Mirror: http://tinyurl.com/nfm5pbc
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V326 (Orthographic variants of Sign 326) ![]()
V327 (Orthographic variants of Sign 327)![]()
Dravidian proof of Indus Script has been refuted. See link: http://bharatkalyan97.blogspot.in/2015/08/a-four-hieroglyph-multiplex-of.html This note provides additional evidence to support this refutation by providing decipherment of inscriptions which are signified by the 'scorpion''fish' or 'ficus' hieroglyphs of Indus Script. The context of life-activity of the artisans is work in a mint, metalwork.
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The inscription on the seal starts with 'scorpion' hieroglyph on modern impression of seal M-414 from Mohenjo-daro. After CISI 1:100. This sign is followed by a hieroglyph multiplex signifyinjg: rimledss pot PLUS ficus leaves PLUS infixed crab hieroglyphs. The terminal sign is 'fish' hieroglyph.
Rebus-metonymy readings in Meluhha cipher (mlecchita vikalpa) are of the three sets of hieroglyph multipexes: 1. meṛed-bica 'iron (hematite) stone ore' 2. bhaTa loh kammaṭa 'furnace copper mint, coiner' 3. aya 'alloy metal'.
Note: The 'ficus' hieroglyph is signified by two glosses: vaTa'banyan'loa 'ficus glomerata'. Rebus: bhaTa 'furnace' loha 'copper, iron'.
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m-857 Seal. Mohenjo-daro The four hieroglyph multiplex on Mohenjo-daro seal m-857 signifies: 1. meṛed-bica = 'iron (hematite) stone ore' 2. dhatu karava karNI 'supercargo of mineral ore', scribed. (The one-horned young bull PLUS standard device is deciphered as: kondh 'young bull' Rebus: kondh 'turner'; koD 'horn' Rebus: koD 'workshop'; sangaDa 'lathe' Rebus: sangAta 'collection of materials, i.e. consignment or boat load.
http://bharatkalyan97.blogspot.in/2015/08/a-four-hieroglyph-multiplex-of.html
On Mohenjo-daro seal m-414, the 'scorpion' sign is followed by a hieroglyph multiplex which is explained by Asko Parpola:
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Many variants of Sign 123 (Parpola corpus) are identified signifying, according to Parpola [quote] a three-branched 'fig-tree' and of its ligature with the 'crab' sign, where the middlemost branch has been omitted to accommodate the inserted 'crab' sign. (After Parpola, Asko, 1994, Deciphering the Indus Script, Cambridge, Cambridge University Press: 235).
Parpola illustrates the 'crab' hieroglyhph with the following examples from copper plate inscriptions (Note: there are 240 copper plates with inscriptions from Mohenjo-daro):
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Copper tablets from Mohenjo-daro providing a 'pictorial translation' of the Indus sign 'crab inside fig tree' (After Parpola 1994: 234, fig. 13.13)
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Variants of 'crab' hieroglyph (After Parpola 1994: 232, cf. 71-72)
The hieroglyph-multiplex, thus orthographically signifies two ficus leaves ligatured to the top edge of a wide rimless pot and a crab hieroglyph is inscripted. In this hieroglyph-multiplex three hieroglyph components are signified: 1. rimless pot, 2. two ficus leaves, 3. crab. baTa 'rimless pot' Rebus: bhaTa 'furnace'; loa 'ficus' Rebus: loha 'copper, iron'; kamaDha 'crab' Rebus: kammaTa 'coiner, mint'.
Examples are:
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Modern impression of Harappa Seal h-598
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Modern impression of seal L-11 Lothal
The third sign is a 'fish' hieroglyph.
(http://www.harappa.com/script/script-indus-parpola.pdf Asko Parpola, 2009k,'Hind leg' + 'fish': towards further understanding of the Indus Script, in: SCRIPTA, volume 1 (September 2009): 37-76, The Hummn Jeongeum Society)
Annex A: loa 'ficus glomerata' Rebus: loha 'copper, iron'
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Parpola also presents a figure of a pot with ficus leaves hieroglyph. A painted goblet with the 'three-branched fig tree' motif from Nausharo I D, transitional phase between the Early and Mature Harappan periods (c. 2600-2550 BCE) (After Samzun 1992: 250, fig.29.4 no.2)
vaṭa1 m. ʻ the banyan Ficus indica ʼ MBh. Pa. vaṭa -- m. ʻ banyan ʼ, Pk. vaḍa -- , °aga -- m., K. war in war -- kulu m., S. baṛu m. (← E); P. vaṛ, baṛ m.,
vohṛ, bohṛ f. ʻ banyan ʼ, vaṛoṭā, ba° m. ʻ young banyan ʼ (+?); N. A. bar ʻ banyan ʼ, B. baṛ, Bi. bar (→ Or. bara), H. baṛ m. (→ Bhoj. Mth. baṛ), G. vaṛ m., M. vaḍ m., Ko. vaḍu. *vaṭapadra -- , *vaṭapātikā -- .Addenda: vaṭa -- 1 : Garh. baṛ ʻ fig tree ʼ. 11215 *vaṭapātikā ʻ falling from banyan ʼ. [vaṭa -- 1 , pāta -- ] G. vaṛvāī f. ʻ hanging root of banyan tree ʼ. (CDIAL 11211)
Allograph: vaṭa 'string': vaṭa2 ʻ string ʼ lex. [Prob. ← Drav. Tam. vaṭam, Kan. vaṭi, vaṭara, &c. DED 4268] N. bariyo ʻ cord, rope ʼ; Bi. barah ʻ rope working irrigation lever ʼ, barhā ʻ thick well -- rope ʼ, Mth. barahā ʻ rope ʼ. vaṭāraka -- , varāṭaka -- m. ʻ string ʼ MBh. [vaṭa -- 2 ]Pa. sa -- vaṭākara -- ʻ having a cable ʼ; Bi. baral -- rassī ʻ twisted string ʼ; H. barrā m. ʻ rope ʼ, barārā m. ʻ thong ʼ. (CDIAL 11212, 11217)
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lo 'nine', loa 'ficus religiosa' Rebus: loh 'copper'; kunda 'young bull' Rebus: kundār, kũdār 'turner'; firs hieroglph from r. on the text: eraka 'nave of wheel' Rebus: eraka 'moltencast'; arA 'spoke' Rebus: Ara 'brass'; kanac 'corner' Rebus: kancu 'bronze'.
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11158 lōhá ʻ red, copper -- coloured ʼ ŚrS., ʻ made of copper ʼ ŚBr., m.n. ʻ copper ʼ VS., ʻ iron ʼ MBh. [*rudh -- ] Pa. lōha -- m. ʻ metal, esp. copper or bronze ʼ; Pk. lōha -- m. ʻ iron ʼ, Gy. pal. li°, lihi, obl. elhás, as. loa JGLS new ser. ii 258; Wg. (Lumsden) "loa"ʻ steel ʼ; Kho. loh ʻ copper ʼ; S. lohu m. ʻ iron ʼ, L. lohā m., awāṇ. lōˋā, P. lohā m. (→ K.rām. ḍoḍ. lohā), WPah.bhad. lɔ̃u n., bhal. lòtilde; n., pāḍ. jaun. lōh, paṅ. luhā, cur. cam. lohā, Ku. luwā, N. lohu, °hā, A. lo, B. lo, no, Or. lohā, luhā, Mth. loh, Bhoj. lohā, Aw.lakh. lōh, H. loh, lohā m., G. M. loh n.; Si. loho, lō ʻ metal, ore, iron ʼ; Md. ratu -- lō ʻ copper ʼ. *lōhala -- , *lōhila -- , *lōhiṣṭha -- , lōhī -- , laúha -- ; lōhakāra -- , *lōhaghaṭa -- , *lōhaśālā -- , *lōhahaṭṭika -- , *lōhōpaskara -- ; vartalōha -- .Addenda: lōhá -- : WPah.kṭg. (kc.) lóɔ ʻ iron ʼ, J. lohā m., Garh. loho; Md. lō ʻ metal ʼ.†*lōhaphāla -- or †*lōhahala -- . 11159 lōhakāra m. ʻ iron -- worker ʼ, °rī -- f., °raka -- m. lex., lauhakāra -- m. Hit. [lōhá -- , kāra -- 1 ] Pa. lōhakāra -- m. ʻ coppersmith, ironsmith ʼ; Pk. lōhāra -- m. ʻ blacksmith ʼ, S. luhā̆ru m., L. lohār m., °rī f., awāṇ. luhār, P. WPah.khaś. bhal. luhār m., Ku. lwār, N. B. lohār, Or. lohaḷa, Bi.Bhoj. Aw.lakh. lohār, H. lohār, luh° m., G. lavār m., M. lohār m.; Si. lōvaru ʻ coppersmith ʼ. Addenda: lōhakāra -- : WPah.kṭg. (kc.) lhwāˋr m. ʻ blacksmith ʼ, lhwàri f. ʻ his wife ʼ, Garh. lwār m.
