses of what entrenched academia call their “academic freedom.” At the same time, these academics bemoan how “uncivil discourse” on controversial issues is “silencing” scholars – making one wonder if they have considered their own level of civility.
    To people like me, who do have some knowledge of what is appropriate in education, that appears instead, to fit the published definitions of “child pornography” and “pedophile fantasy” [7,8]. Far from being appropriate in American classrooms based on my (20 years of) experience, these would trigger administrative intervention – or worse. Such things are indeed seen – usually scrawled on restroom walls or in subway tunnels. I had not realized that these inscriptions were journals of Religion Studies.
    According to Courtright’s friends in the Religion in South Asia (RISA) forum [10,11] which dominates Religion Studies in the USA, if the above excerpt disgusts you too, that’s because we are all “illiterate or worse” [8] (certainly I am, compared to the erudite individual so described there). Lacking PhDs in Religion Studies, we do not make a sport of sneering at other people’s beliefs under cover of “scholarship” – or else we could convince ourselves that this constitutes “brilliant scholarship” [9]!
    Driven by Prof. Courtright’s claim that critics were quoting him “out of context”, I forced myself to read his book. Until then I thought that respectable universities (and are there other kinds?) taught respect for other religions and cultures. I thought peer review rejected such egregious “conclusions sans data.” My education included meeting Dean Robert Paul of the Emory College this February with a team of concerned citizens [10]. Courtright’s recent article [2] in Emory’s “Academic Exchange” website, claims that what he is doing is “Studying Religion in an Age of Terror”, and he frames the issue as “Internet death threats and scholarship as a moral practice”. I have to comment in public on this.
    My first observation is that the criticism of Courtright’s book is based – as one might expect – on the contents of Courtright’s book(s). There is no evidence to suggest that any “extremists” picked on Courtright as a “target” while he was innocently going about his job as a teacher, researcher and scholar-aspirant. His wild generalizations and desperate casting for red herrings, appear intended to deflect attention from the egregious nature of his writings – and from proper psychoanalysis of the mindset which motivates those writings.
    Atlanta – City of the 1996 Olympics
    Emory University boasts of its Methodist roots. I lived for 4 years – my entire graduate-student life – as a renter in the home of a (dear departed) Methodist lady. She treated me as “her #1 son”. She had common sense and grace, far more than any of the Religion Chairs, Thrones and other pompous academic furniture who appear to lead RISA and South Asia Studies in the US. From what I learned by observing her, and her social circles, I have nothing but good things to say about the Methodists’ beliefs – and the American Southerner’s gracious regard for all humans. The widow of a railroad worker, she did not have a college degree, and she had never traveled north of the “Mason-Dixon Line”. Obviously she did not miss much, if our RISA experts exemplify the products of the American Liberal Arts college education. Their writings remind me of her laughter as she would exclaim: “Lawd Aw’Mighty! Ain’t they too big for their britches”?
    But – don’t generalize that wisdom to all of metro Atlanta – it’s a big place – a bustling, modern center of technology and business. We conducted the Olympics, remember? Our daily newspaper is grandly named the “Atlanta Journal and Constitution” (AJC) – a corporate merger of decades ago which means that a city of 6 million has a grand total of ONE monopoly newspaper, which ranks somewhere in the world’s top 1,000,000 in journalistic excellence. Its Religion section was highly pitched to me by an Associate Professor of South Asia Studies at Emory. Coincidentally, they had quoted said Assoc. Prof. recently as an “expert” on Hinduism.
    Very nostalgic. For many years, this “Religion” section featured a big advertisement titled: “AND WHY DO THE HEATHEN RAGE?” As the controversy erupted, the AJC did what they do best: they published a sneering, ignorant, bigoted writeup, and censored out letters except ones which abused those who raised the issue. N. Ram’s “The Hindu” would have been proud of them.
    AJC class shows. Bill Shipp, former AJC Editor, now writes for the suburban Gwinnett Daily Post. Shipp praised Emory President James Wagner [11] for putting down the Hindu complainers. Shipp also proudly cited Courtright’s claim, which confirms his place on a scale of 0-10 as a “vidya-vinaya-sampannah” scholar and teacher on Hinduism: “Do I have to ask 800 million Hindus to get permission to say something?”
    On the other hand, I must emphasize that in 21st-century Atlanta, one ignores the negative and looks ahead – the “City that’s too busy to hate.” Easy, direct, friendly informality is the preferred mode of behavior – even during rush hour traffic – and it is by no means acceptable in any conversations or discussions to make the sort of grossly lewd interpretations of other people’s religions, in which Courtright wallows.
    The AJC is appreciated for its grocery advertisements and used-car deals. Its few pages of non- advertisement are entertaining – the cartoons of Michael Lukovich and the dry humor of its “Vent” section are as hilarious as its Editors’ occasional efforts to be deeply insightful. An Editorial by prominent South Asia journalist Moni Basu after the Pokhran-II tests, bemoaning her Kolkatta friends’ potential inability to buy Revlon lipstick and Levi’s jeans due to imminent U.S. sanctions, comes to mind, followed by their ghoulish and ignorant sneering at an Indian-American astronaut’s credentials, in the wake of the Space Shuttle Columbia disaster.
    “Religious Studies” vs. Studying REAL Religion
    Now, a word about “Religion Studies” as distinct from Studying Religion – a nuance that I have learned recently. Emory, for example, has a “School of Theology” and a Seminary – where REAL religion and worship are taught and studied the RIGHT way. From their website Mission Statement [12] we read:
    “The Candler School of Theology at Emory University is grounded in the Christian faith and shaped by the Wesleyan tradition of evangelical piety, ecumenical openness, and social concern. Its mission is to educate–through scholarship, teaching, and service– faithful and creative leaders for the church’s ministries in the world… students … represent more than 56 denominations.”
    In other words, every religion is well represented, as long as it is Christianity.
    And then there’s the Undergraduate Religion Department. A unit somewhere between the School of Law and the Department of South Asia Studies – well separated from the Candler School of Theology, perhaps to avoid polluting its “shuddhi”. Their Mission Statement [13] is very interesting in contrast:
    “…examine the role of religious traditions in shaping political and social institutions of diverse cultures and to explore religious issues involved in warfare and other political conflicts. The study of religion helps us to comprehend with greater sophistication and insight the faiths, world views, practices, and ways of life that have, both historically and in the contemporary world, shaped the actions and allegiances of human beings…”
    Their Chair welcomes students thus [14]: “The study of religion is among the oldest pursuits in human intellectual history. The curriculum at Emory is designed to introduce students to the teachings and practices of the living religions of the world. Equally important, the University provides an important context for stepping back from particular religions in order to study aspects of religion comparatively and thematically across traditions, e.g., religion in public life, religion and gender, religion and culture.” 
    Equal Respect for All Religions – Emory / U. Chicago Style
    To put it briefly, this Department appears to be where one learns to preach“And Why Do The Heathen Rage?” – but in a manner deeply sophisticated, compared to the AJC. This is where all those pagan beliefs are “psychoanalyzed” as objects of mirth and contempt by “scholars” who consider themselves as “visitors” to those religions, per Courtright [2]. Hinduism Studies is in this category – it straddles the Departments of Religion and South Asia Studies. Thus, for example, it would be a horrible, blasphemous error to presume that Professor Courtright would contemplate applying that “psychoanalysis” about a child’s liking for sweets and his fantasies of oral sex, to the Gifts that the Magi brought to the Infant Jesus and His Holy Mother.
    In short, “Studying Religion” is where one writes in flowery praise about one’s own beliefs. Apparently, Professor Courtright’s own PhD Thesis, done at some such School of Divinity, starts off with a deep acknowledgement of his Protestant beliefs, to which he dedicates his life.
    “Religion Studies” is where one twists the innocent legends of other religions into the most gross sexual perversions, conveying that the believers of those religions are devoid of humanity, are morally depraved, and are completely violent and stupid – unless of course they See The Light and are Born Again, in which case their souls might be saved. It is where one learns to conduct this abuse – the “oldest pursuit” – with a veneer of intellectual sophistication. In this respect, the difference between Emory University and the Binori Madarssa would appear to be one of degree and perception – with Sheikh Osama bin Laden a “visitor” in psychoanalytical scholarship on the history and traditions of Christianity.
    So the next time you read of these Scholars dispensing advice to us illiterate heathens on India’s Secularism being Under Attack, remember their own “secularism” and their concept of equal treatment of all religions. I have not checked where Catholicism and Judaism fall in Emory’s caste system, and I am certainly not going to comment on Islam.
    The above arrangement is not unique. The University of Chicago, likewise, boasts a “Divinity School”. It is organized into Major Religions – Christianity and Judaism – and then all those Other Curiosities and “isms”. REAL religions are studied – entire courses on Luke:xx, for example. Pagan Cults are “interpreted” – by the likes of Professor Wendy Doniger, who “loves” India and Hinduism [15] because “you don’t have to make a choice at all between writing sex and doing scholarship” or something to that effect. If you haven’t heard of Dr. Doniger’s vast knowledge of Hinduism before, surely this should impress you: she wrote the Foreword to Paul Courtright’s book. She praised it effusively – especially citing how thrilled she was when she thought of “Ganesa” dictating the Mahabharatha to Vysasa.
    Did a double take there, did you? No, you didn’t read it wrong. If you disagree with her interpretation, well, that’s because you’re “illiterate or worse” – a Hindu Extremist, untrained in civil discourse. Welcome to “Hinduism Studies”.
    Tripping on one’s own li(n)es
    Now let’s see about Courtright’s recent article in Emory’s “Academic Exchange” – a “journal” used by Emory faculty to enlighten each other. It is run by the Office of the Vice Provost for Academic Affairs at Emory – as high as “scholarship” gets, there. The Pentagon of “Academic Freedom”. It is posted on the web so that the whole world can enjoy vicarious enlightenment – though we are apparently not allowed to comment there on what we read. I did not even get an acknowledgement when I sent a rebuttal – twice. It appears that Courtright’s article in the April-May 2004 issue is generated from a talk of the same grand title: “Scholarship in the Age of Terror” that he delivered at the Williams College in Massachusetts (where he used to work in the past) in March. To the right of his article was a headline in big letters on “Professor Courtright Featured in Washington Post Article” – citing Shankar Vedantam’s notoriously biased piece, which has been analyzed (and trashed) thoroughly on Sulekha.com [18]. Again, the Exchange carefully avoids Sulekha’s error where it gave readers the opportunity to comment on Vedantam’s “reply” to Rajiv Malhotra’s critique of the Post article, causing Mr. Vedantam to pout off.
    The Editor of the Academic Exchange got one fact right, when she wrote on top of the article: “..The reprint cover features the elephant god Ganesa as a toddler in a crawling position, sans clothing. “ Correct. Ganesha is a child deity – a toddler. Most us are able to distinguish between an innocent picture of a “toddler sans clothing” and the same picture used in apparent kiddie porn fantasies of the sort quoted at the top of this essay. It was the reprinted 2001 edition that triggered outrage – leaving no doubt on what the author intended to emphasize.
    This of course debunks Courtright’s and Emory’s own propaganda, quoted in Shipp’s article [19] that the protests were about “a book …written 19 years ago”.
    The Well-Financed Attack – on the Truth
    What is Courtright’s basis for claiming: “These are increasingly dangerous times for scholars who study India”? As he was writing that, a team of Emory faculty and administrators spent much of the winter touring India. The Head of his department, Professor Laurie Patton has been posting regular reports on RISA from Pune – the only place with any cause to cite “violence against scholars”. Did Courtright study the number of muggings or hate attacks on Indian students and faculty in America this past year? Isn’t this another “interpretation” sans evidence?
    His next statement is: “Well-financed and organized groups on the political and religious right want to control the memory of India’s past in ways that suit their own ideological agendas. Consequentially, scholars within or outside India who challenge those constructions become targets of attack.”
    Isn’t that specious attribution of motives? I too am disgusted by the teaching of obscene fantasies as “scholarly interpretations”, but I am not “well-financed”, certainly do not belong to the “political and religious right” (or “wrong”), nor do I countenance physical violence. The vast majority of those who have protested his writings are people – like me – who assumed that religion, like any other subject, was being taught with some competence and empathy – and – like me – were shocked when they read the reality.
    Courtright’s claim to be a “target of attack” is based on his claim of having seen bogus- named posts or spam emails – which Emory’s Public Relations department (that’s right – not the Security department!) used with amazing alacrity to suppress an Internet petition [20] that published exact quotes from Courtright’s book. The ancient test of “Qui bono?” points elsewhere – certainly more than it points at any “Hindu extremists”.
    Obviously, getting that Petition removed was seen as a top priority in Methodist academia. I can’t fault their panic – I can imagine the reaction of decent Methodist mothers in Atlanta upon reading what gets taught at Emory. Remember that this is a place where the Abercrombie & Fitch clothing catalog is pretty-near banned – though it shows much less than what a casual walk down Peachtree street on a Summer day can show to the naked (oops! I mean “Ray-banned”) eye. A few years ago, copies of a textbook on teenage sexuality (devoid of any pretense of being a Religion text) were taken out of libraries and burned.
    Motilal Banarasidas and Sons (MLBD), the Indian publisher of Courtright’s 2001 Edition, upon reading verbatim quotes in the Louisiana students’ internet petition, ordered the book withdrawn from bookstores in November 2003, and took out large advertisements in horrified apology [19] – pleading that they had not fully read what they assumed was a scholarly text, previously published by Oxford University Press. But that explanation was ignored by RISA – the publisher was assumed to have been “threatened by Hindu Extremists” to have withdrawn the book. (By the same token, I now assume that the Emory Academic Exchange has been threatened by Protestant Extremists to not acknowledge receiving my rebuttal of Courtright’s article). RISA members rose in uproar, threatening a boycott and withdrawal of copyright permission from MLBD – until Oxford Press withdrew Professor Laine’s history-revealed-as-joke book, and apologized.
    At that point, a student member of RISA asked if they shouldn’t boycott Oxford as well – putting a damper on the boycott jihad. Perhaps, RISA is not having much luck breaking into the top-tier journals of their “oldest pursuit” – such as “Hustler” and “Penthouse”, so they still have to depend on Oxford University Press.
    Courtright and $1.2Billion/yr Emory University have attacked Atlanta citizens, and the Louisiana students who posted the (vindicated) Petition. Sneering articles in the AJC, Gwinnett Daily Post, the Washington Post, the Berkshire newspaper, and the comments on Emory’s own edited, “moderated” EmoryWheel website, slandering the students who protested the book as “Hitlerite”, “KKK” etc. [20] exemplify the real hate campaign. Despite these being pointed out very emphatically to their Dean and President, there is no evidence that anything was done to put a stop to these – and Courtright [2] blatantly declares that the University is supporting him in his campaign.
    Courtright is not alone, as he says – the attack on the truth is far broader. The Washington Post cites Prof. Wendy Doniger’s victimhood, where a flying egg, rotten or otherwise, is claimed to have missed her – at her lecture in London, UK. What the Post did not mention was the real violence at that event. IJAI has learned that many in the audience became upset at Doniger’s “oldest pursuit” of obscene, twisted references to Shri Ram and Sita – the central characters of the Hindu epic “Ramayana”, and the ideals of family values to many Hindus. At the end, a lady psychologist in the audience stood up to ask if Doniger herself had ever been “psycho- analyzed”. It is reported that she was shouted down, and physically manhandled by the organizers. RISA’s respect for Free Speech and Truth showed again.
    Victimhood By Association – with the Attackers?
    Courtright’s attempts victimhood by association with Macalester College History Professor James Laine. Laine, for those unaware of the scandal, wrote in his claimed “religion history” book that Maratha hero Shivaji was not, well, his official daddy’s son. Shocked Indian scholars questioned the basis of this claim – leading to Laine admitting that his claimed research revelation was in fact a crude “joke” he had heard somewhere, and Oxford Books to withdraw that masterpiece from circulation. Unamused, a mob of Shivaji-worshippers, the “Sambhaji Brigade” trashed the Bhandarkar Oriental Research Institute (BORI) in Pune, citing perceived collaboration with Laine. Even less amused, the Mumbai High Court has recently permitted the State Government of Maharashtra to pursue an investigation of criminal conspiracy to incite violence, with the aim of getting Laine extradited to stand trial in India.
    Courtright’s attempt to link this event to “Hindus” is especially instructive of his motives. Note that “visitor” or otherwise, he claims to be an expert on Hinduism. Alumni describe him as the Hinduism expert in Emory’s team-course on “Religion and Film” where, for example, the relevance of “Star Trek” to Christianity might be explored, conveying the ultra-modern relevance of Christianity. Apparently, not all American college courses demand such intense skill-mastery as the much-maligned “Basket-Weaving 101” . Courtright, according to alumni, uses clips of communal violence to teach “Hinduism and Film”. So well-informed an expert, and that too with his own Dept. Chair sitting in Pune, could hardly be unaware that it would enrage the “Sambhaji Brigade” even more to call them “Hindus”. Isn’t it surprising that the “well- funded” Hindu Extremist machine of Courtright’s imagination hasn’t got the Indian police on Courtright’s trail, given that his writings are far worse than Laine’s? Could it be because of two truths?
    (a) Laine’s real problems are with the Law, not with any mob.
    (b) The State of Maharashtra which is hunting Laine is ruled by the Congress Party – whose top leaders feted the visiting Emory Tour Group this winter. The Sambhaji Brigade is alleged to have close links to the Congress Party – which has now won an upset victory in India’s elections, along with their Marxist Communist coalition partners – all quite inimical to the “Hindu” lobby.
    Thus, by Courtright’s own “logic”, one is forced to conclude that Courtright and Emory are in fact far more closely linked to the violence against scholars than any “Hindu” organizations have ever been! His Department Chair, Prof. Patton’s extended presence at Pune, possibly during, and certainly after, the violent events there, also raises curiosity.
    Whining in lieu of rebuttal
    Like most RISA members, Courtright is innocent of modesty when he presumes scholarliness:
    “As scholars we have to own that integrity and do our work with as much clarity, resolve, and compassion as we know how….We have a duty to be accurate and put carefully thought-out ideas into the conversation for critical appraisal by our readers…”
    It would appear that getting data before publishing conclusions is part of “integrity” – but hey, what do I know? But I do take utter offence at this claim:
    “In my case, my attackers have not engaged the argument of my book—its intellectual substance—but have attacked me personally and called for public censure of me by my university. ..When others try to silence us because they claim to take offense and insist that their sentiments trump our pursuit of knowledge…. To write is to write back, against those forces that would take away power and agency from us.”
    The Academic Exchange disappoints those who associated better standards of academic honesty with Emory, by publishing such nonsense. Ref. [21] is a partial list, compiled from the internet, of specific reviews and criticisms of the “intellectual substance” of his work, including specific attempts to engage Courtright and “Religion Studies” peers, in debate. According to someone who actually knows the subject, Courtright’s understanding of his chosen methodology of “psychoanalysis” [22], is not something to write home about, either.
    He has not seen fit to attempt rebuttal, and I am not surprised.
    Tavern-Tale Peddling in lieu of Scholarship
    Several examples of Courtright’s obscenities are quoted at [10]. Consider this sample [26]:
    “… Ganesa’s mother… Offers the prize of a mango to which of her sons can go around the world first. Ganesa wins by circumambulating her and eats the fruit and then gets beheaded…. The mango is a vaginal symbol. Hence Ganesa’s eating the fruit is an act of incestuous possession of the mother for which he is punished by beheading, symbol of castration, and his celibacy is his punishment for acting out his incestuous desires”.
    That was his interpretation. The original legend, which he clearly knew [24] is:
    “She said to them .. ‘Your father will decide who I will give it to.’ When Skanda heard this, he quickly went on a pilgrimage through the triple world, mounted on a peacock, but the wise pot-bellied one circumambulated his two parents. Then he stood there happily in front of his two parents, saying: ‘Give it to me!’… Parvati smiled and said: “All the pilgrimages and sacrifices are not worth a sixteenth part of the worship of one’s parents. Therefore this son (I.e., Ganesa) is worth more than a hundred sons having a hundred virtues.”
    A beautiful legend, obviously used to instill respect for parents, is twisted into filth. Is this wild “interpretation” based on Emory’s classroom reward system, or personal experience, perhaps?
    Freudian Slip : “Controlling the Past to Suit Ideological Agenda”
    Courtright tilts at the diabolical “right wing extremist” windmills, accusing them of wanting to “control India’s past to suit their ideological agendas”. Who is trying to manipulate the past here? As Courtright says: “Religious stories and ideas are not private property. They belong to the public domain.” True. But stories twisted into child pornography and pedophilia and tavern-tales of incest and group orgies do not belong in undergraduate classrooms or religion library shelves, do they? Why ban XXX-rated websites from access by children, if this is the sort of stuff being peddled by Professors in Methodist universities – as Religion Studies?
    Innocent – of Empathy
    The same April-May 2004 issue of Emory’s Academic Exchange web page also ran several items micro-analyzing their Anthropology department’s “Speech Code” controversy where a professor uttered one phrase, which offended an African- American listener. In that case, the President called campus meetings, and sent the entire department into “sensitivity training”. Recently, Emory has also had to deal with the Bellesiles case, where a professor “left of his own accord” after irking the NRA. Someone challenged the data published by Prof. Bellesiles to prove that pre- Independence American farmers were not armed with guns. Bellesiles claimed that he could not find the data again – it was lost in a fire, etc – and this was deemed to be sufficient evidence of falsifying conclusions, i.e., not having enough data to back conclusions. A far cry from the standards in Emory’s Department of Religion, isn’t it? Is the irony (or is it “hypocrisy”?) so hard to see?
    Deal Paul of the Emory College rejected all comparisons to such precedents at his meeting with us on February 18 – he went so far as to claim (consider this gem…) that racist statements uttered INSIDE a classroom – or written in an article – would have been fine with him.
    Does Porn-Peddling Come Under Academic Freedom?
    This is a painful issue on which to write. Many Indian editors and readers are brought up in such genteel and sheltered environments that they simply cannot bring themselves to use or even see words such as “p0rnography” – with the unfortunate effect of leaving the obscene writings of these “scholars” improperly characterized. This is a holdover of social superstitions which worry more about “log kya kahenge?” (what will people say? What happens to my Family Honour?) than about stopping abuse and caring for the rights and interests of victims. One finds the word “pornography” replaced swiftly with “inappropriate expressions” or “idiosyncratic expressions” – leaving the reader clueless about the true nature of the offensive writings. On one famous desi web portal, the overzealous editor kept censoring posts where we even tried writing “P….. aphy”. Child pornography is simply not even imaginable.
    On the other hand, the RISA “scholars” have no such hang-ups – they specialize in the “oldest pursuit” after all, writing and peddling sex books. Their claimed mission is to bring out the “true meanings” of our religious traditions. The trouble with this claim, as seen from the excerpts presented here, is that there is absolutely no basis, reasonable or otherwise, for this pornographic twisting of religions traditions. I have presented just two examples in this essay – that is not for lack of numbers, but simply to avoid filling these pages with the lewd fantasies of these people, who have no lack of publication outlets themselves.
    The RISA argument predictably finds sympathy with their colleagues in liberal arts university administrations, who see themselves as Defenders of Academic Freedom. The Managing Editor of the Emory Academic Exchange, operating from the Office of their Vice Provost for Academic Affairs, for example, wrote an impassioned outburst in 2002 against the “Silencing” of controversial intellectual debate by “uncivil discourse” [ ].
    A quick survey of Courtright’s and Doniger’s comments about those whom they so casually offend, points to the source of the “uncivility” in this case. Most of those who have expressed themselves on this issue in public, are well-accomplished professionals, businesspeople or professors – in fields where smut does not constitute evidence of originality or excellence. They have made their sincere protests known, through the most restrained and quiet means – generally starting with a friendly letter to the author. The response, what little there has been from the RISA, has been shockingly rude and obnoxious. In most cases, they don’t exhibit the breeding even to acknowledge letters. In the rest, when they do respond, it is in a manner that puts to rest all doubt about their class – calling their critics “illiterate or worse”, “self-proclaimed pundits”, “terrorists”, “KKK types”, “Hitlerites”, “Fascists”, and, of course the all-inclusive “Hindu nationalists”.
    Intellectual integrity demands no less than the complete withdrawal by Courtright, Doniger and their cohorts of their obscene and discredited writings. Their claim of being objective researchers flies in the face of the evidence, and their mutual description as “scholars” is hilarious. They have been shown to be systematically and deliberately twisting the most innocent of Hindu legends into lewd interpretations – with absolutely no basis whatsoever – even by their own admission. Whether they improve their mindset is up to them as full-grown adults – but it is clearly essential for the public to know exactly why readers are enraged by their writings. To-date, the response of these writers and their cohorts, especially of RISA, provides no hope that objective reasoning and basic decency will prevail in their circles without external intervention. Far from it, there is a mindless “circling of the wagons to shoot at the Injuns” challenging their invasion of our religious sensibilities and basic sense of decency. At the very minimum, their obscene products must be removed from classrooms – and moved from the “religion” sections of university libraries to the “pornography” sections if they must have those for their off-hours entertainment.
    Laine’s backpedaling on the nature of his book is an example where these “scholarly works on history of religion” are revealed upon examination to be self-described “jokes” and utter obscene fiction. The reader will find that Laine’s book is still falsely advertised on book-peddling websites as “History of Religion’ when it is neither.
    It is, most regrettably, not an option for civilized society to wait for the RISA academic community to grow integrity on its own – the pre-requisite of developing common sense might take decades if they start now.
    In Conclusion: The Issues
    This controversy is not about the academic freedom to publish scholarly deductions based on evidence and competent, objective analysis. The first issue in the controversy is about a powerful university’s arrogant propagation of vile fantasies – whose obvious and predictable effect is to demean and humiliate. These are certainly inappropriate in teaching. Their peddling probably borders on the criminal. Yet, the university’s response has been to attack those who patiently point these out.
    These Protestant faculty (I use that adjective because they associate religion with everything we say) are peeved at the rise of informed opinion, which hinders their “freedom” to write lewd fantasies about our icons and beliefs – even about toddlers! They are clearly running a powerful campaign to demean us – and generate hatred towards us based on religious prejudice. They dehumanize us by casting our deities as immoral, perverse and violent. This bigotry has clear and present dangers to us – our children are assaulted by thugs in school on the “rationale” that they are believers in obscene customs – or that they are devoid of moral standards. Hate assaults against Hindus are on the rise in the West. Ignoring the source of the hatred is again, not an option for those of us who simply want to live in peace.
    There has been no lack of effort to engage with these worthies in honest intellectual debate. My article is certainly not intended to be an intellectual exercise on religion – I have no credentials in religion – but it is based on the simple concepts of pointing out the facts and demanding basic human decency. But others such as Malhotra, Sanu, Agarwal, Balagangadhara and Venkat, to name a few, have done an exhaustive job of analyzing and rebutting the works of Doniger, Courtright and their cohorts with incisive intellectual arguments.
    The RISA/ Emory response to all these efforts has been what Tagore would have called “Insolent Might”. The latest example is the Emory Academic Exchange’s failure to even acknowledge receiving the rebuttal to their publication of Courtright’s blatantly flawed article. In this I agree with what Courtright says, as quoted in another Emory article [[26]]:
    “People who talk to themselves about themselves leave no room for discourse.” An accurate description of RISA and Courtright’s attitudes in this controversy.
    To someone who sees matters from both sides of the academic walls with fairly old eyes, Emory university’s behavior in this issue is reminiscent of a rookie lecturer trying to gain control of an undergraduate class through petulance, unable to command respect. A panicked response which indicates that they are keenly aware of their untenable position. One hopes that sensible senior faculty and administrators at Emory will see the need to act in support of basic human decency first, because failure to do so is the surest road to the loss of the very academic freedom which all of us cherish. They must put their “religion studies” house in order, using adult common sense to override the pompous pseudo-intellectual mumbo-jumbo.
    There are precedents aplenty for universities showing good sense in dealing with such matters – I need not list them here. There are also plenty of examples of excellent Hinduism research and study programs, for example those at the University of Heidelberg, for Emory and U. Chicago to emulate.
    Our aim is to see Hinduism taught and learned with competence and empathy, rather than with these sneering tavern-tale “interpretations” and vile pornography. Hindus, like all other people, have the right to be treated with elementary human decency, to worship as they please, and not be subjected to vicious bigotry and abuse. We expect this respect for basic human decency even of 21-year-old military jailers – should we expect less of university professors?
    ————————————————————————–
    References:
    [1]: Courtright, P, “Ganesa: Lord of Obstacles, Lord of Beginnings”, Motilal Banarasidas and Sons, 2001, p.111.
    [2] Courtright, P., “Studying Religion in an Age of TerrorInternet death threats and scholarship as a moral practice”. Including Editor’s Comment. Academic Exchange, Emory University,http://www.emory.edu/ACAD_EXCHANGE/2004/aprmay/ courtright.html
    [3] Malhotra, R., “RISA Lila 2: Limp Scholarship and Demonology”
    http://www.sulekha.com/expressions/column.asp?cid=305890
    [4] Agarwal, V., Venkat, K., “When The Cigar Becomes A Phallus-Part 1”. http://www.sulekha.com/articledesc.asp?cid=307042
    [5] Sanu, S., “Courtright Twist And Academic Freedom” http://www.sulekha.com/ column.asp?cid=305899%20
    [6] Cornell Law School: ”child pornography” – .. depiction is of a minor engaging in sexually explicit conduct; depiction .. created, adapted, or modified to appear that an identifiable minor is engaging in sexually explicit conduct; or .. depiction is advertised, promoted, presented, described, or distributed in such a manner that conveys the impression that the material is or contains a visual depiction of a minor engaging in sexually explicit conduct.’ Excerpts from Cornell website on “Child Pornography”. http://www4.law.cornell.edu/uscode/18/2256.htmlTITLE 18 > PART I > CHAPTER 110 > Sec. 2256.
    [7] Wikipedia: “pedophilia ..is sexual attraction of an adult to prepubescent children.” Excerpt from “Wikipedia” http://en.wikipedia.org/wiki/Pedophilia
    [8] Doniger, W.: “Malhotra’s ignorant writings have stirred up more passionate emotions in Internet subscribers who know even less than Malhotra does, who do not read books at all,” quote by Vedantam, S. in “Wrath Over a Hindu God”http:// www.washingtonpost.com/wp-dyn/articles/A334-2004Apr9.html
    [9] Conlon, F., “the book, taken as a whole, could not be taken by a reasonably informed reader, as anything
    but a brilliant contribution to scholarship.” Post on the Religion in South Asia list, Nov. 3, 2003,http://www.sandiego.edu/theo/risa-l/archive/msg07243.html
    [10] Komerath, N., “Why People Are Outraged By Paul Courtright’s and Emory University’s Portrayal of Hinduism – Introduction to the Facts and Issues”. Presented at Emory University, February 18, 2004. http://jitnasa.india-forum.com/ Emory_intro_short.htm Also, Notes used to present “Why People Are Enraged..”: Narayanan Komerath http://jitnasa.india-forum.com/Docs/Komerath.htm
    [11] Shipp, W., Shipp, W., “Adams can learn from Wagner”. Gwinnett Daily Post http:/ /www.gwinnettdailyonline.com/GDP/archive/ article20DD10E2D0924096A99DEB0763. Excerpts:
    [12] Emory University Candler School of Theology Mission Statement. http://www.candler.emory.edu/
    [13] “The Opportunities and Benefits of a Religion Major”. Emory University Department of Religion. http://www.emory.edu/COLLEGE/RELIGION/courses/ benefits.html
    [14] “Welcome from the Chair, Laurie L. Patton”. Emory Department of Religion,http://www.emory.edu/COLLEGE/RELIGION/welcome/index.html
    [15] Marty, Martin E., “Scholars of Hinduism Under Attack”. http://www.beliefnet.com/story/128/story_12899_1.html Excerpt: “The Martin Marty Center at the University of Chicago Divinity School is pleased to announce the appointment of Wendy Doniger, Mircea Eliade Distinguished Service Professor of the History of Religions, to the directorship of the Martin Marty Center. An unparalleled presence in international religious studies in her over thirty-year career, Ms. Doniger’s recent works include Splitting the Difference: Gender and Myth in Ancient Greece and India; The Bedtrick: Tales of Sex and Masquerade; The Implied Spider: Politics and Theology in Myth; and a new translation of the Kamasutra (with Sudhir Kakar).”
    [16] Malhotra, M., “Washington Post and Hinduphobia” http://www.sulekha.com/expressions/column.asp?cid=305924
    [17] See Shipp, W., Shipp, W., “Adams can learn from Wagner”. Gwinnett Daily Post, above.
    [18] Malhotra, R.., “RISA Lila – 2 – Limp Scholarship and Demonology” Sulekha, Nov. 17, 2003, quoting the text of the Petition by the students protesting offensive passages in Courtright’s book on Shri Ganesha. http://www.sulekha.com/expressions/ column.asp?cid=305890
    [19] Jain, Rajiv: “ Ganesh”. Apology on behalf of Motilal Banarasidas & Sons, Nov. 3, 2003.http://groups.yahoo.com/group/INDOLOGY/message/3841.
    [20]: Comments posted on moderated, edited website of “EmoryWheel” regarding Courtright controversy. http://www.emorywheel.com/vnews/display.v/ART/2003/11/ 07/3faa9d9806787
    [21] Partial list of articles on the intellectual merits of Professor Courtright’s work, proving more than ample opportunities for him to respond/ rebut. http://jitnasa.india-forum.com/Docs/Courtright_Doniger_List.html
    [22] Vinekar, S.S., “”Prof. Courtright’s Pseudo-psychoanalytic Depiction of Shri Ganesha: Authentic Scholarship or Bigotry? ” Proceedings of the Dialogue Between the Concerned Community and Emory University for Better Relations, Decatur, GA, February 18, 2004.http://jitnasa.india-forum.com/Docs/ShreeVinekar.htm
    [23] : Courtright, P, “Ganesa: Lord of Obstacles, Lord of Beginnings”, Motilal Banarasidas and Sons, 2001, p.124.
    [24] Courtright, P, “Ganesa: Lord of Obstacles, Lord of Beginnings”, Motilal Banarasidas and Sons, 2001, p.126.
    [25] Adams, Allison O. “SILENCED: Is uncivil discourse quelling scholarship on controversial issues?” http://www.emory.edu/ACAD_EXCHANGE/2002/decjan/ silenced.html
    [26] Patel, D., “Academic freedom debated in wake of recent petition”. The Emory Wheel Online, Nov. 7, 2003.http://www.emorywheel.com/vnews/display.v/ART/2003/11/07/3faa9e07c1016
    \End{QUOTE}

