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sēṇa 'eagle' Indus script hieroglyph, senmurv (Ancient Persian) are Ancient Near East intimations of (army) weapon-making, smelting ores

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sēṇa 'eagle' Indus script hieroglyph, senmurv (Ancient Persian) are Ancient Near East intimations of (army) weapon-making, smelting ores


http://bharatkalyan97.blogspot.in/2016/01/bogazkoy-indus-script-seal-signifies.html 
Print of a seal: Two-headed eagle, a twisted cord below. From Bogazköy . 18th c.B.C. (Museum Ankara).
śyēná m. ʻ hawk, falcon, eagle ʼ RV.Pa. sēna -- , °aka -- m. ʻ hawk ʼ, Pk. sēṇa -- m.; WPah.bhad. śeṇ ʻ kite ʼ; A. xen ʻ falcon, hawk ʼ, Or. seṇā, H. sensẽ m., M. śen m., śenī f. (< MIA. *senna -- ); Si. sen ʻ falcon, eagle, kite ʼ.(CDIAL 12674)

aśáni f. ʻ thunderbolt ʼ RV., °nī -- f. ŚBr. [Cf. áśan -- m. ʻ sling -- stone ʼ RV.] Pa. asanī -- f. ʻ thunderbolt, lightning ʼ, asana -- n. ʻ stone ʼ; Pk. asaṇi -- m.f. ʻ thunderbolt ʼ; Ash. ašĩˊ ʻ hail ʼ, Wg. ašē˜ˊ, Pr. īšĩ, Bashg. "azhir", Dm. ašin, Paš. ášen, Shum. äˊšin, Gaw. išín, Bshk. ašun, Savi išin, Phal. ã̄šun, L. (Jukes) ahin, awāṇ. &circmacrepsilon;n (both with n, not ), P. āhiṇ, f., āhaṇaihaṇ m.f., WPah. bhad. ã̄ṇhiṇi f., N. asino, pl. °nā; Si. senaheṇa ʻ thunderbolt ʼ Geiger GS 34, but the expected form would be *ā̤n; -- Sh. aĩyĕˊr f. ʻ hail ʼ (X ?). -- For ʻ stone ʼ > ʻ hailstone ʼ cf. upala -- and A. xil s.v.śilāˊ -- . (CDIAL 910) vajrāśani m. ʻ Indra's thunderbolt ʼ R. [vájra -- , aśáni -- ]Aw. bajāsani m. ʻ thunderbolt ʼ prob. ← Sk.(CDIAL 11207)


See: http://bharatkalyan97.blogspot.in/2016/01/mrdu-merhet-med-metal-and-shahdad.html मृदु mṛdu, mẽṛhẽt, meḍ 'metal' and Shahdad standard comparable to Somayaga yupa & Śyenaciti 

sḗnā f. ʻ army ʼ RV.Pa. sēnā -- f. ʻ army ʼ, Dhp. seṇa, KharI. sena, Pk. seṇā -- f., Sh.  f., K. sīna f., OAw. sena f., H. sen f., Si. sen.sainika -- , *sainiya -- , saínya -- ; sēnāṅga -- , sēnāpati -- . sēnāṅga n. ʻ component part of an army ʼ VarBr̥S. [sḗnā -- , áṅga -- 1] Si. senan̆gasenaga ʻ multitude, army ʼ (prob. ← Sk.).sēnāpati m. ʻ leader of an army ʼ AitBr. [sḗnā -- , páti -- ] Pa. sēnāpati -- , °ika -- m. ʻ general ʼ, Pk. sēṇāvaï -- m.; M. śeṇvaī°vīśeṇai m. ʻ a class of Brahmans ʼ, Ko. śeṇvi; Si. senevi ʻ general ʼ. (CDIAL 13587-13589)


Senmurv: orthographic representation during the historical periods shows an eagle or a bird ligatured to a jackal. krōṣṭŕ̊ ʻ crying ʼ BhP., m. ʻ jackal ʼ RV. = krṓṣṭu -- m. Pāṇ. [√kruśPa. koṭṭhu -- , °uka -- and kotthu -- , °uka -- m. ʻ jackal ʼ, Pk. koṭṭhu -- m.; Si. koṭa ʻ jackal ʼ, koṭiya ʻ leopard ʼ GS 42; -- Pk. kolhuya -- , kulha -- m. ʻ jackal ʼ < *kōḍhu -- ; H. kolhā°lā m. ʻ jackal ʼ, adj. ʻ crafty ʼ; G. kohlũ°lũ n. ʻ jackal ʼ, M. kolhā°lā m.(CDIAL 3615) Rebus: kolhe 'smelter' kol 'working in iron' kolle 'blacksmith' kolimi 'smithy, forge'.