lōhaghaṭa 11160 *lōhaghaṭa ʻ iron pot ʼ. [lōhá -- , ghaṭa -- 1 ]
Bi. lohrā, °rī ʻ small iron pan ʼ. 11160a †*lōhaphāla -- ʻ ploughshare ʼ. [lōhá -- , phāˊla -- 1 ] WPah.kṭg. lhwāˋḷ m. ʻ ploughshare ʼ, J. lohāl m. ʻ an agricultural implement ʼ Him.I 197; -- or < †*lōhahala -- . lōhala 11161 lōhala ʻ made of iron ʼ W. [lōhá -- ] G. lohar, lohariyɔ m. ʻ selfwilled and unyielding man ʼ.
lōhaśālā 11162 *lōhaśālā ʻ smithy ʼ. [lōhá -- , śāˊlā -- ]
Bi. lohsārī ʻ smithy ʼ. lōhahaṭṭika 11163 *lōhahaṭṭika ʻ ironmonger ʼ. [lōhá -- , haṭṭa -- ] P.ludh. lōhṭiyā m. ʻ ironmonger ʼ. 11163a †*lōhahala -- ʻ ploughshare ʼ. [lōhá -- , halá -- ] WPah.kṭg. lhwāˋḷ m. ʻ ploughshare ʼ, J. lohāl ʻ an agricultural instrument ʼ; rather < †*lōhaphāla -- . lōhi 11164 lōhi ʻ *red, blood ʼ (n. ʻ a kind of borax ʼ lex.). [~ rṓhi -- . -- *rudh -- ] Kho. lei ʻ blood ʼ (BelvalkarVol 92 < *lōhika -- ), Kal.rumb. lū˘i, urt. lhɔ̈̄i. lṓhita 11165 lṓhita ʻ red ʼ AV., n. ʻ any red substance ʼ ŚBr., ʻ blood ʼ VS. [< rṓhita -- . -- *rudh -- ] Pa. lōhita -- in cmpds. ʻ red ʼ, n. ʻ blood ʼ, °aka -- ʻ red ʼ; Pk. lōhia -- ʻ red ʼ, n. ʻ blood ʼ; Gy. eur. lolo ʻ red ʼ, arm. nəxul ʻ blood, wound ʼ, pal. lúḥră ʻ red ʼ, inhīˊr ʻ blood ʼ, as. lur ʻ blood ʼ, lohri ʻ red ʼ Miklosich Mund viii 8; Ḍ. lōya ʻ red ʼ; Ash. leu ʻ blood ʼ, Wg. läi, Kt. lūi, Dm. lōi; Tir. ləwī, (Leech) luhī ʻ red ʼ, lọ̈̄i ʻ blood ʼ; Paš. lū f. ʻ blood ʼ, Shum. lúī, Gmb. lūi, Gaw. lō; Bshk. lōu ʻ red ʼ (AO xviii 241 < *lohuta -- ); S. lohū m. ʻ blood ʼ, L. lahū m., awāṇ. làū; P. lohī ʻ red ʼ, lohū, lahū m. ʻ blood ʼ; WPah.jaun. loī ʻ blood ʼ, Ku. loi, lwe, B. lau, Or. lohu, nohu, la(h)u, na(h)u, laa, Mth. lehū, OAw. lohū m., H. lohū, lahū, lehū m., G. lohī n.; OM.lohivā ʻ red ʼ Panse Jñān 536; Si. lehe, lē ʻ blood ʼ, le ʻ red ʼ SigGr ii 460; Md. lē ʻ blood ʼ. -- Sh. lēl m. ʻ blood ʼ, lōlyŭ ʻ red ʼ rather < *lōhila -- . lōhitaka -- . Addenda: lṓhita -- : Kho. lei ʻ blood ʼ BKhoT 70, WPah.kṭg. lóu m., Garh. loi, Md. lei, lē.
lōhitaka 11166 lōhitaka ʻ reddish ʼ Āpast., n. ʻ calx of brass, bell- metal ʼ lex. [lṓhita -- ] K. lŏy f. ʻ white copper, bell -- metal ʼ. lōhittara 11167 *lōhittara ʻ reddish ʼ. [Comp. of *lōhit -- ~ rōhít -- . - *rudh -- ] Woṭ. latúr ʻ red ʼ, Gaw. luturá: very doubtful (see úparakta -- ) lōhila 11168 *lōhila ʻ red ʼ. [lōhá -- ] Wg. lailäi -- štä ʻ red ʼ; Paš.chil. lēle -- šiṓl ʻ fox ʼ; Sv. lohĩló ʻ red ʼ, Phal. lohílu, lə hōilo; Sh.gil. jij. lēl m. ʻ blood ʼ, gil. lōlyŭ, (Lor.)loi lo ʻ red, bay (of horse or cow) ʼ, pales. lēlo swã̄ṛə ʻ (red) gold ʼ. -- X nīˊla -- : Sh.gil. līlo ʻ violet ʼ, koh. līlṷ, pales. līˊlo ʻ red ʼ. -- Si. luhul, lūlā ʻ the dark -- coloured river fish Ophiocephalus striatus ʼ? -- Tor. lohūr, laūr, f. lihīr ʻ red ʼ < *lōhuṭa<-> AO xviii 241? lōhiṣṭha 11169 *lōhiṣṭha ʻ very red ʼ. [lōhá -- ] Kal.rumb. lohíṣṭ, urt. liūṣṭ ʻ male of Himalayan pheasant ʼ, Phal. lōwīṣṭ (f. šām s.v. śyāmá -- ); Bshk. lōīˊṭ ʻ id., golden oriole ʼ; Tor.lawēṭ ʻ male golden oriole ʼ, Sh.pales. lēṭh.
lōhī 11170 lōhī f. ʻ any object made of iron ʼ Kāv., ʻ pot ʼ Divyāv., lōhikā -- f. ʻ large shallow wooden bowl bound with iron ʼ,lauhā -- f. ʻ iron pot ʼ lex. [lōhá -- ]
Pk. lōhī -- f. ʻ iron pot ʼ; P. loh f. ʻ large baking iron ʼ; A. luhiyā ʻ iron pan ʼ; Bi. lohiyā ʻ iron or brass shallow pan with handles ʼ; G.lohiyũ n. ʻ frying pan ʼ.
lōhōpaskara 11171 *lōhōpaskara ʻ iron tools ʼ. [lōhá -- , upaskara -- 1 ]
N. lokhar ʻ bag in which a barber keeps his tools ʼ; H. lokhar m. ʻ iron tools, pots and pans ʼ; -- Xlauhabhāṇḍa -- : Ku. lokhaṛ ʻ iron tools ʼ; H. lokhaṇḍ m. ʻ iron tools, pots and pans ʼ; G. lokhãḍ n. ʻ tools, iron, ironware ʼ; M. lokhãḍ n. ʻ iron ʼ (LM 400 < -- khaṇḍa -- ). laúkika -- , laukyá -- see *lōkíya -- . laulāha 11172 laulāha m. ʻ name of a place ʼ Stein RājatTrans ii 487.
