
by Srinivasan Kalyanaraman (Author)
Sarasvati Research Center(Publisher)
Data mining.to identify profiles of culture, civilization with particular reference to technological advances during the Bronze Age.
Ancient data mining systems of Indus writing techniques by metalworkers, Bharatam Janam include free-hand writing on metal surfaces with ferric oxide pigment.
Ancient data mining systems of Indus writing techniques by metalworkers, Bharatam Janam include free-hand writing on metal surfaces with ferric oxide pigment.
Data mining techniques of computer science widely used in Information Technology and Wi-Fi cellular/mobile communication system of the present day can be paralleled by the techniques demonstrated by artisans who created and used the Indus Script writing system on over 7000 inscriptions of ca. 3rd millennium BCE (5000 years ago).
The techniques used on Indus Script could be of value to enhance data security through advanced cipher systems in cryptology.
Resources of the earth which yield products of utilitarian and exchange value provided new forms of recording life activities of ancient Meluhha artisans of Bharatam. Products made such as s’ankha bangles, s’ankha libation vessels, s’ankha trumpets and cakra or vajra (wheel or Vajra adorning the Soma Yaga Yupa as a ring) are sacred and become divine attributes in temples. Nataraja the cosmic dancer is adorned with a damaru drum and flames of fire, Somaskanda form of S’iva is adorned with antelope [mlekh ‘goat’ rebus: milakkhu ‘copper’, meluhha (Bharatam Janam)] and paras’u ‘metal axe’. These are abiding cultural markers of a civilization which reinforce the divinity in everyone of the worshippers in a temple which is kole.l ‘temple’ rebus: kole.l ‘smithy, forge’ (Kota)..
Sarasvati River Basin is the epicenter of culture and civilization of Bharatam Janam from Vedic times.
Bharatam Janam is the story of a civilization, of Sarasvati’s children.
This is validation of the presence of Vedic culture in Sarasvati River Basin from recent findings of a yajnakunda at Binjor (near Anupgarh). The Yajnakunda yielded an octagonal yupa which has been mentioned in Rigveda (RV 1.162.6) and described in Satapatha Brahmana, a vedic text as aSTAs'ri ‘having eight corners’, an emphatic cultural marker to evidence the performance of a Soma Yaga at the site. Details of the Yupa and caSAla are presented from Indus Script corpora and evidences of punch-marked and cast coins from ancient mints.
The Indus Script seal found in Binjor has been deciphered and is seen to be a documentation of mintwork. This decipherment is consistent with thousands of seals of. Indus Script Corpora deciphered as documentation, catalogus catalogorum, of gold, yellow brass, lead’ and other metalwork.
The overall total number of inscriptions of Indus Script Corpora may be over 7,000 from all sites (if cognate hieroglyphs are identified in ‘Persian Gulf type’ circular seals and many pictorial motifs of cylinder seals of Ancient Mesopotamia (Near East), of Dong Son Bronze Drum cire perdue hieroglyphs on tympanum (Far East) and artifacts such as Gold disk of Kuwait Museum, Warka vase, Samarra plaques (pace Denise Schmandt-Besserat), Tukulti Ninurta fire-altar and Assur tin-road from Assur to Kultepe, tin ingots of Haifa, Nahal Mishmar cire perdue artifacts dated to ca. 5th millennium BCE – all signifying metalwork deploying Indus Script hieroglyphs. Hieroglyphs are also presented as objects in the round as exemplified by trefoils on Sivalinga base, on shawl of ‘priest-kjing’ (Mohenjo-daro), standard (lathe PLUS brazier), a hieroglyph-multiplex ubiquitously signified on over one thousand seals in front of a one-horned young bull with a pannier. Such hieroglyphs are also shown carried in processions as proclamations of stellar inventions of the Bronze Age. The greatest of these inventions was the invention of the cipher for a writing system (mlecchita vikalpa).
The overall total number of inscriptions of Indus Script Corpora may be over 7,000 from all sites (if cognate hieroglyphs are identified in ‘Persian Gulf type’ circular seals and many pictorial motifs of cylinder seals of Ancient Mesopotamia (Near East), of Dong Son Bronze Drum cire perdue hieroglyphs on tympanum (Far East) and artifacts such as Gold disk of Kuwait Museum, Warka vase, Samarra plaques (pace Denise Schmandt-Besserat), Tukulti Ninurta fire-altar and Assur tin-road from Assur to Kultepe, tin ingots of Haifa, Nahal Mishmar cire perdue artifacts dated to ca. 5th millennium BCE – all signifying metalwork deploying Indus Script hieroglyphs. Hieroglyphs are also presented as objects in the round as exemplified by trefoils on Sivalinga base, on shawl of ‘priest-kjing’ (Mohenjo-daro), standard (lathe PLUS brazier), a hieroglyph-multiplex ubiquitously signified on over one thousand seals in front of a one-horned young bull with a pannier. Such hieroglyphs are also shown carried in processions as proclamations of stellar inventions of the Bronze Age. The greatest of these inventions was the invention of the cipher for a writing system (mlecchita vikalpa).
Significance of the archaeological finds at Binjor (Anupgarh) on Sarasvati River Basin
The objective of this note presented as a draft for further discussions is to suggest further deliberations by scholars, researchers and students of Bharatiya Sabhyata and Samskriti and wide dissemination of the issues of public interest to all Bharatiyas.
Rediscovery of Vedic River Sarasvati and ongoing projects which will lead to the rebirth of River Sarasvati in Northwerstern Bharat are historic landmark events in Bharatiya Itihaas. This is a tribute to many savants who have contributed to a better understanding of Sarasvati heritage.
That 80% of sites or over 2,000 of the ancient Bharatiya Civilization (so-called Harappan culture or Indus Valley civilization) are on the bank of Vedic River Sarasvati evidence that the epicenter of the Civiization was the Sarasvati River Basin. Action is ongoing to explore and excavate the archaeological sites in the basin. The contributions of the ongoing projects will significantly improve the water supply systems of Haryana and other states of Northwestern Bharat for irrigation and for drinking water. The Rajasthan Nahar project is already supplying drinking water and irrigation water to areas on the Basin – halting the march of the desert Marusthali – in regions such as Jodhpur, Jaisalmer, Barmer and as the works progress, the regions of Rann of Kutch and Gujarat will also be benefited by integrated schemes for recharging groundwater aquifers and cost-effective use of surface irrigation, drainage and water supply systems..
From the perspective of Bharatiya Samskriti संस्कृति celebration of the heritage of the Sarasvati River which has nurtured the Bharatiyas from ancient times dating back several indeterminate millennia is a celebration remembering the identity given to Bharatam Janam by the Pitr-s, ancient Rishis who performed सोम संस्था and other Vedic Yagas. It will be an error to translate a Yaga as a 'sacrifice'. It is a multi-layered metaphor, divination, transformation from Being to Becoming.
Anupgarh (Bijnor). Fork of Vedic River Sarasvati