    What is writing? Mlecchita vikalpa of ancient Indian tradition of bhāratam janam is Indus Script writing.

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    Mirror: http://tinyurl.com/qekxryp

    What is writing?

    Let us define what writing is NOT.

    Writing is not doodle.

    Writing is not scribble even if they may have constituted 'potters' marks' comparable to trade marks or road signs.

    So, writing is an alternative representation to communicate language or thought. In the context of ancient Indian tradition, one such alternative is called mlecchita vikalpa, 'Meluhha cipher writing' -- identified as one of 64 arts to be learned by youth.

    Image result for indus script sign bird fish parenthesisMohenjodro 0304 seal impression  http://bharatkalyan97.blogspot.in/2015/08/hieroglyph-multiplex-ayas-alloymetal.html

    There are some who define writing as only alphabet (consonant, vowel) or syllable (phoneme) representations to signify sounds of a language. 

    This restrictive definition rules out writing systems which express ideas, exemplified by Chinese writing. 

    This restrictive definition also rules out mlecchita vikalpa type of writing systems which use hieroglyphs to signify words with more than one meaning: a meaning to signify, say, an object as a drawing (e.g. bharati 'partridge, quail'); another meaning to signify an entirely different object as a life-activity (e.g. bharati 'alloy metal of copper, pewter, tin'). In such a vikalpa (alternative), a hieroglyph denotes a partidge/quail but the intended message is an alloy metal. 

    It is unclear why languages evolve with the use of similar sounding words (homonyms) to signify different meanings.

    A characteristic feature of many languages of Indian sprachbund (speech union) is that homonyms are frequently encountered. There is also a language characteristic of reduplications of spoken words in Indian sprachbund. (A precise account of reduplication feature of languages is at https://en.wikipedia.org/wiki/Reduplication ) The term sprachbund has a synonym in linguistic studies: linguistic area or areal linguistics. In the context of Indian languages the phrase got into vogue from an author of Dravidian Etymological Dictionary: Emeneau, M. (1956). "India as a Linguistic Area". Language 32 (1): 3–16.

    In a series of works, mlecchita vikalpa has been identified in Indus Script Corpora which has now grown to about 7000 inscriptions (Over 4500 identified in the Corpus in 3 volumes so far by Asko Parpola's team PLUS about 2000 Persian Gulf seals PLUS over 1000 cylinder seal impressions of Ancient Near East which use hieroglyphs of Indus Script).  

    For example, see the following use of a unique rebus-metonymy layered cipher for some hieroglyphs and hieroglyph-multiplexes of Indus script:


    • fish: aya 'fish' (Munda) Rebus aya 'iron' (Gujarati)
    • partridge/quail: bharati 'partridge/quail' Rebus: bharati 'alloy of copper, pewter, tin' (Marathi)
    • safflower: karaDi 'safflower' Rebus: karaDa 'hard alloy' (Marathi)
    • crocodile: karA 'crocodile' Rebus: khAr 'blacksmith' (Kashmiri)
    • ram: meD 'ram' Rebus: meD 'iron' (Ho.)
    • narrow-necked jar: karava 'narrow-necked jar' Rebus: kharva 'wealth'; karba 'iron' (Tulu)
    • rim of jar: karNaka 'rim of jar' Rebus: karNI 'supercargo' karNIka 'scribe'
    • young bull: khond 'young bull' Rebus: khond 'turner' (metals)
    • wallet: dhokra 'wallet' Rebus: dhokra 'cire perdue metalcaster'
    • water-carrier: kuTi 'water-carrier' Rebus: kuThi 'smelter'
    • warrior: bhaTa 'warrior' Rebus: bhaTa 'furnace'
    • rhinoceros: kANDa 'rhinoceros' Rebus: kANDa 'implements'

    It has been demonstrated that the Indus Script Corpora icatalogus catalogorum of metalwork and the metalcasters of Sarasvati-Sindhu civilization where the writing system originated ca. 3300 BCE called themselves workers of metal alloy, bharata/bharati, thus as bhāratam janam in a very ancient document, a sacred text, Rigveda:

    viśvāmitrasya rakṣati brahmedam bhāratam janamRV3.53.12. (Trans. This prayer, brahma, of viśvāmitra protects bhārata, metalcaster folk'.)