K. lōlav ʻ name of a Pargana and valley west of Wular Lake ʼ.
11172a laúha -- ʻ made of copper or iron ʼ Gr̥Śr., ʻ red ʼ MBh., n. ʻ iron, metal ʼ Bhaṭṭ. [lōhá -- ] Pk. lōha -- ʻ made of iron ʼ; L. lohā ʻ iron -- coloured, reddish ʼ; P. lohā ʻ reddish -- brown (of cattle) ʼ. lauhabhāṇḍa -- , *lauhāṅga -- .
lauhakāra -- seelōhakāra -- . Addenda: laúha -- [Dial. au ~ ō (in lōhá -- ) < IE. ou T. Burrow BSOAS xxxviii 74]
lauhabhāṇḍa 11173 lauhabhāṇḍa n. ʻ iron pot, iron mortar ʼ lex. [laúha -- , bhāṇḍa -- 1 ] Pa. lōhabhaṇḍa -- n. ʻ copper or brass ware ʼ; S. luhã̄ḍ̠iṛī f. ʻ iron pot ʼ, L.awāṇ. luhã̄ḍā; P. luhã̄ḍā, lohṇḍā, ludh. lō̃hḍā m. ʻ frying pan ʼ; N. luhũṛe ʻ iron cooking pot ʼ; A. lohorā ʻ iron pan ʼ; Bi. lohãṛā ʻ iron vessel for drawing water for irrigation ʼ; H. lohaṇḍā, luh° m. ʻ iron pot ʼ; G. loḍhũ n. ʻ iron, razor ʼ, pl. ʻ car<-> penter's tools ʼ, loḍhī f. ʻ iron pan ʼ. -- X *lōhōpaskara <-> q.v.
lauhāṅgika 11174 *lauhāṅgika ʻ iron -- bodied ʼ. [láuha -- , áṅga -- 1 ]
P. luhã̄gī f. ʻ staff set with iron rings ʼ, H. lohã̄gī f., M. lohã̄gī, lavh°, lohãgī f.; -- Bi. lohãgā, lahaũgā ʻ cobbler's iron pounder ʼ, Mth.lehõgā.
A variant orthography for sãghāṛɔ 'lathe' is displayed on m0296 Mohenjo-daro seal.
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m0296 See: https://sites.google.com/site/induswriting/epigraphs?pli=1 Decoding of a very remarkable set of glyphs and a 5-sign epigraph on a seal, m0296, together with a review of few other pictographs used in the writing system of Indus script. This seal virtually defines and prefaces the entire corpus of inscriptions of mleccha (cognate meluhha) artisans of smithy guild, caravan of Sarasvati-Sindhu civilization. The center-piece of the orthography is a stylized representation of a 'lathe' which normally is shown in front of a one-horned young bull on hundreds of seals of Indus Script Corpora. This stylized sãghāṛɔ 'lathe' is a layered rebus-metonymy to denote 'collection of implements': sangāṭh संगाठ् । सामग्री m. (sg. dat. sangāṭas संगाटस्), a collection (of implements, tools, materials, for any object), apparatus, furniture, a collection of the things wanted on a journey, luggage, and so on. This device of a stylized 'lathe' is ligatured with a circular grapheme enclosing 'protuberances' from which emanate a pair of 'chain-links'. These hieroglyphs are also read as rebus-metonymy layers to represent a specific form of lapidary or metalwork: goṭī 'lump of silver' (Gujarati); goṭa m. ʻ edging of gold braid ʼ(Kashmiri). Thus, a collection of hieroglyphs are deployed as rebus-metonymy layered encryptions, to convey a message in Meluhha (mleccha) speech form.
Hieroglyph: gö̃ṭh 1 अर्गलम्, चिन्हितग्रन्थिः f. (sg. dat. gö̃ṭhi गाँ&above;ठि), a bolt, door-chain; a method of tying up a parcel with a special knot marked or sealed so that it cannot be opened by an unauthorized person. Cf. gã̄ṭh and gö̃ṭhü. -- dyunu -- m.inf. to knot, fasten; to bolt, fasten (a door) (K.Pr. 76). *gōṭṭa ʻ something round ʼ. [Cf. guḍá -- 1. -- In sense ʻ fruit, kernel ʼ cert. ← Drav., cf. Tam. koṭṭai ʻ nut, kernel ʼ, Kan. goṟaṭe &c. listed DED 1722] K. goṭh f., dat. °ṭi f. ʻ chequer or chess or dice board ʼ; S. g̠oṭu m. ʻ large ball of tobacco ready for hookah ʼ, °ṭī f. ʻ small do. ʼ; P. goṭ f. ʻ spool on which gold or silver wire is wound, piece on a chequer board ʼ; N. goṭo ʻ piece ʼ, goṭi ʻ chess piece ʼ; A. goṭ ʻ a fruit, whole piece ʼ, °ṭā ʻ globular, solid ʼ, guṭi ʻ small ball, seed, kernel ʼ; B. goṭā ʻ seed, bean, whole ʼ; Or. goṭā ʻ whole, undivided ʼ, goṭi ʻ small ball, cocoon ʼ, goṭāli ʻ small round piece of chalk ʼ; Bi. goṭā ʻ seed ʼ; Mth. goṭa ʻ numerative particle ʼ; H.goṭ f. ʻ piece (at chess &c.) ʼ; G. goṭ m. ʻ cloud of smoke ʼ, °ṭɔ m. ʻ kernel of coconut, nosegay ʼ, °ṭī f. ʻ lump of silver, clot of blood ʼ, °ṭilɔ m. ʻ hard ball of cloth ʼ; M. goṭām. ʻ roundish stone ʼ, °ṭī f. ʻ a marble ʼ, goṭuḷā ʻ spherical ʼ; Si. guṭiya ʻ lump, ball ʼ; -- prob. also P. goṭṭā ʻ gold or silver lace ʼ, H. goṭā m. ʻ edging of such ʼ (→ K. goṭa m. ʻ edging of gold braid ʼ, S. goṭo m. ʻ gold or silver lace ʼ); M. goṭ ʻ hem of a garment, metal wristlet ʼ. Rebus: °ṭī f. ʻ lump of silver*gōḍḍ -- ʻ dig ʼ see *khōdd -- .Ko. gōṭu ʻ silver or gold braid ʼ.(CDIAL 4271).Rebus: goṭī f. ʻ lump of silver (Gujarati).
Hieroglyph: kaḍī a chain; a hook; a link (G.); kaḍum a bracelet, a ring (G.) Rebus: kaḍiyo [Hem. Des. kaḍaio = Skt. sthapati a mason] a bricklayer; a mason; kaḍiyaṇa, kaḍiyeṇa a woman of the bricklayer caste; a wife of a bricklayer (Gujarati)
lo, no ‘nine’ phonetic reinforcement of Hieroglyph: loa ‘ficus’ loa = a species of fig tree, ficus glomerata (Santali) Rebus: lo ‘copper’ (Samskritam) loha lut.i = iron utensils and implements (Santali) lauha = made of copper or iron (Gr.S’r.); metal, iron (Skt.); lo_haka_ra = coppersmith, ironsmith (Pali); lo_ha_ra = blacksmith (Pt.); lohal.a (Or.); lo_ha = metal, esp. copper or bronze (Pali); copper (VS.); loho, lo_ = metal, ore, iron (Si.)
kamaḍha = ficus religiosa (Skt.); kamar.kom ‘ficus’ (Santali) rebus: kamaṭa = portable furnace for melting precious metals (Te.); kampaṭṭam = mint (Ta.) Vikalpa: Fig leaf ‘loa’; rebus: loh ‘(copper) metal’. loha-kāra ‘metalsmith’ (Sanskrit). loa ’fig leaf; Rebus: loh ‘(copper) metal’ The unique ligatures on the 'leaf' hieroglyph may be explained as a professional designation: loha-kāra 'metalsmith'; kāruvu [Skt.] n. 'An artist, artificer. An agent'.(Telugu).