"Simurgh (/ˌsɪˈmərɡ/; Persian: سیمرغ‎), also spelled simorgh, simurg, simoorg or simourv, also known as Angha (Persian: عنقا‎), is a benevolent, mythical flying creature. The figure can be found in all periods of Greater Iranian art and literature and is also evident in the iconography of medieval Armenia, the Byzantine empire, and other regions that were within the sphere of Persian cultural influence.[clarification needed] The mythical bird is also found in the mythology of the Turkic peoples of Central Asia and is called Kerkés, Semrug, Semurg, Samran, and Samruk.

The name simurgh derives from Middle Persian Pahlavi sēnmurw (and earlier sēnmuruγ), also attested in Middle Persian Pāzand as sīna-mrū. The Middle Persian term derives in turn from Avestan mərəγō Saēnō "the bird Saēna", originally a raptor, likely an eagle, falcon, or sparrowhawk, as can be deduced from the etymological cognate Sanskrit śyenaḥ ("raptor, eagle, bird of prey") that also appears as a divine figure. Saēna is also a personal name, which is root of the name.

The most prestigious award given by Fajr International Film FestivalIran's major annual film festival, is called the Crystal Simorgh, after the mythical creature.


This is an excerpt from the article Senmurw from the Wikipedia free encyclopedia. A list of authors is available at Wikipedia.http://www.cyclopaedia.info/wiki/Senmurw

http://bharatkalyan97.blogspot.in/2015/05/simorg.html?view=magazine.

Simorg, śyēná (anzu), patanga, mákṣikā: Rigveda riddles, Meluhha hieroglyphs as archaeometallurgy metaphors

Identity of Ancient Meluhha blacksmiths, using archaeometallurgy and cryptography in a socio-cultural context

http://bharatkalyan97.blogspot.in/2011/11/syena-orthography.html

śyena, orthography, Sasanian iconography. Continued use of Indus Script hieroglyphs 


from Sasanian Empire, between 3rd to 7th centuries AD - Middle East and Western Asia:
from Sasanian Empire, between 3rd to 7th centuries CE - Middle East and Western Asia
https://in.pinterest.com/pin/460282024391741602/




Senmurv5.gif (GIF Image, 600 × 535 pixels)
Fragment 13th century spain silk, tapestry-woven
The Simurgh on the wall of church Samtavisi. A Simurgh is a kind of bird, in the mythology of Persia, Armenia, Turkey, and areas covered by the Byzantine Empire, perhaps the equivalent of the Roc or Rukh - this one certainly looks like a gryphon.


Locket |  8th - 9th century. Cloisonne enamel on gold - Louvre Museum
Locket | 8th - 9th century. Cloisonne enamel on gold - Louvre Museum
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ВИЗАНТИЯ В КАРТИНКАХ - Крест Феофании Эссенской
Zwei Senmurv-Protome einander gegenübergestellt, dazwischen Tamga; baktrische Aufschrift „Pangul, seine Majestät, der Lord“ 7./8. Jh.
Senmurv on the tomb of Abbess Theodote, Pavia early 8th c
śyena, orthography, Sasanian iconography. Continued use of Indus Script hieroglyphs. | Bharatkalyan97
Fragment: Eight-Pointed Star with Griffins. Syria, 10th century weft-patterned tabby weave, silk, Overall - h:40.30 w:30.50 cm (h:15 13/16 w:12 inches). Purchase from the J. H. Wade Fund 1941.292. Cleveland Museum of Art.
Sassanian silver gilded ewer (6th/early-7th centuries CE), 33 cm high. This ewer with a loop-shaped handle has a typical Sassanian shape and classically balanced proportions. The ewer's body is decorated with two medallions surrounded by wreaths containing Zoroastrian mythological creatures known as simurgh. The front of the body is decorated with an exotic flower, a symbol of the Tree of Life.
Learn more at flickr.com


Sassanian silver plate with a simurgh. The winged creature in the  centre is a senmurw of simurgh from Zoroastrian mythology and has  the shape of a bird with the head of a dog,the claws of a lion and the tail of a peacock.The simurgh roosts in the Tree of Life and when he takes flight,the leaves of the tree shake making all the seeds to fall out.Therefore,the simurgh is considered to bestow fertility,good fortune and glory. Zoroastrianims is a ancient iranian religion .
Sassanian silver plate with a simurgh. The winged creature in the centre is a senmurw of simurgh from Zoroastrian mythology and has the shape of a bird with the head of a dog,the claws of a lion and the tail of a peacock.The simurgh roosts in the Tree of Life and when he takes flight,the leaves of the tree shake making all the seeds to fall out.Therefore,the simurgh is considered to bestow fertility,good fortune and glory. Zoroastrianims is a ancient iranian religion .
Iran (possibly) Central Asia (possibly, made) 7th century to 8th century (made) weft-faced compound silk twill, one repeat This patterned silk fragment with a green ground and greenish-yellow pattern shows the fabulous creature, the sēnmurw, enclosed in a roundel of pearls. Part bird, part beast, the sēnmurw is a creation of Sasanian art
Learn more at google.bg