    It will be an error to rule out writing systems like Indus Script which deploy word-hieroglyph patterns of representation as distinct from syllable or consonant/vowel representation exemplified by Aramaic or Brāhmi or Kharoṣṭhī.

    The system of writing, mlecchita vikalpa by bhāratam janam was matched by the splendour of prosody called chandas in Rigveda. Mlecchita vikalpa encoded speech (mleccha/meluhha), while chandas encoded mantras like the one cited from Rishi Viśvāmitra who also recited the Gāyatri mantra venerating the effulgent sun and making speech resonate with anāhata nāda brahman 'unstruck sound cosmic-consciousness' of vāk, speech as mother divine.

    S. Kalyanaraman
    Sarasvati Reseach Center
    August 14, 2015

    What is a unit of meaning in Indus Script writing system? Supercargo of metalwork.

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    Supercargo, signified by multiple seal impressions on claytags: evidence from Lothal and Kalibangan

    This note demonstrate the statistical fallacy and negation of the rules of grammar suggesting a count of number of 'signs' on an Indus inscription and offer a prize for the discoverer of more than 50 signs to prove that the inscription is a writing system of a language. 

    The archaeological finds of claytags with seal impressions at Lothal are enough to disprove the statistical fallacy of the proponents of Sarasvati-Sindhu as an illiterate civilization. A combination of claytags produce more than a hundred 'signs', without even reckoning the meaning of the hieroglyph-multiplexes of one-horned young bull PLUS standard device..

    The occurrence of a claytag with multiple seal impressions in itself does not justify treating that particular claytag as a unit of meaning. It is possible that the archaeological evidence has failed to reckong other related claytags with similar multiple seal impressions to comprehend the purport of the messaging system of claytags for parts of supercargo or shipment as trans-border consignment taken by a seafaring merchant, say, from Lothal or Kalibangan to Ur or Susa in Ancient Near East, across the Persian Gulf.

    The comprehension of meaning of a set of inscriptions is comparable to the postulates of Bhartrhari in VAkyapadIya for sentence of a language as a unit of meaning and not merely a set of words in the sentence: 

    "A word consists of its phonetic-part and its meaning-part. The speaker's mind first chooses the phonetic element and then employs it to convey a meaning. The listener also first takes in the phonetic element and then passes on the meaning part. (I.50-53). A word has to be first heard, before it can convey a meaning (I.55-57)...The meaning of the sentence comes as a flash of insight (pratibhA). In it individual word-meanings appear as parts, but the whole is simply not a sum-total of the parts. This pratibhA or flash of insight is not a mere piece of knowledge, it is wisdom which guides man to right conduct (itikartavyatA) (II.144-152). The ultimate source of all word-meaning, primary, secondary or incidental is the sentence, it is derived and abstracted from the sentence. (344-351)...The component clauses (of compound sentence) are recognised only after the compound sentenced is totally uttered and comprehended, the meaning of the component sentence is a subsequent abstraction following the comprehension of the meanin of the compound sentence (389-390)...language cannot describe the intrinsic nature of things, although we know things only in the form in which words describe them (431-437)..."
    K. Raghavan Pillai, 1971, The VAkyapadIya, Delhi, Motilal Banarsidass 

    I suggest that the 100+ claytags found at a burnt-down warehouse at Lothal should be taken as a composite unit of meaning: the inscriptions on the tags conveyed 'lists' of supercargo items of trade, describing the metalwork or technical specifications of the bill of lading. If the claytag information is truncated to each line of a seal impression as a unit of meaning, the message is likely to be decoded erroneously with incomplete details of the message intended by the originator of the ciphertext using hypertexts of hieroglyph-multiplexes -- a signature tune of the Indus Script writing system.

    How does a compiler of Indus Script Corpora reckon the number of 'signs' on an Indus Script inscription? What is an inscription? Is it restricted only to hieroglyphs or hieroglyph-multiplexes on a seal or a tablet?

    Why not a combination of seals or tablets or clay tags with seal impression/s to reconstruct the message conveyed by the artisan who originated the message?

    The ultimate objective is to decipher the contents of the supercargo described by the writing system and NOT to prove or disprove if the writing system displayed literacy or illiteracy (i.e. if the writing system was founded on the sounds or speech form of a language).

    If one reckons all the hieroglyph-multiplexes of the clay tags of Lothal warehouse, the number of 'signs' will total hundreds.

    "More than a hundred clay tags with ancient seal impressions come from a burnt-down grain warehouse at the Harappan port town of Lothal. Many of these tags also bear impressions of woven cloth, reed matting or other packing material. This shows that the tags were once attached to bales of goods, and that the seals were used, as in ancient West Asia, for controlling economic transactions." Asko Parpola http://www.harappa.com/script/parpola16.html 

    "Lothal. As many as 65 terracotta sealings recovered from the warehouse bore impressions of Indus seals on the obverse and of packing material such as bamboo matting, reed, woven cloth and cord on the reverse. substantial part of the warehouse was destroyed in P,III and was never rebuilt. All this elaborate infrastructure for external trade amply reflected in other finds from Lothal. A circular steatite seal of the class known as Persian Gulf seal (Bibby, 1958, pp. 243-4; Wheeler, 1958, p. 246; Rao 1963, p. 37), found aqundantly at Failaka and Rasal Qaila (Bahrain) on the Persian Gillf, is a surface find at Lothal, evidently the Persain Gulf sites were inter mediary in the Indus trade with Mesopotamia. Conversely some of the Indus-like seals found it Mesopotamia may have been imports from Lothal. A bun-shaped copper ingot, weighing 1.438 kg follows the shape, size and weight of Susa ingots, with which tht Lothal specimen shares the lack of arsenic in its composition. In addition to the Indus stone cubes of standard weights. Lothal had another series of weights conforming to the Heavy Assyrian standard for international trade." http://asi.nic.in/asi_exca_imp_gujarat.asp

    One interpretation for seal impressions on clay tags of packages is that they constitute segments of messages related to bills of lading of traded goods. 

    Assuming that seal impressions were authentication of packages of consignments, part of supercargo, of a trade transaction, how to identify the message and decipher the meaning from a set of multiple seal impressions?

    The basic unit of information in Indus Script inscriptions is a hieroglyph. 

    Hieroglyph-multiplexes are combined units of information, combining meanings of hieroglyph components.

    Information can be conveyed by more than one hieroglyph on more than one Indus Script seal or tablet, though each seal or tablet may carry an average of 5 or 6 signs, often together with a pictorial hieroglyh-multiplex (such as a young bull in front of a standard device). 

    Similarly, more than one seal impression may signify a supercargo, karNI, signified by the semantic determinative hieroglyph: rim of narrow-necked jar.

    Such seal impression messages may be restricted, containing only descriptions of the trade goods. Such messages may not not indicate names of trading partners or destinations of the packages.

    Lothal has yielded 27 such multiple impressions, perhaps, on one package. These are examples which demonstrate that long texts of inscriptions can be created by combining texts from multiple seals even though the average number of hieroglyphs is about 5 or 6 per inscribed object. It all depends on the multiplicity of the contents of the package described by the seal impressions as bills of lading.

    Should each line be reckoned and read as a disinct text unit? Or, should all the lines of a seal impression on all clay tags of a warehouse be reckoned as the message?

    The answer to these questions are crucial to determine the length of 'hieroglyhs' deployed for a message. 


    m0425 Seal impression with three 'tags' from three seals is an example of such assemblage of messages to complete the detailed description of goods in a trade package.

    Thus, it is clear that the seal impressions are likely to be more complete assemblage of messages for preparing bills of lading. This assemblage uses the descriptions of goods achieved through multiple tablets used as tallies for compiling the bill of lading.

    It is clear that multiple seal impressions complete the process of compiling the details needed for a bill of lading and contain complete descriptions of the trade consignments loads since the compilation is an assemblage of inscriptions of individual seals.

    The Indus writing was mainly used to provide a detailed description of the goods in packages and seal impressions served as parts of bills of lading.


    Use of seals to create sealings: context trade with interaction areas such as Mesopotamia

    Archaeological finds of tablets (sometimes called bas-relief tablets or incised miniature tablets) and seals are in association with kilns and working platforms. Metallurgical context is shown by the use of copper to create tablets with Indus script hieroglyphs. Archaeological finds of seal impressions used as tags on chunks of burnt clay for sealing packages (since textile or reed impressions have been found on the obverse of such tags) show the trade context in which these examples of Indus writing have been used. About 32% of all Indus inscriptions found at Lothal are on such tags (seal impressions). 

    Lothal seal impression created by inscriptions from three seals. L211. Fifteen hieroglyphs

    Line 1: Turner's workshop, metal ingot, metal (iron) workshop, furnace scribe (account)
    Line 2: (...)workshop, cast metal, copper (metal), furnace scribe (account)
    Line 3: (...), furnace scribe account - native metal, metal ingot, warehouse, casting smithy/forge, furnace scribe account

    Detailed decoding rebus readings:

    Line 1
    koḍi ‘flag’ (Ta.)(DEDR 2049). Rebus: koḍ, ‘artisan’s workshop’ (Kuwi.) kunda ‘turner’ kundār turner (A.)
    sal ‘splinter’; rebus: sal ‘workshop’ (Santali)
    Fish + sloping stroke, aya dhāḷ ‘metal ingot’ (Vikalpa: ḍhāḷ = a slope; the inclination of a plane (G.) Rebus: : ḍhāḷako = a large metal ingot (G.)
    meḍ 'body' (Mu.); rebus: meḍ 'iron' (Ho.)ḍabe, ḍabea ‘large horns, with a sweeping upward curve, applied to buffaloes’ (Santali) Rebus: ḍab, ḍhimba, ḍhompo ‘lump (ingot?)’, clot, make a lump or clot, coagulate, fuse, melt together (Santali) Thus, horned body hieroglyph decodes rebus: ḍab meḍ 'iron (metal) ingot'.
    kaṇḍa kanka ‘furnace scribe (account)’ kaṇḍ kanka ‘rim of jar’; Rebus: karṇaka ‘scribe’; kaṇḍ ‘furnace, fire-altar’. Thus the ligatured sign is decoded: kaṇḍ karṇaka ‘furnace scribe

    Line 2
    aya 'fish' (Mu.); rebus: aya 'metal' (G.)
    dula 'pair' (Kashmiri); rebus: dul 'cast (metal)'
    loa ‘ficus religiosa’ (Santali) rebus: loh ‘metal’ (Skt.) Rebus: lo ‘copper’. Thus, dul loh ‘cast copper’
    kaṇḍa kanka ‘furnace scribe (account)’kaṇḍ kanka ‘rim of jar’; Rebus: karṇaka ‘scribe’; kaṇḍ ‘furnace, fire-altar’. Thus the ligatured sign is decoded: kaṇḍ karṇaka ‘furnace scribe

    Line 3
    kaṇḍa kanka ‘furnace scribe (account)’ kaṇḍ kanka ‘rim of jar’; Rebus: karṇaka ‘scribe’; kaṇḍ ‘furnace, fire-altar’. Thus the ligatured sign is decoded: kaṇḍ karṇaka ‘furnace scribe
    aṭar ‘a splinter’; aṭaruka ‘to burst, crack, sli off,fly open; aṭarcca ’ splitting, a crack’; aṭar ttuka ‘to split, tear off, open (an oyster) (Ma.); aḍaruni ‘to crack’ (Tu.) (DEDR 66) 
    Rebus: aduru ‘native, unsmelted metal’ (Kannada)

    Fish + scales aya ãs (amśu) ‘metllic stalks of stone ore

    Kalibangan seal impression multiplex created by inscriptions from five seals Kalibangan089
    Kalibangan089. Multiple seal impression. 17 hieroglyphs are recognized in the impressions created by multiple (perhaps four or five) seals. 
    An example of 'sealing' is presented by Mackay. Mackay, EJH, 1938, Further Excavations at Mohenjodaro, Vol. II, New Delhi, Government of India, Pl. XC, no. 17. Note: "No. 17 in Pl. XC is certainly a true sealing (i.e. a clay seal impression) and it owes its preservation to having been slightly burnt; it was once fastened to some such object as a smooth wooden rod." (Mackay,ibid.,1938, Vol. I, p. 349). One can only conjecture as to the reason why a pair of seal impressions were created on clay around a wooden rod: perhaps, the rod served as the bill of lading for a particular category of goods/artifacts. The three hieroglyphs can be read rebus. The set of three hieroglyphs is read rebus as: bhaṭa ḍab ranku ‘furnace ingot tin’. Hieroglyph 1: A hieroglyphic ligature is the ‘ladle or spoon’ hieroglyph (ligatured to the ‘pot’ hieroglyph). ḍabu ‘an iron spoon’ (Santali) Rebus: ḍab, ḍhimba, ḍhompo ‘lump (ingot?)’, clot, make a lump or clot, coagulate, fuse, melt together (Santali) baṭhu m. ‘large pot in which grain is parched (S.) Rebus: baṭa = a kind of iron (G.) bhaṭa ‘furnace’ (G.) baṭa = kiln (Santali). Thus the ligatured glyph of ‘pot + spoon’ reads rebus: ḍab ‘(furnace) ingot’. Hieroglyph 2: Hieroglyph of rectangle with divisions: baṭai = to divide, share (Santali) [Note the hieroglyphs of nine rectangles divided.] Rebus: bhaṭa = an oven, kiln, furnace (Santali) baṭhi furnace for smelting ore (the same as kuṭhi) (Santali) bhaṭa = an oven, kiln, furnace; make an oven, a furnace; iṭa bhaṭa = a brick kiln; kun:kal bhaṭa a potter's kiln; cun bhaṭa = a lime kiln; cun tehen dobon bhaṭaea = we shall prepare the lime kiln today (Santali); bhaṭṭhā (H.) bhart = a mixed metal of copper and lead; bhart-īyā = a barzier, worker in metal; bhaṭ, bhrāṣṭra = oven, furnace (Skt.) me~r.he~t bat.i = iron (Ore) furnaces. [Synonyms are: mẽt = the eye, rebus for: the dotted circle (Santali.lex) baṭha [H. baṭṭhī (Sad.)] any kiln, except a potter’s kiln, which is called coa; there are four kinds of kiln: cunabat.ha, a lime-kin, iṭabaṭha, a brick-kiln, ērēbaṭha, a lac kiln, kuilabaṭha, a charcoal kiln; trs. Or intrs., to make a kiln; cuna rapamente ciminaupe baṭhakeda? How many limekilns did you make? baṭha-sen:gel = the fire of a kiln; baṭi [H. Sad. baṭṭhi, a furnace for distilling) used alone or in the cmpds. Arkibut.i and bat.iora, all meaning a grog-shop; occurs also in ilibaṭi, a (licensed) rice-beer shop (Mundari.lex.) bhaṭi = liquor from mohwa flowers (Santali) Hieroglyph 3: ranku ‘liquid measure’; rebus: ranku ‘tin’ (Santali)