http://bharatkalyan97.blogspot.in/2014/10/indus-script-inscriptions-examples-of.html
http://bharatkalyan97.blogspot.in/2014/01/some-select-meluhha-hieroglyphs.html
http://bharatkalyan97.blogspot.com.es/2013/12/meluhha-hieroglyphs-of-assur-assur.html
http://bharatkalyan97.blogspot.in/2015/01/multiplex-as-metaphor-ligatures-on.html
sãghāṛɔ 'lathe' is a signifier and the signified is: सं-घात sãghāta 'caravan consignment' [an assemblage, aggregate of metalwork objects (of the turner in workshop): metals, alloys]. sangāṭh संगाठ् । सामग्री m. (sg. dat. sangāṭas संगाटस्), a collection (of implements, tools, materials, for any object), apparatus, furniture, a collection of the things wanted on a journey, luggage, and so on. -- karun -- करुन् । सामग्रीसंग्रहः m.inf. to collect the ab. (L.V. 17).(Kashmiri).
http://bharatkalyan97.blogspot.in/2015/03/emphatic-evidence-for-indus-script.html
http://bharatkalyan97.blogspot.in/2015/02/vajra-sanghata-binding-together.html
Hieroglyph: one-horned young bull: खोंड (p. 216) [ khōṇḍa ] m A young bull, a bullcalf. Rebus: कोंद kōnda ‘engraver, lapidary setting or infixing gems’ (Marathi)
kot.iyum = a wooden circle put round the neck of an animal; kot. = neck (G.lex.) [cf. the orthography of rings on the neck of one-horned young bull]. ko_d.iya, ko_d.e = young bull; ko_d.elu = plump young bull; ko_d.e = a. male as in: ko_d.e du_d.a = bull calf; young, youthful (Te.lex.)
Glyph: ko_t.u = horns (Ta.) ko_r (obl. ko_t-, pl. ko_hk) horn of cattle or wild animals (Go.); ko_r (pl. ko_hk), ko_r.u (pl. ko_hku) horn (Go.); kogoo a horn (Go.); ko_ju (pl. ko_ska) horn, antler (Kui)(DEDR 2200). Homonyms: kohk (Go.), gopka_ = branches (Kui), kob = branch (Ko.) gorka, gohka spear (Go.) gorka (Go)(DEDR 2126).
kod. = place where artisans work (Gujarati) kod. = a cow-pen; a cattlepen; a byre (G.lex.) gor.a = a cow-shed; a cattleshed; gor.a orak = byre (Santali.lex.) got.ho [Skt. kos.t.ha the inner part] a warehouse; an earthen
Rebus: kõdā‘to turn in a lathe’(B.) कोंद kōnda ‘engraver, lapidary setting or infixing gems’ (Marathi) koḍ ‘artisan’s workshop’ (Kuwi) koḍ = place where artisans work (G.) ācāri koṭṭya ‘smithy’ (Tu.) कोंडण [kōṇḍaṇa] f A fold or pen. (Marathi) B. kõdā ‘to turn in a lathe’; Or.kū̆nda ‘lathe’, kũdibā, kū̃d ‘to turn’ (→ Drav. Kur. Kū̃d ’ lathe’) (CDIAL 3295) A. kundār, B. kũdār, ri, Or.Kundāru; H. kũderā m. ‘one who works a lathe, one who scrapes’, rī f., kũdernā ‘to scrape, plane, round on a lathe’; kundakara—m. ‘turner’ (Skt.)(CDIAL 3297). कोंदण [ kōndaṇa ] n (कोंदणें) Setting or infixing of gems.(Marathi) খোদকার [ khōdakāra ] n an engraver; a carver. খোদকারি n. engraving; carving; interference in other’s work. খোদাই [ khōdāi ] n engraving; carving. খোদাই করা v. to engrave; to carve. খোদানো v. & n. en graving; carving. খোদিত [ khōdita ] a engraved. (Bengali) खोदकाम [ khōdakāma ] n Sculpture; carved work or work for the carver. खोदगिरी [ khōdagirī ] f Sculpture, carving, engraving: also sculptured or carved work. खोदणावळ [ khōdaṇāvaḷa ] f (खोदणें) The price or cost of sculpture or carving. खोदणी [ khōdaṇī ] f (Verbal of खोदणें) Digging, engraving &c. 2 fig. An exacting of money by importunity. V लाव, मांड. 3 An instrument to scoop out and cut flowers and figures from paper. 4 A goldsmith’s die. खोदणें [ khōdaṇēṃ ] v c & i ( H) To dig. 2 To engrave. खोद खोदून विचारणें or –पुसणें To question minutely and searchingly, to probe. खोदाई [ khōdāī ] f (H.) Price or cost of digging or of sculpture or carving. खोदींव [ khōdīṃva ] p of खोदणें Dug. 2 Engraved, carved, sculptured. (Marathi)
http://bharatkalyan97.blogspot.in/2015/02/meluhha-metalwork-in-lapidary-turner.html
http://bharatkalyan97.blogspot.in/2015/03/explaining-writing-system-as-ciphertext.html
Annex B: aya 'fish' Rebus: ayas 'metal'
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http://bharatkalyan97.blogspot.in/2014/09/ayas-vedic-gloss-in-hieroglyph.html
S. Kalyanaraman
Sarasvati Research Center
August 16, 2015
meRed bica ‘iron stone ore’, lo ‘copper ore’
V326 (Orthographic variants of Sign 326) 
V327 (Orthographic variants of Sign 327)
Sign 51 Variants. It is seen from all these variants, that the semantic focus signified by the orthography is on the 'scorpion's pointed stinger'
These are two glyphs of the script with unique superscripted ligatures; this pair of ligatures does not occur on any other ligatured glyph in the entire corpus of Indus script inscriptions. Orthographically, Sign 51 glyph is a ‘scorpion’; Sign 327 glyph is a ‘ficus glomerata leaf’. The glosses for the ‘sound values’ are, respectively: bica ‘scorpion’ (Santali), lo ‘ficus’ (Santali).
Dravidian proof of Indus Script has been refuted. See link: http://bharatkalyan97.blogspot.in/2015/08/a-four-hieroglyph-multiplex-of.html This note provides additional evidence to support this refutation by providing decipherment of inscriptions which are signified by the 'scorpion''fish' or 'ficus' hieroglyphs of Indus Script. The context of life-activity of the artisans is work in a mint, metalwork.
The inscription on the seal starts with 'scorpion' hieroglyph on modern impression of seal M-414 from Mohenjo-daro. After CISI 1:100. This sign is followed by a hieroglyph multiplex signifyinjg: rimledss pot PLUS ficus leaves PLUS infixed crab hieroglyphs. The terminal sign is 'fish' hieroglyph.
Rebus-metonymy readings in Meluhha cipher (mlecchita vikalpa) are of the three sets of hieroglyph multipexes: 1. meṛed-bica 'iron (hematite) stone ore' 2. bhaTa loh kammaṭa 'furnace copper mint, coiner' 3. aya 'alloy metal'.