Yajna Kunda. Bijnor with octagonal yupa
Terracotta cake. Kalibangan. With Indus Script hieroglyphs
Yagna Kunda. Kalibangan. Quadrangular yupa

Sites dating Bharatiya civilization from ca 8thmillennium BCE

Cluster of 80% of sites on Sarasvati River Basin ca. 3500 to 1900 BCE


A reconstructed drawing of Vedic River Sarasvati.

Indian Remote Sensing IRS Wide-Field Senso (WiFS) image showing palaeochannel signature -- From Himalayas to Rann of Kutch, Gujarat

King Purushottama (Porus) presents Indian ukku (wootz) steel sword to Alexander in the battle on River Hydaspes (Jhelum, Vitasta) Painting in Steel Authority of India Ltd. Institute, Ranchi
A remarkable discovery was made by students of Institute of Archaeology, National Museum, Janpath, Delhi and the discovery was reported in April 2015. The discovery relates to an archaeological site called Bijnor (4MSR) near Anupgarh on the Vedic Sarasvati River basin. Close to this site, the river forks into two wide channels (as seen in LANDSAT and Indian Remore Sensing Satellite System). One fork flows southwards to Jaisalmer and another flows westward to Ganweriwala, Bahawalpur Province, Pakistan. At this Bijnor site, discovery of a Vedic Yajna Kunda was reported. The remarkable finds also included an octagonal Yupa (also called yaSTi) and a seal with Indus Script inscription including a one-horned young bull in front of a standard device. This discovery reinforces similar discoveries in many sites of the civilization where fire-altars with embedded steles were found. A quadrangular yupa was found in Kalibangan (another site on the Sarasvati River Basin) together with an inscribed terracotta cake and many Indus Script seals.
The most remarkable features and importance of the Bijnor discoveries relate to the fact that Vedic texts Taittiriya Samhita and Satapatha Brahmana describe the presence of an octagonal Yupa (called अष्टाश्रि in Samskritam meaning ‘with eight-angles’). Thus the octagonal Yupa of Binjor on Yajna Kunda is a signifier documenting the performance of a Soma Yaga (Vaajapeya वाजपेय याग) called सोम संस्था.
This explanation has profound implications emphatically attesting the continuum of Vedic culture in the Sarasvati River Basin into historical times. As many as 19 Yupa inscriptions have been reported by scholars and Archaeoogical Survey of India from Rajasthan, Allahabad and even from East Borneo (Yupa inscriptions of Mulavarman). All the Yupa inscriptions record the performance of a Soma Yaga (Vaajapeya and other specified Yaga of सोम संस्था). All the Yupa inscriptions are in Samskritam. The Indus script inscriptions found in sites such as Bijnor or Kalibangan and scores of other sites are all comparable as documentations/ records of performance of Yaga or metalwork or mintwork using Yajna Kunda. Further researches are ongoing to relate these insights into the evolution of Bronze Age in ancient Bharatam. In one significant expression, Rishi Visvamitra refers to Bharatam Janam as an identifier of a large group of people on Sarasvati Basin. The word Bharatam is relatable to a metalwork word called bharat or baran in Marathi-Gujarati-Punjabi as Prakritam words which refer to a metal alloy of copper, pewter and tin metals. (This points to the need for linguistic researches into what is called Indian sprachbund (or language union) which united language streams of Aryan-Dravidian-Munda-Tibeto-Burman streams of the language kaleidoscope). This leads to a possible derivation and meaning of Bharatam Janam as ‘metalcaster people’ consistent with the historical evidences recording the excellence achieved by ancient Bharatiyas in metallurgy and other technological activities. The highpoint of metallurgical excellence achieved is evidenced by a painting in Steel Authority of India Limited Institute in Ranchi. It shows Purushottama gifting a steel sword to Alexander on the banks of Jhelum (Vitasta) river which was part of the Panchanadi or Saptasindhu references in ancient texts and traditional narratives.
Thus, the significance of the Bijnor finds goes beyond glaciological, hydrological, geological, archaeo-metallurgical, archaeological, linguistic, literary researchers but to a documentation of the continuity of culture and civilizational markers of Bharatam Janam across time and space for millennia from a period earlier than ca. 8th millennium BCE.
Efforts at coordinating and promoting such researches to document the heritage of Sarasvati (called Vakdevi, divinity of speech) should find support from institutions with priorities assigned to augment the water conservation and water management systems and Himalayan glacial melts yielding perennial river systems.
Dr. S. Kalyanaraman
February 4, 2016
Mirror: http://tinyurl.com/gvj5vuh