Istanbul Mosaic Museum Mosaics of Bukholeon Palace
Istanbul Mosaic Museum Mosaics of Bukholeon Palace
Stock Illustration of Signs & Symbols - line art Islam The dragon/peacock was a symbol used by the Sasanid inheritance.
Learn more at tumblr.com


from Sasanian Empire, between 3rd to 7th centuries AD - Middle East and Western Asia
from Sasanian Empire, between 3rd to 7th centuries AD - Middle East and Western Asia
ВИЗАНТИЯ В КАРТИНКАХ - Крест Феофании Эссенской
ВИЗАНТИЯ В КАРТИНКАХ - Крест Феофании Эссенской
ВИЗАНТИЯ В КАРТИНКАХ - Крест Феофании Эссенской
ВИЗАНТИЯ В КАРТИНКАХ - Крест Феофании Эссенской
Detail of the shroud of St. Potentien, Byzantine silk with phoenixes and griffins. 12th century, Cathedral Treasury, Sens.
Senmurv. 6th - 7th Century AD: Senmurv. Silk twill. From the reliquary of St. Leu in Paris, France. Victoria and Albert Museum.
Two griffons back-to-back. 11th Century: Two griffons back-to-back. Silk serge an wool. Fragment; from a reliquary. Byzantine. Musee de Valere, Sion, France.
11th Century: A hippocampus and an elephant. Silk serge. Details of a large piece of material decorated with hippocampi (senmurv), elephants and winged horses in contiguous medallions. Spanish. Museo Nazionale del Bargello, Florence. Image 2
Panel with a Griffin [Byzantine; Possibly from Greece or the Balkans] (2000.81) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
Cloisonné enamel disk with griffin, ca. 900 A.D. Ashmolean Museum
https://www.pinterest.com/dealbg/senmurfs-and-griffins 







Simurgh , Persian also spelled simorgh, simurg, simoorg or simourv, is a benevolent, mythical flying creature. It is sometimes equated with other mythological birds such as Arabic Anqā or Persian Homā The figure can be found in all periods of Greater Iranian art and literature and is also evident in the iconography of medieval Armenia , the Byzantine empire and other regions that were within the sphere of Persian cultural influence ..


A simurgh (‘anqa’, a mythical bird) and, above, a bird that appears to be a hoopoe but is labeled ‘aq’aq (magpie).From a copy of ‘Ajā’ib al-makhlūqāt wa-gharā’ib al-mawjūdāt (Marvels of Things Created and Miraculous Aspects of Things Existing) by al-Qazwīnī (d. 1283/682). Neither the copyist nor illustrator is named, and the copy is undated. The nature of paper, script, ink, illumination, and illustrations suggest that it was produced in provincial Mughal India, possibly the Punjab, in the 1...
A simurgh (‘anqa’, a mythical bird) and, above, a bird that appears to be a hoopoe but is labeled ‘aq’aq (magpie).From a copy of ‘Ajā’ib al-makhlūqāt wa-gharā’ib al-mawjūdāt (Marvels of Things Created and Miraculous Aspects of Things Existing) by al-Qazwīnī (d. 1283/682). Neither the copyist nor illustrator is named, and the copy is undated. The nature of paper, script, ink, illumination, and illustrations suggest that it was produced in provincial Mughal India, possibly the Punjab, in the 17.
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Rectangular fragment outlined with plain bands in relief. Central piece, circular medallions outlined with “pearl-frames” a senmurv coming out of the circle.
Zwei Senmurv-Protome einander gegenübergestellt, dazwischen Tamga; baktrische Aufschrift „Pangul, seine Majestät, der Lord“ 7./8. Jh.
Silk saddle cover with Senmurv

Senmurv the tomb of Abbess Theodote, Pavia early 8th c
 flickr by julianna.lees
.. in the middle
Learn more at vam.ac.uk

Silk fragment with a senmurv  Iran or Central Asia 700–800
Silk fragment with a senmurv Iran or Central Asia 700–800
https://www.pinterest.com/theofrastus/simurgh-senmurv/

S. Kalyanaraman
Sarasvati Research Center
January 5, 2016

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