Note: The 'ficus' hieroglyph is signified by two glosses: vaTa'banyan'loa 'ficus glomerata'. Rebus: bhaTa 'furnace' loha 'copper, iron'.
http://bharatkalyan97.blogspot.in/2015/08/a-four-hieroglyph-multiplex-of.html
On Mohenjo-daro seal m-414, the 'scorpion' sign is followed by a hieroglyph multiplex which is explained by Asko Parpola:
Parpola illustrates the 'crab' hieroglyhph with the following examples from copper plate inscriptions (Note: there are 240 copper plates with inscriptions from Mohenjo-daro):
Copper tablets from Mohenjo-daro providing a 'pictorial translation' of the Indus sign 'crab inside fig tree' (After Parpola 1994: 234, fig. 13.13)
Variants of 'crab' hieroglyph (After Parpola 1994: 232, cf. 71-72)
The hieroglyph-multiplex, thus orthographically signifies two ficus leaves ligatured to the top edge of a wide rimless pot and a crab hieroglyph is inscripted. In this hieroglyph-multiplex three hieroglyph components are signified: 1. rimless pot, 2. two ficus leaves, 3. crab. baTa 'rimless pot' Rebus: bhaTa 'furnace'; loa 'ficus' Rebus: loha 'copper, iron'; kamaDha 'crab' Rebus: kammaTa 'coiner, mint'.
Examples are:
(http://www.harappa.com/script/script-indus-parpola.pdf Asko Parpola, 2009k,'Hind leg' + 'fish': towards further understanding of the Indus Script, in: SCRIPTA, volume 1 (September 2009): 37-76, The Hummn Jeongeum Society)
Annex A: loa 'ficus glomerata' Rebus: loha 'copper, iron'
lo 'nine', loa 'ficus religiosa' Rebus: loh 'copper'; kunda 'young bull' Rebus: kundār, kũdār 'turner'; firs hieroglph from r. on the text: eraka 'nave of wheel' Rebus: eraka 'moltencast'; arA 'spoke' Rebus: Ara 'brass'; kanac 'corner' Rebus: kancu 'bronze'.lo = nine (Santali) [Note the count of nine fig leaves on m0296]
loa = a species of fig tree, ficus glomerata, the fruit of ficus glomerata (Santali.lex.)
loha lut.i = iron utensils and implements (Santali.lex.)
lauha = made of copper or iron (Gr.S’r.); metal, iron (Skt.); lo_haka_ra = coppersmith, ironsmith (Pali); lo_ha_ra = blacksmith (Pt.); lohal.a (Or.); lo_ha = metal, esp. copper or bronze (Pali); copper (VS.); loho, lo_ = metal, ore, iron (Si.)
Ficus glomerata: loa, kamat.ha = ficus glomerata (Santali); rebus: loha = iron, metal (Skt.) kamat.amu, kammat.amu = portable furnace for melting precious metals (Te.) kammat.i_d.u = a goldsmith, a silversmith (Te.) kampat.t.tam coinage coin (Ta.);kammat.t.am kammit.t.am coinage, mint (Ma.); kammat.a id.; kammat.i a coiner (Ka.)(DEDR 1236)
Sumerian cylinder seal showing flanking goats with hooves on tree and/or mountain. Uruk period. (After Joyce Burstein in: Katherine Anne Harper, Robert L. Brown, 2002, The roots of tantra, SUNY Press, p.100)Hence, two goats + mountain glyph reads rebus: meḍ kundār 'iron turner'. Leaf on mountain: kamaṛkom 'petiole of leaf'; rebus: kampaṭṭam 'mint'. loa = a species of fig tree, ficus glomerata, the fruit of ficus glomerata (Santali) Rebus: lo ‘iron’ (Assamese, Bengali); loa ‘iron’ (Gypsy). The glyphic composition is read rebus: meḍ loa kundār 'iron turner mint'. kundavum = manger, a hayrick (G.) Rebus: kundār turner (A.); kũdār, kũdāri (B.); kundāru (Or.); kundau to turn on a lathe, to carve, to chase; kundau dhiri = a hewn stone; kundau murhut = a graven image (Santali) kunda a turner's lathe (Skt.)(CDIAL 3295) This rebus reading may explain the hayrick glyph shown on the sodagor 'merchant, trader' seal surrounded by four animals.Two antelopes are put next to the hayrick on the platform of the seal on which the horned person is seated. mlekh 'goat' (Br.); rebus: milakku 'copper' (Pali); mleccha 'copper' (Skt.) Thus, the composition of glyphs on the platform: pair of antelopes + pair of hayricks read rebus: milakku kundār 'copper turner'. Thus the seal is a framework of glyphic compositions to describe the repertoire of a brazier-mint, 'one who works in brass or makes brass articles' and 'a mint'.
Ta. meṭṭu mound, heap of earth; mēṭu height, eminence, hillock; muṭṭu rising ground, high ground, heap. Ma. mēṭu rising ground, hillock; māṭu hillock, raised ground; miṭṭāl rising ground, an alluvial bank; (Tiyya) maṭṭa hill. Ka. mēḍu height, rising ground, hillock; miṭṭu rising or high ground, hill; miṭṭe state of being high, rising ground, hill, mass, a large number; (Hav.) muṭṭe heap (as of straw). Tu. miṭṭè prominent, protruding; muṭṭe heap. Te. meṭṭa raised or high ground, hill; (K.) meṭṭu mound; miṭṭa high ground, hillock, mound; high, elevated, raised, projecting; (VPK) mēṭu, mēṭa, mēṭi stack of hay; (Inscr.) meṇṭa-cēnu dry field (cf. meṭṭu-nēla, meṭṭu-vari). Kol. (SR.) meṭṭā hill; (Kin.) meṭṭ, (Hislop) met mountain. Nk. meṭṭ hill, mountain. Ga. (S.3, LSB 20.3) meṭṭa high land. Go. (Tr. W. Ph.) maṭṭā, (Mu.) maṭṭa mountain; (M. L.) meṭā id., hill; (A. D. Ko.) meṭṭa, (Y. Ma. M.) meṭa hill; (SR.) meṭṭā hillock (Voc. 2949). Konḍa meṭa id. Kuwi (S.) metta hill; (Isr.) meṭa sand hill. (DEDR 5058) kamaṛkom = fig leaf (Santali.lex.) kamarmaṛā (Has.), kamaṛkom (Nag.); the petiole or stalk of a leaf (Mundari.lex.)Rebus: kampaṭṭam coinage, coin (Ta.)(DEDR 1236) kampaṭṭa- muḷai die, coining stamp (Ta.) Vikalpa: lo ‘iron’ (Assamese, Bengali); loa ‘iron’ (Gypsy)
Etyma from Indo-Aryan languages: lōhá 'copper, iron'
Bi. lohrā, °rī ʻ small iron pan ʼ.
Bi. lohsārī ʻ smithy ʼ.
Pk. lōhī -- f. ʻ iron pot ʼ; P. loh f. ʻ large baking iron ʼ; A. luhiyā ʻ iron pan ʼ; Bi. lohiyā ʻ iron or brass shallow pan with handles ʼ; G.lohiyũ n. ʻ frying pan ʼ.
N. lokhar ʻ bag in which a barber keeps his tools ʼ; H. lokhar m. ʻ iron tools, pots and pans ʼ; -- X
lauhakāra -- see
P. luhã̄gī f. ʻ staff set with iron rings ʼ, H. lohã̄gī f., M. lohã̄gī, lavh°, lohãgī f.; -- Bi. lohãgā, lahaũgā ʻ cobbler's iron pounder ʼ, Mth.lehõgā.