    Analysis of clay tags with seal impressions at a burnt-down warehouse in Lothal; of the 77 tags, 21 bear 2, 3 or 4 seal impressions; nine seal texts can be read on  14 of these 21 tags which share seal impressions. Parpola, 1994, p. 114.Group of incised baked steatite tablets. A group of 16 three-sided incised baked steatite tablets, all with the same inscriptions, were uncovered in mid- to late Period 3B debris outside of the curtain wall. (See 146). These tablets may originally been enclosed in a perishable container such as a small bag of cloth or leather.Life and death of Harappan seals and tablets. An additional six copies of these tablets, again all with the same inscriptions, were found elsewhere in the debris outside of perimeter wall [250] including two near the group of 16 and two in debris between the perimeter and curtain walls. Here all 22 tablets are displayed together with a unicorn intaglio seal from the Period 3B street inside the perimeter wall, which has two of the same signs as those found on the tablets. (See also145, 146, 147, 148, 149, 150). Quoting from R.H. Meadow and J.M. Kenoyer's article in South Asian Archaeology 1997 (Rome, 2001): "It is tempting to think that the evident loss of utility and subsequent discard of the tablets is related to the “death” of the seal. Seals are almost always found in trash or street deposits (and never yet in a grave) indicating that they were either lost or intentionally discarded, the latter seeming the more likely in most instances. The end of the utility of a seal must relate to some life event of its owner, whether change of status, or death, or the passing of an amount of time during which the seal was considered current. A related consideration is that apparently neither seals nor tablets could be used by just anyone or for any length of time because otherwise they would not have fallen out of circulation. Thus the use of seals -- and of tablets -- was possible only if they were known to be current. Once they were no longer current, they were discarded. This would help explain why a group of 16 (or 18) tablets with the same inscriptions, kept together perhaps in a cloth or leather pouch, could have been deposited with other trash outside of the perimeter wall of Mound E."Period 3B debris related to: c. 2450 BCE - c. 2200 BCE.Examples of 31 duplicates, double-sided terracotta tabletsh252A Inscription on one side of the 2-sided tablet (in bas relief). The other side shows a one-horned heifer (as in h254B).h254B. Two-sided tablet. The other side shows an inscription as in h252A.Examples of 22 duplicates steatite triangular tablets h-2218 to h-2239h2219A First side of three-sided tableth2219B Second side of three-sided tableth2219C Third side of three-sided tabletThe two hieroglyphs which appear on the h2219A example also appear on a seal. "In a street deposit of similar age just inside the wall, a seal was found with two of the same characters as seen on one side of the tablets."While the 22 tablets were meant to help in 'tallying' the products produced by the artisans, the seal was meant to be used in preparing a bill of lading for the 'consignment or cargo' of products to be couriered through containers.h1682A. The seal which contained the two hieroglyphs used on the 'tally' three-sided tablets. The seal showed a one-horned heifer + standard device and two segments of inscriptions: one segment showing the two hieroglyphs shown on one side of the 'tally' tablet; the other segment showing hieroglyphs of a pair of 'rectangle with divisions' + 'three long linear strokes'.Decoding a pair of hieroglyphs, a pair of 'rectangle with divisions': khaṇḍ ‘field, division’ (Skt.); Rebus: kaṇḍ ‘furnace’ (Skt.) Thus, reduplicated hieroglyph connotes dul kaṇḍ ‘casting furnace’. Vikalpa: khonḍu ‘divided into parts’ (Kashmiri)khonḍu । खण्डितः, विकलावयवः adj. (f. khünḍü 1, sg. dat. khanjĕ 1 खंज्य), broken, divided into parts; hence, deprived of a part or limb or member, maimed, mutilated; unevenly formed, irregularly angled. (Kashmiri) A pair of such hieroglyphs divided into parts, may thus be decoded as: dul kaṇḍ khonḍu khonḍ ‘casting furnace workshop’. Vikalpa 1: jaṇḍ khaṇḍ = ivory (Jat.ki) khaṇḍi_ = ivory in rough (Jat.ki_); gaṭī = piece of elephant's tusk (S.) Vikalpa 2: Pa.kandi (pl. -l) necklace, beads. Ga. (P.) kandi (pl. -l) bead, (pl.) necklace; (S.2)kandiṭ bead (DEDR 1215). kandil, kandīl = a globe of glass, a lantern (Ka.lex.) The pair of hieroglyphs 'rectangle with divisions' may thus also connote 'cast beads'. If so, the seal text inscription connotes two sets of products assembled for despatched through a courier: furnace metal products + furnace bead products.Both sets of products are from the sanga turner's workshop.Decoding the hieroglyph, 'three long linear strokes': ‘three’; rebus: ‘smithy’ (Santali)Hierolyph of standard device in front of the one-horned heifer: sā~gāḍī lathe (Tu.)(CDIAL 12859). sāṅgaḍa That member of a turner's apparatus by which the piece to be turned is confined and steadied. सांगडीस धरणें To take into linkedness or close connection with, lit. fig. (Marathi) सांगाडी [ sāṅgāḍī ] f The machine within which a turner confines and steadies the piece he has to turn. (Marathi)सगडी [ sagaḍī ] f (Commonly शेगडी) A pan of live coals or embers. (Marathi) san:ghāḍo, saghaḍī (G.) = firepan; saghaḍī, śaghaḍi = a pot for holding fire (G.)[culā sagaḍī portable hearth (G.)] sanghar 'fortification' samghAta 'adamantine glue (metal)'(Varahamihira)Thus, the entire set of hieroglyphs on the h1682A seal [denoting the heifer + standard device] can be decoded: koḍiyum 'heifer'; [ kōḍiya ] kōḍe, kōḍiya. [Tel.] n. A bullcalf. . k* దూడA young bull. Plumpness, prime. తరుణము. జోడుకోడయలు a pair of bullocks. kōḍe adj. Young. kōḍe-kāḍu. n. A young man.పడుచువాడు. [ kārukōḍe ] kāru-kōḍe. [Tel.] n. A bull in its prime. खोंड [ khōṇḍa ] m A young bull, a bullcalf. (Marathi) గోద [ gōda ] gōda. [Tel.] n. An ox. A beast. kine, cattle.(Telugu) koḍiyum (G.) rebus: koḍ ‘workshop’ (G.) B. kõdā ‘to turn in a lathe’; Or. kū̆nda ‘lathe’, kũdibā, kū̃d ‘to turn’ (→ Drav. Kur. kū̃d ‘lathe’) (CDIAL 3295) The two hieroglyphs (heifer + lathe) together thus refer to a turner's workshop with a portable hearth. The two sets of the text of the inscription refer to the products assembled together (perhaps on the circular working platforms) by this workshop of the guild. The sets of products denoted by the two sets of hieroglyphic sequences can be exlained rebus:kuṭi ‘water carrier’ (Te.) Rebus: kuṭhi ‘smelter furnace’ (Santali) kuṛī f. ‘fireplace’ (H.); krvṛI f. ‘granary (WPah.); kuṛī, kuṛo house, building’(Ku.)(CDIAL 3232) kuṭi ‘hut made of boughs’ (Skt.) guḍi temple (Telugu) kaṇḍa kanka 'rim of jar' (Santali); rebus: furnace scribe. kaṇḍa kanka may be a dimunitive form of *kan-khār ‘copper smith’ comparable to the cognate gloss: kaṉṉār ‘coppersmiths, blacksmiths’ (Tamil) If so, kaṇḍa kan-khār connotes: ‘copper-smith furnace.’kaṇḍa ‘fire-altar (Santali); kan ‘copper’ (Ta.) kanka ‘Rim of jar’ (Santali); karṇaka rim of jar’(Skt.) Rebus: karNI 'supercargo', karṇaka ‘scribe’ (Te.); gaṇaka id. (Skt.) (Santali) Thus, the 'rim-of-jar' hieroglyph connotes: furnace account (scribe). Together with the hieroglyph showing 'water-carrier', the ligatured hieroglyphs of 'water-carrier' + 'rim-of-jar' can thus be read as: kuṭhi kaṇḍa kanka 'smelting furnace account (scribe)'.Thus, the inscription on seal h1682A can be explained in the context of the tablets used as tally tokens to account for the despatch of the assembled products (delivered by the guild artisans) using the impression of the seal as a bill of lading. The use of tablets in conjunction with the seal has been elaborated. Once the accounting is completed using the seal and the seal impression on the package to be couriered, the tablets used as tallying instruments by the guild helper of merchant have served their purpose and can be disposed of in the debris.See: http://bharatkalyan97.blogspot.in/2011/12/indus-valley-mystery-and-use-of-tablets.html
    S. KalyanaramanSarasvati Research CenterAugust 14, 2015



    Some photographs of Red Fort and select monuments -- Google virtual tour

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    Google now offers you a virtual tour of India’s road to independence

    Google gives Indians a chance to remisce the historic moments associated with the country's independence movement


    By: Express Web Desk | New Delhi | Published:August 14, 2015 7:42 pm
    Thanks to Google Maps and its Culture Institute, you can now take a virtual tour of some of the historic moments and places closely associated with India’s freedom movement and its eventual independence from the British in 1947.

    “As we prepare to mark the 69th anniversary of India’s Independence, there are a range of images, photos and virtual tours you can take with Google Maps and the Cultural Institute — including a special collection of images and artifacts from the Nehru Memorial Museum and Library”, said Suren Ruhela, Director, Google Maps, in a press release.

    The sleek and cool interactive has never-before-seen photographs and views of some of the landmarks that witnessed the country’s independence. 360 degree views of places like the Red Fort, from where every Prime Minister right from Jawaharlal Nehru to Narendra Modi has addressed the annual I-Day speech and the Digambar Jain Mandir in old Delhi are also available.

    Check it out! 

    http://indianexpress.com/article/trending/google-now-offers-you-a-virtual-tour-of-indias-road-to-independence/

    क्यों नहीं चली संसद ? (9:15)

    A four hieroglyph multiplex of curl+scorpion, hook, cross-over, rim-of-jar signifies hematite ore supercargo.

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    m-857 Seal. Mohenjo-daro

    The four hieroglyph multiplex on Mohenjo-daro seal m-857 signifies: 1. meed-bica = 'iron (hematite) stone ore' 2. dhatu karava karNI 'supercargo of mineral ore', scribed. (The one-horned young bull PLUS standard device is deciphered as: kondh 'young bull' Rebus: kondh 'turner'; koD 'horn' Rebus: koD 'workshop'; sangaDa 'lathe' Rebus: sangAta 'collection of materials, i.e. consignment or boat load. 

    It will be an act of faith to see Dravidian proof of Indus Script via Veda on the four-sign sequence of m-377 Mohenjo-daro tablet. (See: 
    http://bharatkalyan97.blogspot.in/2015/08/iravatham-mahadevan-claims-to-have.html
    http://bharatkalyan97.blogspot.in/2014/11/dravida-maayaa-of-mahadevan-rejoinder.html) Following up on these critiques rejecting Mahadevan's decipherment, a proper decipherment of the hieroglyph multiplex is explained in this note, consitent with the entire Indus Script Corpora of about 7000 inscriptions as catalogus catalogorum of metalwork presented in mlecchita vikalpa, Meluhha cipher.

    saṁghāṭa m. ʻ fitting and joining of timber ʼ R. [√ghaṭ]Pa. nāvā -- saṅghāṭa -- , dāru -- s° ʻ raft ʼ; Pk. saṁghāḍa -- , °ḍaga -- m., °ḍī -- f. ʻ pair ʼ; M. sãgaḍ f. ʻ a body formed of two or more fruits or animals or men &c. linked together, part of a turner's apparatus ʼ, m.f. ʻ float made of two canoes joined together ʼ (LM 417 compares saggarai at Limurike in the Periplus, Tam. śaṅgaḍam, Tu. jaṅgala ʻ double -- canoe ʼ), sã̄gāḍā m. ʻ frame of a building ʼ, °ḍī f. ʻ lathe ʼ; Si. san̆gaḷa ʻ pair ʼ, han̆guḷa, an̆g° ʻ double canoe, raft ʼ.(CDIAL 12859)


    m-377. Mohenjo-daro tablet.

    Some examples of inscriptions from Indus Script Corpora which deploy the 4-hieroglyph sequence:
    Mohenjodaro tablet. m-1475
    Mohenjodaro seal. m-626
    Mohenjodaro seal. m-38
    Seal. harappa h-61

     Seal. Harappa h-12
    Sign 51 Variants. It is seen from all these variants, that the semantic focus signified by the orthography is on the 'scorpion's pointed stinger'

    Hieroglyph as it occurs on Mohenjo-daro Seal m-1 Hunter identified the orthographic components of the sign as: 'the tail, back, two ears and hind legs of an animal'. [Hunter, GR, The script of Harappa and Mohenjodaro and its connection with other script, 1934 (2003), New Delhi]

    It is assumed that locks of hair are superscripted on the scorpion hieroglyhph. Hieroglyph: *mēṇḍhī ʻ lock of hair, curl ʼ. [Cf. *mēṇḍha -- 1 s.v. *miḍḍa -- ]S. mī˜ḍhī f., °ḍho m.  ʻ braid in a woman's hair ʼ, L. mē̃ḍhī f.; G. mĩḍlɔmiḍ° m. ʻ braid of hair on a girl's forehead ʼ; M. meḍhā m. ʻ curl, snarl, twist or tangle in cord or thread ʼ.(CDIAL 10312). Thus, the message is :  meed-bica = 'iron (hematite) stone ore'. Hieroglyph: Superscript of a curl to the scorpion hieroglyph: मेढा (p. 665) [ mēḍhā ] A twist or tangle arising in thread or cord, a curl or snarl.(Marathi) Rebus: mẽṛhẽt, meḍ ‘iron’ (Mu.Ho.)

    Modern impression of Harappa Seal h-598

    The 'hook' hieroglyph is associated with the 'scorpion' hieroglyph. Modern impression of sedal L-11 Lothal

    Hook hieroglyph:

    M. mẽḍhā m. ʻ crook or curved end (of a horn, stick, &c.) ʼ.Thus, the 'crook' hieroglyph is a semantic determinant of the hieroglyph-multiplex composed of the 'curl PLUS crook PLUS scorpion'. Hence, Rebus: mẽṛhẽt, meḍ ‘iron’ (Mu.Ho.) PLUS bicha; that is, the compound phrase meed-bica = 'iron (hematite) stone ore' (Santali)

    Orthographic variants of the 'scorpion' hieroglyph point to the pointed end of the scorpion's stinger:

    See the 'scorpion' hieroglyph on modern impression of seal M-414 from Mohenjo-daro. After CISI 1:100.

    Hieroglyph Ka. koṇḍi the sting of a scorpion. Tu. koṇḍi a sting. Te. koṇḍi the sting of a scorpion.(DEDR 2080). Rebus: kuṇḍī = chief of village. kuṇḍi-a = village headman; leader of a village (Pkt.lex.) i.e. śreṇi jeṭṭha chief of metal-worker guild. khŏḍ m. ‘pit’, khö̆ḍü f. ‘small pit’ (Kashmiri. CDIAL 3947), kuṭhi‘smelter furnace’ (Mu.) kuṇḍamu ‘a pit for receiving and preserving consecrated fire’ (Te.) kundār turner (A.); kũdār, kũdāri (B.); kundāru (Or.); kundau to turn on a lathe, to carve, to chase; kundau dhiri = a hewn stone; kundau murhut = a graven image (Santali) 


    bicha 'scorpion' (Assamese) Rebus: bica 'stone ore' as in:  meed-bica = 'iron stone ore', in contrast to bali-bica, 'iron sand ore' (Munda). bichi , ‘hematite’(Asuri)

    byucu scorpion (K.); bu_ch (Mth.) bacchiu~ large hornet (N.) vr.s’cika scorpion (RV); vicchika (Pali); vicchia, vim.chia (Pkt.); bich (Sh.); bichi_ (Ku.); bica_ (A.); bicha_ (B.Or.); bu_ch (Mth.); bi_chi_ (Bhoj.Aw.H.); vi_chi_, vi~chi_ (G.); ucum (Pas’.); vichu~ (S.); vicchua, vim.chua (Pkt.); vichu~ (L.); bicchu~ (P.); bichu (Or.); bi_chu (Mth.); bicchu~, bi_chu_ (H.); vi_chu (G.); viccu, viccua,vim.cua (Pkt.); byucu (K.); biccu_ (P.); biccu_ (WPah.); vi_cu_ (M.); viccu, vim.cu (Kon.); bacchius_ large hornet (n.)(CDIAL 12081). 

    mer.ed-bica = iron stone ore, in contrast to bali-bica, iron sand ore (Mundarisamr.obica, stones containing gold (Mundari.lex.)bicamer.ed iron extracted from stone ore; balimer.ed iron extracted from sand ore (Mu.lex.) kut.ire bica duljad.ko talkena, they were feeding the furnace with ore (Mundari)

    A Meluhha gloss for hard stone ore or iron stone is mẽṛhẽt, meḍ ‘iron’ (Mu.Ho.) which is denoted by the hieroglyph, 'markhor'. miṇḍāl ‘markhor’ (Tōrwālī) meḍho a ram, a sheep (Gujarati)(CDIAL 10120) Rebus: mẽṛhẽt, meḍ ‘iron’ (Mu.Ho.) Meluhha glosses are annexed which indicate association with cire perdue (or lost wax) method of casting metals using beeswax, particularly in the glosses for miedź, med'  'copper' in Northern Slavic and Altaic languages. 

    Wilhelm von Hevesy wrote about the Finno-Ugric-Munda kinship, like "Munda-Magyar-Maori, an Indian link between the antipodes new tracks of Hungarian origins" and "Finnisch-Ugrisches aus Indien". (DRIEM, George van: Languages of the Himalayas: an ethnolinguistic handbook. 1997. p.161-162.) Sumerian-Ural-Altaic language affinities have been noted. Given the presence of Meluhha settlements in Sumer, some Meluhha glosses might have been adapted in these languages. One etyma cluster refers to 'iron' exemplified by meD (Ho.). The alternative suggestion for the origin of the gloss med 'copper' in Uralic languages may be explained by the word meD (Ho.) of Munda family of Meluhha language stream:

    Sa. <i>mE~R~hE~'d</i> `iron'.  ! <i>mE~RhE~d</i>(M).
    Ma. <i>mErhE'd</i> `iron'.
    Mu. <i>mERE'd</i> `iron'.
      ~ <i>mE~R~E~'d</i> `iron'.  ! <i>mENhEd</i>(M).
    Ho <i>meD</i> `iron'.
    Bj. <i>merhd</i>(Hunter) `iron'.
    KW <i>mENhEd</i>
    @(V168,M080)

    — Slavic glosses for 'copper'
    Мед [Med]Bulgarian
    Bakar Bosnian
    Медзь [medz']Belarusian
    Měď Czech
    Bakar Croatian
    KòperKashubian
    Бакар [Bakar]Macedonian
    Miedź Polish
    Медь [Med']Russian
    Meď Slovak
    BakerSlovenian
    Бакар [Bakar]Serbian
    Мідь [mid'] Ukrainian[unquote]
    Miedź, med' (Northern Slavic, Altaic) 'copper'.  

    One suggestion is that corruptions from the German "Schmied", "Geschmeide" = jewelry. Schmied, a smith (of tin, gold, silver, or other metal)(German) result in med ‘copper’.

    Hieroglyph: X signifies crossing or passing over (Note: the hieroglyph also occurs on Haifa pure tin ingots to signify a mineral element: dhatu).

    Te. dã̄ṭu to leap, jump, cross over, pass over, go beyond, transgress; n. a leap, jump, crossing or passing over. Kol. da·ṭ- (da·ṭt-) to cross; da·ṭip- (da·ṭipt-) to make to cross; Ka. dāṭu, dāṇṭu to jump, pass or step over, cross, ford, go beyond, exceed, transgress, pass away, expire; n. passing over, jump across, etc.; dāṭisu, dāṇṭisu to cause to pass over. Koḍ. (Kar.) da·ṭ- (-i-) to cross. Tu.dāṇṭuni to cross, ford, pass by. (DEDR 3158)

    Rebus: dhāˊtu n. ʻ substance ʼ RV., m. ʻ element ʼ MBh., ʻ metal, mineral, ore (esp. of a red colour) ʼ Pa. dhātu -- m. ʻ element' Pk. dhāu -- m. ʻ metal, red chalk ʼ; N. dhāu ʻ ore (esp. of copper) ʼ; Or. ḍhāu ʻ red chalk, red ochre ʼ (whence ḍhāuā ʻ reddish ʼ; M. dhāū, dhāv m.f. ʻ a partic. soft red stone ʼ (whence dhā̆vaḍ m. ʻ a caste of iron -- smelters ʼ, dhāvḍī ʻ composed of or relating to iron ʼ); -- Si. dā ʻ relic ʼ (CDIAL 6773)

    Sign 342 variants

    Image result for scorpion indus script hieroglyphDaimabad seal. Rim of narrow-necked jar.
    Pottery Kalibangan 105

    Hieroglyph: karava 'narrow-necked pot' Koḍ. karava clay pot with narrow neck. Go. (Ma.) karvi narrow-mouthed earthen vessel for oil or liquor (Voc. 564). karaka  'rim of jar' (Samskritam) Rebus: kharva 'wealth, nidhi'; karba 'iron' karNI 'supercargo' karNIka 'scribe'.


    S. Kalyanaraman
    Sarasvati Research Center
    August 15, 2015

    Arnab's hoax -- Ravinar. Why make the idiot box even more idiotic? NaMo, restitute kaalaadhan.

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    FRIDAY, AUGUST 14, 2015

    Arnab's Hoax

    Ravinar
    On August 12 the Parliament finally settled to a reasonable debate over the Sushma Swaraj – Lalit Modi issue. Congress leader Mallikarjun Kharge spoke uninterrupted for nearly an hour with questions for SS. All very fine! Then SS spoke amidst ruckus and noise, mostly by Congis. News channels showed most of Kharge’s speech. It is just when SS launched a scathing attack on Sonia GandhiRajiv Gandhiand Rahul Gandhi – the Chinese Gandhis family that the MSM lost their pants and skirts and ran helter-skelter. Here’s what happened:

    That is right. NDTV suddenly shifted to stock reports, IndiaToday and CNN-IBN to some road rage in Navi Mumbai and Timesnow to Privacy issues. The media’s Scaredy chicks wanted to avoid the shellacking of the Gandhis. And that too is what happened after the hounding of SS and Vasundhara Raje over the LKM issue. The moment LKM mentioned SoniaG the media went dead on the issue. But the stupid Congress made the mistake of extending it to Parliament and rioting and disrupting proceedings. Was it really a mistake? It wouldn’t appear so. We’ll find out.