m0296 See: https://sites.google.com/site/induswriting/epigraphs?pli=1 Decoding of a very remarkable set of glyphs and a 5-sign epigraph on a seal, m0296, together with a review of few other pictographs used in the writing system of Indus script. This seal virtually defines and prefaces the entire corpus of inscriptions of mleccha (cognate meluhha) artisans of smithy guild, caravan of Sarasvati-Sindhu civilization. The center-piece of the orthography is a stylized representation of a 'lathe' which normally is shown in front of a one-horned young bull on hundreds of seals of Indus Script Corpora. This stylized sãghāṛɔ 'lathe' is a layered rebus-metonymy to denote 'collection of implements': sangāṭh संगाठ् । सामग्री m. (sg. dat. sangāṭas संगाटस्), a collection (of implements, tools, materials, for any object), apparatus, furniture, a collection of the things wanted on a journey, luggage, and so on. This device of a stylized 'lathe' is ligatured with a circular grapheme enclosing 'protuberances' from which emanate a pair of 'chain-links'. These hieroglyphs are also read as rebus-metonymy layers to represent a specific form of lapidary or metalwork: goṭī 'lump of silver' (Gujarati); goṭa m. ʻ edging of gold braid ʼ(Kashmiri). Thus, a collection of hieroglyphs are deployed as rebus-metonymy layered encryptions, to convey a message in Meluhha (mleccha) speech form.Hieroglyph: gö̃ṭh 1 अर्गलम्, चिन्हितग्रन्थिः f. (sg. dat. gö̃ṭhi गाँ&above;ठि), a bolt, door-chain; a method of tying up a parcel with a special knot marked or sealed so that it cannot be opened by an unauthorized person. Cf. gã̄ṭh and gö̃ṭhü. -- dyunu -- m.inf. to knot, fasten; to bolt, fasten (a door) (K.Pr. 76). *gōṭṭa ʻ something round ʼ. [Cf. guḍá -- 1. -- In sense ʻ fruit, kernel ʼ cert. ← Drav., cf. Tam. koṭṭai ʻ nut, kernel ʼ, Kan. goṟaṭe &c. listed DED 1722] K. goṭh f., dat. °ṭi f. ʻ chequer or chess or dice board ʼ; S. g̠oṭu m. ʻ large ball of tobacco ready for hookah ʼ, °ṭī f. ʻ small do. ʼ; P. goṭ f. ʻ spool on which gold or silver wire is wound, piece on a chequer board ʼ; N. goṭo ʻ piece ʼ, goṭi ʻ chess piece ʼ; A. goṭ ʻ a fruit, whole piece ʼ, °ṭā ʻ globular, solid ʼ, guṭi ʻ small ball, seed, kernel ʼ; B. goṭā ʻ seed, bean, whole ʼ; Or. goṭā ʻ whole, undivided ʼ, goṭi ʻ small ball, cocoon ʼ, goṭāli ʻ small round piece of chalk ʼ; Bi. goṭā ʻ seed ʼ; Mth. goṭa ʻ numerative particle ʼ; H.goṭ f. ʻ piece (at chess &c.) ʼ; G. goṭ m. ʻ cloud of smoke ʼ, °ṭɔ m. ʻ kernel of coconut, nosegay ʼ, °ṭī f. ʻ lump of silver, clot of blood ʼ, °ṭilɔ m. ʻ hard ball of cloth ʼ; M. goṭām. ʻ roundish stone ʼ, °ṭī f. ʻ a marble ʼ, goṭuḷā ʻ spherical ʼ; Si. guṭiya ʻ lump, ball ʼ; -- prob. also P. goṭṭā ʻ gold or silver lace ʼ, H. goṭā m. ʻ edging of such ʼ (→ K. goṭa m. ʻ edging of gold braid ʼ, S. goṭo m. ʻ gold or silver lace ʼ); M. goṭ ʻ hem of a garment, metal wristlet ʼ. Rebus: °ṭī f. ʻ lump of silver*gōḍḍ -- ʻ dig ʼ see *khōdd -- .Ko. gōṭu ʻ silver or gold braid ʼ.(CDIAL 4271).Rebus: goṭī f. ʻ lump of silver (Gujarati).
Hieroglyph: kaḍī a chain; a hook; a link (G.); kaḍum a bracelet, a ring (G.) Rebus: kaḍiyo [Hem. Des. kaḍaio = Skt. sthapati a mason] a bricklayer; a mason; kaḍiyaṇa, kaḍiyeṇa a woman of the bricklayer caste; a wife of a bricklayer (Gujarati)
Why nine leaves? lo = nine (Santali); no = nine (Bengali) [Note the count of nine ‘ficus’ leaves depicted on the epigraph.]
lo, no ‘nine’ phonetic reinforcement of Hieroglyph: loa ‘ficus’ loa = a species of fig tree, ficus glomerata (Santali) Rebus: lo ‘copper’ (Samskritam) loha lut.i = iron utensils and implements (Santali) lauha = made of copper or iron (Gr.S’r.); metal, iron (Skt.); lo_haka_ra = coppersmith, ironsmith (Pali); lo_ha_ra = blacksmith (Pt.); lohal.a (Or.); lo_ha = metal, esp. copper or bronze (Pali); copper (VS.); loho, lo_ = metal, ore, iron (Si.)
Interlocking bodies: ca_li (IL 3872); rebus: s’a_lika (IL) village of artisans. [cf. sala_yisu = joining of metal (Ka.)]
kamaḍha = ficus religiosa (Skt.); kamar.kom ‘ficus’ (Santali) rebus: kamaṭa = portable furnace for melting precious metals (Te.); kampaṭṭam = mint (Ta.) Vikalpa: Fig leaf ‘loa’; rebus: loh ‘(copper) metal’. loha-kāra ‘metalsmith’ (Sanskrit). loa ’fig leaf; Rebus: loh ‘(copper) metal’ The unique ligatures on the 'leaf' hieroglyph may be explained as a professional designation: loha-kāra 'metalsmith'; kāruvu [Skt.] n. 'An artist, artificer. An agent'.(Telugu).
http://bharatkalyan97.blogspot.in/2014/10/indus-script-inscriptions-examples-of.html
http://bharatkalyan97.blogspot.in/2014/01/some-select-meluhha-hieroglyphs.html
http://bharatkalyan97.blogspot.com.es/2013/12/meluhha-hieroglyphs-of-assur-assur.html
http://bharatkalyan97.blogspot.in/2015/01/multiplex-as-metaphor-ligatures-on.html
sãghāṛɔ 'lathe' is a signifier and the signified is: सं-घात sãghāta 'caravan consignment' [an assemblage, aggregate of metalwork objects (of the turner in workshop): metals, alloys]. sangāṭh संगाठ् । सामग्री m. (sg. dat. sangāṭas संगाटस्), a collection (of implements, tools, materials, for any object), apparatus, furniture, a collection of the things wanted on a journey, luggage, and so on. -- karun -- करुन् । सामग्रीसंग्रहः m.inf. to collect the ab. (L.V. 17).(Kashmiri).
http://bharatkalyan97.blogspot.in/2015/03/emphatic-evidence-for-indus-script.html
http://bharatkalyan97.blogspot.in/2015/02/vajra-sanghata-binding-together.html
Hieroglyph: one-horned young bull: खोंड (p. 216) [ khōṇḍa ] m A young bull, a bullcalf. Rebus: कोंद kōnda ‘engraver, lapidary setting or infixing gems’ (Marathi)
kot.iyum = a wooden circle put round the neck of an animal; kot. = neck (G.lex.) [cf. the orthography of rings on the neck of one-horned young bull]. ko_d.iya, ko_d.e = young bull; ko_d.elu = plump young bull; ko_d.e = a. male as in: ko_d.e du_d.a = bull calf; young, youthful (Te.lex.)
Glyph: ko_t.u = horns (Ta.) ko_r (obl. ko_t-, pl. ko_hk) horn of cattle or wild animals (Go.); ko_r (pl. ko_hk), ko_r.u (pl. ko_hku) horn (Go.); kogoo a horn (Go.); ko_ju (pl. ko_ska) horn, antler (Kui)(DEDR 2200). Homonyms: kohk (Go.), gopka_ = branches (Kui), kob = branch (Ko.) gorka, gohka spear (Go.) gorka (Go)(DEDR 2126).
kod. = place where artisans work (Gujarati) kod. = a cow-pen; a cattlepen; a byre (G.lex.) gor.a = a cow-shed; a cattleshed; gor.a orak = byre (Santali.lex.) got.ho [Skt. kos.t.ha the inner part] a warehouse; an earthen
Rebus: kõdā‘to turn in a lathe’(B.) कोंद kōnda ‘engraver, lapidary setting or infixing gems’ (Marathi) koḍ ‘artisan’s workshop’ (Kuwi) koḍ = place where artisans work (G.) ācāri koṭṭya ‘smithy’ (Tu.) कोंडण [kōṇḍaṇa] f A fold or pen. (Marathi) B. kõdā ‘to turn in a lathe’; Or.kū̆nda ‘lathe’, kũdibā, kū̃d ‘to turn’ (→ Drav. Kur. Kū̃d ’ lathe’) (CDIAL 3295) A. kundār, B. kũdār, ri, Or.Kundāru; H. kũderā m. ‘one who works a lathe, one who scrapes’, rī f., kũdernā ‘to scrape, plane, round on a lathe’; kundakara—m. ‘turner’ (Skt.)(CDIAL 3297). कोंदण [ kōndaṇa ] n (कोंदणें) Setting or infixing of gems.(Marathi) খোদকার [ khōdakāra ] n an engraver; a carver. খোদকারি n. engraving; carving; interference in other’s work. খোদাই [ khōdāi ] n engraving; carving. খোদাই করা v. to engrave; to carve. খোদানো v. & n. en graving; carving. খোদিত [ khōdita ] a engraved. (Bengali) खोदकाम [ khōdakāma ] n Sculpture; carved work or work for the carver. खोदगिरी [ khōdagirī ] f Sculpture, carving, engraving: also sculptured or carved work. खोदणावळ [ khōdaṇāvaḷa ] f (खोदणें) The price or cost of sculpture or carving. खोदणी [ khōdaṇī ] f (Verbal of खोदणें) Digging, engraving &c. 2 fig. An exacting of money by importunity. V लाव, मांड. 3 An instrument to scoop out and cut flowers and figures from paper. 4 A goldsmith’s die. खोदणें [ khōdaṇēṃ ] v c & i ( H) To dig. 2 To engrave. खोद खोदून विचारणें or –पुसणें To question minutely and searchingly, to probe. खोदाई [ khōdāī ] f (H.) Price or cost of digging or of sculpture or carving. खोदींव [ khōdīṃva ] p of खोदणें Dug. 2 Engraved, carved, sculptured. (Marathi)
http://bharatkalyan97.blogspot.in/2015/02/meluhha-metalwork-in-lapidary-turner.html
Annex B: aya 'fish' Rebus: ayas 'metal'
The meaning of 'ayas' in Rigveda has been uncertain and conjectures have been made from the texts as exemplified by the succinct presentation by
Arthur Anthony Macdonell, and Arthur Berriedale Keith:
A more precise understanding of the gloss 'ayas' comes from the frequent use of a hieroglyph on Indus Script inscriptions. A Munda gloss for fish is 'aya'. Read rebus: aya 'iron' (Gujarati) ayas 'metal' (Vedic). The script inscriptions indicate a set of modifiers or ligatures to the hieroglyph indicating that the metal, aya, was worked on during the early Bronze Age metallurgical processes -- to produce aya ingots, aya metalware,aya hard alloys.    Fish hieroglyph in its vivid orthographic form is shown in a Susa pot which contained metalware -- weapons and vessels.  Context for use of ‘fish’ glyph. This photograph of a fish and the ‘fish’ glyph on Susa pot are comparable to the ‘fish’ glyph on Indus inscriptions. Read on the arguments at: http://bharatkalyan97.blogspot.com/2011/11/decoding-fish-and-ligatured-fish-glyphs.html The modifiers to the 'fish' hieroglyph which commonly occur together are: slanted stroke, notch, fins, lid-of-pot ligatured as superfix:  For determining the semantics of the messages conveyed by the script. Positional analysis of ‘fish’ glyphs has also been presented in: The Indus Script: A Positional-statistical Approach By Michael Korvink, 2007, Gilund Press.Table from: The Indus Script: A Positional-statistical Approach By Michael Korvink, 2007, Gilund Press. Mahadevan notes (Para 6.5 opcit.) that ‘a unique feature of the FISH signs is their tendency to form clusters, often as pairs, and rarely as triplets also. This pattern has fascinated and baffled scholars from the days of Hunter posing problems in interpretation.’ One way to resolve the problem is to interpret the glyptic elements creating ligatured fish signs and read the glyptic elements rebus to define the semantics of the message of an inscription. karaṇḍa ‘duck’ (Sanskrit) karaṛa ‘a very large aquatic bird’ (Sindhi) Rebus: करडा [karaḍā] Hard from alloy--iron, silver &c. (Marathi) Rebus: fire-god: @B27990. #16671. Remo <karandi>E155 {N} ``^fire-^god''.(Munda) Rebus:. kharādī ‘ turner’ (Gujarati)  The 'parenthesis' modifier is a circumfix for both 'fish' and 'duck' hieroglyphs, the semantics of () two parenthetical modifiers are: kuṭilá— ‘bent, crooked’ KātyŚr., °aka— Pañcat., n. ‘a partic. plant’ [√kuṭ 1] Pa. kuṭila— ‘bent’, n. ‘bend’; Pk. kuḍila— ‘crooked’, °illa— ‘humpbacked’, °illaya— ‘bent’DEDR 2054 (a) Ta. koṭu curved, bent, crooked; koṭumai crookedness, obliquity; koṭukki hooked bar for fastening doors, clasp of an ornament. A pair of curved lines: dol ‘likeness, picture, form’ [e.g., two tigers, two bulls, sign-pair.] Kashmiri. dula दुल । युग्मम् m. a pair, a couple, esp. of two similar things (Rām. 966). Rebus: dul meṛeḍ cast iron (Mundari. Santali) dul ‘to cast metal in a mould’ (Santali) pasra meṛed, pasāra meṛed = syn. of koṭe meṛed = forged iron, in contrast to dul meṛed, cast iron (Mundari.) Thus, dul kuṭila ‘cast bronze’. The parenthetically ligatured fish+duck hieroglyphs thus read rebus: dul kuṭila ayas karaḍā 'cast bronze ayasor cast alloy metal with ayas as component to create karaḍā ''hard alloy with ayas'.  Ligatures to fish: parentheses + snout dul kuṭila ayas 'cast bronze ayas alloy with tuttha, copper sulphate' Modifier hieroglyph: 'snout' Hieroglyph: WPah.kṭg. ṭōṭ ʻ mouth ʼ.WPah.kṭg. thótti f., thótthəṛ m. ʻ snout, mouth ʼ, A. ṭhõt(phonet. thõt) (CDIAL 5853). Semantics, Rebus: tutthá n. (m. lex.), tutthaka -- n. ʻ blue vitriol (used as an eye ointment) ʼ Suśr., tūtaka -- lex. 2. *thōttha -- 4. 3. *tūtta -- . 4. *tōtta -- 2. [Prob. ← Drav. T. Burrow BSOAS xii 381; cf. dhūrta -- 2 n. ʻ iron filings ʼ lex.]1. N. tutho ʻ blue vitriol or sulphate of copper ʼ, B. tuth.2. K. thŏth, dat. °thas m., P. thothā m.3. S.tūtio m., A. tutiyā, B. tũte, Or. tutiā, H. tūtā, tūtiyā m., M. tutiyā m. 4. M. totā m.(CDIAL 5855) Ka. tukku rust of iron; tutta, tuttu, tutte blue vitriol. Tu. tukků rust; mair(ů)suttu, (Eng.