    That the Congress received a thrashing for their lies at the hands of SS and AJ (Arun Jaitley) would be an understatement. The evil Congress was exposed from RajivG to SoniaG’s sisters to RahulG. Allowing Warren Anderson of the Bhopal gas tragedy to escape in exchange for RajivG’s friend (and relative?) as also Quatrochi featured in the crimes of Congress in speeches by SS/AJ. SS stated the Gandhis had also received money from Quatrochi of the Bofors infamy. AJ even called the little duffer an “Expert without any knowledge” considering the latter blabbers on anything ignorantly (in this case his pre-scripted blabber was reported as a counter to SS by Rahul Kanwal and Hindustan Times. Guy is bad even at rote learning). We will pass all of this for another day as these are major crime-stories that can make multiple posts. Instead, let us rewind on how things came to such a pass.

    It is normal and also desirable for the media to be adversarial to the govt of the day. But in India, our MSM has largely been adversarial to BJP regardless of whether they are in power or not. The entire MSM, like a box of parrots or a mischief of mice (Yes a group of mice is called “mischief”) started hounding SS-VR after a story by Timesnow. Now, the TOI group and others have been hounding BJP and their members for a very long time while protecting the sins of Congress and Sonia. Remember, TOI group in particular has carried fake stories from Rambo to the current nonsense. After BJP comes to power, they run fraudulent campaigns like “Christians under attack” and other frivolous crap. In this particular case the fraudulent campaign against SS-VR was a conspiracy hatched by and with Arnab Goswami of Timesnow and others followed like mice because they saw another chance to trash BJP and seek scalps of their ministers. It was nothing short of criminal. On his nightly ruckus called Newshour, Arnab was raging like his bottom was on fire:

    In response to Arnab’s frequent fraudulent Witchhunts I have written a few posts. While writing those I still did not suspect his integrity. But his 3-week hounding off SS and VR smacked of a “Supari” Whackjob that was hard to explain. He called it #LalitGate urging viewers to trend it. #LalitGate never trended. I responded with a post called#ArnabGate (which trended world-wide). Here’s a quote from towards the end of that post:

    Arnab has a history of hounding people with an agenda of seeking scalps. There was theNitin Gadkari hounding which lasted for a month. There was this N Sreenivasanhounding which lasted 21 days. There have been others too. In the case of Gadkari all of it turned out to be nothing but a “Supari” hit job. In case of Sreenivasan, many indicated the agenda was because of conflict between TOI and BCCI. Sreenivasan continues to be in some position or the other in Indian cricket. After the world cup he wanted to hound MS Dhoni out and got severely trashed on Twitter… the media and Congress claiming “moral” grounds is like Al Capone preaching Prohibition. All of Arnab’s mindless bitching has gotten nowhere. I am sure Arnab knows this and therefore he pounces on any and every little firecracker and screams “It’s a bomb, it’s a bomb”… At the end of it all, maybe in a year, when we thoroughly scrutinise every witch-hunt (going beyond news reporting) Arnab has carried out we will find most of them were damp squibs and the only real scandal would be ArnabGate”.

    At the beginning of Kharge’s speech in LS Timesnow grandly carried a small banner on their screen – Timesnow impacts Parliament, implying Timesnow forced LalitGate discussion in Parliament. When the tide turned with SS’s speech – that banner disappeared. Arnab had taken a severe beating. And his rage was all over his channel in his nightly ruckus screaming that both BJP and Congress had played a fixed match. He howled that Congress did not ask the questions of SS that they should have asked. Really? Which questions? That ones that never existed in the first place or concocted by Arnab? So how did the Witchhunt of SS-VR start? SS mentioned P Chidambaram many times in her speech and alluded to PC being the one who framed Kharge’s questions that were also breast-fed to a TV channel with supposed dirt on her. Not the first time because we have also read reports that the great “coup report” by Shekhar Gupta was breast-fed to him by PC.

    Based on the breast-feeding Arnab received from someone, he also had the audacity to demand that PM sack VR and SS. This moron thinks he can order PM to sack anyone; such is his ego and arrogance. Naturally, the beating Congress took in LS makes Arnab feel it’s a personal loss and defeat for him. IT IS! It is a major defeat for his hounding and slander. Such was the viciousness that Arnab even called VR’s son the “BJP Vadra” and his criminal reporters hounded VR and in one case even crashed into her convoy in Delhi. Not satisfied with mere hounding Arnab extended his vile nonsense with exceptional slander. Take a look:

    Such was the hate-mongering by Arnab that he even accused VR of promoting/selling cancer to benefit Lalit Modi. This is his great independent journalism? This is the grand integrity he talks about? Clearly, Arnab was breast-fed by anti-BJP sources (Probably Congress) on stupid stuff. He built another case of VR and son owning a palace in Dholpur illegally. This was again spoon-fed to him by nonsensical claims in a presser by Jairam Ramesh. This is what AJ mocked in his speech in LS – That a court order giving ownership to VR’s son was not important but a Congress spokie blabbering crap was truth for Arnab and media channels. Arnab now has dinosaur eggs on his facefor his fraudulent smear campaign and imaginary integrity:

    And all this while claiming he has ALL the facts, that his team has VERIFIED everything thoroughly. The best trashing of the bogus claims Arnab made on LalitModi nexus came with the clarity on LKM’s status that Arun Jaitley laid out in the LS. Smear-campaigners like Arnab, his partners in Congress and other media colleagues kept on calling LKM a “fugitive” when it was evident to even ordinary men like me that he was not a fugitive when Sushma helped him out to meet his cancer-stricken wife. And worse, thecriminals in the media went to the extent of claiming VR could be prosecuted for treason:

    The Congress orchestrated this smear-campaign and Arnab was their vehicle – like a cigarette is the delivery vehicle for nicotine. Arnab became that poisonous vehicle. The Congress suffered more political damage than they estimated. The public, the industrialists and every sensible person on the street is disgusted at their vicious rioting in the Parliament over a frivolous issue. Arun Jaitley rightly pointed out that all the Congis wanted was to disrupt and halt the growth of India. I called it Stalling India and so did many others in the public domain. Congi wimps are now standing on Sonia’s queen-size ego and nothing else. The biggest hit was taken by SoniaG and RahulG – their reputation and that of their family lies in shambles. It will only get worse in days ahead. I am in no doubt about that.

    As for Arnab, he is barking like a mad dog which has been trapped by the municipal van. His fake self-righteousness makes him scream even in his promos. He knows he has been licked and beaten badly. Only one consolation – “everybody takes a beating sometime”. The loss of credibility and his fake integrity exposed; is a heavy price for Arnab to pay for his slander-campaign. He now threatens Sushma and BJP that his game is not over and that he will expose them even more – that is not a journalist but a vengeful political pimp blabbering, somewhat like that guy from UP who wanted to make “Boti Boti” of Modi. Long before the truth came out in Parliament I was clear that at the end of the game the only Gate left will be ArnabGate. Arnab’s hoax has been badly exposed and he has been paraded Nekkid in Parliament and in public. He has cried wolf too often and lost any trust he had. Sushma Swaraj laced her LS speech with a perfect slap for Arnab – “Nation wants to know” and they know now. 

    45 comments:

    1. Now govt planned to impose penalty for paid news hit jobs.it will be great step in direction to hit brokers like arnab goswami rajdeep sardesai barkha dutt.moreover my suggestion is bring a notification for formation of a media regulatory authority in place of press commission of india or changevthe name style as media regulatory authority with power to impose penalty on media houses for derelection of duty and working against interest of nation.
      Reply
    2. Now media is in the hands of anti national christian and muslims through their money bags.govt of india ought ban all FDI on media and bring out media from clutches of anti nationals.
      Reply
      Replies
      1. if Arnab is really neutral journalist, let him investigate what happened with Anderson escape from India and bring to public
    3. The only way to stop Arnab's nonsense is for people to stop watching News Hour. As long as the TRP keeps increasing his arrogance will continue to rise.
      Reply
      Replies
      1. This is what we have started doing and should do. TRP comes down they will change sides. I have stopped watching Timelss now and stopped their Toilet paper.
      2. That's absolutely true its only chaos and hounding. So I too hv stopped watching.
      3. Almost everywhere in the world, that would be the case. TRP goes down, followed by the reduction in the advertise revenue and that would be it. Not in India. In India, these anti-national channels are funded and supported by the enemies of India (Middle-East countries, CIA, Christian organizations, etc.)
      4. This comment nails it. You can wake up a person who is genuinely asleep. A person who fakes sleeping can not be awaken. Similarly fake journalists, scholars, politicians, media persons promoted by anti nationals within and from outside can not be dealt with by natural tools of business and ratings. The fear is that this unnatural behaviour over the time is internalised and becomes live and proliferates. That 's why it took 60 years to deal solidly with crook politicians. Only with this understanding, we can deal with anti national more politicians, yet untouched anti national and crook journalists, such so called scholars and ugly, old crook bollywood who have distorted true ageless India with foreign agenda.
    4. Mr Jaitleys speech was one of the best most civil ways of destroying opponents must be taught in schools
      Reply
    5. The only way to bring ppl with the ego of the size of this globe or universe like AG is to boycott his channel. ppl with some decorum or modicum of decency should not be a panelist! All those panelists are day-in and day-out reprimanded like school kids and they shamefacedly take it lying down, all his tantrums!!
      Reply
    6. Chiddu:upa had filed case against LM under FEMA-which has a fine and penalty as maxm punishment. where then is the case for extradition, deportation or red corner notice? chiddu wasted parliament time by being silent on this
      Reply
    7. Dear Ravinar

      I think you are wasting your God given talent on itemizing the irrational and pitiful actions of people who in reality don't deserve this much attention. The corrupt media, the fake Gandhi's , Lallu's, yadav's Mamata etc... These people are the reason why after 70 years of independence we are still a poor country controlled by foreigners. The people who read your Blog already know these moron's well and ignore them.

      I suggest you write in-depth about how PM Modi is trying to bring change, the work of people like Piyush Goyal in the power sector, how the polices of BJP will lift India in tong run and why it is important to give the a few more years.
      I am really worried that people may not understand how policy changes take awhile to have effect and end up handing the country over to fools like Kejri and company. Educate people of the depth of change that BJP is trying to bring all over the country and in particular why Bihar and UP should elect a BJP majority in their state.
      Thank You



      Reply
      Replies
      1. good suggestion. each one of us should try that too.
      2. @Xsyourpal/Arun Kumar

        This is a mistaken notion some people have. There are lots of people writing about Modi's work.... If someone is trying to burn your house would you look away and walk away because it hurts you? This is a failed argument. 

        It is equally important to keep an eye on those trying to burn India and halt her progress through conspiracies and falsehoods. That I have done this for many years has helped many understand MSM better and make better political choices. Each aspect of society requires appropriate treatment. Just because you dont want to watch doesnt mean someone is not harming the country.. You dont watch soldiers everyday either.. but theyre out there defending something...

        Think deeply about that.

        Thanks...

      3. we have many enemies & many fronts to fight on & truth to be spread in too less a time. Mediacrooks excelling in this field. Swamy doing well on corruption fronts. Time real nationalist take interest & wield a pen . Sorry retired babus & military look mediocre . There is a very small pool that can talk a lot The CAG the khemkas & even those in military . But since they were honest would be struggling to meet ends & the constant torment of their children it is because of you we do not have BMWs & 52 crore bungalows and made fools. If Govt can provide sustenance this cadre can be fired too write.One we lost APJ Kalam. Hope we do not loose others & Yes for some of us with the right training we can do that. In SM we are raising voices for whatever time permits.
      4. Dear xsyourpal,


        Although I completely agree to your comments, I have a feeling the humiliated & defeated Congress should not be taken for granted. Congress is like the evil which can change face & get back into business before we know it. In fact we should be even prepared for riots, terror attacks on devotees or plane hijack to create anti-Modi environment in country. So Instead I would suggest someone to start a new blog which will focus completely on positive negative aspects of his initiatives, lot of healthy discussion with actual numbers & percentage comparisons with earlier Congress regimes with respect to rural & urban development, Terrorism, e-governance, education & healthcare.

      5. Not watching is by not paying, ensuring they do not get promoted in any way.stop watching on prime time and watch it in Internet. This does not mean nothing else need to be done on it
        This is only for people who can not do anything but watching, it is still a contribution.

      6. It is like asking army & police to stop working and start farming jobs which feeds the country. Ravinar is certainly making way for Modi easier removing those hurdles who are in the disguise of journos. Let other experts in Government assist Modi in his pursuits.
    8. The best article on Arnab's cheap journalism. I have been following you in Twitter. Well done...way to go!!!!
      Reply
    9. Stopped watching TN 4r more than 6months n stopped Toilet Paper too!If India has to move forward,bury cong which is a herculean task!Only NaMo with like minded people can develop India which has been ignored since Independence by fake Gandhis!
      Reply
    10. Poor Arnab, no 'Acche Din' for him!! His desperate campaign to get atleast one resignation flopped. He then launched a vicious attack against Maggi and now Bombay HC has ruined even that!! Lets see what he does next to relieve his frustrations!!
      Reply
    11. Dear Ravi, Thanks a lot for speeding up your output. It's desperately need, else these Media Pimps will succeed in their plan to derail the Modi Govt., by such egregious sophistry. By the way did you hear that in Mumbai some college wanted to hold a course in Journalism, to be conducted by Rajdeep S., but not a single student signed up. One Pimp stands exposed, SOLELY thanks to your relentless exposes about his crookedness. NOW pl concentrate and expose the new Congress Goon--Arnab on a regular basis, till his reputation is truly in tatters. Bharat supports you!!!!!
      Reply
    12. I had stopped watching Aurnobs 'The Fish Market Hour' a long long time ago. It's like putting your head in a pile of garbage leaving you with a shit mind at the end of it.

      His usual way of debating
      1. Accuse A of something
      2. Throws a few questions to A
      3. Asks for an answer to those questions from B!!!
      4. Instead of answering, B will add a few more accusations and questions and throw it on A
      5. Aurnob slyly interjects and doesn't even let A answers or respond to those accusation and questions and starts from point 1 all over again.

      He is the judge and he is the jury. All lies peddled without merits and without even letting the person or people being accused of by him. And that's why it's 'The Fish Market Hour'

      Reply
    13. There re few thing BJP needs to learn from communist of Kerala. Few of the media person begging for it
      Reply
    14. & They did not tell the real stories of Bofor, Bhopal gas perpetrators & allowed the criminals to go free in exchange of pappu's mausi & chacha
      Reply
    15. And Ravi kudos to your tweet on conflict of interest on PC Chidambaram. Completely exposed. where are the tv appearances for the babus who hired them. atleast name them, we shall take it up from there
      Reply
    16. Today's Deccan Herald carries under it's caption, 'Speak Out',a quote by that rabidly anti-Hindu,half Italian Catholic,Rahul Gandhi which says "The capturing of educational institutions by the RSS is a political issue.I am not politicising it.The BJP is".This is from a rascal who had no qualms when the Catholic,St Xaviers,Mumbai, issued a circular before 2014 LS elections,asking students to vote only for Congress.Even the extreme hatred of Sonia towards Narendra Modi is only because he stopped largescale conversions of tribals of Dangs district of Gujarat.In the unfortunate event of Congress coming to power at centre,entire country will get Christianised by Rahul and Sonia.Don't forget that at ripe old age of 44,Rahul is unmarried only because he is a Catholic priest in civilian clothes.
      Reply
    17. A very good and a very hard hitting article. But event his wont move the MSM and in particular the hound named ARNAB. It is time to fix accountability for press and all the channels and media houses should be shown their rightful place. With each passing day, the reporting gets worser and worser and there is blatant bias in news coverage which is so shameless that one fail to understand that whether they have an iota of conscience or not! Only strict accountability and taking them to court and parading their lies in front of the public is the only way out. The government needs to get its act together very soon!
      Reply
    18. Dear Ravi,You used to maintain that irrespective of Arnab's witch hunt journalism his integrity cannot be questioned unlike the other presstitutes. and for sometime now I had wanted to ask if you still maintain that stand. This post have answered my unasked question. 
      On SS, If I remember right, she even mentions that the humanitarian consideration is for the Indian lady with cancer who wants her husband to be on her bedside. But the congis and media continuously twisted the tale on the priorities of LKM and where all he traveled apart from visiting his wife.

      Reply
    19. I used to like AG . Then he became irritatingly predictable and intrusive. But lately he is becoming more snd more obnoxious.
      And agree. The latest outrages appear fake. That sure creates doubts about his integrity.

      Reply
    20. There is hardly any difference between Congress crooks and Media crooks Arnab, NDTV, India Today etc, The factor that determines the hype and cooked up lies and shouting seems to be based on how much Quid Pro Quo each channel gets or which channel succeeds in the final bid. The EXCLUSIVE RIGHTS for a specific "blow job" is based on the timing, the duration, the person etc etc The presstitudes then start collecting papers of lies and then comes lies after lie. These MSM particularly this Arnabgate is an accomplice of congress traitors bent upon to reverse the progress of India, He is not only a liar but an impertinent ,arrogant Narcissist. If these SMS are serious and HONEST to their profession then where is the debate on Quid pro on Anderson and Rajiv Gandhi. Where is the debate on Rahul Ki Mausi and Black Money. Where was the debate on some rape case. At least the Nation Wants to Know - Dudh ka Dhud, Pani ka Pani -
      Reply
    21. I stopped watching these channels some months back. I was offered them at ₹ 1 per month. Even if given free, I don't want to waste my time watching them. I wish there is some supervisory body for the news channels to prevent the nonsense they are engaging in.
      Reply
    22. Awesome post Ravi, your anelysis is excellent.
      Reply
    23. You have said it,visible by the comments it attracted.
      Reply
    24. As much as I believe in the "right to freedom of speech", I also believe that every right comes responsibility.The implication being we have to exercise each and every right responsibly.But if the Mass Media is behaving like as somebody referred as an unleashed hound , it is time to leash it and regulate it with a Media Regulatory Authority.I firmly believe there must not be any FDI in the media as that would nothing but suicidal as the media would be working for other countries instead of our own which is least desirable.Perhaps , there must be ONE national level news channel/news paper in both Hindi and English followed up by such prototype in each state(ONE state level newschannel/newspaper in the local language).And also such an establishment in
      every district too for more detailed coverage of local events. Such a set up must be a joint public private enterprise with the government being an equal stakeholder/partner. The journalists musr be qualified and there must be an act in the parliament which makes it a requirement for a journalist to have a journalism degree in any school of journalism.Justice Markandey Katjus inputs must be taken while formulating the act.Nowadays anybody with a mike becomes a journalist and they go on on a rampage of slander/calumny spreading lies and mischief.Peace.