-Tu. Dict.) mairůtuttu blue vitriol. Te. t(r)uppu rust; (SAN) trukku id., verdigris. / Cf. Skt. tuttha- blue vitriol (DEDR 3343). Fish + corner, aya koṇḍa, ‘metal turned or forged’ Fish, aya ‘metal’ Fish + scales, aya ã̄s (amśu) ‘metallic stalks of stone ore’. Vikalpa: badhoṛ ‘a species of fish with many bones’ (Santali) Rebus: baḍhoe ‘a carpenter, worker in wood’; badhoria ‘expert in working in wood’(Santali) Fish + splinter, aya aduru ‘smelted native metal’ Fish + sloping stroke, aya ḍhāḷ ‘metal ingot’ Fish + arrow or allograph, Fish + circumscribed four short strokes  This indication of the occurrence, together, of two or more 'fish' hieroglyphs with modifiers is an assurance that the modifiers ar semantic indicators of how aya 'metal' is worked on by the artisans. ayakāṇḍa ‘’large quantity of stone (ore) metal’ or aya kaṇḍa, ‘metal fire-altar’. ayo, hako 'fish'; ãs = scales of fish (Santali); rebus: aya ‘metal, iron’ (G.); ayah, ayas = metal (Skt.) Santali lexeme, hako ‘fish’ is concordant with a proto-Indic form which can be identified as ayo in many glosses, Munda, Sora glosses in particular, of the Indian linguistic area. beḍa hako (ayo) ‘fish’ (Santali); beḍa ‘either of the sides of a hearth’ (G.) Munda: So. ayo `fish'. Go. ayu `fish'. Go <ayu> (Z), <ayu?u> (Z),, <ayu?> (A) {N} ``^fish''. Kh. kaDOG `fish'. Sa. Hako `fish'. Mu. hai (H) ~ haku(N) ~ haikO(M) `fish'. Ho haku `fish'. Bj. hai `fish'. Bh.haku `fish'. KW haiku ~ hakO |Analyzed hai-kO, ha-kO (RDM). Ku. Kaku`fish'.@(V064,M106) Mu. ha-i, haku `fish' (HJP). @(V341) ayu>(Z), <ayu?u> (Z) <ayu?>(A) {N} ``^fish''. #1370. <yO>\\<AyO>(L) {N} ``^fish''. #3612. <kukkulEyO>,,<kukkuli-yO>(LMD) {N} ``prawn''. !Serango dialect. #32612. <sArjAjyO>,,<sArjAj>(D) {N} ``prawn''. #32622. <magur-yO>(ZL) {N} ``a kind of ^fish''. *Or.<>. #32632. <ur+GOl-Da-yO>(LL) {N} ``a kind of ^fish''. #32642.<bal.bal-yO>(DL) {N} ``smoked fish''. #15163. Vikalpa: Munda: <aDara>(L) {N} ``^scales of a fish, sharp bark of a tree''.#10171. So<aDara>(L) {N} ``^scales of a fish, sharp bark of a tree''. Indian mackerel Ta. ayirai, acarai, acalai loach, sandy colour, Cobitis thermalis; ayilai a kind of fish. Ma.ayala a fish, mackerel, scomber; aila, ayila a fish; ayira a kind of small fish, loach (DEDR 191) aduru native metal (Ka.); ayil iron (Ta.) ayir, ayiram any ore (Ma.); ajirda karba very hard iron (Tu.)(DEDR 192). Ta. ayil javelin, lance, surgical knife, lancet.Ma. ayil javelin, lance; ayiri surgical knife, lancet. (DEDR 193). aduru = gan.iyinda tegadu karagade iruva aduru = ore taken from the mine and not subjected to melting in a furnace (Ka. Siddhānti Subrahmaṇya’ Śastri’s new interpretation of the AmarakoŚa, Bangalore, Vicaradarpana Press, 1872, p.330); adar = fine sand (Ta.); ayir – iron dust, any ore (Ma.) Kur. adar the waste of pounded rice, broken grains, etc. Malt. adru broken grain (DEDR 134). Ma. aśu thin, slender;ayir, ayiram iron dust.Ta. ayir subtlety, fineness, fine sand, candied sugar; ? atar fine sand, dust. அய.ர³ ayir, n. 1. Subtlety, fineness; நணசம. (த_வ_.) 2. [M. ayir.] Fine sand; நணமணல. (மலசலப. 92.) ayiram, n. Candied sugar; ayil, n. cf. ayas. 1. Iron; 2. Surgical knife, lancet; Javelin, lance; ayilavaṉ, Skanda, as bearing a javelin (DEDR 341).Tu. gadarů a lump (DEDR 1196)  kadara— m. ‘iron goad for guiding an elephant’ lex. (CDIAL 2711). अयोगूः A blacksmith; Vāj.3.5. अयस् a. [इ-गतौ-असुन्] Going, moving; nimble. n. (-यः) 1 Iron (एति चलति अयस्कान्तसंनिकर्षं इति तथात्वम्; नायसोल्लिख्यते रत्नम् Śukra 4.169. अभितप्तमयो$पि मार्दवं भजते कैव कथा शरीरिषु R.8.43. -2 Steel. -3 Gold. -4 A metal in general. ayaskāṇḍa 1 an iron-arrow. -2 excellent iron. -3 a large quantity of iron. -क_नत_(अयसक_नत_) 1 'beloved of iron', a magnet, load-stone; 2 a precious stone; ˚मजण_ a loadstone; ayaskāra 1 an iron-smith, blacksmith (Skt.Apte) ayas-kāntamu. [Skt.] n. The load-stone, a magnet. ayaskāruḍu. n. A black smith, one who works in iron. ayassu. n. ayō-mayamu. [Skt.] adj. made of iron (Te.) áyas— n. ‘metal, iron’ RV. Pa. ayō nom. sg. n. and m., aya— n. ‘iron’, Pk. aya— n., Si. ya. AYAŚCŪRṆA—, AYASKĀṆḌA—, *AYASKŪṬA—. Addenda: áyas—: Md. da ‘iron’, dafat ‘piece of iron’. ayaskāṇḍa— m.n. ‘a quantity of iron, excellent iron’ Pāṇ. gaṇ. viii.3.48 [ÁYAS—, KAA ́ṆḌA—]Si.yakaḍa ‘iron’.*ayaskūṭa— ‘iron hammer’. [ÁYAS—, KUU ́ṬA—1] Pa. ayōkūṭa—, ayak m.; Si. yakuḷa‘sledge —hammer’, yavuḷa (< ayōkūṭa) (CDIAL 590, 591, 592). cf. Lat. aes , aer-is for as-is ; Goth. ais , Thema aisa; Old Germ. e7r , iron ;Goth. eisarn ; Mod. Germ. Eisen. Note on (amśu) ‘metallic stalks of stone ore’. An uncertain meaning of soma in Rigveda though the entire samhita holds the processing of soma in a nutshell, can be resolved in the context of modifers to 'fish' hieroglyph to denote 'fins or scales'. The vedic texts provide an intimation treating amśu as a synonym of soma. George Pinault has found a cognate word in Tocharian, ancu which means 'iron'. I have argued in my book, Indian alchemy, soma in the Veda, that Soma was an allegory, 'electrum' (gold-silver compound). See: http://bharatkalyan97.blogspot.in/2011/10/itihasa-and-eagle-narratives.html for Pinault's views on ancu, amśu concordance. The link with the Tocharian word is intriguing because Soma was supposed to come from Mt. Mujavant. A cognate of Mujavant is Mustagh Ata of the Himalayan ranges in Kyrgystan. Is it possible that the ancu of Tocharian from this mountain was indeed Soma? The referemces to Anzu in ancient Mesopotamian tradition parallels the legends of śyena 'falcon' which is used in Vedic tradition of Soma yajña attested archaeologically in Uttarakhand with a śyenaciti, 'falcon-shaped' fire-altar. http://bharatkalyan97.blogspot.in/2011/11/syena-orthography.html śyena, orthography, Sasanian iconography. Continued use of Indus Script hieroglyphs. I suggest that ayas of bronze age created a revolutionary transformation in the lives of people of these bronze age times. |
Maybe, Tocharian ancu had the same meaning as Rigvedic gloss, amśu. If so, ancu might have denoted electrum, 'gold-silver compound' which was subjected to reduction, by oxidation of impurities, by incessant firing for five days and nights to create the shining wealth of gold. The old Egyptian gloss for electrum wasassem, cognate soma.
http://bharatkalyan97.blogspot.in/2014/09/ayas-vedic-gloss-in-hieroglyph.html
S. Kalyanaraman
Sarasvati Research Center
August 16, 2015