      Reply
      Replies
      1. Brother rizwan, most of the presstitutes are qualified from Oxford and other reputed universities, where they teach everything except patriotism and love for the countrymen. Some of such journos sold their souls to corrupt politicians and in the process enriched themselves by millions. A low life like Rajdeep even pursued newly elected PM to New York and exhibited his biased behavior only to get trashed by SM. Can any journalist do this without any benefits? But there is no cause for pessimism. These unethical journos are repeatedly knocked down by SM which is the people's voice and not to mention Ravinar who pounds them like no other before. With such relentless beating, the so called presstitutes have no other go but to either reform or vanish from the scene. While this process of cleansing journalists continues, no need for the Government to take charge, because that will surely make the Media a Government mouthpiece. In a developing country like ours, the corrections will take place automatically by the people, a little slower pace in our case. The best instance we saw is elimination of Congress as a political force. As far chameleon Markandey Katju, the less said is better.
    25. Arnab and other mediacrooks are aware that their histrionics & blatant lies contributed for the terrible defeat of Congress, where public noticed intolerable level of hypocrisy being practiced. With the emergence of Social Media as public voice, the squeaky voice of mediacrooks became swan song. Mediacrooks are further demolished by of course Ravinarji, who is expert in dissecting crooks inch by inch. Now their survival depends on keep milking Gandhis and their Stupid heirs for some more time, till they exit politics permanently.
      Reply
    26. Many of you must have watched the "debate" in the Loksabha on 12-08. I was, initially, a reluctant watcher, but now, after two hours, I feel I was lucky to hear the proceedings. Sushma Swaraj today rose to her fullest stature as an orator and despite all the noisy obstructions put in her way by the congress shouting brigade, she effortlessly demolished the brittle edifice built by the congress around her alleged misdemeanours and "corrupt" acts vis-a-vis Lalit Modi.

      Sushma Swaraj had many arrows in her quiver and the most hurtful, most poisonous and utterly debilitating were reserved for the two Gandhis, Sonia and Rahul. The sting was so powerful and the debility so deep and permanent that no antidote is likely to wash it away. Sushmaji had, besides accurately hitting the marks with the arrows, delivered very painful karate chops to the Chidambaram couple as well as Kharge, but they can take solace behind the fact that Sonia, Rahul and even the long dead Rajiv Gandhi and his late partner in anti-national act, Arjun Singh, were all hugely singed by the Sushma blitzcrieg.

      While the TV channels had precious footage courtesy Loksabha TV of several hours' duration, twitterati are having a whale of a time trending under #VikasVirodhiKhangress etc. Also, as much as I was surprised by Sushma's revelation that Rajiv Gandhi bartered a mass murderer, Anderson, guilty of killing 15000 poor Bhopalis for one solitary individual, Adil Shaharyaar. I cannot, for the life of me, get over the reverberation of her stinging words thrown at Rahul: "Mamma, how much money we got in the Quattrocchi deal?" 

      AND, FINALLY, FOR THE "LEAK" OF ARMY COUP BY CHIDAMBARAM TO SHEKHAR GUPTA, NOW CHIDAMBARAM WRITES FOR INDIAN EXPRESS EVERY SUNDAY. HOW IS THAT FOR A QUID PRO QUO?

      Reply
    27. Ravi can you start a news channel with our help I mean we the subscribers tell us any other takers for this sugession 
      Is it possible

      Reply
    28. Everyday ARNAB, BARKHA,RAJDEEP,KANWAL, and numerous other presstitutes prove themself to be CHILDREN OF a PIG, who like to drench themself in dirt all over.. This was the best Strip tease of so many people in 1/2 hour by Sushma Swaraj... All their Anatomy lay thread bare for everyone to see...
      Reply
    29. One more issue for the BJP to go after the anti national 'Gangis' is the one which involved bartering away the country's Judicial system by promising that the two Italian Marines who were accused of killing our fishermen will be spared life or death sentence. It was reported that when a chjristian minister or speaker ( dont remember) went for participating in the new pope's anointment he was instructed to tell the Italians orally not to send back the accused marines ! No marks for guessing who gave the instructions!
      Reply
    30. I keep saying this that most of india still follows main stream media (MSM) especially hindi media and on Ndtv india, this congress crony Ravish kumar keeps posioning people's brains against bjp. He fully his uses sense of humour, his humble background and his rustic accent to be likeable among viewers.I used to like him as well,but now i know that he is a congress crony biased journalist.



      These days he is vociferously supporting AAP because he knows that AAP was created by congress as congress had no hope of wininng, so they created a 3rd force to reduce bjp's strength and keep the anti-bjp votes intact.

      I request all of those who are reading this comment to also expose congress stooge hindi journalists as well especially Ravish kumar.

      Reply
    31. Times Now and India today (except congi crook rajdeep) are bashing kejriwal for his name written in chhatrasal stadium but as expected congress crony Ndtv is trying to defend kejriwal. The same Ndtv keeps bashing modi for suit which modi put on auction for charity after wearing it.
      Reply
    32. In earlier times when there were not many TV channels Ambika Soni was called as Alsatian Dog of Indira and Rajiv Gandhi who used to bark at the media briefings through Newspapers. Now TV channels have mushroomed so AG has sincerely taken that role on behalf of Sonia and Rahul. I don't know how people see his News hour. I get headache. People should Sue him saying they have got headache and send their doctors bills to TimesNow.

    http://www.mediacrooks.com/2015/08/arnabs-hoax.html

    Indus Script unravels announcement of metals caravensarai, evidence of 11 ft. tall copper plated flagpost from Girsu (Telloh), Ancient Near East

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    http://tinyurl.com/oflxfcq
    Girsu (Tlloh) archaeological find. 11 ft. tall copper plated flagpost. This may relate to a period when 
    Girsu (ca. 2900-2335 BCE) was the capital of Lagash at the time of Gudea.

    Two types of reedposts are seen on Ancient Near East artifacts. An archaeological find of a 11 ft. tall copper plated flagpost from Girsu (Telloh) may be compared with a standard of Mari (of shorter length) 

    A soldier and a Mari dignitary who carries the standard of Mari. Detail of a victory parade, from the Ishtar temple, Mari, Syria. 2400 BCE Schist panel inlaid with mother of pearl plaques. Louvre Museum.
    One reedpost has a 'scarf' hieroglyph ligatured at the top (the context of metalwork is seen from a 'fish' hieroglyph: aya 'fish' Rebus: aya 'metal'). This reedost is seen on Warka vase. Another reedpost has a 'ring' hieroglyph ligatured at the top.  This flagpost is seen on a jasper cylinder seal.

    Such a flagpost is seen on a Gudea cup, held by Mus-hussu (dragon):

    On this cylinder seal, the flagposts with rings are shown together with hieroglyphs of: a person carrying an antelope (like the hioeroglyph shown on Shu-ilishu Meluhha translator cylinder seal), overflowing water, fishes, crucible, mountain range, sun (Source: http://enenuru.net/html/gal/urukprocexpl.htm)

    The context of metalwork is seen from the 'scarf' hieroglyph: dhatu 'scarf' Rebus: dhatu 'mineral'. 

    The context of a smithy/forge is seen from the 'ring' hieroglyph: koiyum [ko, koṭī  neck] a wooden circle put round the neck of an animal (Gujarati)  Rebus: ācāri koṭṭya = forge, kammārasāle (Tulu)

    Two types of flagposts are seen in some Ancient Near East artifacts in the context of metalwork: 1. reedpost with scarf; and 2. reedpost with ring. 

    Hieroglyph: Ta. eruvai European bamboo reed; a species of Cyperus; straight sedge tuber. Ma. eruva a kind of grass.(DEDR 819) Rebus: Ta. eruvai blood, (?) copper. Ka. ere a dark-red or dark-brown colour, a dark or dusky colour (DEDR 817)

    The reedpost with scarf occurs in a pair: dula 'pair' Rebus: dul 'cast metal' and denotes the warehouse which receives ingots of cast metal.

    The reedpost with ring occurs on a jasper cylinder seal with four holders of four reedposts. The holders have six locks of hair as semantic determinatives.  Hieroglyph: पेंडें [ pēṇḍēṃ ] n (पेड) A loop or ring.Rebus:  पेठ or पेंठ (p. 527) [ pēṭha or pēṇṭha ] f ( H) A manufacturing or trading town, an emporium, a mart: also a markettown.  pēṭhpēṭaka 'caravanserai'. The hieroglyph multiplexed signify a caravensarai from a trading emporium or trading town of copper, metal implements and products from smithy/forge.

    Hieroglyph: baTa 'six' Rebus: bhaTa 'furnace'.

    Hieroglyph: मेढा (p. 665) [ mēḍhā ] A twist or tangle arising in thread or cord, a curl or snarl.(Marathi. Molesworth)Rebus: mẽṛhẽt, meḍ 'iron' (Mu.Ho.). Thus the hieroglyph multiplex signifies iron furnace. 

    On the jasper cylinder seal the four reedpost holders (with six hair curls) are signified by semantic determinatives of four hieroglyphs: 1. crucible PLUS storage pot of ingots, 2. sun, 3. narrow-necked pot with overflowing water, 4. fish 

    A hooded snake is on the edge of the composition. (The dark red color of jasper reinforces the semantics: eruvai 'dark red, copper' Hieroglyph: eruvai 'reed'; see four reedposts held. 

    1. Hieroglyph: OP. koṭhārī f. ʻ crucible ʼ(CDIAL 3546) Rebus: koṭhār 'treasury, warehouse'
    2. Hieroglyph: arka 'sun' (Kannada) Rebus: arka, eraka 'copper'
    3. Hieroglyph: overflowing pot: lokhaNDa 'overflowing pot' Rebus: lokhANDa 'metalware, pots and pans of metal, metal implements'
    4. Hieroglyph: aya 'fish' Rebus: aya 'iron' ayas 'metal' (Rigveda)

    Thus, the four holders of four reedposts with attached ring display metalwork of a smithy/forge announcing metal imlements, iron, copper and iron.

    On many hierolyph multiplexes, water-buffalo (rã̄go) is associated with kANDa 'overflowing water'. The rebus renderings are: rāṅgā khaNDA 'zinc alloy implements'. The semantics of khaNDa 'implements' is attested in Santali: me~r.he~t khaNDa 'iron implements'. 

    Santali glosses

    A lexicon suggests the semantics of Panini's compound अयस्--काण्ड [p= 85,1]  m. n. " a quantity of iron " or " excellent iron " , (g. कस्का*दि q.v.)( Pa1n2. 8-3 , 48)(Monier-Williams).


    From the example of a compound gloss in Santali, I suggest that the suffix -kANDa in Samskritam should have referred to 'implements'. Indus Script hieroglyphs as hypertext components to signify kANDa 'implements' are: kANTa, 'overflowing water' kANDa, 'arrow' gaNDa, 'four short circumscript strokes'.

    See: http://bharatkalyan97.blogspot.in/2015/08/ancient-near-east-cylinder-seal.html A few Ancient Near East cylinder seals of Metropolitan Museum are presented in this note identifying Indus Script hieroglyphs used  on the artefacts. 



    Red jasper H. 1 1/8 in. (2.8 cm), Diam. 5/8 in. (1.6 cm) cylinder Seal with four hieroglyphs and four kneeling persons (with six curls on their hair) holding flagposts, c. 2220-2159 B.C.E., Akkadian (Metropolitan Museum of Art) Cylinder Seal (with modern impression). The four hieroglyphs are: from l. to r. 1. crucible PLUS storage pot of ingots, 2. sun, 3. narrow-necked pot with overflowing water, 4. fish A hooded snake is on the edge of the composition. (The dark red color of jasper reinforces the semantics: eruvai 'dark red, copper' Hieroglyph: eruvai 'reed'; see four reedposts held. 

    The four posts held on this jasper cylinder seal compares with similar posts shown on some other cylinder seals. They may signify: पेंढें ‘rings’ Rebus: पेढी ‘shop’.

    The leftmost hieroglyph shows ingots in a conical-bottom storage jar (similar to the jar shown on Warka vase (See Annex: Warka vase), delivering the ingots to the temple of Inanna). Third from left, the overflowing pot is similar to the hieroglyph shown on Gudea statues. Fourth from left, the fish hieroglyph is similar to the one shown on a Susa pot containing metal tools and weapons. (See Susa pot hieroglyphs of bird and fish: Louvre Museum) Hieroglyph: meṇḍā ʻlump, clotʼ (Oriya) On mED 'copper' in Eurasian languages see Annex A: Warka vase).

    The leftmost hieroglyph shows ingots in a conical-bottom storage jar (similar to the jar shown on Warka vase (See Annex: Warka vase), delivering the ingots to the temple of Inanna). Third from left, the overflowing pot is similar to the hieroglyph shown on Gudea statues. Fourth from left, the fish hieroglyph is similar to the one shown on a Susa pot containing metal tools and weapons. (See Susa pot hieroglyphs of bird and fish: Louvre Museum) Hieroglyph: meṇḍā ʻlump, clotʼ (Oriya) 

    On mED 'copper' in Eurasian languages:

    Wilhelm von Hevesy wrote about the Finno-Ugric-Munda kinship, like "Munda-Magyar-Maori, an Indian link between the antipodes new tracks of Hungarian origins" and "Finnisch-Ugrisches aus Indien". (DRIEM, George van: Languages of the Himalayas: an ethnolinguistic handbook. 1997. p.161-162.) Sumerian-Ural-Altaic language affinities have been noted. Given the presence of Meluhha settlements in Sumer, some Meluhha glosses might have been adapted in these languages. One etyma cluster refers to 'iron' exemplified by meD (Ho.). The alternative suggestion for the origin of the gloss med 'copper' in Uralic languages may be explained by the word meD (Ho.) of Munda family of Meluhha language stream:
    Sa. <i>mE~R~hE~'d</i> `iron'.  ! <i>mE~RhE~d</i>(M).
    Ma. <i>mErhE'd</i> `iron'.
    Mu. <i>mERE'd</i> `iron'.
      ~ <i>mE~R~E~'d</i> `iron'.  ! <i>mENhEd</i>(M).
    Ho <i>meD</i> `iron'.
    Bj. <i>merhd</i>(Hunter) `iron'.
    KW <i>mENhEd</i>
    @(V168,M080)
    http://www.ling.hawaii.edu/austroasiatic/AA/Munda/ETYM/Pinnow&Munda
    — Slavic glosses for 'copper'
    Мед [Med]Bulgarian
    Bakar Bosnian
    Медзь [medz']Belarusian
    Měď Czech
    Bakar Croatian
    KòperKashubian
    Бакар [Bakar]Macedonian
    Miedź Polish
    Медь [Med']Russian
    Meď Slovak
    BakerSlovenian
    Бакар [Bakar]Serbian
    Мідь [mid'] Ukrainian[unquote]
    Miedź, med' (Northern Slavic, Altaic) 'copper'.  
    One suggestion is that corruptions from the German "Schmied", "Geschmeide" = jewelry. Schmied, a smith (of tin, gold, silver, or other metal)(German) result in med ‘copper’. 

    Four flag-posts(reeds) with rings on top held by the kneeling persons define the four components of the iron smithy/forge

    Hieroglyph: staff: మేడెము [ mēḍemu ] or మేడియము mēḍemu. [Tel.] n. A spear or dagger. ఈటె, బాకు. The rim of a bell-shaped earring, set with ems.రాళ్లుచెక్కిన౛మికీ అంచుయొక్క పనితరము. "క ఓడితినన్నన్ వారక మేడెముపొడుతురె." BD. vi. 116.


    Hieroglyph: meṇḍa 'bending on one knee': మండి [ maṇḍi ] or మండీ manḍi. [Tel.] n. Kneeling down with one leg, an attitude in archery, ఒక కాలితో నేలమీద మోకరించుటఆలీఢపాదముमेट [ mēṭa ] n (मिटणें) The knee-joint or the bend of the knee. मेटेंखुंटीस बसणें To kneel down. Ta. maṇṭi kneeling, kneeling on one knee as an archerMa. maṇṭuka to be seated on the heels. Ka. maṇḍi what is bent, the knee. Tu. maṇḍi knee. Te. maṇḍĭ̄ kneeling on one knee. Pa. maḍtel knee; maḍi kuḍtel kneeling position. Go. (L.) meṇḍā, (G. Mu. Ma.) minḍa knee (Voc. 2827). Konḍa (BB) meḍa, meṇḍa id.  Pe. menḍa id.  Manḍ.  menḍe id.  Kui menḍa id.  Kuwi (F.) menda, (S. Su. P.) menḍa, (Isr.) meṇḍa id. Cf. 4645 Ta. maṭaṅku (maṇi-forms). / ? Cf. Skt. maṇḍūkī- part of an elephant's hind leg; Mar. meṭ knee-joint. (DEDR 4677) Rebus: mẽṛhẽt, meḍ 'iron' (Mu.Ho.)

    Hieroglyph: எருவை eruvai European bamboo reed. See கொறுக்கச்சி. (குறிஞ்சிப்.) Rebus: 817 Ta. eruvai blood, (?) copper. Ka. ere a dark-red or dark-brown colour, a dark or dusky colour; (Badaga) erande sp. fruit, red in colour. Te. rēcu, rēcu-kukkaa sort of ounce or lynx said to climb trees and to destroy tigers; (B.) a hound or wild dog. Kol. resn a·te wild dog (i.e. *res na·te; see 3650). Pa. iric netta id. Ga.(S.3rēs nete hunting dog, hound. Go. (Ma.) erm ney, (D.) erom nay, (Mu.) arm/aṛm nay wild dog (Voc. 353); (M.) rac nāī, (Ko.) rasi ney id. (Voc. 3010). For 'wild dog', cf. 1931 Ta. ce- red, esp. the items for 'red dog, wild dog'.


    patākā f. ʻ flag ʼ MBh. 2. paṭākā -- f. lex. 3. *phaṭākā -- . [Prob. ← a non -- Aryan word containing p(h)aṭ aryanized with t EWA ii 200] 1. Pa. patākā -- f. ʻ flag ʼ. 2. Pa. paṭāka -- n., Pk. paḍāga -- m., paḍāyā -- , paḍāiā -- f., mh. paḍāha -- m.; G. paṛāi f. ʻ paper kite ʼ.

    3. Kal.rumb. phŕā ʻ flag ʼ; Or. phaṛkā (perh. influenced by Or. phaṛa -- phaṛa ʻ with a sudden movement ʼ s.v. *phaṭ -- ). Addenda: patākā -- . 2. paṭākā -- : S.kcch. paṛāī f. ʻ paper kite ʼ.(CDIAL 7726)


    mūhā mẽṛhẽt 'iron smelted by the Kolhes and formed into an equilateral lump a little pointed at each of four ends.' (Note ingots in storage pot superfixed on the crucible hieroglyph).

    paTam 'snake hood' Rebus: padm 'sharpness' paṭa ‘hood of snake’. Rebus: padm ‘tempered, sharpness (metal)’. nāga 'serpent' Rebus: nāga 'lead (alloy)'


    Ta. paṭam instep. Ma. paṭam flat part of the hand or foot. Pe. paṭa key palm of hand. Manḍ. paṭa kiy id.; paṭa kāl sole of foot. Kuwi. (Su.) paṭa nakipalm of hand. (DEDR 3843)
    పదును (p. 0710) [ padunu ] or పదను padunu. [Tel. పది+ఉను.] Temper, sharpness, whetting,  Go. (ASu.) padnā sharpness. Konḍa padnu being ready for use (as oilseed being preparèd for pressing), sharpening (of knife by heating and hammering). Ta. patamsharpness (as of the edge of a knife),Ko. padm (obl. padt-) temper of iron.(DEDR 3907)

    Ta. patam cobra's hoodMa. paṭam id. Ka. peḍe id. Te. paḍaga id. Go. (S.) paṛge, (Mu.) baṛak, (Ma.) baṛki, (F-H.) biṛki hood of serpent (Voc. 2154). / Turner, CDIAL, no. 9040, Skt. (s)phaṭa-, sphaṭā- a serpent's expanded hood, Pkt. phaḍā- id. For IE etymology, see Burrow, The Problem of Shwa in Sanskrit, p. 45.(DEDR 45 Appendix) phaṭa n. ʻ expanded hood of snake ʼ MBh. 2. *phēṭṭa -- 2. [Cf. phuṭa -- m., °ṭā -- f., sphuṭa -- m. lex., °ṭā -- f. Pañcat. (Pk. phuḍā -- f.), sphaṭa -- m., °ṭā -- f., sphōṭā -- f. lex. and phaṇa -- 1. Conn. words in Drav. T. Burrow BSOAS xii 386] 1. Pk. phaḍa -- m.n. ʻ snake's hood ʼ, °ḍā -- f., M. phaḍā m., °ḍī f. 2. A. pheṭphẽṭ.(CDIAL 9040)






    Hieroglyph: मेढा (p. 665) [ mēḍhā ] A twist or tangle arising in thread or cord, a curl or snarl.(Marathi. Molesworth)Rebus: mẽṛhẽt, meḍ 'iron' (Mu.Ho.)



    The key hieroglyph is the hood of a snake seen as the left-most hieroglyph on this rolled out cylinder seal impression. I suggest that this denotes the following Meluhha gloss: paṭam n. < phaṭa. ‘cobra's hood’  phaṭa n. ʻ expanded hood of snake ʼ MBh. 2. *phēṭṭa -- 2. [Cf. phuṭa -- m., °ṭā -- f., sphuṭa -- m. lex., °ṭā -- f. Pañcat. (Pk. phuḍā -- f.), sphaṭa -- m., °ṭā-- f., sphōṭā -- f. lex. and phaṇa -- 1. Conn. words in Drav. T. Burrow BSOAS xii 386]1. Pk.  phaḍa -- m.n. ʻ snake's hood ʼ, °ḍā -- f., M. phaḍā m., °ḍī f.2. A. pheṭ,  phẽṭ. (CDIAL 9040). Rebus: ‘sharpness of iron’: padm (obl.padt-) temper of iron (Kota)(DEDR 3907); patam ‘sharpness, as of the edge of a knife’ (Tamil) Alternative complementary reading: <naG bubuD>(Z)  {N} ``^cobra''.  |<naG> `?'.  ^snake.  *IA<naG>.  ??is IA form <naG> or <nag>?  #23502. nāgá1 m. ʻ snake ʼ ŚBr. 2. ʻ elephant ʼ BhP. [As ʻ ele- phant ʼ shortened form of *nāga -- hasta -- EWA ii 150 with lit. or extracted from nāga -- danta -- ʻ elephant tusk, ivory ʼ < ʻ snake -- shaped tusk ʼ].1. Pa. nāga -- m. ʻ snake ʼ, NiDoc. nāǵa F. W. Thomas AO xii 40, Pk. ṇāya -- m., Gy. as.  JGLS new ser. ii 259; Or. naa ʻ euphem. term for snake ʼ; Si. nay,nayā ʻ snake ʼ. -- With early nasalization *nāṅga -- : Bshk. nāṅg ʻ snake ʼ. -- Kt. Pr. noṅ, Kal. nhoṅ ʻ name of a god < nāˊga -- or ← Pers. nahang NTS xv 283. 2. Pa. nāga -- m. ʻ elephant ʼ, Pk. ṇāya -- m., Si. nā. śiśunāka -- . (CDIAL 7039) Rebus: nāga2 n. ʻ lead ʼ Bhpr. [Cf. raṅga -- 3] Sh. naṅ  m. ʻ lead ʼ  (< *nāṅga -- ?), K. nāg m. (< *nāgga -- ?).(CDIAL 7040) cf. annaku, anakku 'tin' (Akkadian) நாகம் nākam  Black lead;  காரீயம். (பிங்.) 9. Zinc; துத்தநாகம். (பிங்.) 10. A prepared arsenic; பாஷாணவகை (Tamil).

    There is a possibility that the hieroglyph was intended to convey the message of an alloying metal like lead or tin or zinc which had revolutionized the bronze age with tin-bronzes, zinc-copper brass and other alloys to substitute for arsenical copper to make hard weapons and tools.  It is instructive that zinc was called tuthunāg which might have referred to the sublimate of zinc and calamine collected in the furnaces in Zawar. See: http://bharatkalyan97.blogspot.in/2014/02/metallurgists-of-mewad-meluhha.html


    This is an announcement of four shops, पेढी (Gujarati. Marathi).

    पेंढें ‘rings’ Rebus: पेढी ‘shop’. āra ‘serpent’ Rebus; āra ‘brass’. kara'double-drum' Rebus: kara'hard alloy'. (Note the double-drum hieroglyph component affixed atop the flagstaff)

    Specific materials offered for sale/exchange in the shop are: hard alloy brass metal (ayo, fish); lokhaṇḍ(overflowing pot) ‘metal tools, pots and pans, metalware’; arka/erka  ‘copper’; kammaa (a portable furnace for melting precious metals) ‘coiner, mint’  Thus, the four shops are: 1. brass alloys, 2. metalware, 3. copper and 4. mint (services).

    Alternative: erãguḍu bowing, salutation (Telugu) iṟai (-v-, -nt-) to bow before (as in salutation), worship (Tamil)(DEDR 516). Rebus: eraka, eaka any metal infusion (Kannada.Tulu) eruvai ‘copper’ (Tamil); ere dark red (Kannada)(DEDR 446).

    puṭa Anything folded or doubled so as to form a cup or concavity; crucible. 

    Hieroglyph: arká1 m. ʻ flash, ray, sun ʼ RV. [√arcPa. Pk. akka -- m. ʻ sun ʼ, Mth. āk; Si. aka ʻ lightning ʼ, inscr. vid -- äki ʻ lightning flash ʼ.(CDIAL 624)

    Rebus: arka 'copper (metal)'; araka 'sublimation, sublimate' (Kannada) అగసాలి (p. 0023) [ agasāli ] or అగసాలెవాడు agasāli. [Tel.] n. A goldsmith. కంసాలివాడుஅருக்கம்¹ arukkam, n. < arka. (நாநார்த்த.) 1. Copper; செம்பு.  Ka. Ka. eṟe cast (as metal); eṟaka, eraka any metal infusion; molten state, fusion. Tu. eraka molten, cast (as metal) (DEDR 866)



    Hieroglyph: kāṇḍam காண்டம்² kāṇṭam, n. < kāṇḍa. 1. Water; sacred water; நீர். துருத்திவா யதுக்கிய குங்குமக் காண் டமும் (கல்லா. 49, 16). Rebus: khāṇḍā ‘metal tools, pots and pans’ (Marathi) 

    Hieroglyhph: <lo->(B)  {V} ``(pot, etc.) to ^overflow''.  See <lo-> `to be left over'.  @B24310.  #20851. <lo->(B)  {V} ``to be ^left over, to be ^saved''.  Caus. <o-lo->.  @B24300.  #20861.(Munda etyma)

    Rebus: loh ‘copper’ (Hindi) 

    The hieroglyph multiplex clearly refers to the metal tools, pots and pans of copper.  लोहोलोखंड [ lōhōlōkhaṇḍa ] n (लोह & लोखंड) Iron tools, vessels, or articles in general.रुपेशाई लोखंड [ rupēśāī lōkhaṇḍa ] n A kind of iron. It is of inferior quality to शिक्केशाईलोखंड [ lōkhaṇḍa ] n (लोह S) Iron. लोखंडाचे चणे खावविणें or चारणें To oppress grievously. लोखंडकाम [ lōkhaṇḍakāma ] n Iron work; that portion (of a building, machine &c.) which consists of iron. 2 The business of an ironsmith. लोखंडी [ lōkhaṇḍī ] a (लोखंड) Composed of iron; relating to iron. 2 fig. Hardy or hard--a constitution or a frame of body, one's हाड or natal bone or parental stock. 3 Close and hard;--used of kinds of wood. 4 Ardent and unyielding--a fever. 5 लोखंडी, in the sense Hard and coarse or in the sense Strong or enduring, is freely applied as a term of distinction or designation. Examples follow. लोखंडी [ lōkhaṇḍī ] f (लोखंड) An iron boiler or other vessel. लोखंडी जर [ lōkhaṇḍī jara ] m (लोखंड & जर) False brocade or lace; lace &c. made of iron.लोखंडी रस्ता [ lōkhaṇḍī rastā ] m लोखंडी सडक f (Iron-road.) A railroad. 

    See: http://bharatkalyan97.blogspot.in/2015/08/ancient-near-east-rosetta-stones-of.html


    Alternative: ḍhālako = a large metal ingot (G.) ḍhālakī = a metal heated and poured into a mould; a solid piece of metal; an ingot (Gujarati)
    Allograph: ढाल [ ḍhāla ] f (S through H) The grand flag of an army directing its march and encampments: also the standard or banner of a chieftain: also a flag flying on forts &c. ढालकाठी [ ḍhālakāṭhī ] f ढालखांब m A flagstaff; esp.the pole for a grand flag or standard. 2 fig. The leading and sustaining member of a household or other commonwealth. 5583 ḍhāla n. ʻ shield ʼ lex. 2. *ḍhāllā -- . 1. Tir. (Leech) "dàl"ʻ shield ʼ, Bshk. ḍāl, Ku. ḍhāl, gng. ḍhāw, N. A. B. ḍhāl, Or. ḍhāḷa, Mth. H. ḍhāl m.2. Sh. ḍal (pl. °le̯) f., K. ḍāl f., S. ḍhāla, L. ḍhāl (pl. °lã) f., P. ḍhāl f., G. M. ḍhāl f. WPah.kṭg. (kc.) ḍhāˋl f. (obl. -- a) ʻ shield ʼ (a word used in salutation), J. ḍhāl f. (CDIAL 5583).

    They are four Glyphs: paṭākā ‘flag’ Rebus: pāṭaka, four quarters of the village.
    kã̄ḍ reed Rebus: kāṇḍa ‘tools, pots and pans, metal-ware’. 

    1. Pk. kamaḍha -- , °aya -- m. ʻ bamboo ʼ; Bhoj. kōro ʻ bamboo poles ʼ. 2. N. kāmro ʻ bamboo, lath, piece of wood ʼ, OAw.  kāṁvari ʻ bamboo pole with slings at each end for carrying things ʼ, H. kã̄waṛ°arkāwaṛ°ar f., G. kāvaṛf., M. kāvaḍ f.; -- deriv. Pk. kāvaḍia -- , kavvāḍia -- m. ʻ one who carries a yoke ʼ, H. kã̄waṛī°ṛiyā m., G. kāvaṛiyɔ m. 3. S. kāvāṭhī f. ʻ carrying pole ʼ, kāvāṭhyo m. ʻ the man who carries it ʼ. 4. Or. kāmaṛā°muṛā ʻ rafters of a thatched house ʼ; G. kāmṛũ n., °ṛī f. ʻ chip of bamboo ʼ, kāmaṛ -- koṭiyũ n. ʻ bamboo hut ʼ. 5. B. kāmṭhā ʻ bow ʼ, G. kāmṭhũ n., °ṭhī f. ʻ bow ʼ; M. kamṭhā°ṭā m. ʻ bow of bamboo or horn ʼ; -- deriv. G. kāmṭhiyɔ m. ʻ archer ʼ. 6. A. kabāri ʻ flat piece of bamboo used in smoothing an earthen image ʼ. 7. kã̄bīṭ°baṭ°bṭī,  kāmīṭ°maṭ°mṭī,  kāmṭhīkāmāṭhī f. ʻ split piece of bamboo &c., lath ʼ.(CDIAL 2760). kambi f. ʻ branch or shoot of bamboo ʼ lex. Pk. kaṁbi -- , °bī -- , °bā -- f. ʻ stick, twig ʼ, OG. kāṁba; M. kã̄b f. ʻ longitudinal division of a bamboo &c., bar of iron or other metal ʼ. (CDIAL 2774). कंबडी [ kambaḍī ] f A slip or split piece (of a bamboo &c.)(Marathi)

    Hieroglyph: koiyum [ko, koṭī  neck] a wooden circle put round the neck of an animal (Gujarati) Rebus: ācāri koṭṭya = forge, kammārasāle (Tulu)

    The rings atop the reed standard: पेंढें [ pēṇḍhēṃ ] पेंडकें [ pēṇḍakēṃ ] n Weaver's term. A cord-loop or metal ring (as attached to the गुलडा of the बैली and to certain other fixtures). पेंडें [ pēṇḍēṃ ] n (पेड) A necklace composed of strings of pearls. 2 A loop or ring. Rebus: पेढी (Gujaráthí word.) A shop (Marathi) 

    A guild of persons, caravanserai: पेठ or पेंठ (p. 527) [ pēṭha or pēṇṭha ] f ( H) A manufacturing or trading town, an emporium, a mart: also a markettown. 2 A place of sale or traffic; any particular market (as for cloth, grain &c.); a long street of shops in a city. 3 A region or large division of a city (as the पेठ of Poona &c.) 4 Market intelligence or banker's intelligence; accounts of rates, risings and fallings &c. v ये. Hence 5 Private or general intelligence or tidings. 6 Marketrate. Ex. पेंठ उतरलीपेंठ चढली. 7 The town belonging to a fort. 8 A banker's letter of advice. पेठकरी (p. 527) [ pēṭhakarī ] m The headman of a पेठ or mart; the prefect of the market &c. See शेट्या. 2 Applied, as the Factotum or knower and doer of every thing, to the कुळकरणी of a village. 3 The individual (of a body holding it in succession) whose turn it now is to enjoy the जोशीपणा of a district, of a large town, or of a village.பேட்டை pēṭṭai , n. < Mhr. pēṭhpēṭaka. 1. Pettah, extramural suburb; புறநகர். 2. Market-place near a town; நகரத்தருகிற் சந்தை கூடும் ஊர்ச்சார்பு. (யாழ். அக.) 3. Caravanserai; பிரயாண வண்டி முதலியன தங்குமிடம்.पेंडें (p. 527) A knot of persons in union or as holding mutual relation; a circle, coterie, company, crew, club, band, pack, gang. Ex. पंच वादी साक्षीदार असें सगळें पेंडेंचें पेंडें उठून आलें.  (Molesworth. Marathi) పేట (p. 0799) [ pēṭa ] pēṭa. [Tel.] n. A suburb or division of a large city. శాఖానగరము. A city or town. నగరము. (Telugu)

    Six curls shown on the hairstyle of carriers of flagposts:

    Allograph: The six curls on the kneeling person’s head denote an copper-brass smelter:

    erugu = to bow, to salute or make obeisance (Telugu) Rebus: eraka ‘copper’.
    Glyphs: six (numeral) + ring of hair: आर [ āra ] A term in the play of इटीदांडू,--the number six. (Marathi) आर [ āra ] A tuft or ring of hair on the body. (Marathi) Rebus:  arā ‘brass’.

    मेढा mēḍhā A twist or tangle arising in thread or cord, a curl or snarl. (Marathi) Rebus: meḍ ‘iron’ (Ho.) bha‘six (hair-curls)’ Rebus: bhaa  ‘furnace’.  

    saman = to offer an offering, to place in front of; front, to front or face (Santali) Rebus: samobica, stones containing gold (Mundari) samanom = an obsolete name for gold (Santali) [bica ‘stone ore’ (Munda):meṛed-bica = iron stone ore, in contrast to bali-bica, iron sand ore (Munda]


    Indian mackerel Ta. ayirai, acarai, acalai loach, sandy colour, Cobitis thermalis; ayilai a kind of fish. Ma. ayala a fish, mackerel, scomber; aila, ayila a fish; ayira a kind of small fish, loach (DEDR 191) Munda: So. Ayo `fish'. Go. ayu `fish'. Go <ayu> (Z), <ayu?u> (Z),, <ayu?> (A) {N} ``^fish''. Kh. kaDOG `fish'. Sa. Hako `fish'. Mu. hai(H) ~ haku(N) ~ haikO(M) `fish'. Ho haku `fish'. Bj. hai `fish'. Bh.haku `fish'. KW haiku ~ hakO |Analyzed hai-kO, ha-kO (RDM). Ku. Kaku`fish'.@(V064,M106) Mu. ha-i, haku `fish' (HJP). @(V341) ayu>(Z), <ayu?u> (Z)  <ayu?>(A) {N} ``^fish''. #1370. <yO>\\<AyO>(L) {N} ``^fish''. #3612. <kukkulEyO>,,<kukkuli-yO>(LMD) {N} ``prawn''. !Serango dialect. #32612. <sArjAjyO>,,<sArjAj>(D) {N} ``prawn''. #32622. <magur-yO>(ZL) {N} ``a kind of ^fish''. *Or.<>. #32632. <ur+GOl-Da-yO>(LL) {N} ``a kind of ^fish''. #32642.<bal.bal-yO>(DL) {N} ``smoked fish''. #15163. Vikalpa: Munda: <aDara>(L) {N} ``^scales of a fish, sharp bark of a tree''.#10171. So<aDara>(L) {N} ``^scales of a fish, sharp bark of a tree''.

    aya = iron (G.); ayah, ayas = metal (Skt.) aduru native metal (Ka.); ayil iron (Ta.) ayir, ayiram any ore (Ma.); ajirda karba very hard iron (Tu.)(DEDR 192). Ta. ayil javelin, lance, surgical knife, lancet.Ma. ayil javelin, lance; ayiri surgical knife, lancet. (DEDR 193). aduru = gan.iyinda tegadu karagade iruva aduru = ore taken from the mine and not subjected to melting in a furnace (Ka. Siddhānti Subrahmaṇya’ Śastri’s new interpretation of the AmarakoŚa, Bangalore, Vicaradarpana Press, 1872, p.330); adar = fine sand (Ta.); ayir – iron dust, any ore (Ma.) Kur. adar the waste of pounded rice, broken grains, etc. Malt. adru broken grain (DEDR 134).  Ma. aśu thin, slender;ayir, ayiram iron dust.Ta. ayir subtlety, fineness, fine sand, candied sugar; ? atar fine sand, dust. அய.³ ayir, n. 1. Subtlety, fineness; நணசம. (__.) 2. [M. ayir.] Fine sand; நணமணல. (மலசலப. 92.) ayiram, n.  Candied sugar; ayil, n. cf. ayas. 1. Iron; 2. Surgical knife, lancet; Javelin, lance; ayilavaṉ, Skanda, as bearing a javelin (DEDR 341).Tu. gadarů a lump (DEDR 1196)  kadara— m. ‘iron goad for guiding an elephant’ lex. (CDIAL 2711). অয়সঠন [ aẏaskaṭhina ] a as hard as iron; extremely hard (Bengali) अयोगूः A blacksmith; Vāj.3.5. अयस् a. [-गतौ-असुन्] Going, moving; nimble. n. (-यः) 1 Iron (एति चलति अयस्कान्तसंनिकर्षं इति तथात्वम्नायसोल्लिख्यते रत्नम् Śukra 4.169.अभितप्तमयो$पि मार्दवं भजते कैव कथा शरीरिषु R.8.43. -2 Steel. -3 Gold. -4 A metal in general. ayaskāṇḍa 1 an iron-arrow. -2 excellent iron. -3 a large quantity of iron. -_नत_(अयसक_नत_) 1 'beloved of iron', a magnet, load-stone; 2 a precious stone; ˚मजण_ a loadstone; ayaskāra 1 an iron-smith, blacksmith (Skt.Apte) ayas-kāntamu. [Skt.] n. The load-stone, a magnet. ayaskāruḍu. n. A black smith, one who works in iron. ayassu. n. ayō-mayamu. [Skt.] adj. made of iron (Te.) áyas— n. ‘metal, iron’ RV. Pa. ayō nom. sg. n. and m., aya— n. ‘iron’, Pk. aya— n., Si. ya. AYAŚCŪRṆA—, AYASKĀṆḌA—, *AYASKŪṬA—. Addenda: áyas—: Md. da ‘iron’, dafat ‘piece of iron’. ayaskāṇḍa— m.n. ‘a quantity of iron, excellent iron’ Pāṇ. gaṇ. viii.3.48 [ÁYAS—, KAA ́ṆḌA—]Si.yakaḍa ‘iron’.*ayaskūṭa— ‘iron hammer’. [ÁYAS—, KUU ́ṬA—1] Pa. ayōkūṭa—, ayak m.; Si. yakuḷa‘sledge —hammer’, yavuḷa (< ayōkūṭa) (CDIAL 590, 591, 592). cf. Lat. aes , aer-is for as-is ; Goth. ais , Thema aisa; Old Germ. e7r , iron ;Goth. eisarn ; Mod. Germ. Eisen.

    Stone-smithy guild on a Meluhha standard

     Harappa Tablet. Pict-91 (Mahadevan) m0490At m0490B Mohenjodaro Tablet showing Meluhha combined standard of three standards carried in a procession, comparable to Tablet m0491. m0491 Tablet. Line drawing (right). This tablet showing three hieroglyphs may be called the Meluhha standard.Combined reading for the joined or ligatured glyphs 
    Rebus reading is: dhatu kõdā sangaḍa  ‘mineral, turner, stone-smithy guild’.

    Dawn of the bronze age is best exemplified by this Mohenjo-daro tablet which shows a procession of three hieroglyphs carried on the shoulders of three persons. The hieroglyphs are: 1. Scarf carried on a pole (dhatu Rebus: mineral ore); 2. A young bull carried on a stand kõdā Rebus: turner; 3. Portable standard device (Top part: lathe-gimlet; Bottom part: portable furnace sã̄gāḍ Rebus: stone-cutter sangatarāśū ). sanghāḍo (Gujarati) cutting stone, gilding (Gujarati); sangsāru kara= to stone (Sindhi) sanghāḍiyo, a worker on a lathe (Gujarati)

    The procession is a celebration of the graduation of a stone-cutter as a metal-turner in a smithy/forge. A sangatarāśū ‘stone-cutter’ or lapidary of neolithic/chalolithic age had graduated into a metal turner’s workshop (ko), working with metallic minerals (dhatu) of the bronze age.

    Three professions are described by the three hieroglyphs: scarf, young bull, standard device dhatu kõdāsã̄gāḍī  Rebus words denote: ‘ mineral worker; metals turner-joiner (forge); worker on a lathe’ – associates (guild).

    On this tablet, the standard on the very front is not clear. 
    It is surmised that this standard carried on the procession may be comparable to the standard shown on Tikulti-Ninurta I altar discovered in the Ashur temple.

    This fourth standrd  could be compared with this hieroglyph 

    of the Tikulti-Ninurta altar:

     A spoked wheel is shown atop on the standard and the hieroglyph is also reinforced by depicting the hieroglyph on the top of the standard-bearer's head. This Meluhha hieroglyph is read rebus: eraka'knave of wheel' Rebus: 'moltencast copper'; āra 'spokes' Rebus:  āra 'brass'.

    Thus, the fourth profession is depicted as the smith working with metal alloys.




    Thus, together the four professions depicted on the Mohenjodaro-standard showing four 

    hieroglyphs in procession are read rebus:


    Hieroglyph: dhatu 'scarf' Rebus: dhatu 'mineral'

    Hieroglyph: kõdā 'young bull calf' Rebus: kõdā 'turner-joiner' (forge), worker on a lathe

    Hieroglyph: sã̄gāḍī  'lathe (gimlet), portable furnace' Rebus: sã̄gāḍī  'metalsmith associates (guild)'

    Hieroglyph eraka āra  'knave of wheel', 'spokes of wheel' Rebus: eraka āra 'copper alloy brass'

    Thus Rebus readings of the four hieroglyphs denote: ‘ mineral worker; metals turner-joiner (forge); worker on a lathe’ – associates (guild), copper alloy brass. 

    dhatu kõdā sã̄gāḍī eraka āra   
    Altar, offered by Tikulti-Ninurta I, 1243-1208 BC, in prayer before two deities carrying wooden standards, Assyria, Bronze AgeSource: http://www.dijitalimaj.com/alamyDetail.aspx?img=%7BA5C441A3-C178-489B-8989-887807B57344%7D 
    [quote]Description: Although the cult pedestal of the Middle Assyrian king Tikulti-Ninurta mentions in its short inscription that it is dedicated to the god Nuska, the relief on the front that depicts the king in a rare kind of narrative, standing and kneeling in front of the very same pedestal was frequently discussed by art-historians. More strikingly on top of the depicted pedestal there is not the lamp, the usual divine symbol for the god Nuska, but most likely the representation of a tablet and a stylus, symbols for the god Nabû. (Klaus Wagensonner, University of Oxford)[unquote] http://cdli.ox.ac.uk/wiki/doku.php?id=pedestal_tukulti_ninurta
    The hieroglyphs on the fire-altar confirm the link to metallurgy with the use of 'spoked-wheel' banner carried on one side of the altar and the 'safflower' hieroglyph flanking the altar worshipped by Tikulti-Ninurta. It is rebus, as Sigmund Freud noted in reference to the dream. 'I have revealed to Atrahasis a dream, and it is thus that he has learned the secret of the gods.' (Epic of Gilgamesh, Ninevite version, XI, 187.)(Zainab Bahrani, 2011, The graven image: representation in Babylonia and Assyria, Univ. of Pennsylvania Press, p. 185) http://bharatkalyan97.blogspot.in/2013/11/tukulti-ninurta-worships-fire-god-at.html?q=tukulti

    Rebus: med. iron, iron implements (Ho.) me~rhe~t ‘iron’; me~rhe~t icena ‘the iron is rusty’; ispat me~rhe~t ‘steel’, dul me~rhe~t ‘cast iron’; me~rhe~t khan.d.a ‘iron implements’ (Santali) (Santali.lex.Bodding)  mer.ed, me~r.ed iron; enga mer.ed soft iron; sand.i mer.ed hard iron; ispa_t mer.ed steel; dul mer.ed cast iron; imer.ed rusty iron, also the iron of which weights are cast; bicamer.ediron extracted from stone ore; balimer.ed iron extracted from sand ore; mer.ed-bica = iron stone ore, in contrast to bali-bica, iron sand ore (Mu.lex.) pasra mer.ed, pasa_ra mer.ed = syn. of kot.e mer.ed = forged iron, in contrast to dul mer.ed, cast iron (Mundari.lex.) me~r.he~t iron; ispat m. = steel; dul m. = cast iron; kolhe m. iron manufactured by the Kolhes (Santali); mer.ed (Mun.d.ari); med. (Ho.)(Santali.lex.Bodding)  me~r.he~t idena = the iron is rusty; dal me~r.he~t = cast iron; me~r.he~t khan.d.a = iron implements (Santali) Sa. mE~R~hE~’d `iron’.  ! mE~RhE~d(M).Ma. mErhE’d `iron’.Mu. mERE’d `iron’.  ~ mE~R~E~’d `iron’.  ! mENhEd(M).Ho meD `iron’.Bj. merhd(Hunter) `iron’.KW mENhEd@(V168,M080)
    Substantive: med.o  merchant’ clerk (Hem.Dec.); mehto a schoolmaster, an accountant, a clerk, a writer (G.) med.h = the helper of a merchant (Pkt.lex.) me_t.i, me_t.ari = chief, head, leader, the greatest man (Te.lex.) ?med.i (EI 9), also called meli, a kidnapper of victims for sacrifices (IEG). mehara = (EI 33) a village headman (IEG). mehto [Hem. Des. med.ho = Skt. Van.ik saha_ya, a merchant’s clerk, fr. mahita, praised, great] a schoolmaster; an accountant; a clerk; a writer (G.lex.) mel. = tallying, balancing of accounts; a cash book; mel.van. = a mixture, a composition; mixing (G.lex.) me_r..iyar = pu_vaiciyar, ve_l.a_l.ar, i.e. agriculturists, traders (Ta.lex.)   
    Sketching made of the side of the Warka Vase...
    Scarf on the reeds:  dhaṭu 'scarf' Rebus: dhatu 'mineral' (Santali) *dhaṭa2dhaṭī -- f. ʻ old cloth, loincloth ʼ lex. [Drav., Kan. daṭṭi ʻ waistband ʼ etc., DED 2465]Ku. dhaṛo ʻ piece of cloth ʼ, N. dharo, B. dhaṛā; Or. dhaṛā ʻ rag, loincloth ʼ, dhaṛi ʻ rag ʼ; Mth. dhariā ʻ child's narrow loincloth ʼ.Addenda: *dhaṭa -- 2. 2. †*dhaṭṭa -- : WPah.kṭg. dhàṭṭu m. ʻ woman's headgear, kerchief ʼ, kc. dhaṭu m. (also dhaṭhu m. ʻ scarf ʼ, J. dhāṭ(h)u m. Him.I 105).(CDIAL 6707)
    Clay sealing from private collection with water buffalo, crescent-star, apparently Akkadian period.



    Tammuz, alabaster (Gypsum?) relief from Ashur, c. 1500 BCE; in the Staatliche Museen zu Berlin, Germany Foto Marburg/Art Resource, New York. Two goats flank the person feeding them with leafy twigs. In the lower register, two women carry jars with overflowing streams of water. This is a Meluhha hieroglyph, as is the pair of twigs emanating from the waist of the standing person.  Tham·muz (tä'mʊzn. The tenth month of the year in the Jewish calendar. [Hebrew tammūz, akin to Iraqi Arabic tabbūz, July, both ultimately from Sumerian dumu-zi, Dumuzi, a dying and rising shepherd divinity (Inanna's husband): dumu, son, offspring + zi, true, effective.]
    Meluhha hieroglyphs read rebus:
    meka, melh 'goat' Rebus: milakkhu 'copper'.
    • kūdī, kūṭī ‘bunch of twigs’ (Sanskrit) Rebus: kuṭhi ‘smelter furnace’ (Santali)  kūdī (also written as kūṭī in manuscripts) occurs in the Atharvaveda (AV 5.19.12) and Kauśika Sūtra (Bloomsfield’s ed.n, xliv. Cf. Bloomsfield, American Journal of Philology, 11, 355; 12,416; Roth, Festgruss an Bohtlingk, 98) denotes it as a twig. This is identified as that of Badarī, the jujube tied to the body of the dead to efface their traces. (See Vedic Index, I, p. 177). 
    • dula 'pair' Rebus: dul 'cast (metal)'.

    lo ‘pot to overflow’; kāṇḍa ‘water’. Rebus: लोखंड lokhaṇḍ Iron tools, vessels, or articles in general.
    kola ‘woman’ Rebus: kol‘ 'smithy, working in iron’.
    William Hayes Ward Seal No. 26.
    Cylinder Seal of Ibni-Sharrum Agade period, reign of Sharkali-Sharri (c. 2217-2193 BCE)Mesopotamia Serpentine H. 3.9 cm; Diam. 2.6 cm Formerly in the De Clercq collection; gift of H. de Boisgelin, 1967 AO 22303 "A scene testifying to relations with distant lands Buffaloes are emblematic animals in glyptic art in the Agade period. They first appear in the reign of Sargon, indicating sustained relations between the Akkadian Empire and the distant country of Meluhha, that is, the present Indus Valley, where these animals come from. These exotic creatures were probably kept in zoos and do not seem to have been acclimatized in Iraq at the end of the 3rd millennium BC. Indeed, it was not until the Sassanid Empire that they reappeared. The engraver has carefully accentuated the animals' powerful muscles and spectacular horns, which are shown as if seen from above, as they appear on the seals of the Indus."

    A vivid Meluhha hieroglyph 'overflowing pot' has rebus-metonymy reading: metal tools, pots and pans

    m1656 Mohenjodro Pectoral.

    Hieroglyph: sãghāṛɔ 'lathe'.(Gujarati).Rebus:  Vajra Sanghāta 'binding together' (Varahamihira) *saṁgaḍha ʻ collection of forts ʼ. [*gaḍha -- ]L. sãgaṛh m. ʻ line of entrenchments, stone walls for defence ʼ.(CDIAL 12845).


    Hieroglyph: खोंड (p. 216) [khōṇḍam A young bull, a bullcalf; खोंडा [ khōṇḍā ] m A कांबळा of which one end is formed into a cowl or hood. खोंडरूं [ khōṇḍarūṃ ] n A contemptuous form of खोंडा in the sense of कांबळा-cowl (Marathi. Molesworth); kōḍe dūḍa bull calf (Telugu); kōṛe 'young bullock' (Konda)Rebus: kõdā ‘to turn in a lathe’ (Bengali)
    kāṇḍam காண்டம்² kāṇṭam, n. < kāṇḍa. 1. Water; sacred water; நீர். துருத்திவா யதுக்கிய குங்குமக் காண் டமும் (கல்லா. 49, 16). Rebus: khāṇḍā ‘metal tools, pots and pans’ (Marathi) (B) {V} ``(pot, etc.) to ^overflow''. See `to be left over'. @B24310. #20851. Re(B) {V} ``(pot, etc.) to ^overflow''. See `to be left over'. (Munda ) Rebus: loh ‘copper’ (Hindi) The hieroglyph clearly refers to the metal tools, pots and pans of copper. 

    Some examples of 'overflowing pot' metaphors on Ancient Near East artifacts, cylinder seals:

    Akkadian Cylinder Seal of Adda (c. 2250 B.C.) with, left to right, Ninurta, Ishtar, Shamash, and Ea. From Dury, Art of the Ancient Near and Middle East, Abrams, NY



    Kantzveld posted on Aug, 11 2015 @ 04:20 PM



    I was amazed to come across an old photograph today of an artifact from the late 19th century excavations at Girsu, modern day Telloh, which is of an eleven foot tall copper plated standard which probably stood beside the Abzu shrine there, i've seen these represented on seals but had no idea they'd found one as there's been no sight of it since and i can only find a few obscure references that note it's discovery.


    It was constructed of a tubular wooden core with copper plate around that and bitumen acting as a sealant and adhesive, they seen to have laid the upper length alongside the lower to include all in frame, but also lain what looks like a metallic strip alongside which would seemingly have been related, there may also be copper cable emerging from the base.

    So it was a fantastic discovery and i don't know where they've hidden it since, but anyway it sort of begs the question what was it for, like i mentioned i think it would have stood alongside the Abzu shrine because that's were i've seen examples.



    The one who holds it i think is Lahmu the gatekeeper of the Abzu who being associated with that threshold was understood as the muddy one, the intermediate state between liquid and solid, it has then associations with water.



    Because of it's association with passageway through the Abzu it might have been understood as in some way conducive to facilitating such transition, if any practical usage could have been made of it.



    Other examples of it's usage can be intriguing such as here were the half serpent Deity Istaran touches the tip of his serpentine tail against the semi circular appendage, that suggests some form of magical power associated with it;



    Here a very curious example of a shrine probably seen representing the Southerly gateway into the Heavens with the arc across the horizons perhaps representing the transit of Venus represented by the floret



    So there we are they discovered the magical standard of the God Lahmu that facilitated entrance into the Abzu and then mislaid it somewhere or turned it in for scrap, weird...    
    http://www.abovetopsecret.com/forum/thread1079637/pg1



    S. Kalyanaraman
    Sarasvati Research Center
    August 16, 2015

    OROP: same rank, same length of service, same pension. What is the math problem with Delhi babus to implement OROP?

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    Indian kids are always admired for their arithmetic skills and not being prisoners of mechanical/electronic calculator gadgets.

    Indian arithmetic has been so advanced that such computations as One Rank One Pension can be done by simple mental calculations, without having to rely on computers.

    What is the problem with the Babus in the South and North Blocks that they are not able to issue the orders implement in OROP approved in policy by the PM?

    NaMo, send your bureaucrats to a refresher course in arithmetic and compassion for the brave jawan of Bharat who have served our Motherland with exemplary dedication. A nation has to protect dharma. Nerds should be given a specific date by which the Govt. Order should issue.

    Army has a tradition of respecting rank and service. This respect keeps the Armed forces a disciplined order with a clear line of command.

    Namaskaram. Kalyanaraman

    OROP: Ex-service chiefs write to PM Modi, ask to resolve the issue immediately

    one rank one pension, orop, armyman, ex servicemen, pension, orop protest, protest on orop, latest news
    Aug 17, 2015
    Voicing “dismay” over inability of political leadership to implement ‘One Rank One Pension’ scheme, ten former Service Chiefs have written an open letter to Prime Minister Narendra Modi saying the issue should be resolved expeditiously within a time frame as any further delay will lower the morale of the armed forces.
    They also sought immediate action against Delhi Police for its high handedness on August 14 against the veterans who were staging protest at Jantar Mantar to demand OROP implementation. The development came on a day when two of the agitating ex-servicemen launched fast-unto-death, stepping up the stir on the issue.
    The letter, signed by former Army chiefs V N Sharma, Shankar Roy Choudhary, S Padmanabhan, N C Vij, J J Singh, Deepak Kapoor and Bikram Singh, regretted that Modi did not annouce implementation of OROP in his Republic Day address, dashing the hopes of ex-servicemen.
    “We had earlier not approached the Honourable Prime Minister as we had full faith in the announcements made by our senior political leadership from time to time. We were also hopeful that the announcement of the implementation of the OROP would be made to the Nation on Independence Day. Regrettably this has not happened,” said the letter.
    Former Navy chief Admiral Madhvendera Singh and former Air Force chiefs N C Suri and S P Tyagi were also signatories to the letter.
    “We have full faith in our political leadership but their inability to clinch the issue leaves us dismayed. We stand steadfastly by the side of our colleagues and fully support  their just cause,” the letter said talking about the ongoing protest at Jantar Mantar by the ex-servicemen community. The letter said that their silence so far was to observe propriety.
    “As much as the OROP, the respect and dignity of the soldier is at stake here and let it be known that we have extreme concern for the veterans’ long pending demands.
    “We would strongly urge the Government to settle this issue expeditiously and in an urgent time frame. Any further delays in our considered view will be at the cost of damaging the pride of veterans and lowering the morale of armed forces. The nation can ill afford such an imbroglio,” the letter said.
    The former Service chiefs said there is only one definition of OROP accepted by Parliament and also by the Defence Minister in the presence of the veterans.
    “This is ‘uniform pension to be paid to the Armed Forces retiring in the same rank with same length of service irrespective of their date of retirement’. Simultaneously, ‘Annual Review System’ would be required to be put in place for equalization of pension of the past and current retirees,” it said.
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